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James Bond a 50 The
JAMES BOND: SIGNIFYING CHANGING IDENTITY THROUGH THE COLD WAR AND BEYOND By Christina A. Clopton Submitted to Central European University Department of International Relations and European Studies In partial fulfillment of the requirements for the Masters of Arts Supervisor: Professor Alexander Astrov CEU eTD Collection Budapest, Hungary 2014 Word Count: 12,928 Abstract The Constructivist paradigm of International Relations (IR) theory has provided for an ‘aesthetic turn’ in IR. This turn can be applied to popular culture in order to theorize about the international system. Using the case study of the James Bond film series, this paper investigates the continuing relevancy of the espionage series through the Cold War and beyond in order to reveal new information about the nature of the international political system. Using the concept of the ‘empty signifier,’ this work establishes the shifting identity of James Bond in relation to four thematic icons in the films: the villains, locations, women and technology and their relation to the international political setting over the last 50 years of the films. Bond’s changing identity throughout the series reveals an increasingly globalized society that gives prominence to David Chandler’s theory about ‘empire in denial,’ in which Western states are ever more reluctant to take responsibility for their intervention abroad. CEU eTD Collection i Acknowledgements I would like to extend my deepest gratitude to Professor Alexander Astrov for taking a chance with me on this project and guiding me through this difficult process. I would also like to acknowledge the constant support and encouragement from my IRES colleagues through the last year. -
Die Figur Des Antagonisten in Den James Bond-Filmen - Film- Und Zeitgeschichtliche Kontexte Eines Öffentlichen Feindbildes"
DIPLOMARBEIT Titel der Diplomarbeit "Die Figur des Antagonisten in den James Bond-Filmen - Film- und zeitgeschichtliche Kontexte eines öffentlichen Feindbildes" Verfasserin Daniela Müller angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Univ.-Prof. Mag. Dr. habil Ramón Reichert Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Arbeit selbstständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, am Unterschrift: 2 Danksagung Mein besonderer Dank gilt meinem Betreuer Prof. Ramón Reichert, der mich während des Schreibens meiner Diplomarbeit gut betreut hat, indem er mich über den "Tellerrand" hinausblicken hat lassen und mich immer wieder motiviert hat. Weiters gab er mir die Möglichkeit über ein Thema zu schreiben, welches mir immer schon am Herzen lag. Ein weiterer und besonders großer Dank gilt meinen Eltern, die es mir ermöglicht haben, meine Leidenschaft zu studieren - Theater und Film. Besonders meine Mama, Eva Müller, möchte ich hervorheben, die meine komplette Arbeit gelesen und mir immer wieder neue mögliche Ansätze aufgezeigt hat. Auch meinen Freunden soll an dieser Stelle gedankt werden, die mich immer wieder motiviert und mit Interesse meine Arbeit verfolgt haben. Last but definitely not least, danke ich von ganzem Herzen meiner besten Freundin, Eszter Anghi, fürs Korrekturlesen. 3 4 Inhaltsverzeichnis 1. Einleitung S. 7 2. Zur Entstehung der Bond-Romane S. -
Things Are Not Enough Bond, Stiegler, and Technics
Things Are Not Enough Bond, Stiegler, and Technics CLAUS-ULRICH VIOL Discussions of Bond’s relationship with technology frequently centre around the objects he uses, the things he has at his disposal: what make is the car, what products have been placed in the flm, are the flm’s technical inventions realistic, visionary even !his can be observed in cinema foyers, fan circles, the media, as well as academia. #$en these discussions take an admiring turn, with commentators daz%led by the technological foresight of the flmic ideas; ' quite ofen too, especially in academic circles, views tend to be critical, connecting Bond’s technological overkill to some compensatory need in the character, seeing the technological objects as (props) that would and should not have to be ' *ee, for instance, publications like The Science of James Bond by Gresh and ,einberg -.//01, who set out to provide an “informative look at the real2world achievements and brilliant imaginations) behind the Bond gadgets, asking how realistic or “fant2 astic) the adventures and the equipment are and promising to thus probe into (the limits of science, the laws of nature and the future of technology” -back cover1" 3arker’s similar Death Rays, Jet Packs, Stunts and Supercars -.//41 includes discussions of the physics behind the action scenes -like stunts and chases1, but there remains a heavy preponderance of (ama%ing devices), (gadgets and gi%mos), “incredible cars), (reactors) and (guns) -v2vi1" ,eb pages and articles about (Bond Gadgets that 5ave Become 6eal), “Bond Gadgets 7ou 8an 9ctually Buy”, “Bond Gadgets that 8ould ,ork in 6eal :ife) and the like are legion. -
Set Name Card Description Auto Mem #'D Base Set 1 Harold Sakata As Oddjob Base Set 2 Bert Kwouk As Mr
Set Name Card Description Auto Mem #'d Base Set 1 Harold Sakata as Oddjob Base Set 2 Bert Kwouk as Mr. Ling Base Set 3 Andreas Wisniewski as Necros Base Set 4 Carmen Du Sautoy as Saida Base Set 5 John Rhys-Davies as General Leonid Pushkin Base Set 6 Andy Bradford as Agent 009 Base Set 7 Benicio Del Toro as Dario Base Set 8 Art Malik as Kamran Shah Base Set 9 Lola Larson as Bambi Base Set 10 Anthony Dawson as Professor Dent Base Set 11 Carole Ashby as Whistling Girl Base Set 12 Ricky Jay as Henry Gupta Base Set 13 Emily Bolton as Manuela Base Set 14 Rick Yune as Zao Base Set 15 John Terry as Felix Leiter Base Set 16 Joie Vejjajiva as Cha Base Set 17 Michael Madsen as Damian Falco Base Set 18 Colin Salmon as Charles Robinson Base Set 19 Teru Shimada as Mr. Osato Base Set 20 Pedro Armendariz as Ali Kerim Bey Base Set 21 Putter Smith as Mr. Kidd Base Set 22 Clifford Price as Bullion Base Set 23 Kristina Wayborn as Magda Base Set 24 Marne Maitland as Lazar Base Set 25 Andrew Scott as Max Denbigh Base Set 26 Charles Dance as Claus Base Set 27 Glenn Foster as Craig Mitchell Base Set 28 Julius Harris as Tee Hee Base Set 29 Marc Lawrence as Rodney Base Set 30 Geoffrey Holder as Baron Samedi Base Set 31 Lisa Guiraut as Gypsy Dancer Base Set 32 Alejandro Bracho as Perez Base Set 33 John Kitzmiller as Quarrel Base Set 34 Marguerite Lewars as Annabele Chung Base Set 35 Herve Villechaize as Nick Nack Base Set 36 Lois Chiles as Dr. -
A Queer Analysis of the James Bond Canon
MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester A Dissertation Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2019 Copyright 2019 by Grant C. Hester ii MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Jane Caputi, Center for Women, Gender, and Sexuality Studies, Communication, and Multimedia and has been approved by the members of his supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Khaled Sobhan, Ph.D. Interim Dean, Graduate College iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Jane Caputi for guiding me through this process. She was truly there from this paper’s incubation as it was in her Sex, Violence, and Hollywood class where the idea that James Bond could be repressing his homosexuality first revealed itself to me. She encouraged the exploration and was an unbelievable sounding board every step to fruition. Stephen Charbonneau has also been an invaluable resource. Frankly, he changed the way I look at film. His door has always been open and he has given honest feedback and good advice. Oliver Buckton possesses a knowledge of James Bond that is unparalleled. I marvel at how he retains such information. -
2016 James Bond Archives - Spectre Edition Checklist
2016 James Bond Archives - Spectre Edition Checklist Base Cards Card # Card Title 01 Spectre 02 Spectre 03 Spectre 04 Spectre 05 Spectre 06 Spectre 07 Spectre 08 Spectre 09 Spectre 10 Spectre 11 Spectre 12 Spectre 13 Spectre 14 Spectre 15 Spectre 16 Spectre 17 Spectre 18 Spectre 19 Spectre 20 Spectre 21 Spectre 22 Spectre 23 Spectre 24 Spectre 25 Spectre 26 Spectre 27 Spectre 28 Spectre 29 Spectre 30 Spectre 31 Spectre 32 Spectre 33 Spectre 34 Spectre 35 Spectre 36 Spectre 37 Spectre 38 Spectre 39 Spectre 40 Spectre 41 Spectre 42 Spectre 43 Spectre 44 Spectre 45 Spectre 46 Spectre 47 Spectre 48 Spectre 49 Spectre 50 Spectre 51 Spectre 52 Spectre 53 Spectre 54 Spectre 55 Spectre 56 Spectre 57 Spectre 58 Spectre 59 Spectre 60 Spectre 61 Spectre 62 Spectre 63 Spectre 64 Spectre 65 Spectre 66 Spectre 67 Spectre 68 Spectre 69 Spectre 70 Spectre 71 Spectre 72 Spectre 73 Spectre 74 Spectre 75 Spectre 76 Spectre Diamond Are Forever Throwback Cards (1:6 packs) Card # Card Title 01 Diamond Are Forever Throwback Set 02 Diamond Are Forever Throwback Set 03 Diamond Are Forever Throwback Set 04 Diamond Are Forever Throwback Set 05 Diamond Are Forever Throwback Set 06 Diamond Are Forever Throwback Set 07 Diamond Are Forever Throwback Set 08 Diamond Are Forever Throwback Set 09 Diamond Are Forever Throwback Set 10 Diamond Are Forever Throwback Set 11 Diamond Are Forever Throwback Set 12 Diamond Are Forever Throwback Set 13 Diamond Are Forever Throwback Set 14 Diamond Are Forever Throwback Set 15 Diamond Are Forever Throwback Set 16 Diamond Are Forever -
International Spy Museum
International Spy Museum Searchable Master Script, includes all sections and areas Area Location, ID, Description Labels, captions, and other explanatory text Area 1 – Museum Lobby M1.0.0.0 ΚΑΤΆΣΚΟΠΟΣ SPY SPION SPIJUN İSPİYON SZPIEG SPIA SPION ESPION ESPÍA ШПИОН Language of Espionage, printed on SCHPION MAJASUSI windows around entrance doors P1.1.0.0 Visitor Mission Statement For Your Eyes Only For Your Eyes Only Entry beyond this point is on a need-to-know basis. Who needs to know? All who would understand the world. All who would glimpse the unseen hands that touch our lives. You will learn the secrets of tradecraft – the tools and techniques that influence battles and sway governments. You will uncover extraordinary stories hidden behind the headlines. You will meet men and women living by their wits, lurking in the shadows of world affairs. More important, however, are the people you will not meet. The most successful spies are the unknown spies who remain undetected. Our task is to judge their craft, not their politics – their skill, not their loyalty. Our mission is to understand these daring professionals and their fallen comrades, to recognize their ingenuity and imagination. Our goal is to see past their maze of mirrors and deception to understand their world of intrigue. Intelligence facts written on glass How old is spying? First record of spying: 1800 BC, clay tablet from Hammurabi regarding his spies. panel on left side of lobby First manual on spy tactics written: Over 2,000 years ago, Sun Tzu’s The Art of War. 6 video screens behind glass panel with facts and images. -
Re a Kite Dancing in a Hurricane, Mr Bond’ the Elemental Encounters of James Bond
‘You’re a kite dancing in a hurricane, Mr Bond’ The Elemental Encounters of James Bond LISA FUNNELL AND KLAUS DODDS What would it mean to describe James Bond as a man in his element? As an ex- pression in English, being “in one’s element” usuall refers to someone or some- thing well suited to what the are doing. #he term often con%e s, when a human actor is in%ol%ed, a sense of comfort, en&o ment, and e%en pleasure. 'on%ersel , when we note that someone or something is “out of their element”, we highlight other emotions and sensations such as discomfort, dislocation, and distress. (ore often than not, this phrase is used to describe social and professional cir- cumstances li)e embar)ing on a new &ob and*or socialising with people outside of our usual sphere. But we can also mobilise this phrase to draw attention to a relationship with something more elemental, describing human and non-human interactions with water, air, earth, and +re. While being in our element is usu- all seen as a good thing, we use elemental expressions li)e “out of our depth” and “!eel the atmosphere” to suggest that social and ph sical pressures and !orces ma ha%e got the better of us. As a hero, James Bond is defined b his actions, masculinit , and libidinal con,uests that are !ramed in a particular geopolitical context shaped b 'old War, post-Cold War, and, in the -aniel 'raig era, War on #error coordinates. Bond’s missions ha%e seen him tra%el the earth and be ond in his ,uest to !oil the e%il designs of ad%ersaries, ranging !rom crooked So%iet and 'hinese operat- Lisa Funnell is Assistant Professor in the Women’s and Gender Studies Programme and Co-Director of the Centre for Social Justice at the University of Oklahoma. -
Behavioural and Neural Responses to Facial Disfigurement
www.nature.com/scientificreports OPEN Behavioural and Neural Responses to Facial Disfgurement Franziska Hartung 1,2, Anja Jamrozik 1, Miriam E. Rosen1, Geofrey Aguirre 1, David B. Sarwer 3 & Anjan Chatterjee 1,2 Received: 30 October 2018 Faces are among the most salient and relevant visual and social stimuli that humans encounter. Accepted: 15 May 2019 Attractive faces are associated with positive character traits and social skills and automatically evoke Published: xx xx xxxx larger neural responses than faces of average attractiveness in ventral occipito-temporal cortical areas. Little is known about the behavioral and neural responses to disfgured faces. In two experiments, we tested the hypotheses that people harbor a disfgured is bad bias and that ventral visual neural responses, known to be amplifed to attractive faces, represent an attentional efect to facial salience rather than to their rewarding properties. In our behavioral study (N = 79), we confrmed the existence of an implicit ‘disfgured is bad’ bias. In our functional MRI experiment (N = 31), neural responses to photographs of disfgured faces before treatment evoked greater neural responses within ventral occipito-temporal cortex and diminished responses within anterior cingulate cortex. The occipito- temporal activity supports the hypothesis that these areas are sensitive to attentional, rather than reward properties of faces. The relative deactivation in anterior cingulate cortex, informed by our behavioral study, may refect suppressed empathy and social cognition and indicate evidence of a possible neural mechanism underlying dehumanization. Physical appearance has a profound impact on a person’s life. Beautiful people are preferred and enjoy many advantages compared to average-looking people1. -
The Man with the Golden Eye: Designing the James Bond Films Free Download
THE MAN WITH THE GOLDEN EYE: DESIGNING THE JAMES BOND FILMS FREE DOWNLOAD Peter Lamont,Marcus Hearn | 176 pages | 22 Nov 2016 | Signum Books (Imprint of Flashpoint Media Ltd) | 9780995519114 | English | Cambridge, United Kingdom 007 James Bond Golden Eye 1995 Part 01 As with nuclear missiles, two keys are used so that no single person can launch. News, advice and insights for the most interesting man in the room. Want to Read Currently Reading Read. James Bond Sean Bean The episode first aired February 16, Edit Did You Know? James Bond Sean Bean The opening is fine. Highly recommended Richly illustrated with The Man with the Golden Eye: Designing the James Bond Films of rare and previously unseen stills, this revealing memoir takes the reader on a unique journey through five decades of filmmaking. I'm a hard-core James Bond fan. There are no discussion topics on this book yet. Bottom of the Barrell. January 6, Hardcoverpages. James Bond woos a mob boss' daughter and goes undercover to uncover the true reason for Ernst Stavro Blofeld's allergy research in the Swiss Alps involving beautiful women from around the world. James Bond is sent to stop a diabolically brilliant heroin magnate armed with a complex organisation and a reliable psychic tarot card reader. Download as PDF Printable version. The Guardian UK. James Bond action film the best one that was ever made. Jim Calzacorto added it Apr 25, Movies Seen This Year Admiral Chuck Farrell Constantine Gregory Den of The Man with the Golden Eye: Designing the James Bond Films. -
Reading Bond Films Through the Lens of “Religion” Discourse of “The West and the Rest”
Teemu Taira Reading Bond Films through the Lens of “Religion” Discourse of “the West and the Rest” ABSTRACT “Religion” has been absent from the study of James Bond films. Similarly, James Bond has been absent from studies on religion and popular culture. This article aims to fill the gap by examining 25 Bond films through the lens of “religion”. The analysis suggests that there are a number of references to “religion” in Bond films, although “religion” is typi- cally not a main topic of the films. Furthermore, there is a detectable pattern in the films: “religion” belongs primarily to what is regarded as not belonging to “the West” and “the West” is considered modern, developed and rational as opposed to the backward, exotic and “religious” “Rest”. When “religion” appears in “the West”, it is seen positively if it is related to Christianity and confined to the private sphere and to the rites of passage. In this sense, representations of “religion” in Bond films contribute to what Stuart Hall named the discourse of “the West and the Rest”, thus playing a role in the maintenance of the idea of “the West”. This will be demonstrated by focusing on four thematic ex- amples from the films: mythical villains, imperialist attitude to “religion” outside “the West”, “religion” central in the plot (voodoo and tarot), Christianity in “the West”. This article also provides grounds for suggesting that reading Bond films through the lens of “religion” contributes to both Bond studies and studies on religion and popular culture. KEYWORDS Religion, Film, James Bond, Popular Culture, the West, Discourse, Representation, Myth, Colonialism, Imperialism, Christianity, Secular, Rationality BIOGRAPHY Teemu Taira is Senior Lecturer in Study of Religion, University of Helsinki, and Docent in Study of Religion, University of Turku. -
Celebrate 50 Years of James Bond with Activision Publishing's 007™ Legends Video Game - Available Today
Celebrate 50 Years Of James Bond With Activision Publishing's 007™ Legends Video Game - Available Today Latest Installment in Esteemed Franchise Delivers A First-of-its-Kind Bond Video Game Experience with a Story Inspired by Five Classic Bond Films - Goldfinger, On Her Majesty's Secret Service, Moonraker, Licence to Kill, Die Another Day - and the Upcoming Feature Film - SKYFALL SANTA MONICA, Calif., Oct. 16, 2012 /PRNewswire/ -- Today gamers can join in the celebration of 50 years of James Bond with the release of 007™ Legends from Activision Publishing, Inc., a wholly owned subsidiary of Activision Blizzard Inc., (Nasdaq: ATVI). Available at North American retail outlets today, across Europe on October 19th, and in Australia on October 31st, 007 Legends is the latest installment in the esteemed franchise, delivering a first-of-its-kind Bond video game experience featuring a story inspired by five classic Bond films — Goldfinger, On Her Majesty's Secret Service, Moonraker, Licence to Kill, Die Another Day. Additionally, 007 Legends will feature a sixth mission based on this year's highly anticipated Bond film — SKYFALL — which will be available to unlock as downloadable content. Timed to the North American release of the feature film, PlayStation®Network subscribers will gain exclusive early access to the SKYFALL mission on November 9, 2012, and then on November 20, 2012, the mission will be available on Xbox LIVE® online entertainment network. To view the multimedia assets associated with this release, please click: http://www.multivu.com/mnr/58457-activision- publishing-50-years-of-james-bond-007-legends-video-game (Photo: http://photos.prnewswire.com/prnh/20121016/MM88187 ) With each film hand-picked as they've defined Bond's personality over the years, 007 Legends explores Bond's gritty journey to his current status as the world's favorite secret agent.