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Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding. -
The Plight of ABC Produced Programs and Staff and Can Be Found at Plight-Of-Abc-Produced-Programs-And-Staff
Re: Recent ABC programming decisions From: Ken McKay Tuesday August 30th, 2011 Please find here the contents of a web page I have uploaded to the watvhistory.com web site. It is titled The plight of ABC produced programs and staff and can be found at http://watvhistory.com/2011/08/the- plight-of-abc-produced-programs-and-staff/ Because the site deals with WA television history matters, the emphasis given to the story is that of change, and the impact it has. Most of the content relates directly to the issues the Senate Hearing will be considering... The plight of ABC produced programs and staff POSTED BY KEN ON AUGUST - 29 - 2011 This is an examination of current issues facing the ABC. Fulfilling the ABC charter, program cuts, outsourcing, centralisation, technological change and job losses. As to be expected, there are a number of points of view, which this article will endeavour to report accurately in a fair and balanced manner. They are very contentious issues, which have been evolving over many years as broadcasting facilities, techniques and management styles change, from the previous bureaucratic, slow moving public service structure to one more aware of modern business philosophies, and capable of great innovation. The earlier days were more labour intensive when Perth was an isolated outpost, separated from the rest of the country by not only distance and poor roads, but also primitive communications. The history of change gave witness to a variety of predicaments as our ancestors approached the industrial age. Change manifests itself in different forms over time, and even though the circumstances vary, there is still an impact as people try to cope with a new age. -
Stephen Harrington Thesis
PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production. -
ABC TV 2015 Program Guide
2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS.. -
Chapter 3: the State of the Community Broadcasting Sector
3 The state of the community broadcasting sector 3.1 This chapter discusses the value of the community broadcasting sector to Australian media. In particular, the chapter outlines recent studies demonstrating the importance of the sector. 3.2 The chapter includes an examination of the sector’s ethos and an outline of the services provided by community broadcasters. More detail is provided on the three categories of broadcaster identified as having special needs or cultural sensitivities. 3.3 The chapter also discusses the sector’s contribution to the economy, and the importance of the community broadcasting sector as a training ground for the wider media industry including the national and commercial broadcasters. Recent studies 3.4 A considerable amount of research and survey work has been conducted to establish the significance of the community broadcasting sector is in Australia’s broader media sector. 3.5 Several comprehensive studies of the community broadcasting sector have been completed in recent years. The studies are: Culture Commitment Community – The Australian Community Radio Sector Survey Of The Community Radio Broadcasting Sector 2002-03 62 TUNING IN TO COMMUNITY BROADCASTING Community Broadcast Database: Survey Of The Community Radio Sector 2003-04 Financial Period Community Radio National Listener Surveys (2004 and 2006) Community Media Matters: An Audience Study Of The Australian Community Broadcasting Sector. 3.6 Each of these studies and their findings is described below. Culture Commitment Community – The Australian Community Radio Sector1 3.7 This study was conducted between 1999 and 2001, by Susan Forde, Michael Meadows, Kerrie Foxwell from Griffith University. 3.8 CBF discussed the research: This seminal work studies the current issues, structure and value of the community radio sector from the perspective of those working within it as volunteers and staff. -
Marriageability and Indigenous Representation in the White Mainstream Media in Australia
Marriageability and Indigenous Representation in the White Mainstream Media in Australia PhD Thesis 2007 Andrew King BA (Hons) Supervisor: Associate Professor Alan McKee Creative Industries, Queensland University of Technology Abstract By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of ‘banal’ or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pin- up-calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions. i Keywords Aboriginality Indigenous Marriageability Reconciliation Popular Culture Sexuality Relationships Interracial Public Sphere Mediasphere Celebrity ii Table of Contents Introduction …………………………………………………………………………. -
Going Down the Hole Beaconsfield, Celebrities and the Changing News Culture in Australia JASON BAINBRIDGE
going down the hole Beaconsfield, Celebrities and the Changing News Culture in Australia JASON BAINBRIDGE We didn’t realise the hype would be as big as it has been, and it hasn’t really sunk in yet. When we were down the hole one day, I remember tapping Brant on the shoulder and asking him if he thought we’d make the front page of The [Launceston] Examiner, our local paper. Then we get out and Oprah wants to interview us! Todd Russell1 I would like my life to settle down and to be normal again … Before we could go outside and there would be no cameras on us but now cameras follow Dad and everyone wants his autograph … And I wish the media would mind its business because they say things that are not true. Maddison Russell (Todd Russell’s daughter, from a writing competition)2 — Introduction By the time this article sees print, the events at Beaconsfield, Tasmania will have joined a backlog of similar news moments, largely unremembered by all but those who were personally affected by what happened there. Yet for fourteen days in mid-2006 this small mining town became, like so many places before it, ‘the network executive’s best friend’3 and an indication of a significant change in the way television news is reported and packaged in Australia. At 9.23 pm, on 25 April (Anzac Day), a rockfall at the Beaconsfield gold mine killed miner Larry Knight (his body was recovered two days later). On 30 April, two miners—Todd Russell and Brant Webb—were discovered to still be alive one kilometre underground. -
NEWMEDIA Greig ‘Boldy’ Bolderrow, 103.5 Mix FM (103.5 Triple Postal Address: M)/ 101.9 Sea FM (Now Hit 101.9) GM, Has Retired from Brisbane Radio
Volume 29. No 9 Jocks’ Journal May 1-16,2017 “Australia’s longest running radio industry publication” ‘Boldy’ Bows Out Of Radio NEWMEDIA Greig ‘Boldy’ Bolderrow, 103.5 Mix FM (103.5 Triple Postal Address: M)/ 101.9 Sea FM (now Hit 101.9) GM, has retired from Brisbane radio. His final day was on March 31. Greig began PO Box 2363 his career as a teenage announcer but he will be best Mansfield BC Qld 4122 remembered for his 33 years as General Manager for Web Address: Southern Cross Austereo in Wide Bay. The day after www.newmedia.com.au he finished his final exam he started his job at the Email: radio station. He had worked a lot of jobs throughout [email protected] the station before becoming the general manager. He started out as an announcer at night. After that he Phone Contacts: worked on breakfast shows and sales, all before he Office: (07) 3422 1374 became the general manager.” He managed Mix and Mobile: 0407 750 694 Sea in Maryborough and 93.1 Sea FM in Bundaberg, as well as several television channels. He says that supporting community organisations was the best part of the job. Radio News The brand new Bundy breakfast Karen-Louise Allen has left show has kicked off on Hitz939. ARN Sydney. She is moving Tim Aquilina, Assistant Matthew Ambrose made the to Macquarie Media in the Content Director of EON move north from Magic FM, role of Direct Sales Manager, Broadcasters, is leaving the Port Augusta teaming up with Sydney. -
Season Two- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
-Season Two- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor. In 2011, Toby starred as ‘Jack Armstrong’ in the BBC Comedy Drama “Vexed.” Previous television roles include “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). In 2012 Toby filmed Believe with Natasha McElhone and Brian Cox, and in 2013 starred as one of the leads in All Things to All Men alongside Gabriel Byrne and Rufus Sewell. Toby also wrapped filming in Caradog James’ The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor – both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House” and ‘Jerry’ in “Betrayal” (Donmar Warehouse), ‘Mr. Horner’ in “The Country Wife,” ‘Anthony Cavendish’ in “The Royal Family,” ‘Japes’ -
A Study Guide by Katy Marriner
Based on the television series Randling, produced by Zapruder’s other films and the ABC © ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-74295-171-3 http://www.theeducationshop.com.au randle. n. A nonsensical poem recited by Irish schoolboys as an apology for farting at a friend. Randling – created for ABC1 by Andrew Denton and Jon Casimir, the creators of The Gruen Transfer – is a game show about words. The game show pits ten teams, with two players a side, against each other over twenty-seven rounds of fiery and fierce word play. Each team is vying for a place in the 2012 Randling Grand Final and the chance to take home the Randling premiership trophy. Designed to enlighten, educate and amuse viewers, Randling is the only game show that comes with a guarantee that every episode will leave you at least 1 per cent smarter and 100 per cent happier. Learn more about Randling, the randlers and how to randle online at <http://www.abc.net.au/tv/randling/>. How to make an English lesson funner-er. One of the stated aims of The understanding and skills within the LEARNING OUTCOMES Australian Curriculum: English is to strand of Language and within this ensure that students appreciate, enjoy strand to examine the substrands Students learn that language is and use the English language in all its of: language variation and change; constantly evolving due to historical, variations and develop a sense of its language for interaction; expressing social and cultural changes, richness and power to evoke feelings, and developing ideas; and sound and demographic movements and technological innovations; convey information, form ideas, facili- letter knowledge. -
BOD Episode 14 Transcript
Episode 14 – Australia’s Dark Little Secret [SUICIDE WARNING] [PRAYER BELL CHIMES] [ETHEREAL FEMALE VOICE]: There is no death. There is only me, me, me who is dying. Annette Upton: Well if Mum had a broken back or neck, was a paraplegic, I would use a pillow and try and stop her breathing totally. Joan Upton: Yes, well, but I am told that I would struggle manfully to not be - apparently that's the reaction. They all struggle if you're cutting off their air, so you'd have to be at all your best strength and have a good hearty breakfast first. Andrew Denton: This is Joan Upton – She’s 90 – advising daughter Annette to have a big brekkie before attempting to cut off her mother’s oxygen supply. It’s known as rational suicide. Some deny that such a thing exists. But amongst older Australians it’s happening at a disturbingly high rate. Why are our elderly killing themselves in often violent ways? Perhaps it’s time we talked about Australia’s dark little secret. [TITLES] Andrew Denton: My name’s Andrew Denton and you’re listening to Better Off Dead. Joan Upton lives on the north coast of NSW on the family farm at Walcha, which she still helps run in partnership with her son. She has no history of mental illness, neither is she depressed. Joan Upton: I feel really alive. This is the trouble. I mean mentally I'm interested in everything. I like to hear the news. My head feels good, but my body - my bones are very fragile. -
Enterprise Funding: Program Review & Future Options
ENTERPRISE FUNDING: PROGRAM REVIEW & FUTURE OPTIONS Released 6 December 2013 [updated 11 December 2013] 1 ENTERPRISE FUNDING REVIEW METHODOLOGY Analysis in this report draws on several sources: Information provided by Enterprise companies Most of the data is sourced from an annual survey of all Enterprise funding recipients, supplemented by periodical financial and activity reports. Screen Australia’s 2010 Business Survey Comparisons to the broader production sector are based on Screen Australia’s 2010 Business Survey undertaken in April 2010, the results of which were published in Screen Australia’s submission to the Australian Government’s 2010 Review of the Independent Production Industry. The 2010 Business Survey has not been repeated, as funding was subsequently made available by the Australian Government for the reinstatement of the Australian Bureau of Statistics (ABS), Film, Television and Digital Games Survey, 2011/12. ABS, Film, Television and Digital Games Survey, 2011/12 Comparisons of the locations of Enterprise companies and those in the broader production sector are based on information collected by the ABS about key industries engaged in television broadcasting, film and video production and post-production, and digital game development activities. TV ratings: Metropolitan market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of RegionalTAM. EnterprisePaper.docx Screen Australia – December 2013 2 ENTERPRISE FUNDING REVIEW Contents 1 Introduction ...............................................................................................