DOCSLIB.ORG

Mats Tegner Objective Work Experience

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mats Tegner Objective Work Experience Mats Tegner Vidkärrsallén 2A SE-416 75 Gothenburg +46 (0)70 949 68 31 Skype: mats.bertil.tegner [email protected] Objective I want to change the world and use my knowledge and skills for the benefitt of humanity. Work experience Animator / Effects Tchnical Dirctor, Gothnburg Freelancing specializing in visual effeectss using Side Effeectss Softwware's Houdini 3D Animation Tools and Pixar's RenderMan® as primary tools. Primary 2D animation tool is TVPaint Animation. Thee Foundry’s Nuke for compositing. January 2010-present. Effectss Animator/Compositor, MigDig AB, Gothnburg Working as an effeectss animator and compositor on a pilot for an animated short movie. August 2017 to March 2018. Clrk, Nol IK Part time clerk at a football (soccer) club. May to November 2017. 3D Artist,, Ruskprick Krativ Studio, Gothnburg Internship, Architectsural 3D modeling/rendering in 3D Studio Max and V-Ray. July to December 2016. Producr, My own company, Gothnburg Worked as a producer on various animated short fitlms. September 2013 to August 2015. Accountant, Digitala Bildvrkst,an, Gothnburg Officce administ rative tasks. February 2013 to June 2014. Projcts Assist,ant, Animation in th Wst,, Gothnburg Worked with the cultural projects "International networking and promotion of animation in the Väst ra Götaland region phase 2" Octsober 2011 to September 2012. Projcts Managr, Animation in th Wst,, Gothnburg Led the cultural projects "International networking and promotion of animation in the Väst ra Götaland region" July 2010 to September 2011. 3D Modlr, Powrpip Syst,ms AB, Gothnburg Visualized rebuilding of their factsory. February to April of 2010. CAD Draftssman, Port of Gothnburg Documentation, digitization of exist ing documents, simpler design. April to May of 2009. Clrk, REGAB Rglrarmatur AB, Gothnburg Took care of almost all administ rative tasks such as input / payments, invoicing, sales ledger, reconciliations, orders, delivery monitoring, etc. April 2001 to April 2010. 1(2) Mats Tegner Vidkärrsallén 2A SE-416 75 Gothenburg +46 (0)70 949 68 31 Skype: mats.bertil.tegner [email protected] Education Tknikhögskolan, Gothnburg — Vocational training: 3D Design Engineer with specialization in the process indust ry, September 2008 – January 2011. Katrinlundsgymnasit, Gothnburg – Science Program, Technical Branch 1993-1996. Courses University of Gothenburg — Theeoretical Philosophy: Advanced Course, 30 credits Spring 2012. University of Gothenburg — Theeoretical Philosophy: Basic Course, 30 credits Autumn 2011. University of Gothenburg — Film Studies: Basic Course, 30 credits Spring 2011. Voluntary assignments Syst em Administ rator at Animation in the West between 2012 and 2018. Board member of the non-profitt organization Animation in the West since May 2010. Responsible for International Animation Day in Gothenburg 2010-2013. Languages English, fluuent in speaking and writing. German, spoken and writteen. Swedish, native. Computer Skills 3D modling/animation/lighting/rndring Advanced knowledge of Houdini, Mantra and Silo. Good knowledge of 3Delight, Arnold Renderer and PhotoRealist ic RenderMan. Basic knowledge of 3D Studio Max, Blender, Guerilla Render, Katana, Maxwell, Maya, Modo and V-Ray. Imag Procssing /2D animation/compositing/txtur painting Basic knowledge of FlipBook, Gimp, Nuke, Mari, Photoshop, Sketchbook Pro and TVPaint Animation Pro. Editors, Email and Browsrs Good knowledge of Firefox, Theunderbird, Vivaldi and Vim. Officc Softswar Very good knowledge of Microsoftw Officce, particularly Excel, PowerPoint, Word. Good knowledge of LibreOfficce and OpenOfficce. Oprating Syst,ms Advanced knowledge of Slackware Linux. Very good knowledge of macOS and Windows. Basic knowledge of Red Hat Enterprise Linux. Programming Languags Basic knowledge of C / C ++, Open Shading Language, Python and RenderMan Shading Language. 2(2).
Load more

Recommended publications
  • Sistema GRID Para El Render De Escenas 3D Distribuido: YAFRID
    UNIVERSIDAD DE CASTILLA-LA MANCHA ESCUELA SUPERIOR DE INFORMATICA´ INGENIERIA´ EN INFORMATICA´ PROYECTO FIN DE CARRERA Sistema GRID para el Render de Escenas 3D Distribuido: YAFRID Jose´ Antonio Fernandez´ Sorribes Julio, 2006 UNIVERSIDAD DE CASTILLA-LA MANCHA ESCUELA SUPERIOR DE INFORMATICA´ Departamento de Informatica´ PROYECTO FIN DE CARRERA Sistema GRID para el Render de Escenas 3D Distribuido: YAFRID Autor: Jose´ Antonio Fernandez´ Sorribes Director: Carlos Gonzalez´ Morcillo Julio, 2006 c Jose´ Antonio Fernandez´ Sorribes. Se permite la copia, distribucion´ y/o modificacion´ de este documento bajo los terminos´ de la licencia de documentacion´ libre GNU, version´ 1.1 o cualquier version´ posterior publicada por la Free Software Foundation, sin secciones invariantes. Puede consultar esta licencia en http://www.gnu.org. Este documento ha sido compuesto con LATEX. Las figuras que contiene han sido en su mayor´ıa creadas con OpenOffice y El GIMP y los diagramas UML con ArgoUML y Umbrello. Las figuras que aparecen en la introduccion´ a sistemas distribuidos (Apartado 3.5) han sido sacadas de [Moy05]. Las imagenes´ de los dragones de la Figura 3.5 han sido cedidas por Carlos Gonzalez.´ Los derechos de la imagen de Toy Story que aparece en la Introduccion´ pertenecen a Pixar Animation Studios (TM y c 1986 - 2006). TRIBUNAL: Presidente: Vocal: Secretario: FECHA DE DEFENSA: CALIFICACION:´ PRESIDENTE VOCAL SECRETARIO Fdo.: Fdo.: Fdo.: Resumen El ultimo´ paso en el proceso para la generacion´ de imagenes´ y animaciones 3D por ordenador es el llamado render. En esta fase se genera una imagen bidimensional (o un conjunto de imagenes´ en el caso de las animaciones) a partir de la descripcion´ de una escena 3D.
    [Show full text]
  • SMEDGE Administrator Manual
    smedgesmedge Administrator Manual Smedge 2020 © 2004 - 2020 Überware™ Table of Contents ABOUT IDS 4 PARAMETER COMMANDS 26 SMEDGE ENVIRONMENT VARIABLES 5 COMMON PARAMETERS 32 VARIABLES THAT CONTROL SMEDGE FUNCTIONALITY 5 JOB 33 VARIABLES SET FOR WORK PROCESSES 9 PROCESSJOB 39 RENDERJOB 43 REPEATMERGEDISTRIBUTOR 45 LICENSING 10 R M D 45 SEQUENCEDISTRIBUTOR 47 SLICEDISTRIBUTOR 49 RESTRICTIONS 11 DEFAULT RESTRICTIONS 12 DYNAMIC PRODUCTS 50 PRODUCT EDITOR GUI 50 AUTOMATIC SYSTEMS 13 COMMAND LINE PRODUCT CONTROL 54 CLASSES 55 AUTOMATIC REDUNDANT MASTER 13 AUTOMATIC MASTER LOCATION 15 AUTOMATIC ENGINE MODE 16 LEGACY DYNAMIC PRODUCTS 57 AUTOMATIC ENGINE SETTINGS 17 AUTOMATIC EXECUTABLE PATHS 18 A E P 18 LEGACY MAYA PRODUCTS 58 AUTOMATIC GUI PRESET 19 LEGACY VIRTUAL MODULES 60 RLIB INI FILE SYNTAX 20 PARAMETER TYPES 61 ALTERNATE FILE LOCATIONS 21 COMMON PARAMETERS 63 OVERLOADABLE OPTIONS FILES 22 REFERENCE 65 EXAMPLE FILE 76 .SJ JOB FILES 23 PRODUCT REFERENCE 82 VARIABLE SUBSTITUTION 24 3D STUDIO MAX 83 SYNTAX 25 3D STUDIO MAX (SINGLE FRAME) 85 Smedge 2020 Administrator Manual © 2004 - 2020 Überware™ 2 3DELIGHT 86 MISTIKA VR 139 3DELIGHT FOR MAYA 87 MODO 140 3DELIGHT FOR MAYA (SINGLE FRAME) 89 MODO (SINGLE FRAME) 141 AFTER EFFECTS 92 NUKE 143 AIR 93 PIXAR RENDERMAN 144 AQSIS 94 REDLINE 145 ALIAS 95 REDSHIFT FOR MAYA 146 ARNOLD FOR MAYA 96 RENDERMAN FOR MAYA 147 ARNOLD FOR MAYA (SINGLE FRAME) 98 RENDERMAN FOR MAYA (SINGLE FRAME) 149 ARNOLD STANDALONE 101 RENDITION 152 BLENDER 102 THEA 153 CINEMA 4D 103 TURTLE 154 FINALRENDER FOR MAYA 104 VIZ 155
    [Show full text]
  • Deadline User Manual Release 7.1.2.1
    Deadline User Manual Release 7.1.2.1 Thinkbox Software June 11, 2015 CONTENTS 1 Introduction 1 1.1 Overview.................................................1 1.2 Feature Set................................................5 1.3 Supported Software...........................................8 1.4 Render Farm Considerations....................................... 28 1.5 FAQ.................................................... 34 2 Installation 45 2.1 System Requirements.......................................... 45 2.2 Licensing................................................. 48 2.3 Database and Repository Installation.................................. 49 2.4 Client Installation............................................ 75 2.5 Submitter Installation.......................................... 91 2.6 Upgrading or Downgrading Deadline.................................. 95 2.7 Relocating the Database or Repository................................. 97 2.8 Importing Repository Settings...................................... 98 3 Getting Started 101 3.1 Application Configuration........................................ 101 3.2 Submitting Jobs............................................. 105 3.3 Monitoring Jobs............................................. 112 3.4 Controlling Jobs............................................. 121 3.5 Archiving Jobs.............................................. 152 3.6 Monitor and User Settings........................................ 156 3.7 Local Slave Controls........................................... 164 4 Client Applications
    [Show full text]
  • 3Delight 11.0 User's Manual
    3Delight 11.0 User’s Manual A fast, high quality, RenderMan-compliant renderer Copyright c 2000-2013 The 3Delight Team. i Short Contents .................................................................. 1 1 Welcome to 3Delight! ......................................... 2 2 Installation................................................... 4 3 Using 3Delight ............................................... 7 4 Integration with Third Party Software ....................... 27 5 3Delight and RenderMan .................................... 28 6 The Shading Language ...................................... 65 7 Rendering Guidelines....................................... 126 8 Display Drivers ............................................ 174 9 Error Messages............................................. 183 10 Developer’s Corner ......................................... 200 11 Acknowledgements ......................................... 258 12 Copyrights and Trademarks ................................ 259 Concept Index .................................................. 263 Function Index ................................................. 270 List of Figures .................................................. 273 ii Table of Contents .................................................................. 1 1 Welcome to 3Delight! ...................................... 2 1.1 What Is In This Manual ?............................................. 2 1.2 Features .............................................................. 2 2 Installation ................................................
    [Show full text]
  • Deadline User Manual Release 5.2.49424
    Deadline User Manual Release 5.2.49424 Thinkbox Software November 25, 2014 CONTENTS 1 Setup and Installation 3 1.1 Supported Software...........................................3 1.2 System Requirements.......................................... 13 1.3 Render Farm Considerations....................................... 16 1.4 Installation Guide............................................ 18 1.5 Licensing Guide............................................. 30 1.6 Upgrading or Downgrading....................................... 30 1.7 Sharing The Repository......................................... 31 1.8 Migrating The Repository........................................ 39 2 Getting Started 41 2.1 How Deadline Works........................................... 41 2.2 Job Submission.............................................. 46 2.3 Job Monitoring.............................................. 57 2.4 Modifying Job Properties........................................ 60 2.5 Monitor Customization.......................................... 66 2.6 Deadline FAQ.............................................. 72 3 Client Applications 79 3.1 Deadline Launcher............................................ 79 3.2 Deadline Monitor............................................. 83 3.3 Deadline Job Monitor.......................................... 98 3.4 Deadline Slave.............................................. 100 3.5 Deadline Pulse.............................................. 103 3.6 Deadline Command........................................... 109 3.7 Deadline Screen
    [Show full text]
  • Rndr. Martinšik, Ph.D
    RNDr. Martin Sik,ˇ Ph.D. Contact Kr´asn´eho8 Phone: +420 775 148 825 Information Praha 6 E-mail: martin [email protected] 16200 Czech Republic Web: cgg.mff.cuni.cz/˜sik/ Education Charles University in Prague - Faculty of Mathematics and Physics, Prague, Czech Republic Doctoral degree, Computer graphics and image analysis, January 2019 • Supervisor: doc. Ing. Jaroslav Kˇriv´anek,Ph.D. • Thesis topic: Global exploration in Markov chain Monte Carlo methods for light transport simulation Master's degree, Software systems, September 2012 • Graduated cum laude • Excellence scholarships granted during the studies • Specialization: Computer graphics • Thesis topic: Guide hair interpolation Analysis and implementation of a procedural hair generator, which com- municates with Maya Stubble hair plugin and 3Delight renderer. Also accepted as rigorous thesis in 2014. Bachelor's degree, Computer Science, September 2010 • Excellence scholarships granted during the studies • Specialization: Programming • Thesis topic: Particle systems Analysis and implementation of particle systems library, which handles real-time interactions among particles and off-line simulation. Gymn´aziumNad Alej´ıSecondary Grammar School, Prague, Czech Republic Graduation Exam, May 2007 Professional Chaos Czech a.s., Prague, Czech Republic Experience Senior developer/researcher, February 2016 - Present specialized at light transport simulation • Working on the Corona renderer core, solving both light transport related and unrelated issues • Working on the Corona renderer plugin for 3ds Max • Programing in C++ for Microsoft Windows. • Worked on caustics solver, complete heterogenous media support, subsur- face scattering, hair/skin shader, memory-friendly displacement, tonemap- ping, speed enhancements of a path tracer, procedural maps, etc. Pixar Animation Studios, Seattle, WA, USA Intern, July 2014 - December 2014 • Implementing new light transport algorithms in RenderMan (Pixar's rendering software) • The algorithms I implemented were released to the customers.
    [Show full text]
  • ON DISTRIBUTED NETWORK RENDERING SYSTEMS 1. Introduction the Establishment and Performance of a Distributed Computer Rendering S
    ON DISTRIBUTED NETWORK RENDERING SYSTEMS DEAN BRUTON The School of Architecture, Landscape Architecture and Urban Design, The University of Adelaide SA 5005 Australia [email protected] Abstract. This paper reports an investigation of the establishment and performance of a distributed computer rendering system for advanced computer graphics production within a centralized university information technology environment. It explores the proposal that the use of distributed computer rendering systems in industry and universities offers synergies for university-industry collaborative agreements. Claims that cluster computing and rendering systems are of benefit for computer graphics productions are to be tested within a standard higher education environment. A small scale distributed computer rendering system was set up to investigate the development of the optimum use of intranet and internet systems for computer generated feature film production and architectural visualisation. The work entailed using monitoring, comparative performance analysis and interviews with relevant stakeholders. The research provides important information for practitioners and the general public and heralds the initiation of a Centre for Visualization and Animation research within the School of Architecture, Landscape Architecture and Urban Design, University of Adelaide. Keywords. Render farm, processing, computer graphics, animation. 1. Introduction The establishment and performance of a distributed computer rendering system for advanced computer graphics production within a centralized university information technology environment may seem an easy task for those who have some experience in the IT industry. From an academic point of view (Bettis, 2005), it seems an attractive proposition because the idea that idle computers can be utilised for digital media production or for other intensive 66 D.
    [Show full text]
  • Visualizing the Future Globally
    Burning Glass Technologies / Epic Games Visualizing the Future Globally Tracking Worldwide Demand for 3D Graphics Skills January 2021 © Burning Glass Technologies 2021 1 Burning Glass Technologies / Epic Games Visualizing the Future Globally 2 © Burning Glass Technologies 2021 Burning Glass Technologies / Epic Games Table of Contents Table of Contents 1. Executive Summary 4 2. Introduction 8 3. Where are 3D Skills Essential? 12 4. Where is Demand for 3D Skills Largest? 18 5. Real-Time 3D Use by Country 22 6. Where are Graphics Skills Emerging and Maturing? 26 7. Salary Premiums for Qualified Candidates 30 8. Conclusion 34 9. Methodology & Appendix 36 © Burning Glass Technologies 2021 3 Burning Glass Technologies / Epic Games Visualizing the Future Globally 1. Executive Summary 4 © Burning Glass Technologies 2021 Burning Glass Technologies / Epic Games Executive Summary The rapid growth in the use of 3D technologies has redefined production and design—and demand for 3D skills is being felt in job markets around the world. In a 2019 Epic Games and Burning Glass Technologies report1 on the US job market, we found that competency in 3D graphics is in enormous demand across multiple industries, representing a robust market of more than 315,000 job postings. The use of real-time rendering 3D software is growing exponentially, with demand for these skills increasing 601% faster than the Epic Games and Burning Glass collaborated job market overall. In the previous report, once again in 2020 to further research the we also found that supply of real-time labor demand for 3D graphics skills—this 3D-proficient employees is not keeping up time broadening the scope internationally.
    [Show full text]
  • Renderman for Artist 01
    RenderMan For Artists #01 RenderMan Architecture Wanho Choi (wanochoi.com) The Road Ahead • Learning RenderMan is not easy or quick. However, it is not rocket science either. - Rudy Cortes - RenderMan for Artists wanochoi.com We will explore … • The RenderMan Shading Language Guide – Rudy Cortes and Saty Raghavachary • Rendering for Beginners: Image synthesis using RenderMan – Saty Raghavachary • Advanced RenderMan: Creating CGI for Motion Pictures – Anthony A. Apodaca and Larry Gritz • Essential RenderMan – Ian Stephenson • The RenderMan Companion: A Programmer's Guide to Realistic Computer Graphics – Steve Upstill • SIGGRAPH course notes – 1992, 1995, 2000, 2001, 2002, 2003, 2006 • pdf files from web • Etc. RenderMan for Artists wanochoi.com Rendering • What is rendering? – A series of works for determining the color and opacity value of a pixel – Scene (objects, lights, camera in 3D) Image (2D) • Rendering algorithms – Scanline – Ray tracing – Radiosity – etc. • Commercial renderers – RenderMan – Mental Ray – V-Ray – POV-Ray – FurryBall – etc. RenderMan for Artists wanochoi.com Ray Tracing Algorithm • A technique for generating an image by tracing the path of light through pixels in an image plane. RenderMan for Artists wanochoi.com RenderMan • A standard technical specification created by Pixar for 3D scene description – RiSpec: RenderMan Interface Specification • There are some RenderMan compliant renderers. – PRMan, AIR, Pixie, 3Delight, Aqsis, RenderDotC, BMRT, Mantra, etc. – It must meet all of the standard requirements laid out
    [Show full text]
  • Visualizing the Future
    Visualizing the Future Demand for 3D Graphics and Real-time 3D Across the Economy May 2019 © Burning Glass Technologies 2019 © Burning Glass Technologies 2019 2 2 Burning Glass Technologies / Epic Games Table of Contents Table of Contents 1. Executive Summary pg 4 2. Introduction pg 10 3. Methodology pg 14 4. Findings pg 18 5. Implications pg 32 6. Appendix: List of Skills pg 36 7. Acknowledgements pg 40 © Burning Glass Technologies 2019 3 2 Burning Glass Technologies / Epic Games Visualizing the Future 1. Executive Summary Advanced 3D technology has demonstrated the potential of the virtual world—real-time 3D is expanding the horizon. Labor market demand for workers proficient in these fields is robust and growing. 4 © Burning Glass Technologies 2019 Burning Glass Technologies / Epic Games Executive Summary Advanced 3D technology has demonstrated graphic technologies fell short of delivering the potential of the virtual world. 3D graphics experiences that allow for exploration have become essential to understanding and interaction, but the growing field of designs and concepts in industries as diverse “real-time 3D” enables these possibilities. as architecture, manufacturing, health care, Real-time 3D skills and technologies have and film. Due to the constraints of prior risen in importance as companies seek to technology, much of this visualization has achieve immersive experiences. Real-time 3D historically been focused on static images extends the horizon of 3D graphics to or limited animations. In the last few years, realize the full potential of the virtual world, however, the explosion of virtual reality to bridge the gap between being on the technology has shifted the paradigm from outside looking in and being on the inside observation to experience.
    [Show full text]
  • Vysoké Učení Technické V Brně Brno University of Technology
    VYSOKÉ UČENÍ TECHNICKÉ V BRNĚ BRNO UNIVERSITY OF TECHNOLOGY FAKULTA INFORMAČNÍCH TECHNOLOGIÍ ÚSTAV POČÍTAČOVÉ GRAFIKY A MULTIMÉDIÍ FACULTY OF INFORMATION TECHNOLOGY DEPARTMENT OF COMPUTER GRAPHICS AND MULTIMEDIA CHANGING OBJECT APPEARANCE BY ADDING FUR DIPLOMOVÁ PRÁCE MASTER'S THESIS AUTOR PRÁCE BC. MARTIN PRAŽÁK AUTHOR BRNO 2008 VYSOKÉ UČENÍ TECHNICKÉ V BRNĚ BRNO UNIVERSITY OF TECHNOLOGY FAKULTA INFORMAČNÍCH TECHNOLOGIÍ ÚSTAV POČÍTAČOVÉ GRAFIKY A MULTIMÉDIÍ FACULTY OF INFORMATION TECHNOLOGY DEPARTMENT OF COMPUTER GRAPHICS AND MULTIMEDIA CHANGING OBJECT APPEARANCE BY ADDING FUR DIPLOMOVÁ PRÁCE MASTER'S THESIS AUTOR PRÁCE Bc. MARTIN PRAŽÁK AUTHOR VEDOUCÍ PRÁCE Doc. Dr. Ing. PAVEL ZEMČÍK SUPERVISOR EXTERNÍ VEDOUCÍ PRÁCE Dr. ERIK REINHARD EXTERNAL SUPERVISOR BRNO 2008 Assignment details: Licence agreement: 4 Abstract The aim of this thesis is to demonstrate the feasibility of rendering fur directly into existing images without the need to either painstakingly paint over all pixels, or to supply 3D geometry and lighting. The fur is added to objects depicted on images by first recovering depth and lighting information, and then re-rendering the resulting 2.5D geometry with fur. The novelty of this approach lies in the fact that complex high-level image edits, such as the addition of fur, can successfully yield perceptually plausible results, even constrained by imperfect depth and lighting information. A relatively large set of techniques involved in this work includes HDR imaging, shape-from- shading techniques, research on shape and lighting perception in images and photorealistic rendering techniques. The main purpose of this thesis is to prove the concept of the described approach. The main implementation language was C++ with usage of wxWidgets, OpenGL and libTIFF libraries, rendering was realised in 3Delight, a Renderman-compatible renderer, with the help of a set of custom shaders written in Renderman shading language.
    [Show full text]
  • VU Rendering SS 2012
    VU Rendering SS 2012 Unit 9: Renderman Overview 1. Pixar RenderMan / REYES • Highly complex software system used for a large portion of today's industrial CG work 2. Software shaders • Technology behind complex object appearance with simple basic geometry State of the Art in Graphics RenderMan Naming Confusion - RenderMan can be either one of three things: - RenderMan SL: The 3D scene description language defined by Pixar Inc. - RenderMan Interface: The interface between modelling and rendering - PRMan: The RenderMan-compliant hybrid scanline renderer sold by Pixar (REYES) - For a long time, Pixar PRMan was the only Rman- compliant system - BMRT was the first alternative (now defunct) What is Renderman? Maya Houdini Soft Image Render Man Interface PRMan Air RenderDC Aqsis RenderMan – The Product (PRMan) - Pixar Photorealistic RenderMan (PRMan) - Evolved gradually since 1982 / 84 from the Lucasfilm Renderer - Basically a sophisticated scanline renderer (can be bypassed) - Currently at release 16.0 - Displacements - Camera controls - Particles - Indirect illumination / GI - Hair & fur optimizations - SSS - Parallel network rendering - On demand raytracing PRMan Features - Displacements PRMan Features - Hair PRMan Features – Motion Blur REYES - “Render everything you ever saw” - REYES = software architecture - PRMan implements the REYES architecture REYES Assumptions and Goals 1 - High possible model complexity - Diverse types of primitives - Esp. data amplification primitives, such as fractals, procedural models etc. - Shading complexity - Complexity
    [Show full text]