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The Letters of Rabbi Samuel S. Cohon
Baruch J. Cohon, ed.. Faithfully Yours: Selected Rabbinical Correspondence of Rabbi Samuel S. Cohon during the Years 1917-1957. Jersey City: KTAV Publishing House, 2008. xvii + 407 pp. $29.50, cloth, ISBN 978-1-60280-019-9. Reviewed by Dana Evan Kaplan Published on H-Judaic (June, 2009) Commissioned by Jason Kalman (Hebrew Union College - Jewish Institute of Religion) Samuel S. Cohon is a largely forgotten fgure. became popular, was deeply interested in Jewish The results of googling his name are quite limited. mysticism. Cohon helped guide the Reform move‐ Michael A. Meyer discusses him in his Response to ment through difficult terrain at a critical time in Modernity and a select number of other writers American Jewish history. Cohon is best known for have analyzed specific aspects of his intellectual his drafting of “The Columbus Platform: The Guid‐ contribution to American Reform Judaism, but ing Principles for Reform Judaism,” which is seen there has been relatively little written about Co‐ as having reversed the anti-Zionism of the “Pitts‐ hon.[1] The American Jewish Archives in Cincin‐ burgh Platform” of 1885. He is also of historical nati, Ohio, has an extensive collection of his pa‐ importance because of the role that he played in pers, and booksellers still stock a number of his critiquing the Union Prayer Book (UPB), which books, but most American Jews have no idea who was the prayer book in virtually every Reform he was. Even those with a serious interest in temple from the end of the nineteenth century American Jewish history or Reform Judaism are until the publication of The Gates of Prayer: The unlikely to know very much about him. -
INTRODUCING SIDDUR LEV CHADASH Charles H Middleburgh on Behalf of John D Rayner
33¢, INTRODUCING SIDDUR LEV CHADASH Charles H Middleburgh on behalf of John D Rayner On this momentous day in our movement’s history I stand here to perform a function that all of us would have liked John Rayner to have been able to carry out. John is recovering well from his heart surgery and we send him our sincere good wishes for a refitah sh ’lemah, a speedy return to full health and vigour. In his unavoidable absence, and based almost totally on the text he would have delivered to you all, it therefore gives me great pleasure(although the phrase has rarely seemed less adequate) to present to this conference, and to the Union of Liberal and Progressive Synagogues, the long-awaited Siddur Lev Chadash. I do so on behalf of the Editorial Committee and all who have been involved in the compilation and production of the book. It has been said that objectivity is a fine quality that each of us should develop, and I dare say that there are many who would approach the presentation of Siddur Lev Chadash with far greater objectivity than do I; my excuse then for being here, in spite of my irrcdeemably subjective approach to my present task is that I do, at least, have the advantage of - knowing the new book rather well just as a parent knows its child; r‘ if. except, of course, that this particular child is biologically unusual in that its gestation has taken several years, and that it has a plurality of COLLEG mothers and fathers, otherwise known as the Editorial Committee. -
Chicago Conference Shabbaton 2019 March 10-11 March
Chicago Conference Shabbaton Co-sponsored by the Department of Jewish Studies of McGill University, the Cantors Assembly, the American 2019 March 10-11 March 8-9 Conference of Cantors, Spertus Institute for Jewish Learning and Leadership, KAM Isaiah Israel, Congregation Rodfei Zedek, Mishkan Chicago, The University of Chicago Newberger Hillel Center, the Women Cantors’ Network, and Reconstructing Judaism. PRESENTING SPONSORS: i Acknowledgements We are honored to dedicate this conference and Shabbaton to the memory of the gifted Jewish musicologist Dr. Judith Kaplan Eisenstein (1909-1996), z”l. We thank the members of our conference We thank the members of our Shabbaton planning committee: planning committee: Cantor Matthew Austerklein Cantor Miriam Eskenasy Cantor David Berger Ms. Shirley Holbrook Dr. Eric Caplan Ms. Christine Kelner Dr. Judah Cohen Mr. Douglas Kelner Ms. Mili Leitner Cohen Ms. Joan Pomaranc Rabbi Joshua Feigelson Cantor David Berger Cantor Benjie Ellen Schiller Rabbi Anna Levin Rosen Ms. Jane Susswein Cantor Rachel Rosenberg Mr. Daniel Goldman Cedarbaum, Chair Mr. Daniel Goldman Cedarbaum, Chair ii Sunday, March 10, 2019 AT SWIFT HALL ON THE UNIVERSITY OF CHICAGO CAMPUS, 1025 EAST 58TH STREET, CHICAGO, IL 60637 10:00-11:00 Roundtables and Workshops (Concurrent Sessions) Present at the Creation: Debbie Friedman and the Birth of a New American-Jewish Song Jeff Klepper Listening to Otherness in Singing Elie Holzer A New Piyyut Collection for Communal Singing Jack Kessler Hasidic Music: Spiritual Heights and Worldly Challenges -
Sim Shalom: the Perfect Prayer
Rabbi Menachem Penner Focusing on Max and Marion Grill Dean, RIETS Tefilla SIM SHALOM: THE PERFECT PRAYER e end the Amidah — makes peace in His heights.” G-d, the Torah of life, love of kindness, both on weekdays and Masekhet Derekh Eretz, Perek righteousness, blessing, mercy, life and holy days — with a Shalom no. 19 peace. tefillahW for peace. This is in keeping There are, however, multiple reasons Moreover, the closing (and opening) with the tradition of concluding our to question whether Sim Shalom is a berakhot of Shemoneh Esreh — prayers with the hope for shalom: mere request for peace. Retzei, Modim, and Sim Shalom — אמר ר' יהושע דסכנין בשם ר' לוי גדול השלום Indeed, the first half of the berakhah are not supposed to be requests at all! - שכל הברכות והתפלות חותמין בשלום: אמר רב יהודה לעולם אל ישאל אדם צרכיו :asks for more than peace קרית שמע - חותמה בשלום - "ופרוס סוכת לא בג' ראשונות ולא בג' אחרונות - אלא ָ לֹוםשִ ים ׁשטֹוָבה ּובְ ָרָכֵה חָן ו ֶֽחֶסד וְ ַרֲחמִ ים באמצעיות: שלומך". ברכת כהנים - חותמה בשלום ָע ֵֽלינּו וְ ַעָל כל יִשְ ָרֵאַל ע ָברְ ֶֽמָך׃ ֵֽכנּוָ, אבִֽ ינּוֻ, כ ָֽלנּו - שנאמר "וישם לך שלום". וכל הברכות - R’ Yehudah said: A person should not כְ ֶאָחד בְ ָאֹור כִי בְ פֶֽניָך ָאֹור נ פֶֽנָיָךַֽתָת ָֽ לנּו ה' חותמין בשלום - "עושה שלום במרומיו." ask for his needs — not during the first ֱאֹלקינּו ת ַֹורַת חיִים וְ ַֽאֲהַב ֶֽת חֶסד ּוצְ ָדָקה ּובְ ָרָכה Said R’ Yehoshua of Sachnin in the of the Amidah] and not] וְ three blessingַרֲחמִ ים וְ ַחיִים וְ ָ ׁשלֹום׃ name of R’ Levi: All the blessings and during the last three blessings. -
Transdenominational MA in Jewish Music Program, Preparing
THIS IS THE INSIDE FRONT COVER EDITOR: Joseph A. Levine ASSOCIATE EDITOR: Richard Berlin EDITORIAL BOARD Rona Black, Shoshana Brown, Geoffrey Goldberg, Charles Heller, Kimberly Komrad, Sheldon Levin, Laurence Loeb, Judy Meyersberg, Ruth Ross, Neil Schwartz, Anita Schubert, Sam Weiss, Yossi Zucker TheJournal of Synagogue Music is published annually by the Cantors As- sembly. It offers articles and music of broad interest to theh azzan and other Jewish professionals. Submissions of any length from 1,000 to 10,000 words will be consid ered. GUIDELINES FOR SUBMITTING MATERIAL All contributions and communications should be sent to the Editor, Dr. Joseph A. Levine—[email protected]—as a Word docu- ment, with a brief biography of the author appended. Musical and/or graphic material should be formatted and inserted within the Word document. Footnotes are used rather than endnotes, and should conform to the fol- lowing style: A - Abraham Idelsohn, Jewish Liturgy (New York: Henry Holt), 1932: 244. B - Samuel Rosenbaum, “Congregational Singing”; Proceedings of the Cantors Assembly Convention (New York: Jewish Theological Seminary), February 22, 1949: 9-11. Layout by Prose & Con Spirito, Inc., Cover design and Printing by Replica. © Copyright 2009 by the Cantors Assembly. ISSN 0449-5128 ii FROM THE EDITOR: The Issue of Niggunim in Worship: Too Much of a Good Thing? ..................................................4 THE NEO-HASIDIC REVIVAL AT 50 Music as a Spiritual Process in the Teachings of Rav Nahman of Bratslav Chani Haran Smith. 8 The Hasidic Niggun: Ethos and Melos of a Folk Liturgy Hanoch Avenary . 48 Carlebach, Neo-Hasidic Music and Liturgical Practice Sam Weiss. -
Siddur Pirchei Kodesh
סדור פרחי קדש Siddur Pirchei Kodesh Shabbat Evening Service Excerpted from the Complete Siddur Toronto 2011—5772 Copyright © 2011 by Holy Blossom Temple. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, scanning, or any information or storage retrieval system, without written permission from Holy Blossom Temple. An extension of the copyright page begins on page 603, and includes a list of references, credits, acknowledgments, and sources for copyrighted materials which are used herein. Additional information enabling the publisher to further clarify or update any such references, credits, acknowledgements and/or sources in subsequent editions is welcomed. Holy Blossom Temple 1950 Bathurst Street Toronto, Ontario M5P 3K9 www.holyblossom.org Library and Archives Canada Cataloguing in Publication Sidur Pir h. e K. odesh = Siddur Pirchei Kodesh : a prayerbook for weekdays, Shabbat, festivals and other sacred occasions. Text in English and Hebrew. ISBN 978-0-9698469-3-2 1. Judaism—Prayers and devotions. I. Holy Blossom Temple (Toronto, Ont.) BM665.A3H65 2011 296.4'5 C2011-905196-6 Front cover graphic: detail from Herman Chapel Ark doors Produced for Holy Blossom Temple by Malcolm Lester & Associates Editorial: Cy Strom, Diane Kriger Design and production coordination: Jack Steiner Typesetting: Baruch Sienna, Jack Steiner Permissions and sources: Meghan Behse, Leslie de Freitas Printed in Canada by Webcom 1 2 3 13 12 11 Siddur -
Composer Biographies and Annotations
The Composers — ROBERT APPLEBAUM (bobapplebaum.com) For many years, music was an abiding love but a professional sideline for Robert Applebaum, who taught physics and chemistry at New Trier High School, Winnetka, IL, from 1965 until his retirement in June 2000. He began composing choral music for the Jewish liturgy in 1980 and has written three Sabbath services, including one for choir and jazz trio. He has composed choral settings of many psalms as well as non-secular texts. Professional, community, and children’s choirs throughout the world have performed Applebaum’s music. Chicago a cappella included two of his Chanukah pieces on their 2002 recording Holidays Live and three of his settings of Shakespeare texts on their highly acclaimed 2005 Çedille release, Shall I Compare Thee? His setting of Im Ein Ani Li Mi Li is included on Chicago a cappella’s 2010 recording, Days of Awe and Rejoicing. As a jazz pianist/composer, he has three albums to his credit: Hora and Blue (Global Village, 1993) with the Modern Klezmer Quartet, The Apple Doesn’t Fall Far From the Tree (jazz piano duos with his son Mark Applebaum (Innova, 2002), and Friday Night Jazz Service (2007). ROBERT APPLEBAUM on El Malei Rachamim “When Cantor Nancy Kassel contacted me with the assignment to set this prayer, my first re- sponse was ‘Thank you for giving me such a juicy text!’. Three images in this text resonated for me: A merciful and compassionate God, the wings of the Shechinah providing shelter and repose, and the binding of the souls of those who have died to Adonai, and by extension, to us, the living. -
Israel's 60Th Anniversary and ARZA's 30Th Anniversary
Israel's 60th Anniversary and ARZA's 30th Anniversary So long as still within the inmost heart a Jewish spirit sings, so long as the eye looks eastward, gazing towards Zion, our hope is not lost — that hope of two millennia, to be a free people in our land, the land of Zion and Jerusalem. (Hatikvah, Tr. Gates of Prayer: The New Union Prayer Book, 1975) The sixtieth anniversary of the State of Israel, May 2008, offers the opportunity to celebrate the miracle of Israel's birth and existence, to applaud her accomplishments, to marvel at her future potential, and to remind ourselves of the dangers of powerlessness. In this same year the thirtieth anniversary of the founding of ARZA, the Association of Reform Zionists of America, provides us with an opportunity to consider anew the place of Israel and Zionism in the sacred life of Reform Jews. Reform Zionism represents a commitment to love of Israel. This is a love that is in no way incompatible with constant, honest efforts to help Israel become the society that her founders and her citizens have dreamed she can be, based on sacred values of universal human dignity, uncompromising justice, and Jewish sovereignty. This is the time for Reform Jews to proclaim Israel and Jewish peoplehood to be core components of their personal and communal Jewish identities, no less so than God, Torah, personal spirituality, or a commitment to tikkun olam. Therefore Women of Reform Judaism calls on its sisterhoods to: 1. Join in reaffirming our commitment, as Reform Jews, to the security and welfare of the State of Israel and to all ongoing sacred efforts to make her a more just, pluralistic, and democratic state, 2. -
Introducing Siddur Sim Shalom
Introducing Siddur Sim Shalom Jules Harlow Any authentic Jewish prayerbook has its roots in the biblical and rabbinic texts which constitute the core of every service. Passages from the Torah, from Psalms and from the Prophets, among other biblical sources, were arranged for prayer by the ancient Rabbis of the first to the sixth centuries who also contributed their own liturgical formulations. These two elements—biblical and rabbinic—continue to sustain and inspire us as the basic texts of Jewish prayer, together with additions and modifications which have been made throughout the centuries. The two oldest versions of the prayerbook that we know (arranged by Rav Amram Gaon of ninth-century Babylonia and by Rav Saadiah of tenth- century Egypt) prescribe specific texts which incorporate contributions of preceding generations and add commentary, new prayers, poetry and modi fications to the texts which they had received. From the perspective of the twentieth century, these two versions might appear to be quite similar, but they do differ from each other, and they do feature different emphases. Individuals and groups in the succeeding generations, through modern times, have introduced their own modifications, deletions, additions, commentary and poetry, producing a great variety of prayer books. A number of other versions or rites (called minhagim) were also developed, each of them within a country or a smaller geographical area where a distinctive Jewish community flourished. At times, one or another of these versions was adopted by communities in other locales as well. Some of the prayer books have differed substantially from those in the mainstream of Jewish liturgy, but most of them incorporate and perpetuate the classic Jewish liturgical texts of biblical and rabbinic origin as their essential core. -
Holy Jewish Texts and Teachings About Peace
Holy Jewish Texts and Teachings About Peace By Rabbi Pam Frydman © copyright 2019. All rights reserved. To request permission to reprint any part of this paper, please email rabbipam.be@gmail Peace is an elusive phenomenon that is, or may be, desired by those who have no appetite for armed conflict. Peace is especially desirable by people for whom the world is better when they are not in danger of armed conflict. However, even soldiers and sailors on active duty may wish for peace. One of the important paths to peace is through understanding. This purpose of this chapter is to provide an introduction to core Jewish texts and examples of some of the Jewish views found in these texts on the subject of peace and understanding. TANAKH – HEBREW BIBLE – JEWISH HOLY SCRIPTURES The Hebrew Bible is called Tanakh.1 Tanakh is an acronym. “T” stands for Torah, meaning “Teachings”, and refers to the first five booKs of the TanaKh, which contain the stories of creation, the founders of the Jewish faith, the exodus from slavery, and the forty years of wandering in the wilderness. Interspersed among the stories in the Torah are 613 commandments called mitz- vot that formed the original basis of Judaism. “N” stands for Nevi-im, meaning “Prophets”, and contains eight books of prophecy, stories and legends. “K” stands for Ketuvim, meaning “Writings”, and contains eleven books that include history, parables, philosophy and poetry. Each of the booKs in the TanaKh are described in the final section of this chapter, entitled, “Books of the Tanakh”. 1 Tanakh is also spelled Tanach. -
A the Intra-Lingual and Inter-Lingual Translation of the Siddur by The
The Intra-lingual and Inter-lingual Translation of the Siddur by the American Reform Movement as an Expression of the Movement’s Ideological Changes and in Light of the Historical Events and Social Transformations that Took Place from the Middle of the 19th Century until 2007. Nurit Eliassaf Abstract This thesis explores the impact of the American Jewish Reform movement’s ideology, which evolved as a result of historical events and social permutations, on intra-lingual and inter- lingual translations of its prayer books. The study reviews five prayer books that have been used from the establishment of the movement until today – Minhag America, printed in 1872; The Union Prayer Book, 1892 (UPB1892); The Union Prayerbook for Jewish Worship 1940 (UPB1940); Gates of Prayer 1975; and Mishkan T'filah, 2007. This thesis addresses three research questions that examine the Reform prayer books from three different perspectives: a. What are the relations between the intra-lingual and inter-lingual translations which constitute the Reform prayer books and how do they reflect the status of the English language as the primary language spoken by the worshippers, compared to the status of Hebrew as the holy language? b. How do the various translations reflect the tension between the American identity of the worshippers and their desire for cultural and social immersion into American society, on the one hand, and their Jewish identity and longing to return to the Land of Israel as reflected in traditional Jewish prayer, on the other hand? a c. How do -
Siddur on the Hill
SSiidddduurr oonn tthhee HHiillll For Friday night Shabbat services at HAVURAH ON THE HILL AT THE VILNA SHUL TABLE OF CONTENTS ii. INTRODUCTION 2. CANDLE LIGHTING 3. KABBALAT SHABBAT 20. MA’ARIV 57. MEALTIME PRAYERS 60. ACKNOWLEDGMENTS 60. SOURCES This book is a joint work of the following people and is under the copyright (2011) of: Malka Benjamin, Sue Gilbert, Dallas Kennedy, Michal Kennedy, Chelley Leveillee, Deborah Melkin, Robyn Ross, Atara Schimmel, Morris A. Singer, and Georgi Vogel Rosen. This work is licensed under the Creative Commons Attribution 3.0 Unported (CC BY 3.0) License. The text of this license is available at (http://creativecommons.org/licenses/by/3.0/). No claim is made to any Hebrew text, nor any other work included herein that is used under license, as noted below. Interpretive readings are used under license. Translations to the following prayers are under the copyright of Rabbi Sam Secol and are used under license: Ana Bakoakh, Barkhu, Maariv Aravim, Ahavat Olam, Shma Yisrael, Ve’ahavta, Vayomer, Ehmeht ve’Ehmuna, Mi Khamokha, Hashkivehnu le’Shalom, ve’Shamru et ha’Shabbat, Tefilat ha’Amidah (holiday sections), Tefilat Ha’Amidah – Shalom, Yihyu Leratzon, Elohei Netzar, Vayikhulu, Al Kehn Nekaveh, Shalom Alekhem, and Kiddush. Rabbi Secol has licensed these translations under the Creative Commons Attribution 3.0 Unported (CC BY 3.0) License (http://creativecommons.org/licenses/by/3.0/). Translations to the following prayers are derived from works under the copyright of Wikipedia and are used under the Creative Commons Attribution-ShareAlike 3.0 Unported License (http://en.wikipedia.org/wiki/Wikipedia:Copyrights): Lekha Dodi, Kaddish, Tefilat ha’Amidah, Magehn Avot, Alehnu Leshabeh’akh, Adon Olam, and Yigdal.