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Pt.BI ISHTAR ~IKAIBKRS
ASCAP "S 2006 DART CLADI Pt.BI ISHTAR ~IKAIBKRS WiD AFFILIATED FOREIG& SOCIETIKS 3 OLC&IE I OF III P U B L I S H E R .357 PUBLISHING (A) S1DE UP MUSIC $$ FAR BEYOND ENTERTAINMENT $3.34 CHANGE OF THE BEAST ? DAT I SMELL MUS1C 'NANA PUDDIN PUBL1SHING A & N MUSIC CORP A & R MUSIC CO A A B A C A B PUBLISH1NG A A KLYC 4 A A P PUBLISHING A AL1KE PUBLiSHING A ALIKES MUSIC PUBLISHING A AND F DOGZ MUSIC A AND G NEALS PUBLiSHER A AND L MUS1C A AND S MUSICAL WORKS AB& LMUSIC A B A D MUZIC PUBLISHING A B ARPEGGIO MUSIC ABCG I ABCGMUSIC A B GREER PUBLISH1NG A B REAL MUSIC PUBLISHING A B U MUSIC A B WILLIS MUS1C A BAGLEY SONG COMPANY A BALLISTIC MUSIC A BETTER HISTORY PUBLISH1NG A BETTER PUBL1SHING COMPANY A BETTER TOMORROM A BIG ATT1TUDE INC A BIG F-YOU TO THE RHYTHM A BILL DOUGLAS MUSIC A BIRD AND A BEAR PUBLISHING A BLACK CLAN 1NC A BLONDE THING PUBLISHING A BOCK PUBLISHING A BOMBINATION MUSIC A BOY AND HIS DOG A BOY NAMED HO A BRICK CALLED ALCOHOL MUSIC A BROOKLYN PROJECT A BROS A BUBBA RAMEY MUSIC A BURNABLE PUBLISHING COMPANY A C DYENASTY ENT A CARPENTER'S SON A CAT NAMED TUNA PUBLISHING A CHUNKA MUSIC A CIRCLE OF FIFTHS MUSIC A CLAIRE MlKE MUSIC A CORDIS MUSIC A CREATI VE CHYLD ' PUB L I SHING A CREATIVE RHYTHM A CROM FLIES MUSIC INC A .CURSIVE MEMDR1ZZLE A D D RECORDiNGS A D G MUSICAL PUBLISHING INC A D HEALTHFUL LIFESTYLES A D SIMPSON OWN A D SMITH PUBLISHING P U B L I S H E R A D TERROBLE ENT1RETY A D TUTUNARU PUBLISHING A DAISY IN A JELLYGLASS A DAY XN DECEMBER A DAY XN PARIS MUSIC A DAY W1TH KAELEY CLAIRE A DELTA PACIFIC PRODUCTION A DENO -
February 7, 1991
OPINION 181 SPORTS James Madison Itaveisiy THURSDAY FEBRUARY 7,1991 VOL 68. NO. 36 Opposing sides gearing up for ground battles UPDATE Mfce Consedine & Roger Friedman ,^_l stqffwriters A major U.S.-led ground offensive into Kuwait and Iraq may soon begin. Both the military and political machines are gearing up for the prospect of a ground offensive in the near future. On Tuesday, President Bush said he was sending Defense Secretary Dick Cheney and Gen. Colin Powell, chairman of the Joint Chiefs of Staff, to the Persian Gulf to assess whether a ground offensive is AMY MARTWEZ/THE BREEZE needed. Junior Steve Schein sets up a mock calf to demonstrate how veal is produced while junior Bush, in a press conference Tuesday said, "I'm not Dale Smith sports a "Boycott Veal" shirt as part of a demonstration against veal Tuesday saying it wouldn't be a difficult decision, but I am afternoon on the commons. A petition against the serving of veal at D-nall collected 515 saying I am prepared to make it." signatures and will be sent to the SGA. A D-nall spokesman said after the protest that milk- The military also is making preparations to attack fed veal is not served in D-hall, but they will investigate the way their veal is raised. with ground forces, as naval and air power continued to bomb dug-in Iraqi positions. Monday, the U.S. battleship Missouri entered the war with the first firings of its 16-inch-diameter guns Survey, authorities differ at Iraqi positions. -
Media – History
Matej Santi, Elias Berner (eds.) Music – Media – History Music and Sound Culture | Volume 44 Matej Santi studied violin and musicology. He obtained his PhD at the University for Music and Performing Arts in Vienna, focusing on central European history and cultural studies. Since 2017, he has been part of the “Telling Sounds Project” as a postdoctoral researcher, investigating the use of music and discourses about music in the media. Elias Berner studied musicology at the University of Vienna and has been resear- cher (pre-doc) for the “Telling Sounds Project” since 2017. For his PhD project, he investigates identity constructions of perpetrators, victims and bystanders through music in films about National Socialism and the Shoah. Matej Santi, Elias Berner (eds.) Music – Media – History Re-Thinking Musicology in an Age of Digital Media The authors acknowledge the financial support by the Open Access Fund of the mdw – University of Music and Performing Arts Vienna for the digital book pu- blication. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche National- bibliografie; detailed bibliographic data are available in the Internet at http:// dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial-NoDeri- vatives 4.0 (BY-NC-ND) which means that the text may be used for non-commercial pur- poses, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contacting rights@transcript- publishing.com Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder. -
Newspaper $D.Bu — — 6
ApriL Newspaper $d.bU — — 6 Geffen Recordspromotion executive Marko THE DIVINE ONE JANE SAYS.. .GET Babineau has moved over to be general manager for the DIES Sarah Vaughan, one LOST: The former manager DGC label. In turn, Babineau an- of the greatest jazz singers of all of Jane's Addiction, Gary Kur- his promotional time, died of lung cancer last first, is suing the band. He nounced DGC team: Leavitt as Tuesday at the age of 66. "The claims that they fired him in Steve CHR Divine One," as she was aptly violation of a three-year con- promotion director, Hugh Surratt nicknamed, began her career in tract that does not expire until as AOR promotion director, and 1942, after winning an amateur August, 1991. Kurfirst alleges Mark Kates as alternative promo- contest at New York's Apollo at the time of the filing date tion director. DGC has also an- Theatre. For nearly 50 years, (January 25), lead singer Perry nounced thirteen regional her remarkable instrument Farrell was enrolled in a Bever- promotion managers: Mark which, amazingly, seemed to ly Hills drug rehab center, and Burger / Dallas, Lorren Cor- improve with age—has been lead guitarist Dave Navaro was nelius / St. Louis, Jim Gallis / heard on thousands of record- in a methadone program. He Midwest, Ed Green /Philadel- ings and in thousands of con- feels that the band members' phia, Angela Jones / Nashville, cert halls and jazz clubs. With alleged drug problems resulted Alek Maye/Cleveland, Sue O’- Billie Holiday and Ella in clouded judgement, result- Connell/New England, Zak Phil- Fitzgerald, she represented one ing in his dismissal. -
Diplomarbeit / Diploma Thesis
DIPLOMARBEIT / DIPLOMA THESIS Titel der Diplomarbeit / Title of the Diploma Thesis “Femininity and the Patriarchy in Glam Metal” verfasst von / submitted by Nikolaus Keiblinger angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magister der Philosophie (Mag. phil.) Wien, 2020 / Vienna, 2020 Studienkennzahl lt. Studienblatt / UA 190 344 299 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Lehramtsstudium UF Englisch UF degree programme as it appears on Psychologie und Philosophie the student record sheet: Betreut von / Supervisor: Univ.-Prof. Dr. Sylvia Mieszkowski, MA Declaration of Authenticity I hereby declare that that I have conceived and written this diploma thesis all by myself and in my own words. Any quotations and ideas borrowed from other authors, as well as passages paraphrased from the work of other scholars are clearly indicated as such and acknowledged in the bibliographical references. I am conscious that the incorporation of any material without acknowledgment constitutes plagiarism. Vienna, 29. Febuary 2020 __________________________________ Acknowledgments First of all, I would like to thank Univ.-Prof. Dr. Sylvia Mieszkowski for being my supervisor, specifically for taking the extra time and effort in these stressful times to help me and my fellow colleagues take the final steps towards graduation. Moreover, I want to thank my loving family, my parents Anneliese and Peter, who never doubted my abilities and kept pushing me to believe in myself when I had lost all hopes and faith. My sister, who is always there for me to lend me her ear and who always supports me whatever the circumstances may be. -
Billboard. Hot Black Singles SALES &AIRPLAY
FOR WEEK ENDING MAY 12, 1990 BLACK Billboard. Hot Black Singles SALES &AIRPLAY A ranking of the top 40 black singles by sales and airplay, respectively, with reference to each title's composite position on the main Hot Black Singles chart. § SALES Y AIRPLAY w w TITLE ARTIST g TITLE ARTIST '' 1 1 POISON BELL BIV DEVOE 1 1 1 POISON BELL BIV DEVOE 1 2 5 SHOW ME HOWARD HEWETT 2 2 2 SHOW ME HOWARD HEWETT 2 3 4 RUB YOU THE RIGHT WAY JOHNNY GILL 3 3 4 RUB YOU THE RIGHT WAY JOHNNY GILL 3 4 3 ALL OVER YOU FREDDIE JACKSON 4 4 5 ALL OVER YOU FREDDIE JACKSON 4 5 7 HOLD ON EN VOGUE 5 5 8 HOLD ON EN VOGUE 5 6 9 GET A LIFE SOUL II SOUL 6 6 9 ALRIGHT JANET JACKSON 7 7 2 THE HUMPTY DANCE DIGITAL UNDERGROUND 12 7 11 GET A UFE SOUL II SOUL 6 8 10 GIRLS NITE OUT TYLER COLLINS 8 8 7 GIRLS NITE OUT TYLER COLLINS 8 9 13 ALRIGHT JANET JACKSON 7 9 16 TOMORROW (A BETTER YOU, BETTER ME) QUINCY JONES 13 Greater Impact. Conventioneers crowd together after a popular seminar panel 10 11 ALWAYS AND FOREVER WHISTLE 9 10 15 DO YOU REMEMBER BY ALL MEANS 20 at the Impact Super Summit Conference IV, held April 5 -7 in Atlantic City, N.J. 11 12 NO MORE TEARS ANGELA WINBUSH 21 11 17 WHY YOU GET FUNKY ON ME TODAY 16 Shown, from left, are Wayman Jones, VP promotion, Mercury Records; Jack U READY OR NOT AFTER 7 14 12 19 THE BLUES TONY! TONI! TONE! 11 Isley Winbush; 13 14 LOVE IS LIKE AN ITCHING IN MY HEART THE GOOD GIRLS 10 13 10 LOVE IS LIKE AN ITCHING IN MY HEART THE GOOD GIRLS 10 "The Rapper" Gibson; artist /producers Ronald and Angela Jules 14 21 911 IS A JOKE PUBLIC ENEMY 23 14 14 FOOTSTEPS IN THE DARK BODY 17 Malamud, Super Summit conference coordinator; and artist Walter Beasley. -
Dance Music 1990.Qxd
THE TOP DANCE SONGS OF 1990 1. VOGUE - Madonna (Sire) 51. ROMEO - Dino (Island) 2. EVERYBODY EVERYBODY - Black Box (RCA) 52. MENTIROSA/WELCOME TO MY GROOVE - Mellow Man Ace (Capitol) 3. WIGGLE IT - 2 In A Room (Cutting) 53. THAT'S THE WAY OF THE WORLD - D. Mob (FFRR/Polydor) 4. DIRTY CASH/JEALOUSY - The Adventures Of Stevie V (Mercury) 54. DANGEROUS - Roxette (EMI) 5. U CAN'T TOUCH THIS - M.C. Hammer (Capitol) 55. YOU'LL NEVER STOP ME FROM LOVING YOU - Sonia (Chrysalis) 6. THE POWER - Snap (Arista) 56. BOUNCE BACK/WRONG NUMBER - Alisha (MCA) 7. GONNA MAKE YOU SWEAT (EVERYBODY DANCE NOW) - C&C Music Factory (Columbia) 57. THIEF OF HEARTS - Cynthia (MicMac) 8. ALL AROUND THE WORLD - Lisa Stansfield (Arista) 58. MAKE YOU SWEAT - Keith Sweat (Elektra) 9. ICE ICE BABY - Vanilla Ice (SBK) 59. BELIEVE THE HYPE/OOOPS UP - Snap (Arista) 10. GROOVE IS IN THE HEART/WHAT IS LOVE - Deee-Lite (Elektra) 60. SPIN THAT WHEEL - Hi Tek 3 Featuring Ya Kid K (SBK) 11. THE LOVER WHO ROCKS YOU (ALL NIGHT) - India (Warner Bros.) 61. GET DUMB (FREE YOUR BODY) - The Crew (Vendetta/A&M) 12. STOMP (MOVE JUMP JACK YOUR BODY) - Kyze (Warner Bros.) 62. IF YOU KEEP IT UP - Liz Torres (Jive/RCA) 13. C'MON AND GET MY LOVE - D. Mob (FFRR/Polydor) 63. TOUCH ME/DON'T YOU LOVE ME - 49ers (4th & B'way) 14. GET UP (BEFORE THE NIGHT IS OVER) - Technotronic (SBK) 64. SWEAT - Jay Williams (Big Beat) 15. ENJOY THE SILENCE/POLICY OF TRUTH - Depeche Mode (Sire) 65. -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Touch and Go…Magazine (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Sex Master…Squeeze (7/78) Surrender…Cheap Trick (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) I Wanna Be Sedated (megamix)…The Ramones (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) I See Red…Split Enz (12/78) Roxanne…The -
WLIR Playlist
I believe this complete list of WLIR/WDRE songs originally appeared on this site, but the full playlist is no longer available. https://wlir.fm/ It now only has the list of “Screamers and Shrieks” of the week—these were songs voted on by listeners as the best new song of the week. I’ve included the chronological list of Screamers and Shrieks after the full alphabetical playlist by artist. 10,000 Maniacs Candy Everybody Wants 10,000 Maniacs Can't Ignore The Train 10,000 Maniacs Eat For Two 10,000 Maniacs Headstrong 10,000 Maniacs Hey Jack Kerouac 10,000 Maniacs Like The Weather (Non-Live version) 10,000 Maniacs Like The Weather (Live) 10,000 Maniacs Peace Train 10,000 Maniacs These Are Days 10,000 Maniacs Trouble Me 10,000 Maniacs What's The Matter Here 10,000 Maniacs Because The Night 12 Drummers Drumming We'll Be The First Ones 2 NU This Is Ponderous 3D Nearer 4 Of Us Drag My Bad Name Down 9 Ways To Win Close To You 999 High Energy Plan 999 Homicide A Bigger Splash I Don’t Believe A Word (Innocent Bystanders) A Certain Ratio Life's A Scream A Flock Of Seagulls Heartbeat Like A Drum A Flock Of Seagulls I Ran A Flock Of Seagulls It's Not Me Talking A Flock Of Seagulls Living In Heaven A Flock Of Seagulls Never Again (The Dancer) A Flock Of Seagulls Nightmares A Flock Of Seagulls Space Age Love Song A Flock Of Seagulls Telecommunication A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls What Am I Supposed To Do A Flock Of Seagulls Who's That Girl A Flock Of Seagulls Wishing A Popular History Of Signs The Ladderjack -
Salmons PJ D 2021.Pdf (1.465Mb)
Hip Hop, Bluegrass, Banjos, and Solidarity: Race and Class Histories in Appalachia U.S.A Patrick J. Salmons Dissertation submitted to the Faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philsophy in A.S.P.E.C.T Sylvester Johnson, Chair Francois Debrix Bikrum Gill Zhange Ni 05/05/2021 Blacksburg, Virginia Keywords: Race, class, hip hop, bluegrass, Appalachia, solidarity, banjo, segregation, institutional racism, social movements Copyright 2021, Patrick J. Salmons HIP HOP, BLUEGRASS, BANJOS, AND SOLIDARITY: RACE AND CLASS HISTORIES IN APPALACHIA U.S.A Patrick Salmons ABSTRACT This dissertation examines the historical race and class tensions across the United States, and particularly focuses on Appalachia as a potential place of resistance against racial and class injustice. Arguing for a thick cross-racial solidarity movement, I examine the history of Black oppression from slavery to current modes of oppression such as mass incarceration and colorblind constitutionalism. The presence of anti-Black racism and under acknowledgement of whiteness hinders any form of cross-racial solidarity. To combat this, I ask, are the genres of hip hop, bluegrass, and country able to provide a reckoning of the continual racial oppression of Black people and an acknowledgement of whiteness, in Appalachia and the U.S.? I examine the historical progression of bluegrass and country, and hip hop, through the history of the banjo and music industry. The banjo, an African instrument, links Appalachia with histories of both Black expression and racial oppression. From here, I argue that the history of the music industry provides a further understanding of racial injustice that is parallel to the instances of institutional racial injustice in the U.S. -
Scooter Encore Live and Direct Album Download Success of Scooter Albums
scooter encore live and direct album download Success of Scooter Albums. PUSH THE BEAT BEAT FOR THIS JAM UK - Gold Germany - Gold Norway - Gold Sweden - Gold Hungary - Platinum Czech Republic - Gold Germany - 63 of 2002 Sweden - 99 of 2002 Germany - 5 Norway - 1 UK Indie - 1 Sweden - 2 UK - 6 Ireland - 6 Czech Republic - 7 UK Dance - 7 Estonia > 10 Austria - 10 Hungary - 10 France Compilation - 22 Finland - 29 Australia - 39 Switzerland - 42 Denmark - 55. Flexor european albums - 14. ENCORE: THE WHOLE STORY DVD Germany - Gold Germany - 1. THE STADIUM TECHNO EXPERIEN � E Czech Republic - Platinum Germany - Gold Sweden - Gold Norway - Gold Romania - Gold Hungary - Gold UK - Silver Portugal - Silver Germany - 69 of 2003 Germany - 7 Norway - 3 Hungary - 3 Sweden - 4 Czech Republic - 4 UK Indie - 4 Portugal - 5 Finland - 12 Austria - 14 UK Dance - 14 Slovenia - 17 UK - 18 NL - 28 Ireland - 30 Switzerland - 35 Estonia - 38. MIND THE GAP Germany - Gold Czech Republic - Gold Hungary - Gold Germany - 16 Hungary - 18 Austria - 34 Czech republic - 36 Sweden - 44 Switzerland - 67 NL - 83. JUMPING ALL OVER THE WORLD Germany - Gold UK - Platinum Europe (IMPALA) - Platinum Germany - 33 of 2008 UK - 43 of 2008 Germany - 9 UK - 1 Ireland - 3 Billboard European Albums - 5 Austria - 1 8 Czech republic - 29 Switzerland - 6 5. Scooter - Encore Live and Direct (2002) [FLAC] Artist : Scooter Album : Encore Live And Direct Label : Sheffield Tunes Genre : Techno Bitrate : 1020kbps avg Source : CD Playtime : 01:15:45 (579.MB) Rls date : 2012-04-10 Store date : 2002-00-00 Encoder : FLAC1.2.1 Cat.No : 0139462 STU. -
Lisa Stansfield. Biography 2018
LISA STANSFIELD. BIOGRAPHY 2018 Lisa Stansfield has done as much as anyone to establish Britain as a credible home of disco and house, soul and R&B, a viable alternative to the United States. Really, considering the last three decades of those genres, this nation’s saving soul graces have been Lisa and Sade, and anyone operating in those realms today owes them a debt of gratitude. “Sade is unbelievable,” she says. “She certainly had an influence on me and the way I saw myself. She was unusual, and so was I. Nobody could find a place to put me. I wasn’t the typical soul artist. Certainly not the typical English soul artist.” Lisa recognises the sublime music made in the name of disco but acknowledges that satin and spandex were never her thing. “Seventies disco was amazing, but I thought, I don’t want to look like that,” she recalls of her upbringing in Rochdale, which eschewed glitz for northern grit. “It was tacky.” There was an American dance group who did point the way forward: disco gods Chic and their 1979 album Risque, whose sleeve had a stylish, sepia sheen, one that Chic’s Nile Rodgers and Bernard Edwards themselves modelled on Roxy Music. “It was very disco, but also very deco,” she notes, recalling how she explained the appeal of the Risque artwork to her then-collaborators, Andy Morris and Ian Devaney (the latter still her musical partner - and husband). “I said, ‘this is what we should be: not all spangly, but playing it quite cool.’ The idea was to have a sort of English reserve, but scratch the surface and there would be more underneath.