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An Ethnography of the Spring Festival
IMAGINING CHINA IN THE ERA OF GLOBAL CONSUMERISM AND LOCAL CONSCIOUSNESS: MEDIA, MOBILITY, AND THE SPRING FESTIVAL A dissertation presented to the faculty of the College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Li Ren June 2003 This dissertation entitled IMAGINING CHINA IN THE ERA OF GLOBAL CONSUMERISM AND LOCAL CONSCIOUSNESS: MEDIA, MOBILITY AND THE SPRING FESTIVAL BY LI REN has been approved by the School of Interpersonal Communication and the College of Communication by Arvind Singhal Professor of Interpersonal Communication Timothy A. Simpson Professor of Interpersonal Communication Kathy Krendl Dean, College of Communication REN, LI. Ph.D. June 2003. Interpersonal Communication Imagining China in the Era of Global Consumerism and Local Consciousness: Media, Mobility, and the Spring Festival. (260 pp.) Co-directors of Dissertation: Arvind Singhal and Timothy A. Simpson Using the Spring Festival (the Chinese New Year) as a springboard for fieldwork and discussion, this dissertation explores the rise of electronic media and mobility in contemporary China and their effect on modern Chinese subjectivity, especially, the collective imagination of Chinese people. Informed by cultural studies and ethnographic methods, this research project consisted of 14 in-depth interviews with residents in Chengdu, China, ethnographic participatory observation of local festival activities, and analysis of media events, artifacts, documents, and online communication. The dissertation argues that “cultural China,” an officially-endorsed concept that has transformed a national entity into a borderless cultural entity, is the most conspicuous and powerful public imagery produced and circulated during the 2001 Spring Festival. As a work of collective imagination, cultural China creates a complex and contested space in which the Chinese Party-state, the global consumer culture, and individuals and local communities seek to gain their own ground with various strategies and tactics. -
Chinese Zodiac Hidden Secrets to Discover Future
Chinese Zodiac Hidden secrets to discover future 24 MARCH 2020, IGOR MICUNOVIC Chinese zodiac What Is Chinese Astrology? Chinese astrology and constellations were mostly used for divination. Chinese astrology is perhaps the oldest known horoscope system in the world. Ancient writings have been dated as far as the written records of China itself, many of which have been well-preserved and can be found in the monasteries in China, and all across South-East Asia. Chinese astrology is based on astronomy and traditional calendars. Using information gathered from the time and date of your birth, a Chinese astrologer is then able to draw up a map of your karma and life and advise you accordingly. When you receive a Chinese Astrology reading you are thus benefiting from a tradition that is thousands of years old. Chinese astrology is the divination of the future from the Chinese calendar, which is based on astronomy, and ancient Chinese philosophy. In ancient China, the astrologers primarily served the emperor and his court and were responsible for the stability, well-being and the health of the population. The roots of the Chinese astrological system are planted deeply in the classical philosophies of Kongzi 孔⼦(Confucius) and Laozi ⽼⼦(Lao Tse). Ancient astrologers could correctly predict when tides, seasons, the proper time to plant and harvest crops, to avoid or make wars. According to Chinese Astrology, a person's destiny can be determined by the position of the major planets, along with the positions of the Sun, Moon and comets and the person's time of birth and Zodiac Sign. -
Lesson Title: Celebrating the Chinese New Year Country: China Class
Lesson Title: Celebrating the Chinese New Year Country: China Class: Geography; art Grade level(s): 2nd Grade Goals and Objectives The student will be able to: Locate China on a map and on a globe. Learn respect and appreciation of another culture. Compare how the New Year is celebrated in United States and China. Name the 12 animals of the Chinese Zodiac. Create a paper wall chart featuring the animals of the Chinese Zodiac. Tell the story of the order of the animal years in the Chinese Zodiac. Time required/class periods needed: 5 30+ minute classes Primary source bibliography: Maps, globes General Information Site: http://www.chinahighlights.com/travelguide/chinese-zodiac/ Other resources used: http://kids.nationalgeographic.com/kids/places/find/china/ http://www.dltk-holidays.com/china/pquilt.asp http://www.dltk-holidays.com/t_template.asp?t=http://www.dltk-holidays.com/china/imag... http://www.dltk-holidays.com/china/chinese_zodiac.htm Coloring pages of animals of Chinese Zodiac http://www.nickjr.com/printables/chinese-zodiac- coloring-pages.jhtml The Story of the Chinese Zodiac retold by Monica Chang (in English and Chinese) (Yuan-Liou Publishing Co. Ltd) Chinese New Year by David F. Marx Chinese Zodiac Birthday Calculator and Animal Trait Guide http://www.travelchinaguide.com/intro/social_customs/zodiac/ Required materials/supplies: Venn diagram, maps, globes, markers, crayons, scissors, glue, pictures of Zodiac animals, folk tale about zodiac animals, paper, printer Vocabulary: China: A large country located on the continent of Asia. Continent: A large landmass. Chinese New Year: A holiday whose date is determined by the Lunar calendar. -
Deduce the Verve of Chinese Zodiac Culture by Brief Esthetics Jing HU
2017 International Conference on Modern Education and Information Technology (MEIT 2017) ISBN: 978-1-60595-468-4 Deduce the Verve of Chinese Zodiac Culture by Brief Esthetics Jing HU School of Arts and Communications, Wuhan Polytechnic University, Wuhan, Hubei, China [email protected] Keywords: Chinese Zodiac Culture; Brief Esthetics; Design Abstract. Chinese zodiac is an original folk culture in China, and it has a profound effect. In vision style, the pure animal totem evolves into a diverse and polymorphic performance style. Nowadays, the design trend that is to be contracted, returns essence. The form of the Chinese zodiac culture is also quietly changing, presenting a new aesthetic style in a contracted form. Introduction Zodiac is a unique folk culture in China, and it originated from the ancestor's natural worship. Compared to nature, people seem tiny or even negligible, so they seek for gods' asylum. The so called "all things have spirit", "beings are all God", in fact are people's beliefs when they personify the animal’s and plants in nature which become the object of worship and awe.[1] Zodiac in the twelve kinds of animals: rat, ox, tiger, rabbit, dragon, snake, horse, goat, monkey, rooster, dog, pig naturally become a symbol of the gods. And then gradually applied to the annals of the law, and the twelve Earthly Branches: rat charm, ox patient, tiger sensitive, rabbit articulate, dragon healthy snake deep, horse popular, goat elegant, monkey clever, pooster deep thinkers, dog loyalty, and pig chivalrous corresponding. The zodiac comes from the needs of survival, and later penetrates into all areas of life. -
January & February
2018 January & February CONTENTS 24-25 Global Network 2018 / 01+02 India 26-29 Local Office Achieving Steady Performance with Customer Satisfaction KCC Paint India Pvt Ltd (KCI) 30-31 Interview Standing at the Forefront of Key Industries 32-33 Market Trend In the Limelight Huge Market and the Little India Strategy 34-37 Cultural Walks Rediscovery of Madras and Chennai Proud KCC 04-05 Message from the Chairman 38-41 Hidden Korea Wishing good luck for the New Year Korean New Year's Day “Seollal” 06-09 CEO Interview 42-43 Traditional Goods The culmination of care and artistic 10-11 Intro senses, Bojagi The Power of Global Network 44-45 KCC News 12-13 KCC Campaign 2018 January & Febuary -INDIA- Communication&Connection 46 KCC QUIZ 16-21 Product Research Add Classiness to your Life with KCC KCC Magazine 47 Company Song No.300 Date of issue February 1, 2018 Report Number Seocho La 11683 Report date August 17, 22-23 KCC History 2016 Publusher Mong-Ik Chung Editor Mong-Ik Chung Global KCC : INDIA KEUMKANG SLATE Publicated by KCC (344 Sapyeong-daero, Seocho-gu, Taking the First Step Seoul, Korea) Edited and Designed by Lucksway in the 60-year History of KCC Message from the Chairman Reinforcing global market power and broadening our R&D capabilities it is capable of providing solutions that creating value, such as social contribution and suit customer needs based on inimitable environmental contribution. In recent years, technology and quality competitiveness. our sustainability management activities have Last year, a considerable number of received considerable accolades, including Korean companies experienced difficulties repeatedly winning international awards in conducting business projects in China along with other leading global companies. -
Chinese Folk Art, Festivals, and Symbolism in Everyday Life
Chinese Folk Art, Festivals, and Symbolism in Everyday Life PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY Written and Designed by Nicole Mullen with contributions by Ching-chih Lin, PhD candidate, History Department, UC Berkeley. Additional contributors: Elisa Ho, Leslie Kwang, Jill Girard. Funded by the Berkeley East Asia National Resource Center through its Title VI grant from the U.S. Department of Education. Special thanks to Ching-chih Lin, for his extraordinary contributions to this teaching guide and the Taipei Economic and Cultural Office in San Francisco for its generous print and electronic media contributions. Editor: Ira Jacknis Copyright © 2005. Phoebe A. Hearst Museum of Anthropology and the Regents of the University of California. All rights reserved. 103 Kroeber Hall. #3712, Berkeley CA 94720 Cover image: papercut, lion dance performance, 9–15927c All images with captions followed by catalog numbers in this guide are from the collections of the Phoebe A. Hearst Museum of Anthropology. All PAHMA objects from Beijing and Nanking are from the museum's Ilse Martin Fang Chinese Folklore Collection. The collection was assembled primarily in Beijing between 1941 and 1946, while Ms. Fang was a postdoctoral fellow at the Deutschland Institute working in folklore and women's studies. PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY CHINA The People’s Republic of China is the third largest country in the world, after Russia and Canada. It is slightly larger than the United States and includes Hong Kong and Macau. China is located in East Asia. The capital city is Beijing, which is in the northeast part of the country. -
Chinese Zodiac Animals Trail #Cnysunderland2021
Chinese Zodiac Animals Trail #CNYSunderland2021 Find out amazing facts about the 12 animals of the Chinese Zodiac and try some fun animal actions. 12th February 2021 is the start of the Year of the Ox, but how were the animals chosen and in which order do they follow each other? Find out more….. How did the years get their names? A long time ago in China, the gods decided that they wanted to name the years after animals. They chose twelve animals – dragon, tiger, horse, snake, pig, cockerel, rat, rabbit, goat, dog, ox and monkey. All of these wanted the first year to be named after them as they all thought themselves to be the most important. Can you imagine the noise when they were arguing? They made so much noise that they woke up the gods. After listening to all their arguments the gods decided to settle the matter by holding a race across a wide river. The years would be named according to the order in which the animals finished the race. The animals were very excited. They all believed that they would win – although the pig wasn’t quite so sure. During the race there were many changes in position, with different animals taking the lead. As they approached the river bank ox was in the lead with rat a very close second. Rat was determined to win but he was getting very tired. He had to think quickly. He managed to catch the ox’s tail and from there he climbed onto his back. Ox could see that he was winning but just as he was about to touch the bank, rat jumped over his head and landed on dry land. -
The Chinese Zodiac
Innovating Culture through THE CHINESE ZODIAC BY DAN LUO SUPERVISORY COMMITTEE MARIA ROGAL Chair BriAN SlAWSON Member KATERIE GLADDYS Member A PROJECT IN LIEU OF THESIS PRESENTED TO THE COLLEGE OF FINE ARTS OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS UNIVERSITY OF FLORIDA 2012 Innovating Culture through THE CHINESE ZODIAC By Dan Luo COPYRIGHT DAN LUO Acknowledgements 03 With all the support, encouragement, and advise, I am truly grateful to all my committee: Professor Maria Rogal, Professor Brian Slawson, and Professor Katerie Gladdys. To Maria, you sharp thoughts and eyes helped me get on the correct path and develop better solutions theoretically and practically. I really appreciate that you saved me from some unreasonable solutions of this project. Without you, I could not make the 12X12 store happen. Thank you so much for your honesty, the suggestions, advice and support. You are a great mentor to work with and learn from. I learned so many things from you, especially, how to conduct the design research and how to shape, refine and sharp concepts. To Brian, thank you so much for all the resources and your seminar. I love how you gave us space to work on the topic that we are interested in. For all these 3 years, I learned so many designers’ work and cutting-edge design thinking from you. You inspired me so much in many different ways. Without you and your seminar, the 144 hybrid symbols will not be created smoothly. To Katerie, thank you so much for giving many critical comments and unique suggestions on my work and push the work to be more reasonable and more attractive to the audiences. -
The Mechanism of Paper Money in Yuan China
The Silver Standard as a Discipline on Money Over-Issuances: The Mechanism of Paper Money in Yuan China Hanhui Guan (School of Economics, Peking University, Beijing, 100871, China; [email protected]) Jie Mao (School of International Trade and Economics, University of International Business and Economics, Beijing, 100029, China; [email protected]) Corresponding with the author: Hanhui Guan. School of Economics, Peking University, No. 5 Yiheyuan Road, Haidian District, Beijing, 100871, P. R. China. Email: [email protected]. Phone (office): +86-10-62753493. The Silver Standard as a Discipline on Money Over-Issuances: The Mechanism of Paper Money in Yuan China Abstract: The Yuan was the first dynasty both in Chinese and world history to use paper money as its sole medium of circulation, and also established the earliest silver standard. This paper explores the impact of paper money in Yuan China. We find that: (1) At the beginning of its regime, due to the strict constraints of the silver standard on money issuances, the value of paper money was stable. (2) Since the middle stage of the dynasty, the central government had to finance fiscal deficits by issuing more paper money, and inflation was thus unavoidable. Our empirical results also demonstrate that fiscal pressure from multiple provincial rebellions was the most important factor driving the government to issue more paper money; however, the emperor’s largesse, which had been viewed as another source of fiscal deficits by most traditional historians, had no significant effect on the over-issuance of paper money. (3) When the monetary standard switched from silver to paper money, the impact of fiscal deficits, which were driving more paper money issuances, became much more severe. -
Capitalizing China
This PDF is a selection from a published volume from the National Bureau of Economic Research Volume Title: Capitalizing China Volume Author/Editor: Joseph P. H. Fan and Randall Morck, editors Volume Publisher: University of Chicago Press Volume ISBN: 0-226-23724-9; 978-0-226-23724-4 (cloth) Volume URL: http://www.nber.org/books/morc10-1 Conference Date: December 15-16, 2009 Publication Date: November 2012 Chapter Title: Financial Strategies for Nation Building Chapter Author(s): Zhiwu Chen Chapter URL: http://www.nber.org/chapters/c12070 Chapter pages in book: (p. 313- 333) 7 Financial Strategies for Nation Building Zhiwu Chen 7.1 Introduction It is hard for historians to ignore the cyclical nature of Chinese history: every forty to fi fty years there was a peasant revolt, and every two to three hundred years there was a change of dynasty. For two thousand years, this pattern has continued. Those interested in China’s future will naturally ask: Will history repeat itself? What should be done to avoid the cycle? Of course, different people will have different answers. Given the advances in technology, it may seem that guided missiles, airplanes, and night vision would stifl e any peasant revolt today. Centuries ago, before the development of modern warfare technologies, revolting peasants and the government army were evenly matched in terms of weaponry. It was not difficult for revolting peasants to equip themselves with arms similar to their counter- parts in the national army. More charged by their determination and pas- sion to revolt, the peasants were a force that could successfully overthrow a dynasty. -
TEN TOP TIPS for BECOMING MORE LGBT INCLUSIVE for Services and Organisations Working with Older People
TEN TOP TIPS FOR BECOMING MORE LGBT INCLUSIVE for services and organisations working with older people LGBT AGE CAPACITY BUILDING PROJECT LGBT Health and Wellbeing Contents Introduction 2 1. Make sure LGBT people are visibly welcomed 4 2. Avoid assumptions 5 3. Ensure that staff receive LGBT awareness training 7 4. Make sure that LGBT people’s safety and privacy is protected 8 5. Create a Safe Space policy 9 6. Engage with and respect LGBT people’s chosen families 11 7. Monitor gender and sexual orientation across the organisation 12 8. Link up with the LGBT communities in your local area 13 9. Make sure your systems and procedures are LGBT inclusive 14 10. Remember that not all LGBT people are the same 15 BONUS TIP: Keep up to date with issues, research, and good practice 17 Useful resources and research 18 Glossary 21 About LGBT Health and Wellbeing This resource has been developed in LGBT Health and Wellbeing creates and consultation with older LGBT people. promotes opportunities to improve and The poetry, prose, and images in this equalise the social, emotional, physical and booklet have been generously shared mental health and wellbeing of lesbian, gay, by LGBT people who took part in our bisexual and transgender people in Scotland, ‘Lifelines’ intergenerational through a programme of activities, events, storytelling project. courses and community groups. Page | 1 Introduction What does it mean to be inclusive of LGBT people? How can you make sure that LGBT people feel actively welcomed? Why is it important to go beyond ‘treating everyone the same’? How can your organisation provide the best service possible to older LGBT people? Attitudes towards LGBT people have changed a great deal in recent times: the Equality Act (which requires public services to consider the needs of LGBT people and tackle inequality and discrimination) and Equal Marriage represent huge legal landmarks, and discrimination against LGBT people is increasingly unacceptable in society. -
Tree-Squares in Anatolia: What Does an Emergent Public Space Mean?
3. Cultural Dimension / Local Identities and Meanings 645 Tree-Squares in Anatolia: What does an emergent public space mean? Duygu Cihanger Middle East Technical University, City and Regional Planning Department [email protected] Urban places, besides their physical characteristics, are regarded as grounds where personal or collective meanings are created and accumulated. An individual can capture the meaning of a place, or create new meanings by relying on his/her own feelings and experiences. This research, by discussing the idea of togetherness of meaning and design in urban spaces, presents trees both as place making and meaning generating features, which honors the local identity of a site. Tree-squares are, therefore, the unique urban public places where this relationship is observed clearly. The researcher’s encounter with a Çınaraltı Square - a Turkish term used to define public places under massive and historical plane trees and will be referred as Tree-Square within the scope of this paper - which is marked by a plane tree that is called Musa (Moses) Plane in Antakya/Turkey has triggered an idea of questioning the urban planning and design approaches beyond the broadly accepted role of trees as natural and aesthetic beings in cities. Later on, Yalvaç Plane in Yalvaç/Isparta site, and the outstanding public place under its tremendous branches carried this wonder one step further, since this Tree-Square was not only an attractive place with a magnificent plane tree, but also the heart of the city. It was unplanned and un-envisioned by any kind of legal planning or design authority; instead, it was emerged and developed out of the cultural beliefs and traditions.