Mag 106 Text 5P

Total Page:16

File Type:pdf, Size:1020Kb

Mag 106 Text 5P 1 06–07 2010 .............. Nº 106 .................................................................................... .................. .................. EDITORIAL ESSAY Where to find us Postal address: John Hinkson Matthew Sharpe Arena Magazine 2 TWO WORLDS 1 THOUGHTS OF AN ANTIPODEAN IN HELLAS New divisions as some seek prosperity without growth An ancient commentary on democracy and hubris PO Box 18 North Carlton 3054 .................. .................. LEAD GRAPHIC COOPER’S LAST Web: www.arena.org.au 4 Fiona Katauskas Simon Cooper Tel: (03) 9416 0232 .................. 54 CULTURE, NIHILISM AND THE MARKET Barbarism beneath the new university Fax: (03) 9416 0684 AGAINST THE CURRENT .................. Nonie Sharp ARTS AND CULTURE Submissions 5 ‘TWISTED ARE THE HEARTS OF MEN …’ Arena Magazine Reflections on life on a new Earth David Melzer accepts unsolicited 44 THE FUTURE OF COMMUNITY RADIO submissions for Guy Rundle How local is your radio? Community radio at a each of its sections: 7 GAZA AND THE WEST crossroads The flotilla and identity politics in Israel commentaries & debate .................. up to 1200 words; Gerhard Hoffstaedter REVIEWS essays up to 4000 9 BOAT PEOPLE IN THE MAKING? words; features up to What future? Refugees in Malaysia Kate Harper 3000 words; reviews of Jon Altman 50 TEARING THE FAMILY APART Recognisable perversions of the crime family books, film, art, theatre, 11 WILD RIVERS music and dance up A case for Aboriginal resources rights Sean Cubitt to 1200 words; photo Alison Caddick 51 INSPIRED CRITICISM essays; and poetry. Democracy, neo-liberalism and ‘communicative 14 GREEN FUTURES? capitalism’ A recent conference on greening the Left Please provide a brief Gillian Terzis biographical note. .................. LETTERS AND COMMENT 52 A NATION IN FREEFALL Send to: Neo-Keynesian solutions to the GFC [email protected] Ted Trainer .................. 15 WILL THE GREENS EVER GET IT? STORY Agreeing with Ariel Salleh: some green delusions Style Roger Rees We follow the AGPS Dennis Altman 49 MEMORY FLAGS Style Manual. 15 RESPONSE TO VALERIE KRIPS A young man exhorts his damaged brain to ‘work as A Serious Man misread well as you can’ The editors reserve Aurélien Mondon the right to change .................. titles and edit for space. 1 A FREE UNIVERSITY FOR MELBOURNE POETRY The emancipatory potential of education Refereeing .................. Susan Fealy 48 A SMALL TREATISE ON CAPTIVITY We formally referee any FEATURES TRANSLATION published article as Rod Beecham .................. requested by academic 17 MY UNIVERSITY authors. When education means increasing your individual PHOTO ESSAY Payment brand equity Jessie Boylan Arena Magazine does Taegen Edwards and Pablo Brait 27 A SELECTION FROM THE YOUTH OF GAZA not receive government 20 EVO, CLIMATE CHANGE AND THE C-WORD SERIES funding. Published Bolivia’s exuberant alternative to Copenhagen .................. contributors are Carmel Budiardjo CARTOONS offered a half-year 24 PAPUA’S FALLEN LEADERS Matt Bissett-Johnson gift subscription to The terrible cost of leading your people Arena Magazine. Roland Boer 31 RED TORIES Beware the roots of this version of community Tom Nairn 35 GREAT BRITAIN TO LITTLE ENGLAND? The UK elections and democracy 2 EDITORIAL • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Two Worlds The packed hall gathered to hear Tim Jackson—a leading of state indebtedness has flown out of control. Arguably UK researcher on sustainable economies—on the such indebtedness can be managed over time with a regime question of ‘Prosperity without Growth’ (also the title of of economic growth. But in our times at best this could his recent book). His lively presentation and general only be a solution at great cost. The powerful states of the grasp of the issues enthralled an expectant audience. It capitalist heartlands stand vulnerable and could not sustain is hard to convey what seemed a deep emotional need themselves in the face of another shock. But we have among audience members, as reflected in their entered an era where shocks are the order of the day. questions, concerns and statements on the night. When The shock of debt crisis in Greece in past months is one joined with the fact that an earlier talk was booked out kind of experience. The Greek government was forced by some days in advance, this seems to be evidence that the institutions of the EU and the IMF to slash welfare, Jackson is engaging a profound need for at least some public spending and workers conditions generally to reduce publics. Can one reasonably see in this a gathering deficits and maintain EU membership. This association of momentum related to a crisis of the most fundamental Greece and the EU had mostly generated positive kind in our social institutions, related to how we live? consumption benefits until the crash. Suddenly, in the Tim Jackson asks, through a critique of the core aftermath of the GFC, expansion and consumption growth commitments of society to economic growth, how it had inverted into debt, unemployment and the collapse of might be possible to build a sustainable economy that social security. The resulting turmoil on the streets made can avoid climate catastrophe. Among a large range of headlines around the world. But one would be hard put to concerns, he pursues this question by asking how we portray these events as those of a public seeking to live might come to radically different concepts of another way. No doubt there are sectors of the Greek polity ‘flourishing’ for individuals and communities, notions of that would take up this concern. And there are other flourishing that contrast with those offered by the features of the situation in Greece that are quite specific. apparently limitless consumption lifestyles of Nevertheless expressions of consumer frustration were to contemporary global social institutions. His portrayal of the fore in these events. the utter disaster that awaits us if we proceed down the Where people have been drawn into the world of the road of what is now called ‘Recovery’ is comprehensive consumer oriented to commodities and have lost their and disturbing. He knows any answer will take time and sense of mutuality with others—or think mutuality can be emerge out of practical endeavour, but a visceral need to found on Facebook—they respond in ways consistent with commence a process urgently is in the foreground of his that hyper-individual formation. We can expect similar thinking. For those who attended, this is where it is at. responses over the coming period in many a city in the In Perth in the same week our leading mineral West. As Mark Lilla argues in The New York Review of Books entrepreneurs led demonstrations against a resource tax (May–June 2010) in a discussion of the rise of the ‘Tea proposed by Kevin Rudd, a tax that would be used to Party Jacobins’, there is a new populism at large. Quite help reduce government deficits resulting from the unlike the populisms of the past, it is based in the new Global Financial Crisis of 2008 and related stimulus individualism which is constituted in the experience of the programs introduced to ensure Recovery. Neither the consumption lifestyle. entrepreneurs nor any of our political leaders—other But the loss of mutuality is more complex than this. than Bob Brown—would seem to be on the same planet ‘Facebook mutuality’ is real but it cannot distinguish as Jackson’s Melbourne audience. At the centre of their between technologically facilitated presence and presence political and entrepreneurial concerns is the pursuit of based in place, the senses and tangibility. And this economic growth and profit—and more generally the distinction lies at the core of the emerging ‘two worlds’. For core assumption that expansion is good—the same way the importance of locality, regional economy, generational of life that Tim Jackson convincingly tells us is doomed knowledge of others, together with the critique of the and can have no medium-term future. Rather, the global transport of people and commodities, compose some official political debate in Australia, excitedly promoted core elements of the emerging critique of global by the media, is a stoush between combatants over the development. To see this as an advocacy of a return to distribution of the spoils from toxic economic forms of domination and hierarchy embedded in history—a expansion. What might be sustainable over time could return, say, to an aristocratic conservatism—is to not be further from their thoughts. misunderstand the nature of the contradiction that now The tunnel vision that characterises mainstream faces us, one that has been discussed for many years in Australia takes a different form in Europe and the Arena Magazine and Arena Journal. United States, where Recovery is far from certain. In On the other side of the world another drama is shockingly Australia the dependence on China, and to a lesser underlining the contradictions of our times—the massive extent India, is stark and anxiety provoking, but for the eruption of oil 1500 metres below the surface of the ocean time being makes Australia look ordered and relatively off the coast of Louisiana. Far larger than the Exxon-Valdez prosperous. In Europe and the United States the levels spill and still not controlled, it will foul the fisheries and 3 • the coastline of the immediate East Coast— in the first instance is not especially socially • possibly much of the East Coast—of the United oriented. Rather it expresses profound dismay at Two Worlds • States. Ways of life and pristine environment will the implications of what has been discovered • be ruined on a monumental scale. Various causes about the environment and climate change under John Hinkson • • have been identified: corruption and cost-saving the impact of growth-oriented Homo sapiens. inside the corporations, poor technology and • The second thing to say is that while this could inadequate regulation. But most parties, and • support a more general ferment in the arts, • especially the media, ignore the dependence of humanities and social sciences, it has not done so • the global economy and way of life intimately, in as yet.
Recommended publications
  • Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
    Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding.
    [Show full text]
  • The Plight of ABC Produced Programs and Staff and Can Be Found at Plight-Of-Abc-Produced-Programs-And-Staff
    Re: Recent ABC programming decisions From: Ken McKay Tuesday August 30th, 2011 Please find here the contents of a web page I have uploaded to the watvhistory.com web site. It is titled The plight of ABC produced programs and staff and can be found at http://watvhistory.com/2011/08/the- plight-of-abc-produced-programs-and-staff/ Because the site deals with WA television history matters, the emphasis given to the story is that of change, and the impact it has. Most of the content relates directly to the issues the Senate Hearing will be considering... The plight of ABC produced programs and staff POSTED BY KEN ON AUGUST - 29 - 2011 This is an examination of current issues facing the ABC. Fulfilling the ABC charter, program cuts, outsourcing, centralisation, technological change and job losses. As to be expected, there are a number of points of view, which this article will endeavour to report accurately in a fair and balanced manner. They are very contentious issues, which have been evolving over many years as broadcasting facilities, techniques and management styles change, from the previous bureaucratic, slow moving public service structure to one more aware of modern business philosophies, and capable of great innovation. The earlier days were more labour intensive when Perth was an isolated outpost, separated from the rest of the country by not only distance and poor roads, but also primitive communications. The history of change gave witness to a variety of predicaments as our ancestors approached the industrial age. Change manifests itself in different forms over time, and even though the circumstances vary, there is still an impact as people try to cope with a new age.
    [Show full text]
  • Stephen Harrington Thesis
    PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production.
    [Show full text]
  • ABC TV 2015 Program Guide
    2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS..
    [Show full text]
  • Chapter 3: the State of the Community Broadcasting Sector
    3 The state of the community broadcasting sector 3.1 This chapter discusses the value of the community broadcasting sector to Australian media. In particular, the chapter outlines recent studies demonstrating the importance of the sector. 3.2 The chapter includes an examination of the sector’s ethos and an outline of the services provided by community broadcasters. More detail is provided on the three categories of broadcaster identified as having special needs or cultural sensitivities. 3.3 The chapter also discusses the sector’s contribution to the economy, and the importance of the community broadcasting sector as a training ground for the wider media industry including the national and commercial broadcasters. Recent studies 3.4 A considerable amount of research and survey work has been conducted to establish the significance of the community broadcasting sector is in Australia’s broader media sector. 3.5 Several comprehensive studies of the community broadcasting sector have been completed in recent years. The studies are: Culture Commitment Community – The Australian Community Radio Sector Survey Of The Community Radio Broadcasting Sector 2002-03 62 TUNING IN TO COMMUNITY BROADCASTING Community Broadcast Database: Survey Of The Community Radio Sector 2003-04 Financial Period Community Radio National Listener Surveys (2004 and 2006) Community Media Matters: An Audience Study Of The Australian Community Broadcasting Sector. 3.6 Each of these studies and their findings is described below. Culture Commitment Community – The Australian Community Radio Sector1 3.7 This study was conducted between 1999 and 2001, by Susan Forde, Michael Meadows, Kerrie Foxwell from Griffith University. 3.8 CBF discussed the research: This seminal work studies the current issues, structure and value of the community radio sector from the perspective of those working within it as volunteers and staff.
    [Show full text]
  • Press Kit 3 X 1 Hour Popular Science Documentaries
    Press Kit 3 x 1 hour Popular Science Documentaries Series Producer: Peter Rees Episode Directors: Ili Baré, Anna Bateman & Peter Rees Executive Producers: Sonya Pemberton & Michael Cordell ©2013 Genepool Productions Pty Ltd ABN 17153091019 MelBourne: 15 Norma Barnett Lane, Port MelBourne VIC 3207 T: +61 3 9646 6678 Sydney: 16-18 Meagher St, Chippendale NSW 2008 T: +61 2 9217 2200 TALES OF THE UNEXPECTED Press Kit CONTENTS Tales of the Unexpected – Synopsis I. Series synopsis - one line II. Series synopsis - one paragraph III. Episode synopses – one line & one paragraph Media Release Series Producer’s Statement and Biography Executive Producer’s Statement and Biography Contacts Episode 1 – The Secret Life of Breasts I. Director’s Statement II. The characters III. The experts IV. Credits Episode 2 –Secrets of The Hand I. Director’s Statement II. The characters III. The experts IV. Credits Episode 3 - Who’s Your Daddy? I. Director’s Statement II. The characters III. The experts IV. Credits ©2013 Genepool Productions www.genepoolproductions.com ©2013 Genepool Productions Pty Ltd Tales of the Unexpected PRESS KIT TALES OF THE UNEXPECTED SERIES SYNOPSIS: one line Palm-reading doctors, the evolutionary Benefits of cheating, and toxic Breasts – Tales of the Unexpected is an exciting new series of documentaries that shines its light into some of the stranger corners of science. SERIES SYNOPSIS: one paragraph Tales Of The Unexpected is a new strand of provocative, confronting and thoroughly entertaining science documentaries. Each episode reveals a fascinating, sometimes awkward, and frequently unsettling world where peculiar ideas are put to the test. Come with us to where nothing is quite as it seems, where diseases are diagnosed by palm- readers, where paternity uncertainty drives the mating game, and where Breasts are a toxic health hazard.
    [Show full text]
  • Marriageability and Indigenous Representation in the White Mainstream Media in Australia
    Marriageability and Indigenous Representation in the White Mainstream Media in Australia PhD Thesis 2007 Andrew King BA (Hons) Supervisor: Associate Professor Alan McKee Creative Industries, Queensland University of Technology Abstract By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of ‘banal’ or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pin- up-calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions. i Keywords Aboriginality Indigenous Marriageability Reconciliation Popular Culture Sexuality Relationships Interracial Public Sphere Mediasphere Celebrity ii Table of Contents Introduction ………………………………………………………………………….
    [Show full text]
  • Going Down the Hole Beaconsfield, Celebrities and the Changing News Culture in Australia JASON BAINBRIDGE
    going down the hole Beaconsfield, Celebrities and the Changing News Culture in Australia JASON BAINBRIDGE We didn’t realise the hype would be as big as it has been, and it hasn’t really sunk in yet. When we were down the hole one day, I remember tapping Brant on the shoulder and asking him if he thought we’d make the front page of The [Launceston] Examiner, our local paper. Then we get out and Oprah wants to interview us! Todd Russell1 I would like my life to settle down and to be normal again … Before we could go outside and there would be no cameras on us but now cameras follow Dad and everyone wants his autograph … And I wish the media would mind its business because they say things that are not true. Maddison Russell (Todd Russell’s daughter, from a writing competition)2 — Introduction By the time this article sees print, the events at Beaconsfield, Tasmania will have joined a backlog of similar news moments, largely unremembered by all but those who were personally affected by what happened there. Yet for fourteen days in mid-2006 this small mining town became, like so many places before it, ‘the network executive’s best friend’3 and an indication of a significant change in the way television news is reported and packaged in Australia. At 9.23 pm, on 25 April (Anzac Day), a rockfall at the Beaconsfield gold mine killed miner Larry Knight (his body was recovered two days later). On 30 April, two miners—Todd Russell and Brant Webb—were discovered to still be alive one kilometre underground.
    [Show full text]
  • NEWMEDIA Greig ‘Boldy’ Bolderrow, 103.5 Mix FM (103.5 Triple Postal Address: M)/ 101.9 Sea FM (Now Hit 101.9) GM, Has Retired from Brisbane Radio
    Volume 29. No 9 Jocks’ Journal May 1-16,2017 “Australia’s longest running radio industry publication” ‘Boldy’ Bows Out Of Radio NEWMEDIA Greig ‘Boldy’ Bolderrow, 103.5 Mix FM (103.5 Triple Postal Address: M)/ 101.9 Sea FM (now Hit 101.9) GM, has retired from Brisbane radio. His final day was on March 31. Greig began PO Box 2363 his career as a teenage announcer but he will be best Mansfield BC Qld 4122 remembered for his 33 years as General Manager for Web Address: Southern Cross Austereo in Wide Bay. The day after www.newmedia.com.au he finished his final exam he started his job at the Email: radio station. He had worked a lot of jobs throughout [email protected] the station before becoming the general manager. He started out as an announcer at night. After that he Phone Contacts: worked on breakfast shows and sales, all before he Office: (07) 3422 1374 became the general manager.” He managed Mix and Mobile: 0407 750 694 Sea in Maryborough and 93.1 Sea FM in Bundaberg, as well as several television channels. He says that supporting community organisations was the best part of the job. Radio News The brand new Bundy breakfast Karen-Louise Allen has left show has kicked off on Hitz939. ARN Sydney. She is moving Tim Aquilina, Assistant Matthew Ambrose made the to Macquarie Media in the Content Director of EON move north from Magic FM, role of Direct Sales Manager, Broadcasters, is leaving the Port Augusta teaming up with Sydney.
    [Show full text]
  • Season Two- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
    -Season Two- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor. In 2011, Toby starred as ‘Jack Armstrong’ in the BBC Comedy Drama “Vexed.” Previous television roles include “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). In 2012 Toby filmed Believe with Natasha McElhone and Brian Cox, and in 2013 starred as one of the leads in All Things to All Men alongside Gabriel Byrne and Rufus Sewell. Toby also wrapped filming in Caradog James’ The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor – both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House” and ‘Jerry’ in “Betrayal” (Donmar Warehouse), ‘Mr. Horner’ in “The Country Wife,” ‘Anthony Cavendish’ in “The Royal Family,” ‘Japes’
    [Show full text]
  • A Study Guide by Katy Marriner
    Based on the television series Randling, produced by Zapruder’s other films and the ABC © ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-74295-171-3 http://www.theeducationshop.com.au randle. n. A nonsensical poem recited by Irish schoolboys as an apology for farting at a friend. Randling – created for ABC1 by Andrew Denton and Jon Casimir, the creators of The Gruen Transfer – is a game show about words. The game show pits ten teams, with two players a side, against each other over twenty-seven rounds of fiery and fierce word play. Each team is vying for a place in the 2012 Randling Grand Final and the chance to take home the Randling premiership trophy. Designed to enlighten, educate and amuse viewers, Randling is the only game show that comes with a guarantee that every episode will leave you at least 1 per cent smarter and 100 per cent happier. Learn more about Randling, the randlers and how to randle online at <http://www.abc.net.au/tv/randling/>. How to make an English lesson funner-er. One of the stated aims of The understanding and skills within the LEARNING OUTCOMES Australian Curriculum: English is to strand of Language and within this ensure that students appreciate, enjoy strand to examine the substrands Students learn that language is and use the English language in all its of: language variation and change; constantly evolving due to historical, variations and develop a sense of its language for interaction; expressing social and cultural changes, richness and power to evoke feelings, and developing ideas; and sound and demographic movements and technological innovations; convey information, form ideas, facili- letter knowledge.
    [Show full text]
  • BOD Episode 14 Transcript
    Episode 14 – Australia’s Dark Little Secret [SUICIDE WARNING] [PRAYER BELL CHIMES] [ETHEREAL FEMALE VOICE]: There is no death. There is only me, me, me who is dying. Annette Upton: Well if Mum had a broken back or neck, was a paraplegic, I would use a pillow and try and stop her breathing totally. Joan Upton: Yes, well, but I am told that I would struggle manfully to not be - apparently that's the reaction. They all struggle if you're cutting off their air, so you'd have to be at all your best strength and have a good hearty breakfast first. Andrew Denton: This is Joan Upton – She’s 90 – advising daughter Annette to have a big brekkie before attempting to cut off her mother’s oxygen supply. It’s known as rational suicide. Some deny that such a thing exists. But amongst older Australians it’s happening at a disturbingly high rate. Why are our elderly killing themselves in often violent ways? Perhaps it’s time we talked about Australia’s dark little secret. [TITLES] Andrew Denton: My name’s Andrew Denton and you’re listening to Better Off Dead. Joan Upton lives on the north coast of NSW on the family farm at Walcha, which she still helps run in partnership with her son. She has no history of mental illness, neither is she depressed. Joan Upton: I feel really alive. This is the trouble. I mean mentally I'm interested in everything. I like to hear the news. My head feels good, but my body - my bones are very fragile.
    [Show full text]