THE DB50/SW60/MU10 GUIDE Written by : Nick Howes
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SC-8820 Owner's Manual
To resize thickness, move all items on the front cover to left or right on the master page. fig.Service’99.06.11.EDIROL Information When you need repair service, call your nearest Roland/EDIROL Service Center or authorized Roland/EDIROL distributor SC-8820 Owner’s Manual in your country as shown below. SINGAPORE ROMANIA QATAR AFRICA CRISTOFORI MUSIC PTE EUROPE FBS LINES Badie Studio & Stores LTD Plata Libertatii 1. P.O. Box 62, RO-4200 Cheorgheni DOHA QATAR EGYPT Blk 3014, Bedok Industrial Park E, AUSTRIA Al Fanny Trading Office #02-2148, SINGAPORE 489980 TEL: (066) 164-609 TEL: 423554 Roland Austria GES.M.B.H. P.O. Box 2904, TEL: 243 9555 El Horrieh Heliopolos, Cairo, Siemensstrasse 4, P.O. Box 74, RUSSIA SAUDI ARABIA EGYPT TAIWAN A-6063 RUM, AUSTRIA aDawliah Universal TEL: (0512) 26 44 260 Slami Music Company TEL: (02) 4185531 ROLAND TAIWAN Sadojava-Triumfalnaja st., 16 Electronics APL ENTERPRISE CO., LTD. P.O. Box 2154 ALKHOBAR 31952, BELGIUM/HOLLAND/ 103006 Moscow, RUSSIA REUNION Room 5, 9fl. No. 112 Chung Shan TEL: 095 209 2193 SAUDI ARABIA Maison FO - YAM Marcel N.Road Sec.2, Taipei, TAIWAN, LUXEMBOURG TEL: (03) 898 2081 R.O.C. 25 Rue Jules Merman, ZL Roland Benelux N. V. SPAIN Owner’s Manual TEL: (02) 2561 3339 SYRIA Chaudron - BP79 97491 Houtstraat 3, B-2260, Oevel Roland Electronics (Westerlo) BELGIUM Technical Light & Sound Ste Clotilde REUNION THAILAND de España, S. A. TEL: 28 29 16 TEL: (014) 575811 Calle Bolivia 239, 08020 Center Theera Music Co. , Ltd. Barcelona, SPAIN Khaled Ibn Al Walid St. -
Yamaha WAVEFORCE WF192XG Installation Wizard License
WF192e.qx 5/21/98 9:16 PM Page 1 PCI SOUND CARD Yamaha WAVEFORCE WF192XG Installation Wizard License Agreement Yamaha Corporation (Yamaha) permits you use the Yamaha WAVEFORCE WF192XG Installation Wizard (Software) conditioned on your acceptance of this agreement. Use of this Software will be taken to mean acceptance of this agreement, so please read the following terms carefully before you use the Software. 1 Copyright and permission for use Yamaha grants you as an individual the right to use the Software on only one computer at any single time. The ownership of the disk on which the Software is recorded belongs to you, but the ownership and copyright of the Program itself belongs to Yamaha. 2 Prohibitions and restrictions You may not reverse-compile, disassemble, reverse-engineer, or use any other method to convert the Software into a human-readable form, nor may you allow another person to do so. The Software may not be duplicated, corrected, modified, lent, leased, sold, distributed, licensed or disposed of in any other way in part or in whole. The creation of derivative works based on the content of the Software is also prohibited. The Software may not be transmitted over a network to another computer without written authorization from Yamaha. Your rights regarding the Software may be transferred to a third party only if this is done for non-commercial purposes and if the Software and all associated documentation including this agreement are included, and if the third party accepts this agreement. 3 Limitations of Liability The Software was developed at, and is copyrighted by, Yamaha. -
Foundations for Music-Based Games
Die approbierte Originalversion dieser Diplom-/Masterarbeit ist an der Hauptbibliothek der Technischen Universität Wien aufgestellt (http://www.ub.tuwien.ac.at). The approved original version of this diploma or master thesis is available at the main library of the Vienna University of Technology (http://www.ub.tuwien.ac.at/englweb/). MASTERARBEIT Foundations for Music-Based Games Ausgeführt am Institut für Gestaltungs- und Wirkungsforschung der Technischen Universität Wien unter der Anleitung von Ao.Univ.Prof. Dipl.-Ing. Dr.techn. Peter Purgathofer und Univ.Ass. Dipl.-Ing. Dr.techn. Martin Pichlmair durch Marc-Oliver Marschner Arndtstrasse 60/5a, A-1120 WIEN 01.02.2008 Abstract The goal of this document is to establish a foundation for the creation of music-based computer and video games. The first part is intended to give an overview of sound in video and computer games. It starts with a summary of the history of game sound, beginning with the arguably first documented game, Tennis for Two, and leading up to current developments in the field. Next I present a short introduction to audio, including descriptions of the basic properties of sound waves, as well as of the special characteristics of digital audio. I continue with a presentation of the possibilities of storing digital audio and a summary of the methods used to play back sound with an emphasis on the recreation of realistic environments and the positioning of sound sources in three dimensional space. The chapter is concluded with an overview of possible categorizations of game audio including a method to differentiate between music-based games. -
Owner's Manual Bedienungsanleitung Mode D'emploi Handleiding
Owner’s Manual Bedienungsanleitung Mode d’emploi Handleiding Manuale d’uso Manual del usuario MIDI Keyboard Controller PC-300 ENGLISH Owner’s Manual Thank you, and congratulations on your choice of the Roland PC-300. The PC-300 is an easy-to-operate, dedicated keyboard controller for GS compatible sound modules fitted with a USB connector. This connection offers the advantage that the PC-300 can also be powered via USB, while ensuring compatibility with the new connection stan- dard for both IBM PC compatible and Macintosh® computers. Please take the time to read through this Owner’s Manual. That way you can feel assured that you understand every feature the unit offers, and will enjoy many years of trouble-free operation. Copyright © 2000 Roland Europe Spa All rights reserved. No part of this publication may be reproduced in any form without the written permission of Roland Europe Spa - Acquaviva Picena (AP) - Italy. 1 PC-300 1. Contents 2. About the PC-300 . .3 What is the GS Format (g)? . .3 3. Main features of the PC-300 . .4 4. Important notes . .5 5. Panel descriptions . .6 6. Connecting & setting up the PC-300 . .7 Power supply . .7 Setting up the PC-300 . .8 Powering up . .10 Setting the MIDI transmit channel . .11 Selecting sounds . .11 Selecting Drum Sets on a GS sound module . .12 7. Various useful functions . .13 Temporarily changing the pitch of a note (Pitch Bend) . .13 Adding vibrato (Modulation) . .13 Holding the notes your play (Sustain) . .13 8. Changing octaves . .14 9. Controlling a sound module with the DATA ENTRY slider . -
DSP24 MEDIA 7.1 Manual
About this manual: The product described in this manual, has been developed and produced by ST Audio / HOONTECH Co., Ltd. · DSP24, MEDIA 7.1 are trademarks of HOONTECH Co., Ltd. · Microsoft, Windows, Windows 95, Windows 98, Windows ME, Windows 2000 and Windows XP are registered trademarks, or trademarks of Microsoft Corporation. All other brands and product names are trademarks, or registered trademarks of their respective holders. July 2002 It is the policy of ST Audio to improve products as new technology and newer components become available. ST Audio, therefore reserves the right to change specifications without prior notice. All the information in this manual have been checked thoroughly when it was created. ST Audio and the authors of this text cannot be held responsible for any misleading or incorrect information provided in this documentation. A/S Center ST Audio / HOONTECH Co., Ltd. 483-6 Simgok-Dong, Wonmi-Gu, Bucheon City, Kyungki-Do, Korea Tel.: +82-32-611-1994 Fax: +82-32-612-0079 Internet: www.STAUDIO.com Copyright © 2002 HOONTECH Co., Ltd. This documentation was created by HOONTECH Co., Ltd. (Korea), RIDI multimedia (Germany) and Sound & Music Promotions Pty Ltd. (Australia). Note: To avoid damage of your speakers, always turn down the volume, or turn off the power of your amplifier / active speakers connected to the ST Audio DSP24 MEDIA 7.1 when you are rebooting or shutting down your PC. ST AUDIO DSP24 MEDIA 7.1 Contents I. Introduction..............................................................................................4 What’s in the box? 4 Functions 4 About this manual 5 II. In- and output connectors .......................................................................6 III. -
Bitstream Pro Configuration Software Preset List Configuration Software
Bitstream Pro Configuration Software Preset List The purpose of this document is to list all the MIDI presets built-in the configuration software of the Bitstream Pro MIDI controller from Wave Idea. For additional information, please refer to the Wave Idea website www.waveidea.com Access Virus Controllers .................................................................................................................................................................................................. 6 Access Virus Sysex Page A ............................................................................................................................................................................................. 6 Access Virus Sysex Page B ............................................................................................................................................................................................. 7 Yamaha QY-70 Pat Sysex Track 1................................................................................................................................................................................... 7 Yamaha QY-70 Pat Sysex Track 2................................................................................................................................................................................... 8 Yamaha QY-70 Pat Sysex Track 3.................................................................................................................................................................................. -
Roland Resource Book
®ÂØÒňΨ Resource Book 1998 ® ?E6C?2=4@?E24E NQPSMTR =:DE June 25, 1998 Main Phone Number(323) 685-5141 Roland Super Shop (800) 386-7575 Dealer Order Number(800) 868-3737 Extensions Sales, Parts, Repair, and Owner’s Manuals 289 FAX Back System 271 Literature Orders 331 Product Support Main Menu 770 Hard Disk Recording and Sampling Products 482 Desktop Media Production Products 497 Guitar and Percussion Products 498 CK/Intelligent Arranger/Sequencer Products 499 Keyboards and Sound Modules 463 Fax Numbers Customer Service (323) 721-4875 Marketing Department (323) 722-9233 Musical Instruments Department (323) 726-2633 Product Support (323) 726-8865 Service Department (323) 722-7408 © 1998 Roland Corporation U.S. 6/25/98 Faxback # 90049 Page 1 of 1 ® Supplemental Online guide ®ÂØÒňΠNotes Febuary 25, 1998 V1.0 If you’re online, you can get answers to common tech support questions, download software updates and demo files, and check out everything that’s new at Roland. On The Internet... http://www.rolandus.com To access the Software Downloads area: 1. On the main page, click Software Downloads. Also on The Internet... http://www.rolandgroove.com On CompuServe... GO ROLAND To access the Software Downloads area: 1. Click on the GO button. 2. Type Roland and click OK. 3. If you haven’t been to the MIDI C Vendor forum before, click the JOIN button. 4. Click the BROWSE LIBRARY button. 5. Choose Roland Corp. files and click SELECT. 6. Select a file from the list and click RETRIEVE. &DWDORJ2QH N Retail Price Lists QPSMTR® + Information on Roland and BOSS products is available to your fax machine 323-685-5141 24 hours, 7 days a week, from Roland Corporation U.S. -
Sound Synthesis ATSAM9777 PCI Bus Single-Chip Multimedia
Features • High-performance DirectSound™ Direct3DSound™ Operation – Direct Access to Audio Data as PCI Master – Uses PCI Bursts with Patented Proprietary Cache RAM to Minimize PCI Bandwidth – Mixes up to 64 Audio Channels at 48 kHz (Streaming Audio and/or Static Buffers) – Up to Eight Audio Channels in Record – Interactive Audio Includes per Channel Doppler, 4-speaker Output and Filter – Audio Effects: Reverb, Chorus, Echo, Pitch Shifting, 4-band Equalizer, Surround • Top-quality Wavetable Synthesis – 16-bit Samples @ 48 kHz Sampling Rate – Up to 64-voice Polyphony by Hardware Sound – Internal Computations on 28 Bits, DAC Support up to 22 Bits – Alternate Loop, 24 dB Digital Filter for Each Voice – Roland GS™ Format-compliant Synthesis – Sample Sets under Roland® License, rSounds © Roland Corporation 1996 – DirectMusic™ Accelerator, Downloadable Sounds DLS1 Support, DLS2 Ready • Multiple Audio Inputs and Outputs – AC97 Codec-compliant Interface ATSAM9777 – Three I2S Outputs (Six Audio Channels) – Four I2S inputs (Eight Audio Channels) PCI Bus – Home PC-ready for Dolby® AC-3 Six-speaker output – Dual Joystick Game Port Single-chip • Multi-platform – Windows® 95/98 Drivers Multimedia – Windows® 2000 WDM Drivers • Fully Programmable Sound System – Firmware Resides in PC Memory and in On-chip RAM – Evolutive Firmware Open to Third-party Developers • Designed for PC Motherboards and Notebooks – 3.3V or 5V Operation – Choice of Standard 100-lead PQFP or Space-saving 100-lead TQFP Package Description The highly-integrated architecture of ATSAM9777 is derived from the ATSAM9407 but contains significant improvements. The ATSAM9777 combines a specialized high-performance RISC-based digital signal processor (synthesis/DSP) and a general-purpose 16-bit CISC-based control proces- sor on a single chip. -
Tutorial on MIDI and Music Synthesis
Tutorial on MIDI and Music Synthesis Written by Jim Heckroth, Crystal Semiconductor Corp. Used with Permission. Published by: The MIDI Manufacturers Association POB 3173 La Habra CA 90632-3173 Windows is a trademark of Microsoft Corporation. MPU-401, MT-32, LAPC-1 and Sound Canvas are trademarks of Roland Corporation. Sound Blaster is a trademark of Creative Labs, Inc. All other brand or product names mentioned are trademarks or registered trademarks of their respective holders. Copyright 1995 MIDI Manufacturers Association. All rights reserved. No part of this document may be reproduced or copied without written permission of the publisher. Printed 1995 HTML coding by Scott Lehman Table of Contents • Introduction • MIDI vs. Digitized Audio • MIDI Basics • MIDI Messages • MIDI Sequencers and Standard MIDI Files • Synthesizer Basics • The General MIDI (GM) System • Synthesis Technology: FM and Wavetable • The PC to MIDI Connection • Multimedia PC (MPC) Systems • Microsoft Windows Configuration • Summary Introduction The Musical Instrument Digital Interface (MIDI) protocol has been widely accepted and utilized by musicians and composers since its conception in the 1982/1983 time frame. MIDI data is a very efficient method of representing musical performance information, and this makes MIDI an attractive protocol not only for composers or performers, but also for computer applications which produce sound, such as multimedia presentations or computer games. However, the lack of standardization of synthesizer capabilities hindered applications developers and presented new MIDI users with a rather steep learning curve to overcome. Fortunately, thanks to the publication of the General MIDI System specification, wide acceptance of the most common PC/MIDI interfaces, support for MIDI in Microsoft WINDOWS and other operating systems, and the evolution of low-cost music synthesizers, the MIDI protocol is now seeing widespread use in a growing number of applications. -
System Exclusive Generator for the Roland SC-88 By: Rick Macmurchie
HITE W N T O A R E T Great White North R H G T E S C E H I NOLOG Technologies System Exclusive Generator For The Roland SC-88 By: Rick Macmurchie Version 1.0 Copyright 1998 Great White North Technologies SC-88, GS, and GS Logo are trademarks of Roland Corporation. Other trademarks appearing in this manual or program are the property of their license holders. Email: [email protected] www: http://www.islandnet.com/~rmac Great White North Technologies 1000 Fenn Avenue Victoria B.C. Canada V8Y 1P3 Contents Introduction 1 About MIDI Drivers 1 General Information 2 File Menu 3 Edit Menu 3 System Parameters Display Settings Page 4 EQ Settings Page 5 Delay Effect Settings 6 Reverb Effect Settings 7 Chorus Effect Settings 8 Master Faders 9 10 Part Parameters Keyboard 11 Patch 12 Part Settings 1 13 Part Settings 2 14 Part Settings 3 15 Part Settings 4 16 Drum Settings 17 MIDI Files 18 Web Addresses 19 Registering 88 Edit 19 I 88 Edit Introduction 88 Edit is a system exclusive message generator for the Roland Sound Canvas SC-88. It provides a convenient interface to the functions of the SC 88, and easy way to save the sound settings for use in your sequencer. 88 Edit will also generate system exclusive messages compatible with older Roland GS Sound Canvas products. Some of the features intended for the SC-88 are not supported by older GS modules and messages generated by 88 Edit relating to these functions will be ignored. Some system exclusive messages that are supported by older GS modules may have a different range of valid values, or produce different sounding effects. -
1 Introducing GNMIDI
GNMIDI MIDI TOOLS for Windows (c) 1997 Günter Nagler GNMIDI A software for MIDI friends by Günter Nagler MIDI is the language that most electronic musical instruments, computers and recording studios have in common. A MIDI file tells the playing device all the steps that the synthesizer must do to produce a song instead of only sound. GNMIDI gives you the opportunity to join in the fun that musicians have with the use of MIDI. Don't be afraid that working with MIDI is too difficult or requires too much knowledge of music, techniques or computers. With GNMIDI it's easy and fun to work with MIDI files. GNMIDI is very efficient. It is small enough to put on a floppy disk and take with you anywhere. It will even run right from the disk. No installation necessary! GNMIDI - MIDI tools for Windows (c) 1997 Günter Nagler All rights reserved. No parts of this work may be reproduced in any form or by any means - graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage and retrieval systems - without the written permission of the publisher. Products that are referred to in this document may be either trademarks and/or registered trademarks of the respective owners. The publisher and the author make no claim to these trademarks. While every precaution has been taken in the preparation of this document, the publisher and the author assume no responsibility for errors or omissions, or for damages resulting from the use of information contained in this document or from the use of programs and source code that may accompany it. -
Tutorial on MIDI and Music Synthesis
Tutorial on MIDI and Music Synthesis Written by Jim Heckroth, Crystal Semiconductor Corp. Used with Permission. Published by: The MIDI Manufacturers Association POB 3173 La Habra CA 90632-3173 Windows is a trademark of Microsoft Corporation. MPU-401, MT-32, LAPC-1 and Sound Canvas are trademarks of Roland Corporation. Sound Blaster is a trademark of Creative Labs, Inc. All other brand or product names mentioned are trademarks or registered trademarks of their respective holders. Copyright 1995 MIDI Manufacturers Association. All rights reserved. No part of this document may be reproduced or copied without written permission of the publisher. Printed 1995 HTML coding by Scott Lehman Table of Contents Introduction MIDI vs. Digitized Audio MIDI Basics MIDI Messages MIDI Sequencers and Standard MIDI Files Synthesizer Basics The General MIDI (GM) System Synthesis Technology: FM and Wavetable The PC to MIDI Connection Multimedia PC (MPC) Systems Microsoft Windows Configuration Summary Introduction The Musical Instrument Digital Interface (MIDI) protocol has been widely accepted and utilized by musicians and composers since its conception in the 1982/1983 time frame. MIDI data is a very efficient method of representing musical performance information, and this makes MIDI an attractive protocol not only for composers or performers, but also for computer applications which produce sound, such as multimedia presentations or computer games. However, the lack of standardization of synthesizer capabilities hindered applications developers and presented new MIDI users with a rather steep learning curve to overcome. Fortunately, thanks to the publication of the General MIDI System specification, wide acceptance of the most common PC/MIDI interfaces, support for MIDI in Microsoft WINDOWS and other operating systems, and the evolution of low-cost music synthesizers, the MIDI protocol is now seeing widespread use in a growing number of applications.