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r mp JenniferCamper.com ni er Ca e Jen f [email protected] COMICS & ILLUSTRATION - Selected Publications Books Juicy Mother 2: How They Met, editor and contributor, Manic D Press, 2007 A comix anthology. (Lambda Literary Award Finalist) Juicy Mother 1: Celebration, editor and contributor, Soft Skull Press, 2005 A comix anthology. (Lambda Literary Award Finalist) subGURLZ, Cleis Press, 1999 The adventures of three twisted women living in abandoned subway tunnels. (Lambda Literary Award Finalist) Rude Girls and Dangerous Women, Laugh Lines Press, 1994 A collection of Camper cartoons. Anthologies Drawing Power, Theater of Terror, Comics 4 Choice, The Shirley Jackson Project, Butch Lesbian Coloring Books, Qu33r, No Straight Lines, The Letter Q, The Great Women Cartoonists, Three, Glamazonia, Dead High Yearbook Dyke Strippers, Boy Trouble, Gay Comix Anthology, A Century of Women Cartoonists, From Girls to Grrrlz, Women’s Glib, Women’s Glibber, Lesbian Culture, Silverleaf Anthology of Women’s Humor, Here Come the Brides, What Is this Thing Called Sex?, Ex-Lover Weird Shit, Sexual Harassment: Women Speak Out, etc. Websites & The Believer, PEN America, Buzzfeed, Ms. Magazine, The Advocate, Out, Bitch, Mizna, Barra (Lebanon), Women’s Review Magazines of Books, The World, Curve, Girlfriends, QW, On Our Backs, Outweek, Bad Attitude, Sorority, Girl Jock, Hysteria, etc. Comic Books Gay Comix, Wimmin’s Comix, World War 3, Young Lust, Real Girl, Strip AIDS USA, Cease Fire, Choices, Dykes Delight (UK), BubbleGun (Czech), etc. Newspapers The Village Voice, Funny Times, Sojourner, LGNY (NYC), Lesbian News (L.A.), Philadelphia Gay News,Bay Times (S.F.), Nightlines (Chicago), The Washington Blade (D.C.), Gay Community News (Boston), Southern Voice (Atlanta), Lavender (Mpls.), Perspective (AK), In Step (Milwaukee), Twist (Seattle), Gay & Lesbian Times (San Diego), Our Own (VA), etc. Founding Director - Queers & Comics Conference, university-based LGBTQ Cartoonists’ Conference May 2019, School of Visual Arts, NYC April 2017, California College of the Arts, SF, CA May 2015, CLAGS: The Center for LGBTQ Studies, The Graduate Center, CUNY, NYC Comics Editor Women’s Review of Books, 2006 - 2018 Selected Exhibitions Solo Shows: 2013 Words and Pictures, AMP Gallery, Provincetown, MA 2012 COMIX, AMP Gallery, Provincetown, MA Group Shows: 2016 Keep It Between Us, Gallerie Tanit, Beirut, Lebanon 2016 SuperQueeroes: LGBTQ Comics, Schwules Museum,Berlin 2015 WonderWomen, Katherine E. Nash Gallery, Mpls, MN 2010 Fi Taharrok: Jouzourona wa Mostaqbalona, Högkvarteret, Stockholm, Sweden 2010 World War 3 Illustrated, The Soho Gallery for Digital Art, NYC 2009 Comics Worlds and the World of Comics, Kyoto Manga Museum, Kyoto, Japan 2006 No Straight Lines: Queer Culture and the Comics, Cartoon Art Museum, SF, CA 2005 Wear Me Out, ONE National Gay and Lesbian Archives, Los Angeles, CA 2003 Ladyfest, Manchester, England 2000 Picturing the Modern Amazon, The New Museum, NYC 1999 Women Cartoonists, Bluestockings, NYC 1995 Queer Cartoons, A Different Light, NYC 1994 Bad Girls, The New Museum, NYC 1994 Festival International de le Ban Dessinée, Sierre, Switzerland 1992 San Francisco Cartoon Art Museum, San Francisco 1992 Triplex Gallery, NYC 1991 The New School of Social Research, NYC 1990 The Cartoon Show, Lesbian & Gay Community Center, NYC Teaching Lectures and Workshops School of Visual Arts, New York University, California College of the Arts, Queens Museum of Art, Moore College of Art and Design, Fine Arts Work Center, Brooklyn Public Library, Bronx Academy of Arts and Dance, Museum of Comic and Cartoon Art Al-Noor School, AWAAM, Asian American Arts Alliance, Hetrick-Martin Institute, etc..

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Lbr-2016-17-021

SMALL BUSINESS COMMISSION CITYAND COUNTYOF SAN FRANCISCO M ARK DWIGHT, PRESIDENT EDWIN M. LEE, M AYOR REGINA D ICK-E NDRIZZI, D IRECTOR Legacy Business Registry Staff Report HEARING DATE NOVEMBER 28, 2016 CARTOON ART MUSEUM OF CALIFORNIA Application No.: LBR-2016-17-021 Business Name: Cartoon Art Museum of California Business Address: 275 5th Street, Suite 303 District: District 6 Applicant: Summerlea Kashar, Executive Director Nomination Date: October 3, 2016 Nominated By: Mayor Edwin Lee Staff Contact: Richard Kurylo [email protected] BUSINESS DESCRIPTION The Cartoon Art Museum of California is a 501(c)(3) nonprofit museum located in the South of Market neighborhood that preserves and exhibits the history and continuation of cartoon art and related artworks. The museum was founded by a group of cartoon enthusiasts in 1984 who began organizing exhibitions of artwork from their own collections and often set up these exhibitions in other local museums or corporate spaces before establishing themselves as an organization. The museum showcases a variety of cartoon art forms including editorials, comic books, graphic novels, anime, and weekend cartoons. The Cartoon Art Museum is not only known for its exhibition content but also its dedication to preserving and documenting this unique and accessible art form. Their continued mission is to “ignite imaginations and foster the next generation of visual storytellers by celebrating the history of cartoon art, its role in society, and its universal appeal.” The museum is the longest running museum of original cartoon art in the United States that is committed to the preservation and exhibition of this art.
Bob Eckstein: Illustrator, Writer, Cartoonist

Inspicio the last laugh Introduction to Bob Eckstein. 0:36 sec. Interview: Raymond Elman. Camera: Lee Skye. Videography: Wesley Verdier. Production: Rachel Chang. Bob Eckstein: Illustrator, Writer, Cartoonist By Elman + Skye + Verdier + R. Chang OB ECKSTEIN is an illustrator, cartoonist, writer and snowman expert. His cartoons have appeared in ma- B jor publications, including the New York Times, MAD magazine and The New Yorker. Eckstein wrote The History of the Snowman (Simon & Schuster, 2007) and Footnotes from the World’s Greatest Bookstores (Penguin Random House, 2016) which became a NY Times bestseller. His work has been exhib- ited in The Cartoon Art Museum of San Francisco, the Smith- sonian Institute, The Cartoon Museum of London, and in The Sordoni Art Gallery at Wilkes University. He has been nominated for Gag Cartoonist of the Year (twice) by the National Cartoon- ists Society. Eckstein has written columns, Op-Eds and features for: The New Yorker, the New York Times, New York Daily News, NY Newsday, Reader’s Digest, SPY, Playboy, Details, GQ, MAXIM, National Lampoon, Village Voice, and McSweeney’s. He is a Contributing Editor at Writer’s Digest. Eckstein has been speaking publicly against online shopping to raise awareness for independent bookstores. He taught at New York University, at Pratt Institute, and at the School of Visual Arts for a dozen years. His new book is Everyone’s A Critic: The Ultimate Cartoon Book by the World’s Greatest Cartoonists. The videos below are organized by topic and run between 30 seconds and 5 minutes. Click on any video. You must be con- nected to the Internet to view the videos.
CONGRESSIONAL RECORD— Extensions of Remarks E188 HON

E188 CONGRESSIONAL RECORD — Extensions of Remarks February 10, 2014 Villablanca, who has devoted her career in for drawing began as a young child. After RECOGNIZING THE SERVICE AND medicine to identifying and building awareness graduating from Berkeley High School, Mr. CONTRIBUTIONS OF JOHN of the cardiovascular disease risk factors for Turner served in World War II as a mechanic COLACCHIO women. for the Tuskegee Airmen. During this time, he In 1994, Dr. Villablanca established the na- drew comic strips for military newspapers. HON. ALAN GRAYSON tion’s first program dedicated to researching, Once returning back to the Bay Area, he OF FLORIDA preventing and treating heart disease in IN THE HOUSE OF REPRESENTATIVES women. Heart disease is the leading cause of worked as a clerk for the Oakland Police De- death of women in the United States, causing partment while freelancing cartoons to news- Monday, February 10, 2014 one in three deaths each year, more than all papers and magazines. In 1964, Mr. Turner’s Mr. GRAYSON. Mr. Speaker, I rise today to forms of cancer combined. Dr. Villablanca has drive and admiration for cartooning inspired recognize an outstanding member of the Cen- conducted laboratory research that has ad- him to create cartoons full time. tral Florida community, John Colacchio. Mr. vanced scientific knowledge of the unique bio- During the height of the Civil Rights Move- Colacchio is an 89-year-old veteran of the logical causes and indicators of heart disease ment, Morrie Turner realized that African Second World War who recently participated in women. in an Honor Flight.
N Ram Erican NARM N Rec M

Congratulations! Your MOA Friends membership includes participation in the following program: North American Reciprocal Museum (NARM) Program MOA Friends who present a current membership card validated with a gold North American Reciprocal sticker are entitled to the following privileges at participating museums: Free/member admission during regular museum hours member discounts at museum shops member discounts on concert/lecture tickets Guests are not included unless they present a current membership card validated by the gold North American Reciprocal sticker. PLEASE NOTE: Some museums restrict benefits o For Reynolda House Museum of American Art, NARM privileges do not extend to other institutions' members wwithin a 155 mile radius. 'Family' benefits are defined by each participating institution See the end notes at the bottom of the list foor more information and/or contact the institution prior to your visit to avoid any confusion An up-to-date list of participating museums can be found on MOA’s website: moa.wfu.edu. Los Angeles, Museum of Contemporary Art (MOCA), Los Angeles, 213-621-1794 Grand Junction, Western Colorado Center for the Arts (The Art Center), 970-243-7337x2 North American Reciprocal Museum (NARM) Los Angeles, *Skirball Cultural Center, 310-440-4500 Greenwood Village, The MADDEN Museum of Art, 303-763-1970 Participating Institutions Monterey, Monterey Museum of Art, 831 372-5477 Hotchkiss, Creamery Arts Center, 970-872-4848 Monterey, Museum of Monterey, 831-372-2608 Parker, The Wildlife Experience, 720-488-3300
Oregon Museum of Popular Culture Feasibility Study

Oregon Museum of Popular Culture Feasibility Study 7/31/2014 Oregon Pop Culture Museum Feasibility Study Table of Contents I. Executive Summary II. Museum Concept 1.0 Concept for the Museum 2.0 Core Values 3.0 Museum Components 4.0 Educational Opportunities and Partnerships 5.0 Precedents III. Market Analysis Introduction and Purpose 1.0 Market Demographics 2.0 Pop Culture Industry 3.0 Location Analysis 4.0 Industry Profile and Potential Index 5.0 Competitive Venues 6.0 Marketing Strategy IV. Building Requirements 1.0 Museum Space Requirements 2.0 Site Analysis 3.0 Building Concept 4.0 Capital Cost Projections V. Funding Analysis 1.0 Funding and Operational Considerations 2.0 Potential Revenue Model Table of Contents i Oregon Pop Culture Museum Feasibility Study I. Executive Summary Overview In May 2014, Owen Richards Architects (ORA) and Marketek were engaged by Clackamas County to prepare a feasibility study to determine whether it is technically and financially feasible to develop a Pop Culture Museum in Clackamas County. The study is the first and most critical step in evaluating this opportunity for the County and region. Reviews and interviews with a wide range of stakeholders and market sources demonstrated very strong interest and support for the project, with broad recognition of potential benefits to the county and the entire region. The museum has strong potential to become a major attraction and tourist destination, an innovative education center, and a catalyst for economic development. Vicinity Map of Major Portland Area Cultural Attractions Section I – Executive Summary 1 Oregon Pop Culture Museum Feasibility Study Museum Concept The Oregon Museum of Pop Culture is envisioned as an innovative learning center focused on exploring American and world culture through the engaging lens of comics, toys, films, and digital media.
NARM Program

NARM Program Alabama Auburn Jule Collins Smith Museum at Auburn University ® Alabama Birmingham Birmingham Civil Rights Institute SKAMANIA Alabama Birmingham Birmingham Museum of Art COUNTY Alabama Decatur Carnegie Visual Arts Center HISTORICAL Alabama Gadsden Gadsden Museum of Art SOCIETY Alabama Huntsville The Huntsville Museum of Art -and the- Alabama Mobile Mobile Museum of Art COLUMBIA Alabama Montgomery Montgomery Museum of Fine Arts GORGE Alabama Northport Kentuck Museum INTERPRETIVE CENTER Alabama Talladega Jemison - Carnegie Heritage Hall Museum MUSEUM Alaska Anchorage Anchorage Museum at Rasmuson Center Alaska Valdez Valdez Museum & Historical Archive The living Arizona Flagstaff Museum of Northern Arizona past is Arizona North Scottsdale Heard Museum North always Arizona Phoenix Heard Museum present Arizona Sedona Sedona Heritage Museum Arizona Tucson Tucson Museum of Art Arizona Tucson University of Arizona Museum of Art Arkansas Bentonville Crystal Bridges Museum of American Art Arkansas El Dorado South Arkansas Arts Center Arkansas Fort Smith Fort Smith Regional Art Museum Arkansas Little Rock Arkansas Arts Center California Bakersfield Bakersfield Museum of Art California Bakersfield Kern County Museum California Berkeley ##UC Berkeley Art Museum California Danville Museum of the San Ramon Valley California Eureka Morris Graves Museum of Art California Fullerton Fullerton Museum Center California Healdsburg Healdsburg Museum & Historical Society California Homewood Tahoe Maritime Museum California Indio Coachella Valley History Museum California Jamestown Railtown 1897 State Historic Park California La Jolla **Museum of Contemporary Art San Diego P.O. BOX 396 California Laguna Beach Laguna Art Museum 990 SW ROCK California Lancaster Lancaster Museum of Art and History (MOAH) CREEK DRIVE California Long Beach Long Beach Museum of Art STEVENSON, California Long Beach Museum of Latin American Art (MoLAA) WASHINGTON California Los Angeles Charles F.
Spring/Summer 2019 $7.9 9

HERITAGE AUCTIONS | SPRING/SUMMER 2019 $7.9 9 GRAHAM NASH Rock Legend’s Sports Superstars Super Movies Auction Previews Historic Guitars These 12 Athletes Comic Book Films Candy Spelling, Disney Heading to Auction are Collectible Gold Revving up the Market Rolex, Batman, Wyeth Always Seeking Quality Consignments Immediate Cash Advances Available Inquiries: 877-HERITAGE (4 37-4 824) DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | CHICAGO | PALM BEACH LONDON | PARIS | GENEVA | AMSTERDAM | HONG KONG K. Guzman #0762165; BP 12-25% see HA.com; Heritage Auctions #1364738 & SHDL #1364739. Rolex, Ref: 6239, “Paul Newman” Cosmograph Daytona, Circa 1969 Sold for: $225,000 Always Seeking Quality Consignments Immediate Cash Advances Available Inquiries: 877-HERITAGE (4 37-4 824) DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | CHICAGO | PALM BEACH LONDON | PARIS | GENEVA | AMSTERDAM | HONG KONG K. Guzman #0762165; BP 12-25% see HA.com; Heritage Auctions #1364738 & SHDL #1364739. features 38 51 Proper Protection Living Legends of Different collectibles carry different Sports Collectibles risks. Make sure your insurance offers When it comes to baseball, football, the right coverage. basketball and hockey, these By Debbie Carlson 12 superstars are national treasures Illustration by David DeGrand By Steve Lansdale 42 60 Collector of Note Super Movie Treasures With 50 years of collecting under his As comic-book heroes invade theaters, belt, Bill Youngerman is considered the here’s a look at related collectibles dean of Florida National Bank Notes and the prices they’ve fetched Interview by David Stone By The Intelligent Collector staff Photographs by Al Diaz 46 Graham Nash Lights the Fire Reflecting on his legendary career, singer/songwriter explains how guitar collection takes him “as close to the flame as I can get” By Hector Cantú Portrait by Kevin Gaddis Jr.
Oakmont Owl 917 Thornton Way San Jose, CA 95128 Think, Do, Create, Learn, Contribute, Socialize, Connect and Experience

February 2018 Oakmont Owl 917 Thornton Way San Jose, CA 95128 Think, Do, Create, Learn, Contribute, Socialize, Connect and Experience. Each Oakmont community calendar is planned to include all of our Core Elements, listed above. The community you’ve imagined… Specific offerings will change from month to month and vary per location to reflect the interests the care your loved one deserves. and abilities of residents and local opportunities. Oakmont Senior Living Awards Spotlight We are proud to announce that Oakmont of Fresno has been selected for Caring.com’s Caring Star Award for the third year in a row! This award recognizes the top senior living communities in the nation, based on excellent consumer ratings and reviews. Congratulations to Oakmont of Fresno for receiving high praise in reviews on Caring.com and standing out among the best in the nation! In addition, the following communities were selected for Senior Advisor’s 2018 Top-Rated Senior Care Providers Award: Oakmont of Capriana, Oakmont of Carmichael, Oakmont of Chino Hills, Oakmont of Escondido Hills, Oakmont of Redding, Oakmont of Roseville and Oakmont of San Antonio Heights. These communities were recognized for receiving consistently high ratings from residents and their families. The award places winners in the top one percent of senior care providers in the country. We receive these prestigious awards based on reviews from residents and families. If you would like to support your community in being selected for these recognitions, please see your Marketing Department for more information. RCFE #435202551 –The Oakmont Senior Living Family Featured February Excursions Cartoon Art Museum Founded in 1984, the Cartoon Art Museum has something for everyone—from comic strips, comic books and anime, to political cartoons, graphic novels and underground comics.
R. Crumb Born 1943 in Philadelphia

This document was updated February 25, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. R. Crumb Born 1943 in Philadelphia. Lives and works in Sauve, France. SOLO EXHIBITIONS 2020 R. Crumb: Drawings, Prints & Books From the Collection of Dale Rose, Contemporary Art Galleries, University of Connecticut, Mansfield [collection display] 2019 Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction & Pulp Fact by the Illustrious R. Crumb, David Zwirner, New York [catalogue Crumb’s World published in 2021] 2018 R. Crumb, Museum of Contemporary Art Santa Barbara, California 2017 Aline Kominsky-Crumb & R. Crumb: Drawn Together, David Zwirner, New York [two-person exhibition] R. Crumb/Barry McGee: The Present Tense, Ratio 3, San Francisco Louise Bourgeois/R. Crumb: The Present Tense, Ratio 3, San Francisco 2016 R. Crumb: Art & Beauty, David Zwirner, London Aline und Robert Crumb - Drawn Together, Cartoonmuseum Basel [two-person exhibition] [catalogue] 2012 Crumb, de l’underground à la Genèse, Musée d’Art Moderne de la Ville de Paris [catalogue] 2011 Aline et R. Crumb, Parle-moi d’amour, Galerie Martel, Paris [two-person exhibition] R. Crumb: Kafka, Tony Shafrazi Gallery, New York R. Crumb: Lines Drawn on Paper, Museum of American Illustration, Society of Illustrators, New York 2010 Crumb Brothers: Robert and Maxon Crumb, John Natsoulas Center for the Arts, Davis, California [two-person exhibition] Divine Comedy: Drawings by R. Crumb and Roz Chast, Westport Arts Center, Connecticut [two- person exhibition] R. Crumb, Baronian Francey, Brussels Robert Crumb, Galerie Martel, Paris 2009-2011 The Bible Illuminated: R. Crumb’s Book of Genesis, Hammer Museum, Los Angeles [itinerary: David Zwirner, New York; Portland Art Museum, Oregon; Columbus Museum of Art, Ohio; Bowdoin College Museum of Art, Brunswick, Maine; San Jose Museum of Art, California] [corresponding publication published in 2009] 2009 Zap! Comix Prints By Robert Crumb, Joel and Lila Harnett Museum of Art, University of Richmond, Virginia 2007-2009 R.
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Contents ix Acknowledgments xi Foreword M. Thomas Inge 3 Introduction Kim A. Munson 11 FOUNDATIONS: COMIC ART IN MUSEUMS 14 Comic Art in Museums: An Overview Denis Kitchen 23 Substance and Shadow: The Art of the Cartoon Brian Walker 33 Permanent Ink: Comic Book and Comic Strip Art as Aesthetic Object Andrei Molotiu 63 PIONEERS: COMIC ART EXHIBITIONS, 1930–1967 66 The Evolution of Comic Art Exhibitions, 1934–1951 Kim A. Munson 88 Narrative Illustration: The Story of the Comics M. C. Gaines 98 The First International: I Exposicao Internacional de Historias em Quadrinhos Alvaro de Moya 104 Comics and Figurative Narration: What Pierre Couperie Contributed Antoine Sausverd 113 THE RENEWED FOCUS ON COMICS AS ART AFTER 1970 120 The Comic Stripped and Ash Canned: A Review Essay Albert Boime 135 Exhibitions at the Museum of Cartoon Art: A Personal Recollection Brian Walker vi Contents 152 Mort Walker, Historian Cullen Murphy 155 Review/Art: Cartoon Masters—Cartoonists Finally Get Some Respect Kenneth Baker 159 Comics, Community, and the ToonSeum: An Interview with Joe Wos Kim A. Munson 167 EXPANDING VIEWS OF COMIC ART: TOPICS AND DISPLAY 170 Northern Ink: Misfit Lit in Minneapolis Diana Green 175 Our Heroes: African American Artists and Images in the American Comic Book Dwayne McDuffie 178 Deviating from “Art”: Japanese Manga Exhibitions, 1990–2015 Jaqueline Berndt 192 The Glimmering Glow of Comic Art amidst the Blinding Glitter of the United Arab Emirates John A. Lent 202 Hypercomics: The Shape of Comics to Come Paul Gravett 207 Sequential Titillation: Comics Stripped at the Museum of Sex, New York Craig Yoe 211 MASTERS OF HIGH AND LOW: EXHIBITIONS IN DIALOGUE 215 Comic Connoisseurs David Deitcher 220 Comics as Art Criticism: The Cartoons of Jonah Kinigstein Karen Green and Kim A.
Eric J. García

Eric J. García EDUCATION 2009 The School of the Art Institute of Chicago, MFA Painting & Drawing 2006 University of New Mexico, Albuquerque, NM. BFA, Summa Cum Laude Major: Art Studio-Painting Emphasis, Minor: Chicano Studies AWARDS 2020 McKnight Fellow for Visual Artist Sponsored by the Minneapolis College of Art and Design and on behalf of the McKnight Foundation, MN 2018 Best of Show Representing the West exhibition, Sangre de Cristo Art Center, CO 2015 South Bend Heritage Foundation Art and Social Justice Award, Colfax Campus Gallery, South Bend, IN 2014 Vermont Marshall Frankel Fellowship: Fully funded month-long residency for SAIC Alumni at the Vermont Studio Center 2012 South Bend Heritage Foundation Art and Social Justice Award, Colfax Campus Gallery. South Bend, IN 2008 Jacob Javits Fellowship RESIDENCIES 2019 Red Lodge Clay Center in conjunction with the Veteran Art Movement. Redlodge, MT 2018 Haystack Mountain School of Craft Frontline Arts, Vet Art Week. Deer Island, ME 2015 Jackman Goldwasser Residency at the Hyde Park Art Center. Sponsored by the Joyce Foundation. Chicago, IL 2014 Vermont Studio Center Vermont Marshall Frankel Fellowship. Johnson, VT 2013 Kohler Center for the Arts Arts/Industry Program. Kohler, WI SOLO EXHIBITIONS 2019 DePaul Art Museum The Bald Eagle’s Toupee, Chicago, IL 2018 Arts + Literature Lab Cutting Down the Cottonwood, Madison WI 2017 University of Arkansas Anne Katrell Gallery Drawings from the Phantom Limb, AK 2016 National
El Cómic Y Su Valor Como Arte

UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE BELLAS ARTES TESIS DOCTORAL El cómic y su valor como arte MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Sergio Ballester Redondo Director Manuel Álvarez Junco Madrid, 2018 © Sergio Ballester Redondo, 2017 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE BELLAS ARTES TESIS DOCTORAL EL CÓMIC Y SU VALOR COMO ARTE MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Sergio Ballester Redondo BAJO LA DIRECCIÓN DEL DOCTOR Manuel Álvarez Junco Madrid, 2017 Sergio Ballester Redondo, 2017 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE BELLAS ARTES TESIS DOCTORAL: EL CÓMIC Y SU VALOR COMO ARTE DOCTORANDO: SERGIO BALLESTER REDONDO DIRECCIÓN DEL DOCTOR: MANUEL ÁLVAREZ JUNCO MADRID, 2017 A mi madre, porque empezamos leyendo cómics juntos y todavía lo seguimos haciendo. ÍNDICE RESUMEN............................................................................................................................ 12 ABSTRACT.......................................................................................................................... 14 1. INTRODUCCIÓN ..................................................................................................... 17 1.1 MOTIVACIÓN .................................................................................................. 20 1.1.1 De lector a dibujante .............................................................................. 20 1.1.2 De dibujante a profesional ..................................................................... 22 1.2 HIPÓTESIS .......................................................................................................