DOCSLIB.ORG

(Incl. Kunst En Varia). Aanwinsten Van Anet — Periode 2016/10

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
(Incl. Kunst En Varia). Aanwinsten Van Anet — Periode 2016/10 Algemeen (incl. Kunst en varia). EHC: 813851 Aanwinsten van Anet — Periode 2016/10 In krabbengang door kreeftenboeken : de Bibliotheca [1]Algemeen (incl. Kunst en varia). Aanwinsten van Anet bmp Carcinologica L.B. Holthuis / Alex Alsemgeest ; Charles Fransen ; [medewerker] Jeroen Bos ; [medewerker] Florike Algemeen en varia Egmond ; [medewerker] Pieter Kroonenberg ; [medewerker] Salomon Kroonenberg ; [medewerker] Florence 100 procent Herita / [edit.] Liesbeth De Mayer ; [edit.] Tanya Pieters ; [medewerker] Martien van Oijen ; Van Hecke. — Antwerpen : Herita, 2013. — 128 p. : ill. [medewerker] Hermann Strack ; [medewerker] Jan van Tol. — UA–CST: ALG 701 G–MAYE 2012 Leiden : Naturalis Biodiversity Center, 2016. — 216 p. : ill. — MAS: HB 725 978–90–6519–013–0 DB: DB 756 HOND EHC: 813186 EHC: 770897 [C5–035 BA] Typographical antiquities, or: The history of printing in Publieke ernstpercepties van criminaliteit en het verband met England, Scotland, and Ireland / Joseph Ames ; [edit.] Thomas televisiegebruik : een kwantitatieve studie bij de Vlaamse Frognall Dibdin. — Hildesheim : Georg Olms bevolking: proefschrift / An Adriaenssen. — Leuven : 2016. — Verlagsbuchhandlung, 1969. — 4 v. : ill. — (Anglistica and 466 p. — Proefschrift. KU Leuven, Leuvens Instituut voor Americana ; 19). — Herdruk van uitgave 1810 : London Criminologie ; promotor Paoli, Letizia ; Pleysier, Stefaan; Van UA–CST: MAG–OW–BB 21110 den Bulck, Jan 1–4 UA–CST: MAG–OW–BB 20025 RBL: RECH 301.188.5 G–ADRI 2016 Anfang & Ende : vormoderne Szenarien von Weltentstehung und Weltuntergang / [edit.] Marion Gindhart ; [edit.] Tanja The highest poverty : monastic rules and form-of-life / Giorgio Pommerening. — Darmstadt : Verlag Philipp von Zabern, Agamben. — Stanford, Calif. : Stanford University Press, 2016. — 143 p. : ill. — (Sonderbande¨ der Antiken Welt ; 2016: 2013. — 157 p. — (Meridian: crossing aesthetics ; 2013: 2). — 1). — 978–3–8053–5032–7 978–0–8047–8406–1 ; 978–0–8047–8405–4 ; KMSKA: MONO–BC 7834 978–0–8047–8674–4 UA–CST: RG 2150 H 42 Antwerpen a` la carte : eten en de stad, van de middeleeuwen tot UA–CST: FILO 19.8 P–AGAM 2013 vandaag / [edit.] Leen Beyers ; [edit.] Ilja Van Damme ; [inl.] Philip Heylen ; [medewerker] Peter Scholliers ; Opera / Heinrich Cornelius Agrippa von Nettesheim ; [medewerker] Jan Parmentier ; [medewerker] Yves Segers ; [inl.] Richard H. Popkin. — Hildesheim : Georg Olms Verlag, [medewerker] Jef Vrelust ; [medewerker] Nelleke Teughels ; 1970. — 2 v. [medewerker] Reinoud Vermoesen ; [medewerker] Tim Soens ; UA–CST: MAG–OW–AA 43114 [medewerker] Pieter De Graef ; [medewerker] Jeroen Van 1–2 Vaerenbergh ; [medewerker] Carolyn Steel ; [medewerker] Ineke Baatsen ; [medewerker] Bruno Blonde´ ; De bibliotheek van Bagdad : de bloei van de Arabische [medewerker] Sofie De Caigny ; [medewerker] Britt Denis. — wetenschap en de wedergeboorte van de westerse beschaving / Plaats van uitgave niet gekend : BAI, 2016. — 208 p. : ill. — Jim Al-Khalili ; [vert.] Ronald Cohen. — Amsterdam : (MAS books ; 2016: 3). — Tentoonstelling: MAS [Antwerpen]. Meulenhoff, 2012. — 367 p. : ill. — 978–90–290–8878–7 2016/05/13 - 0000/00/00. — 978–90–8586–722–7 UA–CST: MAG–OW–BB 19986 RSL: RSL–ANT-stad EHC: 769424 [C5–030 BB] MAS: KH 5 MAS: HB 069 Luisteren naar mensen over onveiligheid : algemeen verslag MPM: PK–A 6900 over onveiligheidgevoelens / Christine Albers ; Michel Teller ; 7d [medewerker] Herman Ponsaers ; [vert.] Herman Jacobs. — KMSKA: TENT–TC 11850 Brussel : Koning Boudewijnstichting, 2006. — 226 p. — UA–CST: MAG–OW–C 23439 90–5130–258–1 ; 978–90–5130–528–9 EHC: 812119 [C5–098 aa] KdG–Zuid: 2 COMMUN 305.9 LH: x AP–NOO: GW 301.174 ALBE 2006 SA: 2064#21 DB: DB 343.9 ALBE MMB: antw BEYE EHC: 705449 [C0–408 a] UHasselt: 301.173 ALBE 2006 Art, controversy, and the Jesuits : the Imago primi saeculi (1640) / [edit.] John W. O'Malley. — Philadelphia, Pa : Saint Open air museums : the history and future of a visionary idea / Joseph's University Press, 2015. — 771 p. : ill. — (Early Sten Rentzhog ; [vert.] Skans Victoria Airey ; Association of modern catholicism and the visual arts series ; 12). — Met 1 European Open Air Museums ; ALHFAM: Association for dvd-rom(s). — 978–0–916101–84–8 Living History, Farm and Agricultural Museums [Ashaway, UA–CST: MAG–OW–D 1612 R.I.]. — Plaats van uitgave niet gekend : Jamtli Forlag¨ and Basiswerk ; DVD Carlsson Bokforlag,¨ 2007. — 530 p. : ill. — MPM: BM 42190 978–91–7948–208–4 EHC: 813548 Basiswerk; 1dvd-rom(s) Blad voor kadervorming / August Vermeylenfonds. — The medieval reception of the Shahn¯ ama¯ as a mirror for Oostende : August Vermeylenfonds, 1977-1985. — 0774–9899 princes / Nasrin Askari. — Leiden : Brill, 2016. — 398 p. — EHC: 813132 [C2–364 c] (Studies in persian cultural history ; 9). — :5(1982–1984) 978–90–04–30790–2 ; 978–90–04–30791–9 UA–CST: GES 950 H 73 ASKA 2016 Zien, doen, denken : Jacques Ranciere` en de kunstpraktijk / Marc De Blieck ; Volkmar Muhleis.¨ — Gent : MER. Paper On the burning of books / Kenneth Baker. — London : Unicorn, Kunsthalle, 2012. — 160 p. : ill. — 978–94–90693–77–0 2016. — 266 p. : ill. — Titel varieert: On the burning of books : AP–CMU: CMU 700.6 BLIE 2012 how flames fail to destroy the written word. — 978–1–910787–11–3 The fifteenth-century printing practices of Johann Zainer, Ulm, UA–CST: IBW 09 G–BAKE 2016 1473–1478 / Claire M. Bolton. — Oxford : The Oxford Bibliographical Society, 2016. — 289 p. : ill. — (Publications ; Barock : nur schoner¨ Schein? / [edit.] Alfried Wieczorek ; 3: 8) ; (Publications ; 18). — 978–0–901420–59–6 [edit.] Christoph Lind ; [edit.] Uta Coburger. — Regensburg : EHC: 813679 Schnell & Steiner, 2016. — 232 p. : ill. — (Publikationen der Reiss-Engelhorn-Museen ; 71). — 978–3–7954–3111–2 Academic English : writing a research article : (bioscience) KMSKA: TENT–TC 11969 engineering / Leen De Boom ; Katrien L.B. Deroey. — 2 ed. — Gent : Academia Press, 2013. — 335 p. — (Academic English : Handboek interculturele competentie / Jo Bastiaens ; Gunilla de writing a research article ; 2013: 3). — 978–90–382–2180–9 Graef ; Dorien De Troy ; e.a. — Brussel : Politeia, 2011. — AP–KRO: OK-enge 844.4 BOOM 2013 losbladig. — 978–2–509–01077–3 KdG–HB: 454.6 Academic English: writing a research article : natural AP–NOO: GW 301.173 HAND 2011 sciences / Leen De Boom. — 2 ed. — Gent : Academia Press, UA–CGB: HB–CD–ADOND 2013. — 396 p. : ill. — (Academic English : writing a research DB: DB 316 BAST article ; 2013: 1). — 978–90–382–2241–7 KdG–Zuid: 2 COMMUN 499.9 AP–KRO: OK-enge 844.4 BOOM 1–2 Old Testament figures in art / Chiara de Capoa ; [edit.] Stefano Astrology, magic, and alchemy in art / Matilde Battistini. — Los Zuffi. — Los Angeles, Calif. : J. Paul Getty Museum, 2003. — Angeles, Calif. : J. Paul Getty Museum, 2007. — 383 p. : ill. — 351 p. : ill. — (A guide to imagery ; 2003: 1). — (A guide to imagery ; 2007: 1). — 978–0–89236–907–2 0–89236–745–8 AP–CMU: CMU 700 BATT 2007 RUB: 1 O 241 / 2003 / a / 1 balie AP–CMU: CMU 700 CAPO 2003 KMSKA: LZ 7.04 (031) balie KMSKA: LZ 7.046 (031) Beringen-Mijn : mijn leven in de Cite:´ een unieke fotoverzameling over het dagelijkse leven van gezinnen uit de Catalogue de la bibliotheque` de feu Mr Auguste de Portement, Cite´ / [edit.] Patrick Moons. — Heusden-Zolder : RIMO bibliophile distingue,´ a` Grammont. : livres, gravures et Limburg, 2014. — 254 p. : ill. documents manuscrits: la vente publique se fera a` Gand, en la EHC: 813259 salle St-Georges, rue de Refuge, lundi 21 novembre 1892 et 5 jours suivants / [veilingmeester] Ferd. Verhulst ; [expert] H. Van Handschriften en oude drukken in het bezit van Peeter Oris : Goethem. — Gand : Librairie Van Goethem freres,` 1892. — gebruikssporen van een kritische lezer uit de zeventiende eeuw / 192 p. — Aantal loten 2881 J.A.A.M. Biemans. — Plaats van uitgave niet gekend : uitgever EHC: 814187 niet gekend, 1985. — p. 34–51. — Overdruk uit De nieuwe taalgids. - 78(1985) Catalogue de la bibliotheque` de feu Mr. Isaac Meulman, EHC: 813941 negociant´ en bibliophile a` Amsterdam, dont la vente aura lieu le lundi 22 novembre 1869 et 5 jours suivants / [expert] Frederik Lectures italiennes dans les pays wallons a` la premiere` Muller ; [expert] Martinus Nijhoff. — Amsterdam : Frederik modernite´ (1500–1630) / Nicole Bingen ; Renaud Adam ; Muller, 1869. — 345 p. — Aantal loten 4273 [inl.] Chiara Lastraioli. — Turnhout : Brepols, 2015. — 219 EHC: 814192 p. — (Etudes´ renaissantes ; 2015: 3). — 978–2–503–56632–0 EHC: 813408 Kunstmusea, ook voor de allerkleinsten : manifest / Isabelle Chavepeyer ; Charlotte Fallon ; [vert.] Birgit Geudens. — On the importance of being an individual in renaissance Italy : Brussel : FARO. Vlaams steunpunt voor cultureel erfgoed vzw, men, their professions and their beards / Douglas Biow. — 2016. — 78 p. Philadelphia, Pa : University of Pennsylvania Press, 2015. — /docman/ehc/2f39aa/11867.pdf 311 p. : ill. — (Haney Foundation series ; 2015: 1). — EHC: 813390 978–0–8122–4671–1 Anet: Anet RUB: 1 O 92 / MAN 6 / 2015 / a / 1 Hilario Casada Alonso ; Jan Bos. — Valladolid : Universidad de L' allegorie´ du patrimoine / Franc¸oise Choay. — Paris : Seuil, Valladolid, 2016. — 195 p. : ill. — 978–84–8448–874–3 2007. — 270 p. — (La couleur des idees´ ; 2007: 1). — SA: 2064#34 978–2–02–030023–0 MPM: BM 35792 ARK: 930.85 CHOA 2007 Politique culturelle europeenne´ / Renaud Denuit. — Bruxelles : La statistque internationale des livres . : rapport present´ e´ au Bruylant, 2016. — 446 p. — (Idees´ d'Europe ; 2016: 2). — nom de l'Institut international de bibliographie / M.B. 978–2–8027–5347–6 Iwinski. — Plaats van uitgave niet gekend : uitgever niet https://www.stradalex.com/DBPro/nl/Search/html/- gekend, 1910. — 55 p. breadcrumb/sl mono/POCUEU EHC: 814189 https://www.stradalex.com/DBPro/nl/Search/html/- breadcrumb/sl mono/POCUEU Countering illicit trafic in cultural goods : the global challenge UA–CST: RECH 341.175 G–DENU 2016 of protecting the world's heritage / [edit.] France Desmarais. — RBL: RECH 341.175 G–DENU 2016 Paris : ICOM, 2015. — 196 p. : ill. — 978–92–9012–415–3 RBL: RBL MAS: HB 069 UA: UA Le courrier des Pays-Bas franc¸ais.
Load more

Recommended publications
  • EASTMAN NOTES JUNE 2004 Draft: Final Date: 6/15/2004 INSIDE
    NOTES JUNE 2004 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR The right “stu≠” Dear Eastman Alumni: We like Notes’ new look, and it seems you do too. Response has been unani- mously favorable; perhaps we should consider a Steve Boerner–David Cowles NOTES presidential ticket for 2008. I’d vote for them; these two artists made “Notes Volume 22, Number 2 nouveau” a pleasure, and I’m glad the pleasure was conveyed in the magazine June 2004 itself. I write the stuff, but they (and our photographers) make it look good! We also had a tremendous response to our “Eastman Alumni on CD” feature; Editor see pages 33¬34. And enough of you commented on different editorial aspects of David Raymond Notes (not always favorably) that we have a “Letters to the Editor” section, which Assistant editor may be a first for us. Christina Casey This issue of Notes is admittedly filled with history, but Susan Conkling’s re- Contributing writers minder of the great women who shaped both American music and Eastman, and Martial Bednar Amy Blum Paul Burgett’s reminder of four black composers who Christine Corrado played an important part in Eastman history, are stories Contributing photographers worth telling. As is the story of the success of Howard Kurt Brownell Hanson’s Merry Mount at the Met in 1934—a remarkable Gelfand-Piper Photography event, when you think about it. I should add a special Bob Klein Photography word of thanks here to David Peter Coppen, the Sibley Carlos Ortiz Don Ver Ploeg/VP Communications Library Archivist, who is always helpful with providing Amy Vetter historical photographs and other materials for Notes, but Photography coordinator outdid himself for these three articles.
    [Show full text]
  • Marco Polo – the Label of Discovery
    Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father.
    [Show full text]
  • Marco Polo – the Label of Discovery
    Marco Polo – The Label of Discovery Since its launch in 1982, the Marco Polo label has for twenty years sought to draw attention to unexplored repertoire.␣ Its main goals have been to record the best music of unknown composers and the rarely heard works of well-known composers.␣ At the same time it aspired, like Marco Polo himself, to bring something of the East to the West and of the West to the East. For many years Marco Polo was the only label dedicated to recording rare repertoire.␣ Most of its releases were world première recordings of works by Romantic, Late Romantic and Early Twentieth Century composers, and of light classical music. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again, particularly those whose careers were affected by political events and composers who refused to follow contemporary fashions.␣ Of particular interest are the operas by Richard Wagner’s son Siegfried, who ran the Bayreuth Festival for so many years, yet wrote music more akin to that of his teacher Humperdinck. To Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich, Schwarzschwanenreich (The Kingdom of the Black Swan), and Bruder Lustig, which further explores the mysterious medieval world of German legend.␣ Other German operas included in the catalogue are works by Franz Schreker and Hans Pfitzner. Earlier Romantic opera is represented by Weber’s Peter Schmoll, and by Silvana, the latter notable in that the heroine of the title remains dumb throughout most of the action. Marschner’s Hans
    [Show full text]
  • Marco Polo – the Label of Discovery
    Marco Polo – The Label of Discovery Since its launch in 1982, the Marco Polo label has for over twenty years sought to draw attention to unexplored repertoire.␣ Its main goals have been to record the best music of unknown composers and the rarely heard works of well-known composers.␣ At the same time it originally aspired, like Marco Polo himself, to bring something of the East to the West and of the West to the East. For many years Marco Polo was the only label dedicated to recording rare repertoire.␣ Most of its releases were world première recordings of works by Romantic, Late Romantic and Early Twentieth Century composers, and of light classical music. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again, particularly those whose careers were affected by political events and composers who refused to follow contemporary fashions.␣ Of particular interest are the operas by Richard Wagner’s son Siegfried, who ran the Bayreuth Festival for so many years, yet wrote music more akin to that of his teacher Humperdinck. To Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich, Schwarzschwanenreich (The Kingdom of the Black Swan), and Bruder Lustig, which further explores the mysterious medieval world of German legend is now added Der Heidenkönig (The Heathen King).␣ Other German operas included in the catalogue are works by Franz Schreker and Hans Pfitzner. Earlier Romantic opera is represented by Weber’s Peter Schmoll, and by Silvana, the latter notable in that the heroine of the title remains dumb throughout most of the action.
    [Show full text]
  • Romantic Choral Music from Flanders
    Romantic Choral Music from Flanders Compiled on the authority of Studiecentrum voor Vlaamse Muziek (SVM) and the Flemish Choral Organisation Koor&Stem by Vic Nees & Michaël Scheck Final editing: Erik Demarbaix, Vic Nees, Liesbeth Segers Music engraving: Dirk Goedseels Afzonderlijke uitgaven van de werken uit deze bundel zijn te verkrijgen bij Musikproduktion Höflich, Munchen [email protected] en Koor&Stem, Antwerpen, [email protected] Separate publications of the works in this anthology can be obtained from Musikproduktion Höflich, München [email protected] and Koor&Stem, Antwerpen, [email protected] Einzelausgaben der in diesem Band enthaltenen Werke sind erhältlich bei Musikproduktion Höflich, München, [email protected] und Koor&Stem, Antwerpen, [email protected] Les oeuvres de ce recueil sont également disponibles en édition séparée chez Musikproduktion Höflich, Munchen [email protected] et chez Koor&Stem, Anvers, [email protected] Although great care has been taken to trace all the sources, it is possible that some have been overlooked. Should this be the case, we apologise to any concerned author or publisher. The required supplements will be respected in future editions. TABLE OF CONTENTS Voorwoord 3 Preface 5 Vorwort 7 Préface 9 François-Auguste Gevaert (1828-1908) Adoro Te 11 Peter Benoit (1834-1901) Ave Maria 14 Jan Blockx (1851-1912) Ave Verum 20 Edgar Tinel (1854-1912) Hoe eenzaam is’t – Wie einsam ist ‘s 22 Emile Wambach (1854-1924) Salve Regina 33 August De Boeck (1865-1937) Ave Maria. Annuntiatio 36 Paul Gilson
    [Show full text]
  • Joseph Jongen 1873-1953 on the Wings of Winds
    85 In Flanders’ Fields Joseph Jongen 1873-1953 On The Wings Of Winds 5 Beaufort - Brussels Woodwind Quintet Baudoin Giaux flute, Bram Nolf oboe, Jean-Michel Charlier clarinet Ivo Hadermann horn, Luc Loubry bassoon Hans Ryckelynck piano Joseph Jongen 1873-1953 On The Wings Of Winds 1 Rhapsodie, op.70 (19) for woodwind quintet and piano 17:49 Lied (1899) for horn and piano 04:14 Méditation, op.21 (1901) for English horn and piano 06:5 Deux pièces, op.98 (19) for woodwind quintet 15:51 4 Préambule 06:5 5 Danses 09:19 6 Danse lente, op.54 bis (194) for flute and piano 0:15 7 Concerto, op.124 (194) for woodwind quintet 16:40 TT: 74:59 5 Beaufort - Brussels Woodwind Quintet Baudoin Giaux, flute | Bram Nolf, oboe and English horn | Jean-Michel Charlier, clarinet Ivo Hadermann, horn | Luc Loubry, bassoon Hans Ryckelynck, piano Joseph Jongen (1873-1953) Joseph Jongen werd geboren in Luik op 14 december 187 en stierf in Sart-Lez-Spa op 1 juli 195. In oktober 1881 mocht hij zijn studie aan het Koninklijk Conservatorium van Luik aanvatten, toen hij nog geen acht jaar was (te jong, maar speciaal voor hem werd van de regels afgeweken); hij zou er zijn gehele muzikale opleiding krijgen. Hij was een buitengewoon begaafd student, zowel in muziektheorie als in het bespelen van klavierinstrumenten. In 1991 kreeg hij een eerste prijs in fuga bij acclamatie (het equivalent van een grootste onderscheiding). Voor piano en orgel behaalde hij een eerste prijs met een vergulde zilveren medaille, resp. in 189 en in 1896.
    [Show full text]
  • BENELUX and SWISS SYMPHONIES from the 19Th Century to the Present
    BENELUX AND SWISS SYMPHONIES From the 19th Century to the Present A Discography of CDs And LPs Prepared by Michael Herman JEAN ABSIL (1893-1974) BELGIUM Born in Bonsecours, Hainaut. After organ studies in his home town, he attended classes at the Royal Music Conservatory of Brussels where his orchestration and composition teacher was Paul Gilson. He also took some private lessons from Florent Schmitt. In addition to composing, he had a distinguished academic career with posts at the Royal Music Conservatory of Brussels and at the Queen Elisabeth Music Chapel and as the long-time director of the Music Academy in Etterbeek that was renamed to honor him. He composed an enormous amount of music that encompasses all genres. His orchestral output is centered on his 5 Symphonies, the unrecorded ones are as follows: No. 1 in D minor, Op. 1 (1920), No. 3, Op. 57 (1943), No. 4, Op. 142 (1969) and No. 5, Op. 148 (1970). Among his other numerous orchestral works are 3 Piano Concertos, 2 Violin Concertos, Viola Concerto. "La mort de Tintagiles" and 7 Rhapsodies. Symphony No. 2, Op. 25 (1936) René Defossez/Belgian National Orchestra ( + Piano Concerto No. 1, Andante and Serenade in 5 Movements) CYPRÈS (MUSIQUE EN WALLONIE) CYP 3602 (1996) (original LP release: DECCA 173.290) (1958) RAFFAELE D'ALESSANDRO (1911-1959) SWITZERLAND Born in St. Gallen. After some early musical training, he studied in Paris under the tutelage of Marcel Dupré (organ), Paul Roës (piano) and Nadia Boulanger (counterpoint). He eventually gave up composing in order to earn a living as an organist.
    [Show full text]
  • Marché Opus 15-16
    Marché Opus Mengal Ensemble XL A musical revolution on historical instruments 12 Les sons du cor transportent l’esprit au loin, dans les libres espaces, au sein des vastes fôrets, sous l’ombrage des chênes séculaires, ou dans les pays charmants du rêve et de la féerie, aux bords des claires fontaines où l’on entend par les belles nuits d’été résonner les notes mystérieuses du cor d’Obéron. From F.A. Gevaert, ”Traité d’instrumentation” 1885, p.210 In the shadows of the soot-scattering chimneys In 1894 Léon Du Bois completed his three of 19th century industrialized Western Europe, octets for eight-valve horns, at a time when the composers, musicians and instrument musical style of Bruckner and Wagner was manufacturers were engaged in their own popular in Brussels. The result includes a musical revolution. The turbulent atmosphere glorious work for doubled horn quartet written of politics, scientific evolution and new artistic in a lyrical style. The piece was a success at the ideas challenged and changed the musical time it was released, but fell out of fashion by world. The studios of Sax, Mahillon and Van the middle of the 20th century. The musical richness of Cauwelaert in Paris and Brussels claimed their We are very proud to be able to present it in its these octets symbolize the share of the ever-expanding instrument market original form played with the precise with their newest inventions and instruments for which it was written. highlight of the Belgian improvements. The horn octets of Martin- “lyrical” horn school.
    [Show full text]
  • Twentieth-Century Flemish Art Song: a Compendium for Singers. (Volumes I and II)
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1994 Twentieth-Century Flemish Art Song: A Compendium for Singers. (Volumes I and II). Paul Arthur Huybrechts Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Huybrechts, Paul Arthur, "Twentieth-Century Flemish Art Song: A Compendium for Singers. (Volumes I and II)." (1994). LSU Historical Dissertations and Theses. 5729. https://digitalcommons.lsu.edu/gradschool_disstheses/5729 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Flemish Violin Music from Today and the Past
    Flemish violin music from today and the past 15 July 2014-20.00 AMUZ, Antwerp A Provincie SABAM AntwerpenP �j�\ CULTURE Programme Sonate nr. 6 opus 1 — Willem Gommaar Kennis (1717-1789) Andante Allegro assai Vioolsonate — Pieter Van Maldere (1729-1768) Fantasie nr. 3 — Peter Benoit (1834-1901) Sonate voor viool en piano — August De Boeck (1865-1937) Spilliaert triptiek — Frits Celis (1929) The eye — Frank Agsteribbe (1968) Violinist: Guido De Neve Cembalist; Frank Agsteribbe Pianist: Jozef De Beenhouwer Kennis and Van Maldere will be played on a ,.Hendrrk Willems" violin, built in Ghent in 1692 (baroque mounting); De Boeck, Celis and Agsteribbe will be played on a .,Mathys Hofmans" violin, built in Antwerp in 1650 (modern mounting). We wish to congratulate composer Frits Celis, who recently turned 851 Be welcome for a drink in the foyer after the concert, offered to you by IAML Antwerp. Guido de Neve is a passionate violinist, who once was dubbed "the new torchbearer of the Belgian violin school'. Already at a very tender age he showed an exceptional musical talent, be- ing admitted to the conservatory of Brussels at eleven. His encounter with the Hungarian violinist Sandor Végh in 1984 had a tremendous impact on his studies and autodidactic ambitions. He developed a very personal style of interpretation, much appreciated at home and abroad. He also enjoys worldwide fame for his research and for the editing of unpublished manuscripts. Guido de Neve performed with the Eugene Isaÿe Ensemble and the Spiegel String Quartet, but later also as a soloist and in duo. Lately he has been applying himself to the baroque violin.
    [Show full text]
  • Regatul Romaniei
    RegatulRomaniei file:///C:/Programele%20Mele/IstorieRomania1/RegatulRomaniei/Regat... Regatul României Visul unirii tuturor românilor sub un singur steag a frământat mințile conducătorilor încă din cele mai vechi timpuri, dar alianțele militare și interesele de ordin comercial nu au fost în favoarea simplificării relațiilor dintre diferitele formațiuni statale. În vechime, țările românești au negociat protecția celor două mari imperii ale romanilor, apoi începând cu secolul al XIII-lea au întreținut legături de prietenie și ajutor mutual cu Polonia și Lituania. Din secolul al XV-lea, ca state vasale Imperiului Otoman dar sub protecția directă a Hanatului Crimeei, s-a pus problema formării unui eyalat turcesc comun. Proiectul a fost însă refuzat cu dârzenie, ca urmare a divergențelor de ordin religios. Ca o soluție de compromis, sultanii au permis independența religioasă a celor trei principate, în schimbul dependenței economice. Situația de criză a intervenit o dată cu revoluția și apoi războiul de independență purtat de greci și sârbi. Sub aripa ocrotitoare a Bisericii Ortodoxe Răsăritene, creștinii din toate țările Balcanice au ridicat la început glasul, apoi armele, cerând vehement ieșirea din situația de compromis religios. Ca rezultat, boierii și dragomanii greci au fost maziliți, iar mănăstirile filiale ale celor de la Muntele Athos au fost secularizate. În urma grecilor au rămas nenumăratele lor rude născute din alianțe cu casele boierești autohtone, practic aproape toată crema boierimii. Pentru a umple vidul administrativ rămas s-a hotărât instituirea unei locotenențe domnești, ajutată de o Adunare Constituantă a fruntașilor celor două țări. În ambele principate, toate sufragiile au fost întrunite în anul 1859 de Colonelul Alexandru Ioan Cuza, cu funcția de Ministru de Război, fost deputat de Galați și fost șef al Miliției de la Dunărea de Jos.
    [Show full text]
  • February 2016
    DEALER INFORMATION SERVICE: NO. 289 FEBRUARY 2016 • CUT-OFF DATE FOR RECEIPT OF ORDER: THURSDAY 21ST JANUARY • SHIP-OUT DATE: WEDNESDAY 27TH JANUARY REPRESENTING TODAY’S • NATIONAL ‘ON SALE’ DATE: FRIDAY 29TH JANUARY GREAT LABELS THIS MONTH'S HIGHLIGHTS Download this month's information here: http://www.selectmusic.co.uk/ USERNAME: dealer / PASSWORD: select Select Music and Video Distribution Limited 3 Wells Place, Redhill, Surrey RH1 3SL Tel: 01737 645600 Fax: 01737 644065 Index Please click on a label below to be directed to its relevant page. Thank you. CDs Accentus Music ........................................................................................................................ page 9 Albion Records ........................................................................................................................ page 6 APR ....................................................................................................................................... page 9 BIS ........................................................................................................................................ page 5 BMMA .................................................................................................................................... page 9 BR Klassik ............................................................................................................................... page 6 Bridge Records .......................................................................................................................
    [Show full text]