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Donizetti Operas and Revisions
GAETANO DONIZETTI LIST OF OPERAS AND REVISIONS • Il Pigmalione (1816), libretto adapted from A. S. Sografi First performed: Believed not to have been performed until October 13, 1960 at Teatro Donizetti, Bergamo. • L'ira d'Achille (1817), scenes from a libretto, possibly by Romani, originally done for an opera by Nicolini. First performed: Possibly at Bologna where he was studying. First modern performance in Bergamo, 1998. • Enrico di Borgogna (1818), libretto by Bartolomeo Merelli First performed: November 14, 1818 at Teatro San Luca, Venice. • Una follia (1818), libretto by Bartolomeo Merelli First performed: December 15, 1818 at Teatro San Luca,Venice. • Le nozze in villa (1819), libretto by Bartolomeo Merelli First performed: During Carnival 1820-21 at Teatro Vecchio, Mantua. • Il falegname di Livonia (also known as Pietro, il grande, tsar delle Russie) (1819), libretto by Gherardo Bevilacqua-Aldobrandini First performed: December 26, 1819 at the Teatro San Samuele, Venice. • Zoraida di Granata (1822), libretto by Bartolomeo Merelli First performed: January 28, 1822 at the Teatro Argentina, Rome. • La zingara (1822), libretto by Andrea Tottola First performed: May 12, 1822 at the Teatro Nuovo, Naples. • La lettera anonima (1822), libretto by Giulio Genoino First performed: June 29, 1822 at the Teatro del Fondo, Naples. • Chiara e Serafina (also known as I pirati) (1822), libretto by Felice Romani First performed: October 26, 1822 at La Scala, Milan. • Alfredo il grande (1823), libretto by Andrea Tottola First performed: July 2, 1823 at the Teatro San Carlo, Naples. • Il fortunate inganno (1823), libretto by Andrea Tottola First performed: September 3, 1823 at the Teatro Nuovo, Naples. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Part V Soloists, Guest Ensembles, and Guest Conductors, 1926-2001
174 Part V Soloists, Guest Ensembles, and Guest Conductors, 1926-2001 The following list does not include soloists for staged opera performances. I have also excluded soloists who performed art songs or chamber works. This list does include “Pops” performers, even though their repertoire might be listed only as “selections” and thus excluded from Part II. See the table of contents (p.iii) for the organization of the following. Pippa Borisey (Steenbock Award - twice) Piano Beethoven, Concerto No.1 for Piano and Steve Allen Orchestra (first mvt.) / 3/11/84(y) Pops soloist / 5/7/77(p) Schumann, Concerto for Piano and Orchestra Augustin Anievas (first mvt.) / 5/18/86(y) Rachmaninoff, Rhapsody on a Theme of Paganini, Gerald Borsuk for Piano and Orchestra / 10/24/70 Beethoven, Concerto No.2 for Piano and Claudio Arrau Orchestra (first mvt.) / 2/19/35 Beethoven, Concerto No.5 for Piano and Gershwin, Concerto in F for Piano and Orchestra / Orchestra, "Emperor" / 2/3/79 4/11/51 David Askins (Steenbock Award) John Browning Mozart, Concerto No.20 for Piano and Orchestra, Barber, Concerto for Piano and Orchestra / K.466 (first movement) / 4/6/74(y) 10/9/99 Emmanuel Ax Beethoven, Concerto No.3 for Piano and Chopin, Concerto No.1 for Piano and Orchestra / Orchestra / 12/8/73 9/29/79 Mozart, Concerto No.23 for Piano and Orchestra, Paul Badura-Skoda K.488 / 10/15/77 Beethoven, Concerto No.5 for Piano and Prokofiev, Concerto No.3 for Piano and Orchestra Orchestra, "Emperor" / 4/10/68 / 4/27/91 Allen Barker Ravel, Concerto in D Major for Piano Left Hand, -
Coal Crisis Returns Dimout to Chicago
eas Report® ® USAFE WEATHER FORECAST One Year Ago Today NORTH & WEST: Partly cloudy, Max. Nazis quit by thousands; Baltic 75, Min. 46; SOUTH & EAST Clear to partly cloudy, Max 80. Min. 46; collapse expected. Americans and BERLIN, same as N & W. Max. 70, THE STIRS A Min. 44; VIENNA: Same as S & E. British meet Russians. Allies begin BREMEN: Same as N & W, Max. 72, roundup of Italy foe. Min. 44. Unom«i*l Newspaper of US. Armed Volume 2, Number 122 20 Pfg., 2 fr„ 1 d. Friday, May 3, 1946 Book Gives Put ton Credit For St. Lo Breakthrough Coal Crisis Returns NEW YORK, May 2 (UP) — Gen. it and used not only 1st Army George S. Patton, even though dead, troops but also a number of his own was right back today where he al- 3rd Army units." Wallace does give ways liked to be—in the middle of a Bradley credit for his foresight in hot argument. placing Patton in command of the Dimout to Chicago Col. Benton G. Wallace, a staff! breakthrough itself. officer under "Old Blood and Guts," With his 3rd Army dander really has written a book which is sure to up, the colonel also charges that burn the Army's brass. It is called rolling Thirders — presumably after "Patton and the Third Army." they captured Argentan — were Wallace says that Patton was New York Seen ordered to stop dead in their tracks chiefly responsible both for the pfen- and were not allowed to close the Adriatic Isles Given ning and for the execution of the bloody Falaise gap, a maneuver famous St. -
Francis Poulenc
CHAN 3134(2) CCHANHAN 33134134 WWideide bbookook ccover.inddover.indd 1 330/7/060/7/06 112:43:332:43:33 Francis Poulenc © Lebrecht Music & Arts Library Photo Music © Lebrecht The Carmelites Francis Poulenc © Stephen Vaughan © Stephen CCHANHAN 33134(2)134(2) BBook.inddook.indd 22-3-3 330/7/060/7/06 112:44:212:44:21 Francis Poulenc (1899 – 1963) The Carmelites Opera in three acts Libretto by the composer after Georges Bernanos’ play Dialogues des Carmélites, revised English version by Joseph Machlis Marquis de la Force ................................................................................ Ashley Holland baritone First Commissioner ......................................................................................James Edwards tenor Blanche de la Force, his daughter ....................................................... Catrin Wyn-Davies soprano Second Commissioner ...............................................................................Roland Wood baritone Chevalier de la Force, his son ............................................................................. Peter Wedd tenor First Offi cer ......................................................................................Toby Stafford-Allen baritone Thierry, a valet ........................................................................................... Gary Coward baritone Gaoler .................................................................................................David Stephenson baritone Off-stage voice ....................................................................................... -
L'enfant Et Les Sortilèges
RAVEL L’Enfant et les sortilèges Ma Mère l’Oye – Complete ballet Soloists • Choirs Orchestre National de Lyon Leonard Slatkin Maurice L’Enfant et les sortilèges 44:41 ) Danse des Rainettes (Dance of the Frogs) 2:11 ¡ Sauve-toi, sotte! Et la cage? La cage? RAVEL 1 J’ai pas envie de faire ma page (Keep away, fool! And the cage? The cage?) (1875-1937) (I don’t want to do my schoolwork) (L’Enfant) 2:20 (L’Ecureuil, la Rainette) 0:49 2 Bébé a été sage? Il a fini sa page? ™ La cage, c’était pour mieux voir ta prestesse L’Enfant et les sortilèges (1925) (Has Baby been good? Has he finished his work?) (The cage was to see your quickness better) (Maman) 1:13 (L’Enfant, l’Ecureuil) 1:54 (The Child and the Spells) 3 Ça m’est égal! Ça m’est égal! £ Ah! c’est l’Enfant au couteau! (I don’t care! I don’t care!) (L’Enfant) 1:11 (Ah! It’s the Child with the knife!) Fantaisie lyrique 4 Votre serviteur humble, Bergère (Les Bêtes et les Arbres) 0:39 Libretto by Colette (1873-1954) (Your humble servant, Chair) ¢ Il a pansé la plaie (Le Fauteuil, la Bergère) 1:47 (He has bandaged the wound) L’Enfant (The Child) . Hélène Hébrard, Soprano 5 Ding, ding, ding, ding (Les Bêtes et les Arbres, l’Ecureuil) 2:25 (L’Horloge comtoise, l’Enfant) 1:32 ∞ Il est bon, l’Enfant, il est sage Maman, la Libellule, la Tasse chinoise 6 How’s your mug? (La Théière) 0:51 (He’s good, the Child is good) (Mother, The Dragonfly, The Chinese Cup) . -
Les Séjours D'euridice
Automne et hiver euridice opéra 2006-2007 séjours culturels 5 rue du 4 septembre - 13100 Aix-en-Provence Tél. +33 (0) 442 91 33 91 - Fax +33 (0) 442 91 33 90 [email protected] - www.euridice-opera.com heures d’ouverture culturels séjours du lundi au vendredi de 9 h à 12 h et de 14 h à 18 h Agence de voyages, licence n° LI 013 96 00 98 SARL au capital de 108 000 E - R.C.S Aix-en-Provence B 402 294 730 - NAF 633 Z euridice opéra Garantie financière 99 092 E - Deutsche Bank, 3 avenue de Friedland, 75008 Paris RC Professionnelle - Generali France, 5 rue de Londres, 75009 Paris, Police n° 56.204.843.V La quête éternelle du bonheur trouve son apaisement dans la musique… euridice Edito Calendrier . 4 desmatières Table opéra séjours culturels A feuilleter sans modération, voici notre sélection de Les séjours d’Euridice . 6 voyages lyriques pour l’automne et l’hiver 2006. Vous y Envolée luxueuse à Salzbourg et Vienne . 7 trouverez un large choix de séjours individuels inoubliables. Escapade à Valencia et en Andalousie . 8 Nos forfaits répondent à toutes vos exigences et vous Rembrandt à Amsterdam . 10 laissent la plus grande liberté sur place. Ils sont aussi un cadeau idéal pour fêter avec éclat toute grande occasion. Berlin, Staatsoper Unter den Linden, Nous vous proposons : Deutsche Oper . 11 D’excellentes places de spectacle Budapest, Opera . 18 Une sélection des plus beaux hôtels Copenhague, Det Kongelige Teater . 20 Un service personnalisé de qualité Une grande facilité de réservation Dresde, Semperoper . -
Cast Amendment for Il Trovatore
8 DECEMBER 2015 CAST AMENDMENT IL TROVATORE (Giuseppe Verdi) 2, 4, 5, 7, 8, 9, 11, 12, 14 and 15 July at 7.15pm ; 17 July at 6.30pm Italian soprano Carmen Giannattasio has withdrawn from singing the role of Leonora in Il trovatore on 4, 7, 9, 12 and 15 July. The role will now be sung by Italian soprano Anna Pirozzi , who will make her Royal Opera debut in this new production by German director David Bösch . She will share the role with Armenian soprano Lianna Haroutounian (2, 5, 8, 11, 14 and 17 July) as previously announced. Anna Pirozzi was born in Naples and studied at the Istituto Musicale in Valle d’Aosta and at the Turin Conservatory with Silvana Moyso. She has won widespread acclaim for her performances as Abigaille ( Nabucco ), the role in which she made her Salzburg Festival debut in 2013 conducted by Riccardo Muti and which she has sung in Florence, Bologna, Parma, Leipzig, Stuttgart, Tel Aviv, Beijing, Valencia, and for Arena di Verona. Her other engagements include Amelia ( Un ballo in maschera ) for Teatro Regio, Turi, and in Parma, Lady Macbeth ( Macbeth ) in São Paulo and Bologna, Leonora (Il trovatore ) in Bologna, Santuzza ( Cavalleria rusticana ) for Rome Opera and Teatro di San Carlo, Naples, Elvira ( Ernani ) in Rome, Tosca for Deutsche Oper Berlin and in Leipzig and Turin, Luisa Miller in Genoa, Leonora and Maddalena ( Andrea Chénier ) for Teatro di San Carlo, Santuzza and Nedda ( Pagliacci ) in Macerata, Aida in Turin, and Elisabetta ( Roberto Devereux ) at the ABAO Bilbao. The rest of the cast remains unchanged, -
CHAN 3000 FRONT.Qxd
CHAN 3000 FRONT.qxd 22/8/07 1:07 pm Page 1 CHAN 3000(2) CHANDOS O PERA IN ENGLISH David Parry PETE MOOES FOUNDATION Puccini TOSCA CHAN 3000(2) BOOK.qxd 22/8/07 1:14 pm Page 2 Giacomo Puccini (1858–1924) Tosca AKG An opera in three acts Libretto by Giuseppe Giacosa and Luigi Illica after the play La Tosca by Victorien Sardou English version by Edmund Tracey Floria Tosca, celebrated opera singer ..............................................................Jane Eaglen soprano Mario Cavaradossi, painter ..........................................................................Dennis O’Neill tenor Baron Scarpia, Chief of Police................................................................Gregory Yurisich baritone Cesare Angelotti, resistance fighter ........................................................................Peter Rose bass Sacristan ....................................................................................................Andrew Shore baritone Spoletta, police agent ........................................................................................John Daszak tenor Sciarrone, Baron Scarpia’s orderly ..............................................Christopher Booth-Jones baritone Jailor ........................................................................................................Ashley Holland baritone A Shepherd Boy ............................................................................................Charbel Michael alto Geoffrey Mitchell Choir The Peter Kay Children’s Choir Giacomo Puccini, c. 1900 -
(WA Opera Society
W.A.OPERA COMPANY (W.A. Opera Society - Forerunner) PR9290 Flyers and General 1. Faust – 14th to 23rd August; and La Boheme – 26th to 30th August. Flyer. 1969. 2. There’s a conspiracy brewing in Perth. It starts September 16th. ‘A Masked Ball’ Booklet. c1971. D 3. The bat comes to Perth on June 3. Don’t miss it. Flyer. 1971. 4. ‘The Gypsy Baron’ presented by The W.A. Opera Company – Gala Charity Premiere. Wednesday 10th May, 1972. Flyer. 5. 2 great love operas. Puccini’s ‘Madame Butterfly’ ; Rossini’s ‘The Barber of Seville’ on alternate nights. September 14-30. Flyer. 1972. D 6. ‘Rita’ by Donizetti and ‘Gallantry’ by Douglas Moore. Sept. 9th-11th, & 16th, 17th. 1p. flyer. c1976. 7. ‘Sour Angelica’ by Puccini, Invitation letter to workshop presentation. 1p..Undated. 8. Letter to members about Constitution Amendments. 2p. July 1976. 9. Notice of Extraordinary General Meeting re Constitution Change. 1p. 7 July 1976. 10. Notice of Extraordinay General Meeting – Agenda and Election Notice. 1p. July 1976. 11. Letter to Members summarising events occurring March – June 1976. 1p. July 1976. 12. Memo to Acting Interim Board of Directors re- Constitutional Developments and Confrontation Issues. 3p. July 1976. 13. Campaign letter for election of directors on to the Board. 3p. 1976. 14. Short Biographies on nominees for Board of Directors. 1p.. 1976. 15. Special Priviledge Offer. for ‘The Bear’ by William Walton and ‘William Derrincourt’ by Roger Smalley. 1p. 1977. 16. Membership Card. 1976. 17. Concession Vouchers for 1976 and 1977. 18. The Western Australian Opera Company 1980 Season. -
Studiare Musica
Programma Altipiani Arcinazzo Dalle ore 10.00 alle 13.00 - Lezioni individuali Comune di Arcinazzo Romano di Dalle ore 15.00 alle 18.00 - Masterclass Comune di Affile Fiuggi -Affile Comune di Fumone 31 agosto e 2 settembre ore 21.00 - Concerto con orchestra dei solisti selezionati nelle Master "Strumento solista ed orchestra". 30 agosto e 1 settembre - Concerto dei partecipanti alla MasterClass Studiare musica Con la gioia di farlo insieme, nello storico scenario della Dal 2 gosto al condizioni e costi 3 A terra dei papi: questo è il Festival delle Città Medievali, Scadenza iscrizioni 10/08/2018. Compilare il modulo allegato e inviarlo a 3 settembre [email protected] (telefono +39 3331882420). organizzato da 38 anni dall'Associazione Ernico Simbruina a Fiuggi. Un campus residenziale di 2 0 1 8 LE ISCRIZIONI SI POSSONO EFFETTUARE ON LINE SUL SITO: perfezionamento musicale con docenti di fama internazio- www.festivaldellecittamedievali.it nale, per tutti coloro che vogliano approfondire il Al momento dell’iscrizione dovrà essere versanto un acconto di € 50,00 repertorio e suonare in un ricco calendario di concerti. tramite bonifico bancario: IT 42 V 03500 03206 000000036907 Il saldo sarà pagato all’arrivo presso il centro L'organizzazione ha sottoscritto una convenzione molto vantaggiosa (20€/ notte) per i corsisti che potranno risiedere nel Residence Traino - Altipiani di Arcinazzo. Ogni partecipante avrà diritto a un minimo di 3 lezioni individuali. Canto Lirico Quote di Iscrizione: Clicca qui per: Denia Mazzola Gavazzeni -Pianoforte, violino, violoncello, clarinetto, canto € 350 Clarinetto e Musica da Camera -Musica da camera € 250 (individuale) -Uditori € 150 Vincenzo mariozzi -Strumento + Musica da camera Violoncello e Musica da Camera -Strumento + Corso straordinario per solisti che si € 350 esibiranno in concerto con orchestra da camera € 350 Francesco mariozzi Pianoforte e Musica da Camera Saranno messe a disposizione stanze da studio con pianoforte. -
Christopher Diffey – TENOR Repertoire List
Christopher Diffey – TENOR Repertoire List Leonard Bernstein Candide Role: Candide Volkstheater Rostock: Director Johanna Schall, Conductor Manfred Lehner 2016 A Quiet Place Role: François Theater Lübeck: Director Effi Méndez, Conductor Manfred Lehner 2019 Ludwig van Beethoven Fidelio Role: Jaquino Nationaltheater Mannheim 2017: Director Roger Vontoble, Conductor Alexander Soddy Georges Bizet Carmen Role: Don José (English) Garden Opera: Director Saffron van Zwanenberg 2013/2014 OperaUpClose: Director Rodula Gaitanou, April-May 2012 Role: El Remendado Scottish Opera: Conductor David Parry, 2015 (cover) Melbourne City Opera: Director Blair Edgar, Conductor Erich Fackert May 2004 Role: Dancaïro Nationaltheater Mannheim: Director Jonah Kim, Conductor Mark Rohde, 2019/20 Le Docteur Miracle Role: Sylvio/Pasquin/Dr Miracle Pop-Up Opera: March/April 2014 Benjamin Britten Peter Grimes Role: Peter Grimes (cover) Nationaltheater Mannheim: Conductor Alexander Soddy, Director Markus Dietz 2019/20 A Midsummer Night’s Dream Role: Lysander (cover) Garsington Opera: Conductor Steauart Bedford, Director Daniel Slater June-July 2010 Francesco Cavalli La Calisto Role: Pane Royal Academy Opera: Dir. John Ramster, Cond. Anthony Legge, May 2008 Gaetano Donizetti Don Pasquale Role: Ernesto (English) English Touring Opera: Director William Oldroyd, Conductor Dominic Wheeler 2010 Lucia di Lammermoor Role: Normanno Nationaltheater Mannheim 2016 Jonathan Dove Swanhunter Role: Soppy Hat/Death’s Son Opera North: Director Hannah Mulder, Conductor Justin Doyle April