Kunst.Fertigkunst.Fertig Graffi Ti Und Street Art in Jena Bewerbungsfrist Verlängertgesucht ! Wird Ein Neuer

Total Page:16

File Type:pdf, Size:1020Kb

Kunst.Fertigkunst.Fertig Graffi Ti Und Street Art in Jena Bewerbungsfrist Verlängertgesucht ! Wird Ein Neuer Nummer284 akrÜtzelakrÜtzel 1.Juli2010 21.Jahrgang JenasführendeHochschulzeitungJenasführendeHochschulzeitung www.akruetzel.de Kunst.fertigKunst.fertig Graffi ti und Street Art in Jena Bewerbungsfrist verlängertGesucht ! wird ein neuer SendedeinevollständigeBewerbung biszum12.Juli2010an: AkrützelRedaktion Fürstengraben1 07743Jena 2 oderan:[email protected] Editorial inhalt ierUhrinderFrühewarunse raum‘überhauptimW achzustand VreArbeitgetan,eineneueAus biszumEndegesehen.” „Nagut”, TITEL gabedesAkrützelsvollendet.Inder gabichzu.Wirliefenanein emCafé StreetArtundGraffitiinJena bleichenMor gensonnezwitscherten vorbei.Niemandrief„ÖffnedasGon dieVögel.WirschrittenausdemT or delschleusentor!”.Stattdessensetzten S.4,5 desUnihauptgebäudes.Norbertpfiff wirunsaufdieStufend esHanfrieds DieEntwicklungdermodernen einenWalzerundPhilippwarfsei undschautenzweiStraßen künstlern StreetArt neMütze.Siedrehtesichein,zwei zu.EinMannlegtesichKettenumsei MalinderLuft.Unbemerktvonuns nennacktenOberkörper.Dazutrom S.6,7 drehtesichaufgleicheW eise,zwei melteeinekleineFrauimClownskos Interviewmiteinem hundertJahrespäter,eineRaumstati tüm.„Esistnichtleicht,derZampano „Straßenkünstler“ onumdieErde.„Dasistwiedermal zusein”,seufztePhilipp. zukryptisch”,nörgelteNorbert.„Die VielSpaßindenSommerferien S.8,9 wenigstenhaben,OdysseeimW elt wünschenJensunddieRedaktion GeschichtederGraffitiKunst S.10,11 Korrektur ieAussage„LutzLiebscherseiin nachderWahlzurückgetretensei.Tat UNI/FH DgesamtdreiJahrehintereinander sächlichisterimletztenJah rsofortzu zurückgetreten“imArtikel„Rücktritte rückgetreten. MatschiesBildungspläne ritisundW eltfrieden“ausderletzten ÜberdenZeitpunktderanderenbeiden S.16,17 AusgabekannimKontextsomissver - RücktritteistdemAkrützel hingegen ErgebnissederSturaWahl standenwerden,dasserdreimalgleich nichtsbekannt. S.17 HochschuleundMilitär Lebenshilfe aus der Thulb S.19 mdieTrauerüberdasEndeder StasiundkeinEnde:diePersonenund EntwicklungamInstitut URegentschaftdesAkrützelChefre Fakten fürErziehungswissenschaft dakteurszubekämpfen,präsentierenwir ManfredSchell,Gütersloh1991 S.22,23 euchdiesesMalalldieDinge,diekein Endehaben: SchultzLupitzundkeinEnde:ein WortzurVerständigungüberdieAn KantundkeinEnde(Band1):Studi wendungderLehreLiebig‘sinder KULTUR enzurMoral,ReligionsundGe modernenErsatzwirtschaft schichtsphilosophie HenrySettegast,Berlin1883 ThüringerTheatermit GeorgGeismann,Würzburg2009 Finanzierungsproblemen PinocchioundkeinEnde:Notize n CastroundkeinEnde:zurpolitischen zurLiteratur S.24 StabilitätaufKuba MaxWalterSchulz,Halle1978 EugenOneginamDNT HansJürgenFrieß,Potsdam2009 S.25 RetourbilletsundkeinEnde!E rwide ApokalyptikundkeinEnde? runggegenProfessorL.vonBar BerndU.Schipper,Göttingen2007 MorrisdeJonge,Berlin1883 Impressum AKRÜTZEL gegründet1990undherausgegeben Redaktionsmitglieder:KayAbendroth,M atthias SatzundGestaltung:Philipp vondenStudentenrätenderFSUundFHerscheint Benkenstein,AnneDünger ,Mar coFieber,Chris Veranstaltungskalender:Stefan allezweiWochenwährendderVorlesungszeit. tianFleige,StephanieFrank,Franzis kaGleiniger, Feigenblattredaktion:Alex,Anne,Dana,Jens, Redaktionssitzungensindöffentlichundwährend KristinHaug,DirkHertrampf,Daniel Hofmann, Louisa,Norbert derVorlesungszeitjedenDienstagum19Uhrim MoritzHütten,NorbertKrause,V eraMacht,Ste Lektorat:JohannesWeiß AkrützelBüro,UHG. fanMontag,FranzPurucker ,HaukeRehr ,Janina RedaktionsschlussderkommendenAusgabe:7 . Rottmann,LouisaReichstetter,UlrikeSchiefelbein, Anzeigenpreisliste:Nr.7,Oktober2008. Oktober2010.DasAkrützelNr.285erscheintam IsabelSchlegel,KatharinaSchmidt,FlorianSokoll, NamentlichgekennzeichneteArtikelmüssen 14.Oktober2010.Druck:Schöpfel,Weimar DanaSprunk,AlexanderStrauß,JensT homas,Jo nichtderRedaktionsmeinungentsprechen.Wenn VerteilteAuflage:6.000 hannesWander,IsabellaWeigand,JohannesWeiß, eucheinArtikelär gert,schreibtunsgerneeinen Adresse:AKRÜTZEL,FriedrichSchillerUniversität, ChristophWorsch,AnnaZimmermann Leserbrief.HinweisewerdenaufWunschvertrau Fürstengraben1,07743Jena lichbehandelt.FürunverlangteingesandteMa Tel.:03641930991,Fax:03641930997 Titelbild: nuskriptebestehtkeineV eröffentlichungspflicht. EMail:[email protected] KatharinaSchmidt DieRedaktionbehältsichvor ,Leserbr iefezu Internetseite:www.akruetzel.de Illustrationen: kürzen. AnonymeEinsendungenlandenimPa Chefredakteur:PhilippBöhm MichaelLinke pierkorb. 3 Titel Von Ratten und Mauern Street Art und Graffiti in der Saalestadt: Ein Rundgang durch das Jena osindLiebe,Freude,Leiden dereFormenvonStreetArtundGraffiti vonistSome.SeinePasteUpsthematisie „Wschaft?VerschollenzwischenAll entdecken:T ags,Stencils,Sticker ,be renAlltagundparodierenDingewieden tagundRoutine.“SigniertistdasBildmit malteLeinwände,FliesenundStyropor - VerlustvonMitmensch lichkeitundZärt „Some“.DieBuchstabenscheinenvon schnitzereien.Ständigkommenneue lichkeit.Mitdiesergesellschaftskritischen derWandzufunkeln,andiesiegeklebt Objektedazu,alteverschwindenunddas TendenzweisensieindieRic htungpoli sind.DanebenistderOpadesDisney Gesamtbildändertsich.Beinahejeden tischmotivierterurbanerKun st.Auchdi Films„Up“befestigt.Erhängtaneinem TaggibtesetwasNeueszuentdecken. esekannmanüberallinderStadtfinden. Luftballonundschautresigniertaufdie „Dasist,alswenndasganzeJahrOstern VerlässtmandenCampusinRichtung TegutEntladezone.Ohneihnzubemer - wäre“,sagtThomas.Eristselbstseiteini Krautgasse,grüßteinRudiDu tschke ken,eilenStudentenvorbei;aufdem genJahreninderJenaerSzeneaktiv.Sei Stencilmit„JederhatseinLebenganzzu WegzurUniwirddieUmgebungselten neHauptanliegendabe isind,dassseine leben“.EindeutigersindParolenwie„Ka aufmerksambetrachtet.Dochwerden Objektegesehenwerden,dassMenschen pitalismuskaputtmachen“odereinfache Blickhebt,mitdemsprichtdieStadt, sichdaranerfreuen,zumSc hmunzeln AsalsZeichenfür Anarchie.FürThomas besondershier,amCampus:Historische gebrachtwerdenundbeginnen,sichGe istdaseineandereFormvonS treetArt. Persönlichkeiten,dievondenT otenauf dankenzumachen.„Mantutetwasfür „IchwürdePolitikvonGraffitiundStreet erstandensind;Schmuddelkinderund dieStadt,ohneetwasz urückzubekom Arttrennen.Politischmoti vierte Graffiti alteComicHelden,diezumKampfge men.“Thomasgehtesnichtumpersön sindeherwieeinDemoschild.“ gendieGleichschaltungrufensiealle lichen„Fame“,alsoRuhmundBekannt teilendemaufmerksamenPassantenihre heitinderSzene;eineUnter schriftsetzt BlütezeitnachderWende Botschaftmit.Manchesistdirektundof erunterkeineseinerArbeiten. fen,manchesverschachteltundmanches NichtalleSprayer,BastlerundSchnitzer, AufjedenFallabersindd ieWerkeeine schlichtunverständlich. derenArbeitenimStadtbildzusehensind, Ausdrucksform,mitderdaspe rsönliche ImRundblicklassensichnebendem gehendamitkonform.MancheNamen Weltbild,dieeigeneLebens einstellung obenbeschriebenenCutOutauchan begegneneinemimmerwieder.Einerda undVorstellungvonÄsthetiki ndieÖf fentlichkeitgetragenwerden können. GeradenachderWendewardasBedürf nisdanach,besondersinderehemaligen DDR,stark.Durchdieneuentechnischen Möglichkeitenunddie ÖffnunginRich tungwestlicherAusdrucks mittelblühte dieGraffitiSzeneinJena förmlich auf. Menschenwolltenselbste twasverän dernundgriffendeshalbzurS prühdose. EinervonihnenwarMarko.Z usammen mitseinerCrewzogerdur chdieSta dt undsprühteillegal; heuteister Teilder Werbefirma„sevenlives“.SeitAnfangder 90erJahreistdieSzenese inerMeinung 4 FOTO: KATHARINA SCHMIDT Titel Street Art und Graffiti in der Saalestadt: Ein Rundgang durch das Jena der Sprayer, „Kleber“ und Kunst-Aktivisten nacheherwiedergeschrumpft;aufder bereitszuhausegemachtwerde, schätzt Ereignisse,gedanklicheStrömungenund Straßeistesruhigergeworden.Ererzählt, ThomasdieGefahr,erwischtzuwerden, Geschmäcker.WerStreetArtundGraffi dassdasStadtbilddamalsnochvielgrau dabeialswesentlichgeringerei n.Rein tiübereinelängereZeitbeobachtet,der erundtristergewesenseiundsomitmehr strafrechtlichwirdzwischenStreet Art kannVeränderungenundEntwicklungen FlächeneinerfarbigenAufhübschung undGraffitiallerdingskeinUntersc hied bemerkenunddieseanseineeigenenEr- bedurften.ZahlreicheSanierungenim gemacht,insofern„einefesteVerbindung innerungenundErfahrungenknüpfen.Ein Stadtgebietverkleinertenindenletzten mitdemUntergrundeingegangenwird. “ geklebtesBeispieldafüristdie Ratteauf 20JahrendieAnzahlderbesprühbaren BeidesistdemnachlautRechtsa nwalt demRückwegvomLommerwegdur ch Oberflächen.GenausowiefürThomasist Dr. PatrickGauSachbeschädigungoder dieStraßenbahnunterführunga mAbbe esfürMarkonämlicheinTabu,eineneu zumindest„einerheblichesunbefugte s Platz.ImletztenJahrwünschtesiedem gemachteFassadezubearbeiten:„Das VeränderndesErscheinungsbildes“.Gau PassanteneinenschönenTag,kur zeZeit wäredanntatsächlichnurSchmiererei istGraffitiExperteundvertrittMandanten späterwarsieverschwunden.Seitdemer- undSachbeschädigung“,isterüberzeugt. ausganzDeutschland.Fürihnist Graffiti innertderUrheberdesWerkesanseinen MitdemAusdruck„LiebedeineStadt“ nichtsanderesalseinAusdruckdesna verschollenenFreund:„Hierstarb unser hättedasdannnichtmehrvielzutun. türlichenmenschlichenVerlangens,seine Freund.“Damiterinnerternichtnurdie Umzuvermeiden,dassSprayerdannauf Umweltmitzugestalten.Besonders ver- jenigen,denendasT ierimGedächtnis andereObjekteimöffentlichenRaum störenderscheintihm,dasszumBeispi el gebliebenist,sondernfügtderSteinmau wieStromstationenausweichen,beauf dasÜbersprüheneinesV erkehrsschildes ereinStückGeschichtebei. tragtendieStadtwerkeSprayerdamit, exaktdenselbenStrafrahmenhabe wie dieüberallimStadtgebietaufgestellten dasOnanierenvordemminderjähri gen Unddannwirdeswieder Kästenzugestalten,sobeispielsweise eigenenKind.Darauswerdeersicht lich, entfernt... nebendemStadtmuseum.„Dassiehtgut
Recommended publications
  • Of the Human Rights Situation of Lesbian, Gay, Bisexual, Trans and Intersex People in Europe and Central Asia
    OF THE HUMAN RIGHTS SITUATION OF LESBIAN, GAY, BISEXUAL, TRANS AND INTERSEX PEOPLE IN EUROPE AND CENTRAL ASIA FIND THIS REPORT ONLINE: WWW.ILGA-EUROPE.ORG THIS REVIEW COVERS THE PERIOD OF JANUARY TO DECEMBER 2019. Rue du Trône/Troonstraat 60 Brussels B-1050 Belgium Tel.: +32 2 609 54 10 Fax: + 32 2 609 54 19 [email protected] www.ilga-europe.org Design & layout: Maque Studio, www.maque.it ISBN 978-92-95066-11-3 FIND THIS REPORT ONLINE: WWW.ILGA-EUROPE.ORG Co-funded by the Rights Equality and Citizenship (REC) programme 2014-2020 of the European Union This publication has been produced with the financial support of the Rights Equality and Citizenship (REC) programme 2014-2020 of the European Union. The contents of this publication are the sole responsibility of ILGA-Europe and can in no way be taken to reflect the views of the European Commission. ANNUAL REVIEW OF THE HUMAN RIGHTS SITUATION OF LESBIAN, GAY, BISEXUAL, TRANS, AND INTERSEX PEOPLE COVERING THE PERIOD OF JANUARY TO DECEMBER 2019 TABLE OF CONTENTS ACKNOWLEDGEMENTS KAZAKHSTAN INTRODUCTION KOSOVO* A NOTE ON DATA COLLECTION AND PRESENTATION KYRGYZSTAN HIGHLIGHTS, KEY DEVELOPMENTS AND TRENDS LATVIA INSTITUTIONAL REVIEWS LIECHTENSTEIN LITHUANIA EUROPEAN UNION LUXEMBOURG UNITED NATIONS MALTA COUNCIL OF EUROPE MOLDOVA ORGANISATION FOR SECURITY AND COOPERATION IN EUROPE MONACO MONTENEGRO COUNTRY REVIEWS NETHERLANDS ALBANIA NORTH MACEDONIA ANDORRA NORWAY A ARMENIA POLAND AUSTRIA PORTUGAL AZERBAIJAN ROMANIA BELARUS RUSSIA BELGIUM SAN MARINO BOSNIA AND HERZEGOVINA SERBIA BULGARIA SLOVAKIA
    [Show full text]
  • Panel Pool 2
    FY18-19 PEER REVIEW PANELS Panel Applicants (November deadline) This list contains potential panelists to be added to the pool for peer review panels. Approved panelists may be called upon to serve on grant panels in FY2018-2019 or FY2019-2020. Click a letter below to view biographies from applicants with corresponding last name. A .............................................................................................................................................................................. 2 B ............................................................................................................................................................................... 9 C ............................................................................................................................................................................. 18 D ............................................................................................................................................................................. 31 E ............................................................................................................................................................................. 40 F ............................................................................................................................................................................. 45 G ............................................................................................................................................................................
    [Show full text]
  • The Interface of Religious and Political Conflict in Egyptian Theatre
    The Interface of Religious and Political Conflict in Egyptian Theatre Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Amany Youssef Seleem, Stage Directing Diploma Graduate Program in Theatre The Ohio State University 2013 Dissertation Committee: Lesley Ferris, Advisor Nena Couch Beth Kattelman Copyright by Amany Seleem 2013 Abstract Using religion to achieve political power is a thematic subject used by a number of Egyptian playwrights. This dissertation documents and analyzes eleven plays by five prominent Egyptian playwrights: Tawfiq Al-Hakim (1898- 1987), Ali Ahmed Bakathir (1910- 1969), Samir Sarhan (1938- 2006), Mohamed Abul Ela Al-Salamouni (1941- ), and Mohamed Salmawi (1945- ). Through their plays they call attention to the dangers of blind obedience. The primary methodological approach will be a close literary analysis grounded in historical considerations underscored by a chronology of Egyptian leadership. Thus the interface of religious conflict and politics is linked to the four heads of government under which the playwrights wrote their works: the eras of King Farouk I (1920-1965), President Gamal Abdel Nasser (1918-1970), President Anwar Sadat (1918-1981), and President Hosni Mubarak (1928- ). While this study ends with Mubarak’s regime, it briefly considers the way in which such conflict ended in the recent reunion between religion and politics with the election of Mohamed Morsi, a member of the Muslim Brotherhood, as president following the Egyptian Revolution of 2011. This research also investigates how these scripts were written— particularly in terms of their adaptation from existing canonical work or historical events and the use of metaphor—and how they were staged.
    [Show full text]
  • Street Art & Graffiti in Belgrade: Ecological Potentials?
    SAUC - Journal V6 - N2 Emergence of Studies Street Art & Graffiti in Belgrade: Ecological Potentials? Srđan Tunić STAW BLGRD - Street Art Walks Belgrade, Serbia [email protected], srdjantunic.wordpress.com Abstract Since the emergence of the global contemporary graffiti and street art, urban spaces have become filled with a variety of techniques and art pieces, whether as a beautification method, commemorative and community art, or even activism. Ecology has also been a small part of this, with growing concern over our environment’s health (as well as our own), disappearing living species and habitats, and trying to imagine a better, less destructive humankind (see: Arrieta, 2014). But, how can this art - based mostly on aerosol spray cans and thus not very eco-friendly - in urban spaces contribute to ecological awareness? Do nature, animal and plant motifs pave a way towards understanding the environment, or simply serve as aesthetic statements? This paper will examine these questions with the example of Belgrade, Serbia, and several local (but also global) practices. This text is based on ongoing research as part of Street Art Walks Belgrade project (STAW BLGRD) and interviews with a group of artists. Keywords: street art, graffiti, ecology, environmental art, belgrade 1. Introduction: Environmental art Art has always been connected to the natural world - with its Of course, sometimes clear distinctions are hard to make, origins using natural materials and representing the living but for the sake of explaining the basic principles, a good world. But somewhere in the 1960s in the USA and the UK, example between the terms and practices could be seen a new set of practices emerged, redefining environmental in the two illustrations below.
    [Show full text]
  • Graffiti and Street Art Free
    FREE GRAFFITI AND STREET ART PDF Anna Waclawek | 208 pages | 30 Dec 2011 | Thames & Hudson Ltd | 9780500204078 | English | London, United Kingdom Graffiti vs. Street Art Make The GraffitiStreet newsletter your first port of call, and leave the rest to us. As well as showcasing works from established artists we will be continuously scouring the globe to discover and bring you the freshest upcoming artist talent. Around the clock, GraffitiStreet's dedicated team of art lovers are here to bring you the best and latest street art in the world! So, what are you waiting for? Explore the world of street art! The son of Entitled after the quality of Graffiti and Street Art strong, much needed in the A new mural by the elusive Banksy has been painted on Graffiti and Street Art side of a hair and beauty salon on the corner of Rothesay Avenue in Nottingham. The image depicts a girl playing with a disused Amadora celebrates itself as a multicultural city that celebrates diversity as Want to keep up with the latest street art news and views? Email address There's no Spam, and we'll never sell on your details. That's a promise! Looking for an authentic Banksy artwork? Full pest control certificate and condition report Browse The Collection. Hand pulled screen prints, Hand finished prints, Etchings and more! Bringing you our own limited edition prints Browse Our Editions. Check out Graffiti and Street Art online store for secondary market artworks Browse The Collection. Murals, Festivals, Interviews and more Bringing you the latest street art news from all over the Graffiti and Street Art Read more.
    [Show full text]
  • Reverse Graffiti, Greenworks Project, Curtis
    Reverse Graffiti, GreenWorks Project, Curtis Reading /B1 : repérer les éléments de présentation et d'interprétation d'une œuvre artistique. Source : Inhabitat.com (blog) 18/6/2008 : Reverse Graffiti Project, Paul Curtis, aka. Moose, San Francisco https://inhabitat.com/reverse-graffiti-san-francisco/11817/ You may remember Paul Curtis aka “Moose” from our coverage of Reverse Graffiti in the UK last year; we’re excited to announce that the Reverse Graffiti team recently teamed up with the eco cleaner brand GreenWorks to create a clean, green, 140 foot mural on the walls of San Francisco’s Broadway tunnel. The artist scraped through the grit and grime of the tunnel walls to reveal a stunning portrait of a lusher San Francisco, transforming the dingy tunnel sidewalls into a flourishing forest of native plants, providing an inverse reflection of how the site may have looked 500 years ago. San Francisco’s Broadway Tunnel sees over 20,000 cars, trucks and motorized vehicles each day. As a result, “Its walls are caked with dirt and soot, and lined with patches of paint covered graffiti from days gone by.” Curtis approached the project with dozens of stencils, a high-pressure stream of water, and eco-friendly cleaning solutions provided by GreenWorks. We found it especially weird (but sort of sweet and inspiring) to see a giant traditional company like Clorox supporting renegade eco street art. Nevertheless, the fit between the sponsor bran (a cleaner company) and the project (a public street-art cleaning project is undeniably perfect. We hope to see more forward thinking companies likeGreenWorks take the lead in supporting innovative public art projects in the future.
    [Show full text]
  • Religion and Violence
    Religion and Violence Edited by John L. Esposito Printed Edition of the Special Issue Published in Religions www.mdpi.com/journal/religions John L. Esposito (Ed.) Religion and Violence This book is a reprint of the special issue that appeared in the online open access journal Religions (ISSN 2077-1444) in 2015 (available at: http://www.mdpi.com/journal/religions/special_issues/ReligionViolence). Guest Editor John L. Esposito Georgetown University Washington Editorial Office MDPI AG Klybeckstrasse 64 Basel, Switzerland Publisher Shu-Kun Lin Assistant Editor Jie Gu 1. Edition 2016 MDPI • Basel • Beijing • Wuhan ISBN 978-3-03842-143-6 (Hbk) ISBN 978-3-03842-144-3 (PDF) © 2016 by the authors; licensee MDPI, Basel, Switzerland. All articles in this volume are Open Access distributed under the Creative Commons Attribution license (CC-BY), which allows users to download, copy and build upon published articles even for commercial purposes, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. However, the dissemination and distribution of physical copies of this book as a whole is restricted to MDPI, Basel, Switzerland. III Table of Contents List of Contributors ............................................................................................................... V Preface ............................................................................................................................... VII Jocelyne Cesari Religion and Politics: What Does God Have To Do with It? Reprinted from: Religions 2015, 6(4), 1330-1344 http://www.mdpi.com/2077-1444/6/4/1330 ............................................................................ 1 Mark LeVine When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World Reprinted from: Religions 2015, 6(4), 1277-1313 http://www.mdpi.com/2077-1444/6/4/1277 .........................................................................
    [Show full text]
  • Nazis Decide to Defer Action More
    r ?*■, M m a H n ititt Eafafno BmdA THUB8DAT, AOOUBT14, XtSi ATcroffa Daily Cirenlitien for tbe aMNth sf Joly, te n Dletaion No. «1 of the Oaaaral Dairy Company, BOO n a Waathar ~Walfara Canter, srlU hold Its raffuUr A bout Town School Board On the Watermelon Line Globe Carnival pepalektaa: Popular llarkat. hot *t O. 0. We maetlBff ITIday ersalng at algbt doga and watsnnaloas; Baysr Fruit 6 1 (1 1 o'clock In the EHst Side Raersatlaa HALE'S Member ef ths Audit aad Produce COmpaay, watermelons Shewers toolghtt BotoiWty g m - OalMBbo Soctotjr Center. Alfred Blatter, chairman of Proposal Filed Great Success and bananas; E t^body*s Market, Boraaa ef Clrcolstloas orally fair; aot much -*-ingii la lopt- k ■■>!«> plaw for Ita anauml baa- the advlaory committee, requaata all peanuts; Klttela Markst. water- SELF SERVE ! aad daaea and haa aet tha data members of hla committee to be at msloaa; Maaebtster Public Market, Manchester—-A City of Village Charm peratara, O ■nadajr, Oetobar IS. Tha affair tha Recreation Center by 7:i0 watsrmeloos; Flrat National Stores, sharp. 2:30 TO 5:30 FRIDAY will ba bald la tha Sub Alptna club A. R. Parish Nominated Attendance of 3,500 at watormslons; Hosser’s Market, can- VOL. LVIIL, NO. 278 (UaasUtod AdverttMag oe Page r MANCHESTER, CONN„ FRIDAY, AUGUST 25. 1939 aa B dildfa atxaat John Rota la As Primary Contestant; Pool Enjoyo INxigmin toloupes; Oewald’s Market, cookies; SPECIALS! (SIXTEEN PAGES) tba (taaral chalrmaa and Samuel office Associates Canals’* Market, cookies. PRICE THRBB CENTS S id a o la tha prealdent of the ao- Keating Makes Bid.
    [Show full text]
  • 2009 Annual Report MIGA’S Mission
    2009 ANNUAL REPORT MIGA’s MISSION To promote foreign direct investment into developing countries to support economic growth, reduce poverty, and improve people’s lives. Guarantees Through its investment guarantees, MIGA offers protection for new cross-border investments, as well as expansions and privatizations of existing projects, against the following types of non-commercial risks:* r Currency inconvertibility and transfer restriction r Expropriation r War and civil disturbance r Breach of contract r Non-honoring of sovereign financial obligations As part of its guarantees program, MIGA provides dispute resolution services for guaranteed investments to prevent disruptions to developmentally beneficial projects. Technical Assistance MIGA helps countries define and implement strategies to promote investment through technical assistance services managed by the World Bank Group’s Foreign Investment Advisory Services (FIAS). Online Knowledge Services MIGA helps investors identify investment opportunities and manage risks through online investment information services—FDI.net and PRI-Center—offering infor- mation on investment opportunities, business operating conditions, and political risk insurance. * This report uses the terms “guarantees” and “insurance” interchangeably. The terms “non- commercial risk” and “political risk” are also used interchangeably throughout the report. CONTENTS MIGA’s Mission Summary of World Bank Group Activities ................................................... 2 Fiscal Year 2009 Highlights ............................................................................
    [Show full text]
  • Charity Art Auction in Favor of the CS Hospiz Rennweg in Cooperation with the Rotary Clubs Wien-West, Vienna-International, Köln-Ville and München-Hofgarten
    Rotary Club Wien-West, Vienna-International, Our Auction Charity art Köln-Ville and München-Hofgarten in cooperation with That‘s how it‘s done: Due to auction 1. Register: the current, Corona- related situation, BenefizAuktion in favor of the CS Hospiz Rennweg restrictions and changes 22. February 2021 Go to www.cs.at/ charityauction and register there; may occur at any time. please register up to 24 hours before the start of the auction. Tell us the All new Information at numbers of the works for which you want to bid. www.cs.at/kunstauktion Alternatively, send us the buying order on page 128. 2. Bidding: Bidding live by phone: We will call you shortly before your lots are called up in the auction. You can bid live and directly as if you were there. Live via WhatsApp: When registering, mark with a cross that you want to use this option and enter your mobile number. You‘re in. We‘ll get in touch with you just before the auction. Written bid: Simply enter your maximum bid in the form for the works of art that you want to increase. This means that you can already bid up to this amount, but of course you can also get the bid for a lower value. Just fill out the form. L ive stream: at www.cs.at/kunstauktion you will find the link for the auction, which will broadcast it directly to your home. 3. Payment: You were able to purchase your work of art, we congratulate you very much and wish you a lot of pleasure with it.
    [Show full text]
  • Contemporary Graffiti's Contra-Community" (2015)
    Maine State Library Maine State Documents Academic Research and Dissertations Special Collections 2015 Anti-Establishing: Contemporary Graffiti's Contra- Community Homer Charles Arnold IDSVA Follow this and additional works at: http://digitalmaine.com/academic Recommended Citation Arnold, Homer Charles, "Anti-Establishing: Contemporary Graffiti's Contra-Community" (2015). Academic Research and Dissertations. Book 10. http://digitalmaine.com/academic/10 This Text is brought to you for free and open access by the Special Collections at Maine State Documents. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. ANTI-ESTABLISHING: CONTEMPORARY GRAFFITI’S CONTRA-COMMUNITY Homer Charles Arnold Submitted to the faulty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy April, 2015 Accepted by the faculty of the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. _______________________________ Sigrid Hackenberg Ph.D. Doctoral Committee _______________________________ George Smith, Ph.D. _______________________________ Simonetta Moro, Ph.D. April 14, 2015 ii © 2015 Homer Charles Arnold ALL RIGHTS RESERVED iii It is the basic condition of life, to be required to violate your own identity. -Philip K. Dick Celine: “Today, I’m Angéle.” Julie: “Yesterday, it was me.” Celine: “But it’s still her.” -Céline et Julie vont en bateau - Phantom Ladies Over Paris Dedicated to my parents: Dr. and Mrs. H.S. Arnold. iv ACKNOWLEDGEMENTS The author owes much thanks and appreciation to his advisor Sigrid Hackenberg, Ph.D.
    [Show full text]
  • Inhaltsverzeichnis
    Inhaltsverzeichnis Einführende Erläuterungen zum Heft 6 Sachanalyse: Street-Art 6 Zu Inhalt und didaktischer Konzeption des Hefts 8 Zur Handhabung des Hefts 10 Inhalte des Hefts auf einen Blick 11 Baustein 1: Banksy - W hat changesbecause Graffiti is illegal? 12 1.1 W hois Banksy? 16 1.2 ART - RAT? Tierische Selbstinszenierung als Ratte 21 1.3 Analyse und Interpretation als Vorbereitung auf die Gestaltung eines eigenen Stencils 24 1.4 Ein gesellschaftskritisches Stencil gestalten 27 1.5 Schulhausgestaltung ä la Banksy - ein ortsgebundenes Stencil für die eigene Schule entwerfen 33 1.6 Was ist Street-Art? - die Dokumentation „Exit through the gift shop" 35 1.7 Weitere Gestaltungsaufgaben zu Banksy - Übermalung und Kunstschmuggel 37 Arbeitsblatt 1: Banksy - Rechercheauftrag zu Person und Werk 38 Arbeitsblatt 2: Banksys Selbstbildnisse deuten 39 Arbeitsblatt 3: Ein eigenes Emblem entwerfen 40 Arbeitsblatt 4: Banksys Werke analysieren 41 Arbeitsblatt 5: Ein Stencil entwerfen 42 Arbeitsblatt 6: Bewertungsbogen Schüler 43 Arbeitsblatt 7: Bilder für spezielle Orte - Banksys Bemalung der West Bank 44 Arbeitsblatt 8: Beobachtungsauftrag - die Street-Art-Dokumentation von Banksy: „Exit through the gift shop" 45 Zusatzmaterial 1: „Vandalised paintings" gestalten 46 Zusatzmaterial 2: Gegenstände in das Schulgebäude schmuggeln 47 Baustein 2: Graffiti - Schrift und Bild in Kombination48 Übersicht: Erscheinungsformen des Graffiti 49 2.1 Von der Höhlenmalerei zum Graffiti-Tunnel - eine Zeitreise 51 2.2 Anonymität versus Ego - ein Einstieg in die Gestaltung
    [Show full text]