2020 May Commencement Program
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Waynoka Man Charged with Murder November 25, 2020 Alva Review-Courier/Newsgram Page 2
Waynoka man charged with murder November 25, 2020 Alva Review-Courier/Newsgram Page 2 Cherokee’s Treavor Green (85) takes down the Balko-Forgan offense during Friday night’s game. Photo by Desiree Morehead Cherokee’s Ruston James (20) and Gabe Wyatt (3) take down Balko-Forgan’s Jaden Hall (1). Cherokee lost to Balko-Forgan in 20-24. Photo by Desiree Morehead The Alva Review-Courier / Newsgram is published Wednesday by Martin Broadcasting Corp. 620 Choctaw St. Alva, Oklahoma 73717 Marione Martin, President Telephone Numbers: Alva Review-Courier 580-327-2200 Newsgram 580-327-1510 FAX 580-327-2454 www.alvareviewcourier.com E-Mail: manager @alvareviewcourier.net Cherokee’s Damein Lobato (18) knocks the Balko-Forgan quarterback Jaden [email protected] Hall (1) out of bounds. The Chiefs lost to Balko-Forgan Friday night 20-24 end- Entire Contents Copyright 2020 ing their 2020 season. Photo by Desiree Morehead November 25, 2020 Alva Review-Courier/Newsgram Page 3 November 25, 2020 Alva Review-Courier/Newsgram Page 4 Assessing the Thanksgiving risk By Marione Martin little under the current circumstances. Activities the chart ranks as high What are your plans for My previous vehicle was a hybrid that risk (ten) include attending a college Thanksgiving? When my daughter asked stored up battery power to augment house party, attending a large indoor a month ago if I wanted to go to her house the gasoline. I really liked the car but celebration with singing, and celebrating for Thanksgiving, I it began to have battery issues. Turned New Year’s Eve at a bar or nightclub. -
May 2, 2020 Live the Ucf Creed
UNIVERSITY OF CENTRAL FLORIDA COMMENCEMENT MAY 2, 2020 LIVE THE UCF CREED INTEGRITY I will practice and defend academic and personal honesty. SCHOLARSHIP I will cherish and honor learning as a fundamental purpose of my membership in the UCF community. COMMUNITY I will promote an open and supportive campus environment by respecting the rights and contributions of every individual. CREATIVITY I will use my talents to enrich the human experience. EXCELLENCE I will strive toward the highest standards of performance in any endeavor I undertake. UNIVERSITY OF CENTRAL FLORIDA | COMMENCEMENT | MAY 2, 2020 About the University of Central Florida The University of Central Florida is a bold, public research institution that is regularly ranked among the nation’s top 20 most innovative universities by U.S. News & World Report. With more than 69,500 students, UCF is one of the largest universities in the United States and is ranked as one of the best educational values in the nation by Forbes and Kiplinger. The university benefits from a diverse faculty and staff who create a welcoming environment and opportunities for all students to grow, learn, and succeed. A Foundation for Success UCF and its 13 colleges offer more than 220 degrees at UCF’s main campus, hospitality campus, health sciences campus, online and through multiple regional locations. The 1,415-acre main campus is 13 miles east of downtown Orlando and adjacent to one of the top research parks in the nation. Other campuses are located throughout Central Florida and include a fully accredited College of Medicine at Lake Nona. -
Emuseum of Modernart, 11 West 53 Street, Newyork, N, Y
..~ Museum of Modern Art No.4; 53 Street, NewYork, N.Y. 10019 Circle 5·8900 Cable, Modernart FOR RELEASE: Tuesday, May 11, 1965 PRESS PREVIEW: Monday,Mey 10, 1965 11 a.m, - 4 p.m. ICANCOLLAGES,anexhibition from The Museumof Modern Art's special program of traveling exhibitions, will interrupt its current tour end be shCMnat the Museum from May11 through July 25. Twice as manyexhibitions are circulated in the United States and Canada by the Museum'SDapartment of Circulating Exhibitions as are shown yearly at the Museum in NewYork. Last year the exhibitions "lere seen in 139 com- MoMAExh_0766_MasterChecklist munities. The same department, in charge of the Kuseum's foreign program of Circu- lating Exhibitions sponsored by the International Council of the Museum, has prepared 75 exhibitions secu in 65 countries. I The<lOrksin the collage sbow, dating from 1950 to the present, deal with a I i The term I mediumwhich has grown in importance only during the last fifty years. "collage," from the French for pasting or paper-hanging, has been broad ly interpreted I as a technique of cutting and pasting various materials which are aometimes combined with drawing, watercoloor or oil. The exhibition includes the work of someof the foremost makers of collage in I li I this country __ Robert Motherwell, Esteban Vicente, Conred Marca-Rel and Joseph Cornell _ as well as other artists who have broadened the medium. Kynaston McShine, whodirected the exhibition, writes, "[Collage] has been a means of creative liberation, leading us to recogGize not only the beauty of ephemera but also that of texture and spatial effects different from those of painting and sculpture. -
A Finding Aid to the Anne Ryan Papers, Circa 1905-1970, in the Archives of American Art
A Finding Aid to the Anne Ryan papers, circa 1905-1970, in the Archives of American Art Rihoko Ueno 2018/01/25 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Biographical Material, circa 1920-circa 1970............................................ 4 Series 2: Correspondence, circa 1922-1968............................................................ 5 Series 3: Diaries and Journals, 1924-1942.............................................................. 7 Series 4: Writings, circa 1923-circa 1954............................................................... -
From Classics to Lloyd Martin by JOHN GOODRICH on May 8, 2012 • 4:42 Pm
Colors That Speak: From Classics to Lloyd Martin by JOHN GOODRICH on May 8, 2012 • 4:42 pm Michael Rosenfeld Gallery’s busy and exuberant installation of works on paper (…On Paper) reflects the sheer diversity of American art in the 1940s through ’70s. The three dozen drawings, collages, mixed media works and paintings on paper cover a lot of ground— everything from Gaston Lachaise’s breezy line drawing of a nude to Nancy Grossman’s tightly wound drawing of a leather-bound head. But the bulk of the show presents an intriguing mix of mid-century trends, from abstract expressionism to geometric abstraction to figurative images ranging from the surreal to the socially conscious. Celebrated artists such as de Kooning, Krasner, Baziotes and Stamos ably represent the New York School, but Anne Ryan’s abstraction—a remarkably atmospheric collage of off-white bits of paper and fabric—seems most comfortable with the usually smaller scale of works on paper; its meditative, deliberated design seems closer in spirit to the spry geometric abstractions by Burgoyne Diller and Charmion von Weigand. Among several surrealism-tinged pieces, Pavel Tchelitchew’s watercolor of an artery-enclosed head eerily combines the sensual and the psychedelic. It could hardly differ more from Morris Graves’ serene paean to nature, a painting in tempera of a stylized falcon, on view in the gallery’s office. Other figurative works include brightly colored collages by Romare Bearden and Benny Andrews that pointedly address racial issues. But the most biting commentary of all comes from Robert Colescott’s loopy, mock-cheerful sketch of aprancing, top-hatted pair: a leggy blonde closely tailed by a limber black youth. -
The Pennsylvania State University the Graduate School College Of
The Pennsylvania State University The Graduate School College of Arts and Architecture CUT AND PASTE ABSTRACTION: POLITICS, FORM, AND IDENTITY IN ABSTRACT EXPRESSIONIST COLLAGE A Dissertation in Art History by Daniel Louis Haxall © 2009 Daniel Louis Haxall Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 The dissertation of Daniel Haxall has been reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Advisor Chair of Committee Leo G. Mazow Curator of American Art, Palmer Museum of Art Affiliate Associate Professor of Art History Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor of Art History Adam Rome Associate Professor of History Craig Zabel Associate Professor of Art History Head of the Department of Art History * Signatures are on file in the Graduate School ii ABSTRACT In 1943, Peggy Guggenheim‘s Art of This Century gallery staged the first large-scale exhibition of collage in the United States. This show was notable for acquainting the New York School with the medium as its artists would go on to embrace collage, creating objects that ranged from small compositions of handmade paper to mural-sized works of torn and reassembled canvas. Despite the significance of this development, art historians consistently overlook collage during the era of Abstract Expressionism. This project examines four artists who based significant portions of their oeuvre on papier collé during this period (i.e. the late 1940s and early 1950s): Lee Krasner, Robert Motherwell, Anne Ryan, and Esteban Vicente. Working primarily with fine art materials in an abstract manner, these artists challenged many of the characteristics that supposedly typified collage: its appropriative tactics, disjointed aesthetics, and abandonment of ―high‖ culture. -
Artists Composer 1958 Abc the Jackson 5 Gordy/Mizell
NO TITLE ARTISTS COMPOSER THE 1958 ABC JACKSON GORDY/MIZELL/PERREN/RICHARDS 5 THE AIN'T NO 1959 JACKSON WITHERS, BILL SUNSHINE 5 MICHAEL 1960 BAD MICHAEL JACKSON JACKSON MICHAEL 1961 BEAT IT MICHAEL JACKSON JACKSON MICHAEL 1962 BEN SCHARF / BLACK JACKSON MICHAEL 1963 BILLIE JEAN MICHAEL JACKSON JACKSON BLACK OR MICHAEL 1964 B. BOTTRELL / M. JACKSON WHITE JACKSON BLOOD ON MICHAEL 1965 THE DANCE MICHAEL JACKSON/TEDDY RILEY JACKSON FLOOR BREAK OF MICHAEL 1966 MICHAEL JACKSON, DR. FREEZE DAWN JACKSON MICHAEL AMBROSIUS, MARSHA/ HARRIS, 1967 BUTTERFLIES JACKSON ANDRE MICHAEL 1968 CRY R KELLY JACKSON THE DANCING 1969 JACKSON DAVIS/PARKS/FLETCHER MACHINE 5 MICHAEL MICHAEL JACKSON, BILL BOTTRELL 1970 DANGEROUS JACKSON AND TEDDY RILEY MICHAEL 1971 DIRTY DIANA MICHAEL JACKSON JACKSON DON'T STOP MICHAEL 1972 'TIL YOU GET MICHAEL JACKSON JACKSON ENOUGH MICHAEL 1973 EARTH SONG MICHAEL JACKSON JACKSON THE ENJOY 1974 JACKSON GAMBLE, K./HUFF, L. YOURSELF 5 MICHAEL 1975 GHOSTS MICHAEL JACKSON/TEDDY RILEY JACKSON GOT TO BE MICHAEL 1976 WILLENSKY, E THERE JACKSON HEAL THE MICHAEL 1977 MICHAEL JACKSON WORLD JACKSON HUMAN MICHAEL 1978 BETTIS, JOHN/ PORCARO, STEVE NATURE JACKSON MICHAEL I JUST CAN'T JACKSON 1979 STOP LOVING MICHAEL JACKSON & SIEDAH YOU GARRETT I SAW MOMMY THE 1980 KISSING JACKSON TOMMIE CONNOR SANTA CLAUS 5 THE I WANT YOU 1981 JACKSON GORDY/MIZELL/PERREN/RICHARDS BACK 5 MICHAEL GORDY, BERRY (JR)/ HUTCH, WILLIE/ 1982 I'LL BE THERE JACKSON DAVIS, HAL/ WEST, BOB MICHAEL MICHAEL JACKSON, JAMES HARRIS 1983 IS IT SCARY JACKSON III, AND TEDDY RILEY MICHAEL 1984 LIBERIAN GIRL MICHAEL JACKSON JACKSON MICHAEL 1985 LOVELY ONE JACKSON MAN IN THE MICHAEL 1986 G. -
Tj Media/ Ziller English Hit Pack Vol
Page 1 of 1 TJ MEDIA/ ZILLER ENGLISH HIT PACK VOL. 1 Song Title No. Popularized by 1 Thing (Hitch OST) 11270 Amerie 911 (FEAT Mary J. Blige ) 244 Wyclef Jean A love until the end of time 11430 M. McGovern & P. Domingo A song for mama 11322 Boyz II Men Again 11420 Lenny Kravitz Againts the wind 11311 Bob Seger All about lovin' you 11314 Bon Jovi All I have to give 11285 Backstreet Boys All my life 11422 Linda Ronstadt All my life 11415 K-Ci & Jojo All Start (Shrek OST ) 235 Smash Mouth All the man that I need 11499 Whitney Houston All the small things 11307 Blink 182 All through the night 11354 Cyndi Lauper Always There Something To Remind Me 225 Naked Eyes Amanda 11321 Boston And when I die 11309 Blood Sweat & Tears Angel 242 Westlife Angel 11256 Aerosmith Angel on my shoulder 11484 The Cascades Angelina 11428 Lou Bega Angel's Wings 11495 Westlife Another Brick in the Wall Part 2 11459 Pink Floyd Another sad song (Bandits OST) 11400 J Tabatabai Answer the phone 11481 Sugar Ray Anticipating 11326 Britney Spears Antonio's song (The rainbow) 11437 Michael Franks Anything but ordinary 11280 Arvil Lavigne Aquarius 11274 Aqua Around the world 11275 Aqua Babe 11483 Take That Bad Girls 11363 Donna Summer Bad Medicine 11315 Bon Jovi Bad Moon Rising 11334 C.C.R. Basket Case 11389 Green Day Beautiful Girls 229 Sean Kingston Beautiful in my eyes 11411 Joshua Cadisson Beautiful Morning 11254 Ace of Base Because of you 195 98 Degrees Best Thing That Ever Happened To Me 206 Gladys Knight & The Pips Black night 11357 Deep Purple Black suits comin' 11500 Will Smith Black velvet 11261 Alannah Myles Boulevard of broken dreams 11390 Green Day Bounce 11316 Bon Jovi Breakout 237 Swingout Sisters Page 1 of 1 Page 2 of 1 Breed 11450 Nirvana Bulls on parade 11463 R.A.T.M. -
STP Plus-160812.Hwp
Song Transfer Pack Plus A Song Transfer Pack Plus SONG LIST Song Title No. Popularized By Composer/Lyricist 1,2 STEP 15240 CIARA 7DAYS 15241 CRAIG DAVID A A BA KA DA 3753 FLORANTE Florante de Leon A SONG FOR YOU 13394 THE CARPENTERS Thyro Alfarro / Yumi ABA BAKIT HINDI 4208 NADINE LUSTRE Lacsamana ABI KO'G ABAT 3376 MAX SURBAN ADLAW UG GABI~I 2779 PILITA CORRALES ADTO TA SA NGITNGIT 3447 THE AGADIERS AFTER ALL 2879 GARY V. AGBABAKET 2781 JR ABELLA AGKO LABAY YA PANKASALAN 2782 LOCAL SONG AIN'T IT FUNNY 15242 JENNIFER LOPEZ AIR FORCE ONES 15243 NELLY AKO ANG NAMUNIT 3377 PIROT AKO ANG NASAWI, AKO ANG NAGWAGI 4003 DULCE AKO SI VIRGINIO 3299 PIROT AKONG GUGMA 2959 SHAKE AKONG KALIPAY 2923 KABOBO AKONG ROSING 3249 MAX SURBAN & YOYOY VILLAME AKO'Y SAYO, IKA'Y AKIN 3630 DANIEL PADILLA Jeremias B. Bunda, Jr. ALAS KWATRO 3448 MISSING FILEMON ALL BY MYSELF 15244 ERIC CARMEN ALL OF MY LIFE 14997 BARBRA STREISAND Gary Barlow ALL THE WAY 15245 CRAIG DAVID ALMOST HOME 14065 MARIAH CAREY ALWAYS ON TIME 13688 JA RULE FT. ASHANTI AMATYOR AWOR 3378 MAX SURBAN Mamai Baron AMERICAN IDIOT 15246 GREEN DAY AMONG KANTA 3366 MISSING FILEMON AMPINGAN MO BA 3522 PILITA CORRALES Mario Jadraque AMPINGING MGA BULAK 3450 PILITA CORRALES Domingo Rosal ANALYSE 15247 THE CRANBERRIES ANG AKONG VALENTINA 3301 MAX SURBAN www.grandvideoke.com 1 A-B Song Transfer Pack Plus Song Title No. Popularized By Composer/Lyricist ANG AMING BATI AY MAGANDANG PASKO 3878 NOEL TRINIDAD & SUBAS HERERRO MARTINA SAN DIEGO & KYLE ANG BALAY NI MAYANG 3189 WONG ANG KALIBUTAN KARON 3190 ROOTS ANG LANGIT DAY NAHIBALO 3452 JAIME U. -
)Lot 100 Aìrplay.. Not 100 Singles Sales
Billboard. JULY 31, 1999 HOT 100 A-Z Billboard JULY 31, 1999 TITLE (Publisher - Licensing Org.) Sheet Music Dist. 20 808 (R.Kelly, BMI/Dotted Line, BMI) WBM 77 ALL N MY GRILL (Mass Confusion, ASCAP/WB, ASCAP/Virginia Beach, ASCAP/Gnat Booty, 100 Aìrplay.. ASCAP/Chrysalis, ASCAP) WBM Not 100 Singles Sales. )lot ALL STAR (Squish Moth, BMI/Wamer- Tamerlane, BMI) WBM 7 Radio Track service. Compiled from a national sample of airplay supplied by Broadcast Data Systems 63 ALL THAT I CAN SAY (Sony/AN Tunes, Compiled from a national sample of POS (point of sale) equipped retail stores and rack outlets which report 740 stations are electronically monitored 24 hours a day, 7 days a week. Songs ranked by gross impres- ASCAP/Obverse Creation, ASCAP) HL number of units sold to SoundScan, Inc. This data is used in the Hot 100 Singles chart. sions, computed by cross -referencing exact times of airplay with Arbitron listener data. This data 43 ALMOST DOESN'T COUNT (Sushi Too, BMI/Hidden Pun, SoundScan® is used in the Hot 100 Singles chart. ASCAP/Wamer- Tamerlane, BMI/Manuiti L.A., ASCAP) WBM I'll" 85 ALMOST HOME (Why Walk, ASCAP/Almo, ASCAP/BNC, ASCAP/Anwa, ASCAP) CLM/WBM w ó Ó O 32 AMAZED (Warner-Tamerlane, BMI/Golden Wheat, 3 3 3 3 TITLE BMI/Careers -BMG, BMI/Silverkiss, BMI/Songs Of Nashville TITLE TITLE DreamWOrks, BMI/Cherry River, BMI) CLM/HL/WBM TITLE 3 /PROMOTION LABEL) 5 3 ARTIST (IMPRINT/PROMOTION LABEL) 3 ARTIST (IMPRINT/PROMOTION LABEL) ARTIST (IMPRINT /PROMOTION LABEL) 72 AMERICAN WOMAN (Shillelagh, SOCAN/Shillelagh, 5 ARTIST (IMPRINT BMI/Bug, BMI) BETTER DAYS (AND THE BOTTOM DROPS OUT) LITTLE GOOD -BYES 38 43 9 27 ANYWHERE (Kalinmia, ASCAP/Justin Combs, --11111 1 11111-- 38 7 NO. -
40 Recent Prints by 30 American Artists
LOCAL ORANGE ( THE MUSEUM OF MODERN ART |1 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: C1RCLI 5-8900 PRESS PREVIEW Tuesday, 2-5 p.m.' $10628 - 37 FOR WEDNESDAY RELEASE 1|0 RECENT PRINTS BY 30 AMERICAN ARTISTS ACQUIRED AND SHOWN BY MUSEUM FOR FIRST TIME Some American Prints: 19U5-50. a collection of l|0 recently acquired prints, many In color, will be on view in a gallery on the third floor of the Museum of Modern Art, 11 West 53 Street, from July k through August 5« The average age of the 30 artists exhibiting is 36 years; many are women. The exhibition has been organized by William S. Lieberman, Associate Curator in charge of prints. The variety of subject matter includes heroes of classical mythology, dramas from the Old and New Testaments, places and people of the American scene, beasts of the jungle, the world transformed by fantasy, and by abstract analysis. As varied as the subject matter are the many graphic techniques themselves: etching and most intaglio media, woodcut and engraving, lithography and serigraphy (prints from silk screens). Shown together as a group are several color woodcuts of except ional scale and boldness by Misch Kohn, Louise Krueger, Seong Moy, Anne Ryan and Louis Schanker. Another wall displays prints of mystery and magic where the use of allegory is as free as the treatment of form and symbol. A few titles offer some indication: "Way through the Woods," "Paw-Paw," "Witches Parade," "Sign of the Lobster," "Memory Machine." Bernard Reder and Andre Racz are represented by several prints offering a survey of their recent work. -
Alex Loznak '19 Is Suing the U.S. Government for the Right to a Safer Planet
Summer 2020 PREVAILING OVER PANDEMIC ALUMNI SHARE STORIES OF LIFE DURING COVID-19 VIRTUAL CLASS DAY THE SHOW DID GO ON! CONGRATS TO THE Columbia CLASS OF 2020 College RACHEL FEINSTEIN ’93 SCENES FROM HER Today FIRST MAJOR MUSEUM RETROSPECTIVE TAKING Alex Loznak ’19 is suing the U.S. government CLIMATE CHANGE for the right to TO COURT a safer planet Contents Columbia College CCT Today VOLUME 47 NUMBER 4 SUMMER 2020 EDITOR-IN-CHIEF Alexis Boncy SOA’11 EXECUTIVE EDITOR Lisa Palladino DEPUTY EDITOR 10 14 24 Jill C. Shomer ASSOCIATE EDITOR Anne-Ryan Sirju JRN’09 FORUM EDITOR features Rose Kernochan BC’82 CONTRIBUTING EDITOR 10 Thomas Vinciguerra ’85 ART DIRECTOR Eson Chan Taking Climate Change to Court Alex Loznak ’19 is one of a team of young people suing Published quarterly by the the U.S. government for the right to a safer planet. Columbia College Office of Alumni Affairs and Development By Anne-Ryan Sirju JRN’09 for alumni, students, faculty, parents and friends of Columbia College. CHIEF COMMUNICATIONS 14 AND MARKETING OFFICER Bernice Tsai ’96 “What Has Your Pandemic ADDRESS Experience Been Like?” Columbia College Today Columbia Alumni Center Fourteen alumni tell us how COVID-19 has shaped their lives. 622 W. 113th St., MC 4530, 4th Fl. New York, NY 10025 By the Editors of CCT PHONE 212-851-7852 24 EMAIL [email protected] Uniquely United WEB college.columbia.edu/cct The College produced its first-ever virtual ISSN 0572-7820 Class Day to honor the Class of 2020. Opinions expressed are those of the authors and do not reflect official positions of Columbia College 25 or Columbia University.