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Lava Thomas [email protected] B
Lava Thomas www.lavathomas.com [email protected] b. Los Angeles, CA Selected Solo Exhibitions 2018 Mugshot Portraits: Women of the Montgomery Bus Boycott, Rena Bransten Gallery, San Francisco, CA 2015 Looking Back and Seeing Now, Berkeley Art Center, Berkeley, CA 2014 Lava Thomas: Beyond, Museum of the African Diaspora, San Francisco, CA Selected Group Exhibitions 2020 New Time: Art and Feminisms in the 21st Century, Berkeley Art Museum & Pacific Film Archive, Berkeley, CA The Black Index, Leubsdorf Gallery, Hunter College, New York City, NY UNTITLED, ART, Rena Bransten Gallery, San Francisco, CA 2019 UNTITLED, ART, Rena Bransten Gallery, Miami, FL To Reflect Us, Rena Bransten Gallery, San Francisco, CA Adjust Yo’ Eyes For This Darkness, Ashara Ekundayo Gallery, Oakland, CA The Outwin 2019: American Portraiture Today, National Portrait Gallery, Washington, DC Women to Watch 2020 Nominee, Surfacing Histories, Sculpting Memories, Hubble Galleries, California College of the Arts, San Francisco, CA Plumb Line: Charles White and the Contemporary, California African American Museum, Los Angeles, CA Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Las Cruces Museum of Art, NM Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Gallery 360, Northeastern University, Boston, MA Spring Auction Exhibition, Kala Art Institute, Berkeley, CA 2018 PULSE Miami Beach, Rena Bransten Gallery, Miami, FL My Silences Had Not Protected Me, For Freedoms and Fort Gansevoort, New York, NY EXPO Chicago, Rena Bransten Gallery, Chicago, IL Pretty Big Things, Walter Maciel Gallery, Los Angeles, CA Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Krasl Art Center, St. -
Bruce Conner (1933 – 2008)
BRUCE CONNER (1933 – 2008) BORN: McPherson, Kansas EDUCATION: 1956 B.F.A., Nebraska University 1956 Brooklyn Museum Art School 1957 University of Colorado SOLO EXHIBITIONS: 2012 Gallery Paule Anglim, San Francisco, CA Bruce Conner and the Primal Scene of Punk Rock, MCA Denver, Denver, CO 2011 Bruce Conner: An Anonymous Memorial, American University, Katzen Arts Center, Washington D.C. Bruce Conner: Falling Leaves: An Anonymous Memorial, Paula Cooper Gallery, New York, NY 2010 Bruce Conner: 1970’s, Kunstalle Wien, Vienna, Austria (travelled to Kunsthalle Zurich, Switzerland) I am Not Bruce Conner, Ursula Blickle Foundation, Krachtal, Germany Bruce Conner, Inova/Kenilworth Institute, University of Wisonsin, Milwaukee, Peck School of the Arts 4 ½, Creative Time, New York, NY Long Play: Bruce Conner and the Singles Collection, SFMOMA, San Francisco The Late Bruce Conner, Susan Inglett Gallery, New York, NY 2009 Bruce Conner: Discovered, Gallery Paule Anglim, San Francisco, CA Bruce Conner in the 1970s, Michael Kohn Gallery, Los Angeles, CA Intelligent Design: Untitled Lithographs 1970-1971, Milwaukee Art Museum, Milwaukee, WI 2008 Gallery Paule Anglim, San Francisco, CA Applause, Miyake Fine Art, Tokyo, Japan Mabuhay Gardens, UC Berkeley Art Musuem, Berkeley, CA 2007 Bruce Conner, Susan Inglett Gallery, New York, NY Gallery Paule Anglim, San Francisco, CA Michael Kohn Gallery, Los Angeles, CA 2006 Bruce Conner Sheldon Memorial art Gallery, Lincoln, NE 2005 After Conner: Anonymous, Anonymouse and Emily Feather, Katzen Art Center Museum, American -
2020 Book.Comic Art in Museums
Deviating from “Art”: Japanese Manga Exhibitions, 1990–2015 Jaqueline Berndt Revised and updated from the essay “Permeability and Othering: The Relevance of ‘Art’ in Contemporary Japanese Manga Discourse” published in Critical Perspectives on Twentieth Century Japanese Thought, edited by Livia Monnet. Les Presses de l’Universite de Monreal (2001). Japan has seen an increasing number of comics exhibitions since the s, held in commercial spaces, public art galleries, and also specialized manga museums. $is article looks back upon a major shi% in the public sector from leaning on the authority of fine art to deviating from that institutional crutch in favor of manga as media culture, and recently a return to aestheticization in a techni- cal rather than conceptual sense. Taking as its example three representative exhibitions in public museums held in , , and , respectively, the article looks at which notion of manga manifested in each, and how this notion materialized in presentation techniques. All three exhibitions featured graphic narratives, or story-manga, that is, primarily entertaining fiction for younger readers that had come to dominate the domain of Japanese comics since the late s with the spread of the manga magazine format and its gendered genres. Yet, magazine manga is not easily displayed. Initially produced as throwaway reading material, its monochrome visuals on acidic paper look much less attrac- tive than eye-catching covers, colored supplements, or merchandising goods. In addition, this kind of manga consists usually of lengthy serialized narra- tives that are inclined to facilitate reader participation rather than authorly self-expression. While crucial characteristics of commercial manga such as the collaborative mode of production, the importance of imitative copying, and the possibility of sharing due to conventions seemed to work against gal- lery exhibitions, in recent years, the alleged shortcoming is being turned into a strength: Domestic manga exhibitions in public institutions are increasingly oriented at the broader community of readers. -
SARAH Mceneaney
SARAH McENEANEY Born in Munich, Germany, 1955 Lives and works in Philadelphia, PA Education 1979 Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1973–75 University of the Arts, Philadelphia, PA Selected Solo and Two-Person Exhibitions 2018 #Wehavenopresident, Leroy Johnson and Sarah McEneaney, Marginal Utility, Philadelphia, PA 2017 Home Work, Sarah McEneaney/Ann Toebbe, Zevitas Marcus, Los Angeles, CA Tibor de Nagy Gallery, New York, NY 2016 When You Wish, Locks Gallery, Philadelphia, PA Out West Back East, Adams/Ollman, Portland, OR 2014 Tibor de Nagy Gallery, New York, NY 2013 Trestletown, Locks Gallery, Philadelphia, PA 2012 Tibor de Nagy Gallery, New York, NY 2009 Locker Plant, Chinati Foundation, Marfa, TX Tibor de Nagy Gallery, New York, NY 2008 Locks Gallery, Philadelphia, PA Mills College Art Museum, Oakland CA Tibor de Nagy Gallery, New York, NY 2004 Gallery Schlesinger, New York, NY Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Reynolds Gallery, Richmond, VA 2002 Gallery Schlesinger, New York, NY 2001 More Gallery Inc., Philadelphia, PA 2000 List Gallery, Swarthmore College, Swarthmore, PA 1997 More Gallery Inc., Philadelphia, PA 1990 Morris Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1987 More Gallery Inc., Philadelphia, PA 1984 Noel Butcher Gallery, Philadelphia, PA 1982 Third Street Gallery, Philadelphia, PA Rosemont College, Rosemont, PA 1979 Third Street Gallery, Philadelphia, PA Selected Group Exhibitions 2019 LandEscape: New Visions of the Landscape from the -
Agenda Civic Arts Commission Public Art Subcommittee Monday, October 5, 2020 at 1 P.M
Civic Arts Commission Office of Economic Development Agenda Civic Arts Commission Public Art Subcommittee Monday, October 5, 2020 at 1 p.m. PUBLIC ADVISORY: THIS MEETING WILL BE CONDUCTED EXCLUSIVELY THROUGH VIDEOCONFERENCE AND TELECONFERENCE Pursuant to Section 3 of Executive Order N-29-20, issued by Governor Newsom on March 17, 2020, this meeting of the Civic Arts Commission will be conducted exclusively through teleconference and Zoom videoconference. Please be advised that pursuant to the Executive Order and the Shelter-in-Place Order, and to ensure the health and safety of the public by limiting human contact that could spread the COVID-19 virus, there will not be a physical meeting location available. To access the meeting remotely: Join from a PC, Mac, iPad, iPhone, or Android device: Please use this URL https://us02web.zoom.us/j/83392008428. If you do not wish for your name to appear on the screen, then use the drop down menu and click on "rename" to rename yourself to be anonymous. To request to speak, use the “raise hand” icon by rolling over the bottom of the screen. To join by phone: Dial 1-669-900-9128 and enter Meeting ID: 833 9200 8428. If you wish to comment during the public comment portion of the agenda, Press *9 and wait to be recognized by the Chair. To submit an e-mail comment during the meeting to be read aloud during public comment, email [email protected] with the Subject Line in this format: “PUBLIC COMMENT ITEM ##.” Please observe a 150 word limit. Time limits on public comments will apply. -
Cartooning Across the Pond the Big Reuben Wrap Up! This Past
Cartooning Across the Pond The Big Reuben Wrap Up! This past Memorial Day weekend the National Cartoonists Society, had its annual Reuben Awards Weekend in not-so-sunny San Diego, CA… well, we did see some sun on the final day of the festivities, but for most of it we experienced what native San Diegans call “May Gray”. That hardly got us down, however. The weekend was a lot of fun. They usually are, but this one seemed to be turned up a notch. Most of the events took place at the beautiful Omni hotel right at the start of the famous Gaslamp District. Friday, May 23rd The ball got rolling Friday with a terrific slate of guest speakers. As NCS president, I have many things I have to do and oversee throughout the weekend, so I rarely get to catch many of the speakers, but I did get to see the majority of the first three of the day who I thought were great, and I heard nothing but raves about the others: Eddie Pittman- Freelancer, animator and creator of the online graphic novel Red’s Planet, Eddie shared his work from various Disney features like “Mulan” and “Lilo and Stich”, to TV’s “Phineas and Ferb”, to his excellent web comic (which was nominated for a divisional award). Chris Houghton- The second recipient of the Jay Kennedy Memorial Scholarship for cartooning, Chris is a great success story. He’s worked on several animated TV shows, comics, MAD and more, including his own comic Reed Gunther. Greg Evans- The Reuben Award-winning creator of the syndicated comic strip Luann, Greg shared stories of some of his early tries at syndication, and about his 29 years doing Luann. -
2016 ANNUAL REPORT Letter from Our President & CEO
2016 ANNUAL REPORT Letter from our President & CEO Art gives us insight into a snapshot in time. It is often a profound and palpable More than ever, the museum uses the arts and culture as a catalyst to drive expression of the artist’s emotion and mindset. It allows us to view the world in a interaction, experimentation and social change throughout our city and region. moment and in a continuum – what led to the creation of each piece, what it meant Its programs, exhibits, and partnerships enlighten, engage, energize and empower at the time and what it means now. people—transforming the community one person and one idea at a time. So, too, can we look at the Allentown Art Museum of the Lehigh Valley. We are a What’s now; what’s new; what’s next? Here’s what we’re doing and how we’re doing reflection of where we’ve been, where we are now and where we strive to go as we it. We hope you’ll continue to be an instrumental part of it and we thank you for all boldly redefine the role of arts and culture in our region. that you have done to make this possible. David Mickenberg As you’ll see in this annual report, we are reimagining the Museum and all it offers The Priscilla Payne Hurd President and CEO to be both a beacon for and reflection of the 21st century. Our past year was filled with self-assessment, exploration, and experimentation: what should our Museum be in our community’s future? Just as importantly, what could it be? This unparalleled opportunity compelled us to develop a new strategic and operational vision, building on a distinguished past and crafting an extraordinary future. -
Pat Steir Was Born in 1940 in Newark, New Jersey. She Studied Art and Philosophy at Boston University and Received Her BFA from the Pratt Institute in 1962
PAT STEIR Pat Steir was born in 1940 in Newark, New Jersey. She studied art and philosophy at Boston University and received her BFA from the Pratt Institute in 1962. She is a founding board member of Printed Matter Inc., New York, and the feminist journal, Heresies. She was also a board member of Semiotext(e). Her work has been the subject of major institutional exhibitions and projects including: the Museum of Art, Rhode Island School of Design, Providence, Rhode Island; Los Angeles County Museum of Art, California; Neuberger Museum of Art, Purchase, New York; Butler Institute of American Art, Youngstown, Ohio; Dallas Museum of Art, Texas; The Baltimore Museum of Art, Maryland; Des Moines Art Center, Iowa; Brooklyn Museum, New York; The Whitney Museum of American Art, New York; MoMA PS1, New York; The Irish Museum of Modern Art, Dublin, Ireland; Centre National d’Art Contemporain de Grenoble, France; Musée d’art Contemporain, Lyon, France; Cabinet des Estampes, Musée d’Art et Histoire, Geneva, Switzerland; Centre d’Art Contemporain, Palais Wilson, Geneva, Switzerland; Kunstmuseum Bern, Switzerland; The Tate Gallery, London; Rijksmuseum, Amsterdam; Gemeentemuseum Den Haag, The Hague, among many others. Steir’s work is held in the permanent collections of the Denver Art Museum, Colorado; Foundation Cartier, Paris; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Louvre, Paris; the Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; The San Francisco Museum of Fine Arts, California; The Solomon R. Guggenheim Museum, New York; Tate Gallery, London; Walker Art Gallery, Minneapolis, MN; and the Whitney Museum of American Art, New York, among other institutions worldwide. -
Robert Whyte Oral History Transcript
i San Francisco Museum of Modern Art Regional Oral History Office 75th Anniversary The Bancroft Library Oral History Project University of California, Berkeley SFMOMA 75th Anniversary: ROBERT WHYTE SFMOMA Staff, 1967-1987 Supervisor of Education, 1967- Director of Education, 1980- Interviews conducted by Lisa Rubens in 2006—2007 Copyright © 2008 by San Francisco Museum of Modern Art Funding for the Oral History Project provided in part by Koret Foundation. ii Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Robert Whyte, dated May 18, 2008. This manuscript is made available for research purposes. -
Lbr-2016-17-021
SMALL BUSINESS COMMISSION CITYAND COUNTYOF SAN FRANCISCO M ARK DWIGHT, PRESIDENT EDWIN M. LEE, M AYOR REGINA D ICK-E NDRIZZI, D IRECTOR Legacy Business Registry Staff Report HEARING DATE NOVEMBER 28, 2016 CARTOON ART MUSEUM OF CALIFORNIA Application No.: LBR-2016-17-021 Business Name: Cartoon Art Museum of California Business Address: 275 5th Street, Suite 303 District: District 6 Applicant: Summerlea Kashar, Executive Director Nomination Date: October 3, 2016 Nominated By: Mayor Edwin Lee Staff Contact: Richard Kurylo [email protected] BUSINESS DESCRIPTION The Cartoon Art Museum of California is a 501(c)(3) nonprofit museum located in the South of Market neighborhood that preserves and exhibits the history and continuation of cartoon art and related artworks. The museum was founded by a group of cartoon enthusiasts in 1984 who began organizing exhibitions of artwork from their own collections and often set up these exhibitions in other local museums or corporate spaces before establishing themselves as an organization. The museum showcases a variety of cartoon art forms including editorials, comic books, graphic novels, anime, and weekend cartoons. The Cartoon Art Museum is not only known for its exhibition content but also its dedication to preserving and documenting this unique and accessible art form. Their continued mission is to “ignite imaginations and foster the next generation of visual storytellers by celebrating the history of cartoon art, its role in society, and its universal appeal.” The museum is the longest running museum of original cartoon art in the United States that is committed to the preservation and exhibition of this art. -
Bob Eckstein: Illustrator, Writer, Cartoonist
Inspicio the last laugh Introduction to Bob Eckstein. 0:36 sec. Interview: Raymond Elman. Camera: Lee Skye. Videography: Wesley Verdier. Production: Rachel Chang. Bob Eckstein: Illustrator, Writer, Cartoonist By Elman + Skye + Verdier + R. Chang OB ECKSTEIN is an illustrator, cartoonist, writer and snowman expert. His cartoons have appeared in ma- B jor publications, including the New York Times, MAD magazine and The New Yorker. Eckstein wrote The History of the Snowman (Simon & Schuster, 2007) and Footnotes from the World’s Greatest Bookstores (Penguin Random House, 2016) which became a NY Times bestseller. His work has been exhib- ited in The Cartoon Art Museum of San Francisco, the Smith- sonian Institute, The Cartoon Museum of London, and in The Sordoni Art Gallery at Wilkes University. He has been nominated for Gag Cartoonist of the Year (twice) by the National Cartoon- ists Society. Eckstein has written columns, Op-Eds and features for: The New Yorker, the New York Times, New York Daily News, NY Newsday, Reader’s Digest, SPY, Playboy, Details, GQ, MAXIM, National Lampoon, Village Voice, and McSweeney’s. He is a Contributing Editor at Writer’s Digest. Eckstein has been speaking publicly against online shopping to raise awareness for independent bookstores. He taught at New York University, at Pratt Institute, and at the School of Visual Arts for a dozen years. His new book is Everyone’s A Critic: The Ultimate Cartoon Book by the World’s Greatest Cartoonists. The videos below are organized by topic and run between 30 seconds and 5 minutes. Click on any video. You must be con- nected to the Internet to view the videos. -
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r mp JenniferCamper.com ni er Ca e Jen f [email protected] COMICS & ILLUSTRATION - Selected Publications Books Juicy Mother 2: How They Met, editor and contributor, Manic D Press, 2007 A comix anthology. (Lambda Literary Award Finalist) Juicy Mother 1: Celebration, editor and contributor, Soft Skull Press, 2005 A comix anthology. (Lambda Literary Award Finalist) subGURLZ, Cleis Press, 1999 The adventures of three twisted women living in abandoned subway tunnels. (Lambda Literary Award Finalist) Rude Girls and Dangerous Women, Laugh Lines Press, 1994 A collection of Camper cartoons. Anthologies Drawing Power, Theater of Terror, Comics 4 Choice, The Shirley Jackson Project, Butch Lesbian Coloring Books, Qu33r, No Straight Lines, The Letter Q, The Great Women Cartoonists, Three, Glamazonia, Dead High Yearbook Dyke Strippers, Boy Trouble, Gay Comix Anthology, A Century of Women Cartoonists, From Girls to Grrrlz, Women’s Glib, Women’s Glibber, Lesbian Culture, Silverleaf Anthology of Women’s Humor, Here Come the Brides, What Is this Thing Called Sex?, Ex-Lover Weird Shit, Sexual Harassment: Women Speak Out, etc. Websites & The Believer, PEN America, Buzzfeed, Ms. Magazine, The Advocate, Out, Bitch, Mizna, Barra (Lebanon), Women’s Review Magazines of Books, The World, Curve, Girlfriends, QW, On Our Backs, Outweek, Bad Attitude, Sorority, Girl Jock, Hysteria, etc. Comic Books Gay Comix, Wimmin’s Comix, World War 3, Young Lust, Real Girl, Strip AIDS USA, Cease Fire, Choices, Dykes Delight (UK), BubbleGun (Czech), etc. Newspapers The Village Voice, Funny Times, Sojourner, LGNY (NYC), Lesbian News (L.A.), Philadelphia Gay News,Bay Times (S.F.), Nightlines (Chicago), The Washington Blade (D.C.), Gay Community News (Boston), Southern Voice (Atlanta), Lavender (Mpls.), Perspective (AK), In Step (Milwaukee), Twist (Seattle), Gay & Lesbian Times (San Diego), Our Own (VA), etc.