A Study Guide by Katy Marriner
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ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Marco Balzarotti
MARCO BALZAROTTI (Curriculum Professionale liberamente fornito dall'utente a Voci.FM) link originale (thanks to): http://www.antoniogenna.net/doppiaggio/voci/vocimbal.htm Alcuni attori e personaggi doppiati: FILM CINEMA Spencer Garrett in "Il nome del mio assassino" (Ag. Phil Lazarus), "Il cammino per Santiago" (Phil) Viggo Mortensen in "American Yakuza" (Nick Davis / David Brandt) Michael Wisdom in "Masked and Anonymous" (Lucius) John Hawkes in "La banda del porno - Dilettanti allo sbaraglio!" (Moe) Jake Busey in "The Hitcher II - Ti stavo aspettando" (Jim) Vinnie Jones in "Brivido biondo" (Lou Harris) Larry McHale in "Joaquin Phoenix - Io sono qui!" (Larry McHale) Paul Sadot in "Dead Man's Shoes - Cinque giorni di vendetta" (Tuff) Jerome Ehlers in "Presa mortale" (Van Buren) John Surman in "I'll Sleep When I'm Dead" (Anatomopatologo) Anthony Andrews in "Attacco nel deserto" (Magg. Meinertzhagen) William Bumiller in "OP Center" (Lou Bender) Miles O'Keefe in "Liberty & Bash" (Liberty) Colin Stinton in "The Commander" (Ambasc. George Norland) Norm McDonald in "Screwed" Jeroen Krabbé in "The Punisher - Il Vendicatore" (1989) (Gianni Franco, ridopp. TV) Malcolm Scott in "Air Bud vince ancora" (Gordon) Robert Lee Oliver in "Oh, mio Dio! Mia madre è cannibale" (Jeffrey Nathan) John Corbett in "Prancer - Una renna per amico" (Tom Sullivan) Paul Schrier in "Power Rangers: Il film" e "Turbo - A Power Rangers Movie" (Bulk) Samuel Le Bihan in "Frontiers - Ai confini dell'inferno" (Goetz) Stefan Jürgens in "Porky college 2 - Sempre più duro!" (Padre di Ryan) Tokuma Nishioka in "Godzilla contro King Ghidora" (Prof. Takehito Fujio) Kunihiko Mitamura in "Godzilla contro Biollante" (Kazuhito Kirishima) Choi Won-seok in "La leggenda del lago maledetto" (Maestro Myo-hyeon) Eugene Nomura in "Gengis Khan - Il grande conquistatore" (Borchu) FILM D'ANIMAZIONE (CINEMA E HOME-VIDEO) . -
12 AUGUST 2017 “For There Is Nothing Either Good Or Bad, but Thinking Makes It So.“ Hamlet, Act II, Scene 2
29 JUNE – 12 AUGUST 2017 “For there is nothing either good or bad, but thinking makes it so.“ Hamlet, Act II, Scene 2. Ramsey Island, Dargonwater. Friday. June. DIRECTOR ASSISTANT DIRECTOR MARK KILMURRY SHAUN RENNIE CAST CREW ROY DESIGNER ANDREW HANSEN HUGH O’CONNOR NEVILLE LIGHTING DESIGNER DAVID LYNCH BENJAMIN BROCKMAN ANGUS SOUND DESIGNER DARYL WALLIS CRAIG REUCASSEL DRAMATURGY GORDON JANE FITZGERALD CHRIS TAYLOR STAGE MANAGER STEPHANIE LINDWALL WITH SPECIAL THANKS TO: ASSISTANT STAGE MANAGER SLADE BLANCH / DANI IRONSIDE Jacqui Dark as Denise, WARDROBE COORDINATOR Shaun Rennie as DJ Kirk, ALANA CANCERI Vocal Coach Natasha McNamara, MAKEUP Kanen Breen & Kyle Rowling PEGGY CARTER First performed by Stephen Joseph Theatre, Scarborough in May 1992. NEVILLE’S ISLAND @Tim Firth Copyright agent: Alan Brodie Representation Ltd. www.alanbrodie.com RUNNING TIME APPROX 2 HOURS 10 MINUTES INCLUDING INTERVAL 02 9929 0644 • ensemble.com.au TIM FIRTH – PLAYWRIGHT Tim’s recent theatre credits include the musicals: THE GIRLS (West End, Olivier Nomination), THIS IS MY FAMILY (UK Theatre Award Best Musical), OUR HOUSE (West End, Olivier Award Best Musical) and THE FLINT STREET NATIVITY. His plays include NEVILLE’S ISLAND (West End, Olivier Nomination), CALENDAR GIRLS (West End, Olivier Nomination) SIGN OF THE TIMES (West End) and THE SAFARI PARTY. Tim’s film credits include CALENDAR GIRLS, BLACKBALL, KINKY BOOTS and THE WEDDING VIDEO. His work for television includes MONEY FOR NOTHING (Writer’s Guild Award), THE ROTTENTROLLS (BAFTA Award), CRUISE OF THE GODS, THE FLINT STREET NATIVITY and PRESTON FRONT (Writer’s Guild “For there is nothing either good or bad, but thinking makes it so.“ Award; British Comedy Award, RTS Award, BAFTA nomination). -
Support Dairy Farmers by Buying Their Products by Nathan Gregory Or Yogurt Each Day
MISSISSIPPI DEPARTMENT OF AGRICULTURE & COMMERCE • ANDY GIPSON, COMMISSIONER VOLUME 91 NUMBER 12 JUNE 15, 2019 JACKSON, MS Support Dairy Farmers by Buying Their Products By Nathan Gregory or yogurt each day. Six ounces or sonable level. We are losing small- MSU Extension Service 3/4 cup of yogurt is considered a to medium-sized family dairy serving, as is 1 1/2 ounces of hard farms at an alarming rate because June is National Dairy Month cheese. of the current state of the dairy and it is a great time to consider Being an advocate for dairy industry,” Stone said. “Call your the numerous health benefits products means supporting people legislators and tell them how im- dairy products provide and how who, because of price fluctuations portant the American family farm supporting the industry indirectly and supply, are not profiting. They is to you. Go visit a dairy farm and helps a variety of people. are actually paying to produce the learn about what they do so you Data from the International food consumers need to survive. have a better understanding of the Dairy Foods Association shows “Buying dairy products will human aspect of this situation, the dairy industry had more than help reduce the oversupply and and thank farmers for devoting 6,000 direct jobs in Mississippi in help get prices back to a more rea- their lives to feeding your family.” 2017. It paid more than $182 mil- lion in wages and had an econom- ic impact of $871 million. June Dairy Month “Dairy farmers buy seed to grow crops to feed their cattle, support local feed cooperatives to buy feed they can’t grow themselves, Other than dairy products, only purchase equipment, and pay utili- meats, dried beans and soy con- ties and taxes. -
Simon Gleeson
SIMON GLEESON TRAINING Western Australian Academy of Performing Arts – Graduate 1998 THEATRE Morning Melodies Simon Gleeson-Australia’s Leading Man Performer Arts Centre Australia Bring Him Home Performer Promac Productions Australia An Ideal Husband Sir Robert Chiltem Melbourne Theatre Company Dir : Dean Bryant Oklahoma! Curly McLain The Production Company Dir : Chris Parker Witches Performer Working Arts Productions The Classics : Broadway – Composers of the 21st Century Performer City of Stonnington APO NYE Concert 2017 Performer Australian Philharmonic Orchestra Spirit of Christmas 2017 Performer Queensland Performing Arts Centre Hay Fever Richard Greatham Melbourne Theatre Company Dir: Lee Lewis Les Misérables Jean Valjean Cameron Macintosh Ltd London Curtains Lieutenant Frank Cioffi The Production Company Dir: Roger Hodgman Les Misérables Jean Valjean Cameron Macintosh Australia Dir: Laurence Connor & James Powell Rupert Ensemble Kennedy Centre, Washington DC Rupert Ensemble Melbourne Theatre Co Dir: Lee Lewis Chess Anatoly (The Russian) The Production Company Dir: Gale Edwards Love Never Dies Raoul Gustave Stage Productions Dir: Simon Phillips Starting Here Starting Now Man Manilla Street Productions Dir: Andrew Macbean Imagine This Adam New London Theatre, West End Dir: Timothy Sheader Certified Male Howard Edinburgh Festival Dir: Glynn Nicholas The Silver Lake Severin Wexford Festival Dir: Keith Warner Southwark Fair Angus Royal National Theatre, London Dir: Nicholas Hytner lisa mann creative management pty ltd telephone: +61 -
DIVERSITY ANNUAL REPORT 2016–17 Contents
EQUITY AND DIVERSITY ANNUAL REPORT 2017 Black Comedy, Photo: ABC TV AUSTRALIAN BROADCASTING CORPORATION EQUITY AND DIVERSITY ANNUAL REPORT 2016–17 Contents PLANNING AND REPORTING 2 INDIGENOUS 15 PERFORMANCE MONITORING 3 NON-ENGLISH SPEAKING BACKGROUND 17 PERFORMANCE 4 DISABILITY 18 DIVERSITY AND INCLUSION HIGHLIGHTS 8 CONTENT HIGHLIGHTS 21 GENDER 13 Contents 1 Planning and reporting The Australian Broadcasting Corporation (ABC) About the Equity and is Australia’s national broadcaster and was established as a statutory corporation under Diversity Program the Australian Broadcasting Corporation Act This program has been designed to eliminate 1983 (the ABC Act). The ABC Act, which includes discrimination and promote equal opportunity the ABC Charter, sets out the functions and for women, Aboriginal and Torres Strait Islander duties of the Corporation. people, people from a non-English speaking As a Commonwealth authority employer, background and people with disabilities. the ABC is bound by the provisions of the: The ABC is a member of a number of key national • Equal Employment Opportunity diversity organisations, including the Diversity (Commonwealth Authorities) Act 1987 Council of Australia. • Racial Discrimination Act 1975 ABC Managing Director, Michelle Guthrie, • Sex Discrimination Act 1984 is a member of the Leadership Council on • Australian Human Rights Commission Cultural Diversity which is chaired by the Act 1986 Race Discrimination Commissioner, Tim Soutphommasane. The Council is committed to • Disability Discrimination Act -
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding. -
The Plight of ABC Produced Programs and Staff and Can Be Found at Plight-Of-Abc-Produced-Programs-And-Staff
Re: Recent ABC programming decisions From: Ken McKay Tuesday August 30th, 2011 Please find here the contents of a web page I have uploaded to the watvhistory.com web site. It is titled The plight of ABC produced programs and staff and can be found at http://watvhistory.com/2011/08/the- plight-of-abc-produced-programs-and-staff/ Because the site deals with WA television history matters, the emphasis given to the story is that of change, and the impact it has. Most of the content relates directly to the issues the Senate Hearing will be considering... The plight of ABC produced programs and staff POSTED BY KEN ON AUGUST - 29 - 2011 This is an examination of current issues facing the ABC. Fulfilling the ABC charter, program cuts, outsourcing, centralisation, technological change and job losses. As to be expected, there are a number of points of view, which this article will endeavour to report accurately in a fair and balanced manner. They are very contentious issues, which have been evolving over many years as broadcasting facilities, techniques and management styles change, from the previous bureaucratic, slow moving public service structure to one more aware of modern business philosophies, and capable of great innovation. The earlier days were more labour intensive when Perth was an isolated outpost, separated from the rest of the country by not only distance and poor roads, but also primitive communications. The history of change gave witness to a variety of predicaments as our ancestors approached the industrial age. Change manifests itself in different forms over time, and even though the circumstances vary, there is still an impact as people try to cope with a new age. -
Legislative Council
3960 Questions without Notice [COUNCIL what steps does the Government intend Legislative Council to take to implement those recommenda Wednesday, 2 December 1981 tions, particularly in light of the recently announced proposal to take over the Herald and Weekly Times organization? The PRESIDENT (the Hon. F. S. Grim The Hon. HAD DON STOREY wade) took the chair at 12.19 p.m. and (Attorney-General) -The Norris com read the prayer. mittee recommendations were far reach ing and very extensive in terms of the CREDIT BILL steps which may be taken in relation to the print media in this State. Accord This Bill was received from the ingly, the Government released the re Assembly and, on the motion of the Hon. port so everybody would have an oppor HADDON STOREY (Attorney-General), tunity to read it, to consider it and to was read a first time. make comment upon it. When the Gov ernment is in receipt of views or is in a GOODS (SALES AND LEASES) BILL position to receive views on that report. This Bill was received from the it will do so, but it has made no deter 'Assembly and, on the motion of the Hon. mination at this stage to implement the HADDON STOREY (Attorney-General), recommendations of that report. Cer was read a first time. tainly the Government will look at it and, in looking at it, will take note of CHATTEL .SECURITIES BILL the recently reported proposal referred This Bill was received from the to by Mr Landeryou. Assembly and, on the motion of the Hon. -
Film Festival Programme 2014 A5-Booklet.Indd
Please register your Of! cial Program attendance for free using SUNDAY FREE www.trybooking.com 23 March 2014 at 5.00pm EVENT a not for profi t community initiative Blue Giant Park, Manion Avenue, Rose Bay at Woollahra Colleagues Rugby Club LIVE ENTERTAINMENT REELise Film Festival REELise Film Festival Festival Director – Karen Hamilton The REELise Film Festival is a youth It is perhaps no surprise that many of our competition entries have empowerment program based chosen, within that theme, to explore aspects of cyberbullying – an issue on mobile phone !lmmaking. We that affects one in !ve Australian teens every year. encourage young people to share The REELise Film Festival is a testament to the strength of community – the their stories, broaden awareness about coming together of people who share a passion to keep our kids safe; a issues affecting them and inspire passion to inspire a new generation to achieve their full potential. From our positive change. To assist aspiring Management Team and Mentors to the many individuals and businesses young !lmmakers improve their craft, we offer a free mentoring program joining with us on festival day to provide services and support, there is for 12-18 year olds with leading Australian !lmmakers. This year’s !lm a singular dedication - to inspire cultural change, one where empathy, festival theme was “Unspoken Feelings”. What motivates a cyberbully? compassion and respect for others is valued and cyberbullying isn’t tolerated. Are there real life consequences? Is it okay to stand back and let it If you would like to lend your support to the REELise initiative whether as happen? These are all issues explored by our young !lmmakers and a mentor, participating school, volunteer or sponsor, please contact me at important for a young audience to consider. -
Kenneth A. Merique Genealogical and Historical Collection BOOK NO
Kenneth A. Merique Genealogical and Historical Collection SUBJECT OR SUB-HEADING OF SOURCE OF BOOK NO. DATE TITLE OF DOCUMENT DOCUMENT DOCUMENT BG no date Merique Family Documents Prayer Cards, Poem by Christopher Merique Ken Merique Family BG 10-Jan-1981 Polish Genealogical Society sets Jan 17 program Genealogical Reflections Lark Lemanski Merique Polish Daily News BG 15-Jan-1981 Merique speaks on genealogy Jan 17 2pm Explorers Room Detroit Public Library Grosse Pointe News BG 12-Feb-1981 How One Man Traced His Ancestry Kenneth Merique's mission for 23 years NE Detroiter HW Herald BG 16-Apr-1982 One the Macomb Scene Polish Queen Miss Polish Festival 1982 contest Macomb Daily BG no date Publications on Parental Responsibilities of Raising Children Responsibilities of a Sunday School E.T.T.A. BG 1976 1981 General Outline of the New Testament Rulers of Palestine during Jesus Life, Times Acts Moody Bible Inst. Chicago BG 15-29 May 1982 In Memory of Assumption Grotto Church 150th Anniversary Pilgrimage to Italy Joannes Paulus PP II BG Spring 1985 Edmund Szoka Memorial Card unknown BG no date Copy of Genesis 3.21 - 4.6 Adam Eve Cain Abel Holy Bible BG no date Copy of Genesis 4.7- 4.25 First Civilization Holy Bible BG no date Copy of Genesis 4.26 - 5.30 Family of Seth Holy Bible BG no date Copy of Genesis 5.31 - 6.14 Flood Cainites Sethites antediluvian civilization Holy Bible BG no date Copy of Genesis 9.8 - 10.2 Noah, Shem, Ham, Japheth, Ham father of Canaan Holy Bible BG no date Copy of Genesis 10.3 - 11.3 Sons of Gomer, Sons of Javan, Sons -
Stephen Harrington Thesis
PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production.