Encuentran Sus Êraicesë

Total Page:16

File Type:pdf, Size:1020Kb

Encuentran Sus Êraicesë eSTELAR ;fd`e^f/[\FZklYi\[\)''- EXPRESO 7D 8CI<;<;FI;<D@CF:?F:@<EK8JG<IJFE8J8J@JK@<IFE 8I@<J)([\dXiqf$)'[\XYi`c <c[`e\ifhl\_Xj^XeX[fZfe 8MI@C kXekf\j]l\iqf[\Y\gfe\ij\X gif[lZ`i%<e\jkfj[Xjj\k\gi\j\ekXi} C8M@E>< leXfgfikle`[X[gXiX_XZ\icfZi\Z\ip CXZXekXek\eXZ`le). <E:L<EKI8E gifjg\iXi%@e]idXk\X[\ZlX[Xd\ek\% [\j\gk`\dYi\YXaf \cj`^efc`YiX% K8LIF)([\XYi`c$)'[\dXpf % K\gifgfe[i}elee\^fZ`f# g\ifXj\^iXk\hl\j\XZ`\ikf% M\[`i\ZkXd\ek\Xc^iXef%EfZi\Xj gifd\jXj[\hl`\e\jk\[`Z\ehl\mXjX JLJÊI8@:<JË ^XeXidlZ_f[`e\if#j`egil\YXj% CXYXe[XJ\glckliXj\ >yD@E@J)([\dXpf$)([\ gi\j\ekcXefZ_\[\c ale`f % LeXXm\ekliX[\cgXjX[f m`\ie\j\e?\idfj`ccf mfcm\i}Xj\iefk`Z`X%K\XjfdYiXi}j[\ )(:8E:@FE<JKF:8IFE cfj\eZl\ekifjhl\jli^\e`e\jg\iX[X$ GfiGi`jZ`cX:}i[\eXj Antonia y Ángel pronto cum- d\ek\p[\cX]fidX]fikl`kX\ehl\j\ plirán cuatro meses de novios. [\j\eml\cm\klm`[XXdfifjXpjfZ`Xc% AmbosestudianenelCOBACH, los dos tienen los ojos claros y :ÝE:<I))[\ale`f$))[\ coinciden también en su gusto alc`f % porelgrupoSepultura,cosaque ;liXek\\c[XXZkXZfegil$ ÝI<8J;@=<I<EK<J;@M@;@<IFE<CCL>8I* los llevó desde el día anterior al [\eZ`Xpef`dglcj`mXd\ek\%K\\jg\iX aeropuerto, a donde fueron, con leXefZ_\`ek\ejXhl\XZ\eklXi}kl todoypatinetas,enbuscadeun ZXi`jdX%GXiXi\Õ\o`feXi1ÈCfhl\g\ik\$ autógrafo. Pero no fue sino has- JFEIF:B e\Z\Xkf[fj#efg\ik\e\Z\XeX[`\% ta el día siguiente por la noche Z 8e[i\XjB`jj\i donde vieron realizado un gran Z ;\ii`Zb>i\\e J8>@K8I@F))[\efm`\dYi\$ deseo, que fue el de ver en vivo Z GXlcfAi% C<F)*[\alc`f$))[\X^fjkf % )([\[`Z`\dYi\ % <cildYfXdfifjfhl\j\ J\XZ\iZXeg\i`f[fj[\Zi\Z`$ asugrupofavorito. Z A\Xe;fcXY\ccX La joven pareja logró ver a la gi\j\ekXX_fiX]i\ek\Xk`# d`\ekf\Zfed`Zf\eklm`[X%I\Z`Y`i}j bandadesdeprimerafilayafir- K<D8J@EK<IGI<K8;FJ Zfeki`Yl`i}Xhl\jlg\i\j]\c`qd\ek\cfj mXi`Xjf]\ikXj#gifgfj`Z`fe\j\`em`kXZ`f$ \iifi\jgXjX[fj%;X\cgXjfj`ek\dfi%K\ e\j%8ZgkXcXj%8ld\ekXi}eklji\Zlijfj maron que desde hace muchos Z (%;Xibnff[ añosesperabanesteconcierto, cc\mXi}[`i\Zkf_XZ`XcX[`Z_X% ÔeXeZ`\ifj%EfdXc^Xjk\j\c[`e\if Z )%I\]lj\&i\j`jk fYk\e`[f%@em`ik\cfZfegil[\eZ`X% que sin duda alguna superó to- Z *%:fem`Zk\[ das sus expectativas. Z +%=Xcj\ M@I>F)*[\X^fjkf$)([\ Lasnueveycuartodelano- Z ,%[%%\%%Z j\gk`\dYi\ % :8GI@:FIE@F))[\ che fue la hora en que dio inicio Z -%Fjk`X :fecX`eÕl\eZ`XcleXiXZklXc [`Z`\dYi\$)([\\e\if % el evento, donde la oscuridad Z .%:ifneXe[d`kk\i jli^`i}leX]l\ik\\ekiX[X[\\e\i^X CX`eÕl\eZ`X[\cfjXjkifj del lugar se vió acompañada Z /%9`fk\Z_`j>f[q`ccX \eklj`^ef%8gifmZ_XcXgfj`k`mXd\ek\% XkiX\i}\cXdfiXklcX[f%Jfigi\jXj porelhumoenelescenario Z 0%:_fb\ I\Xc`qX\a\iZ`Z`fj]j`Zfj%8jm\eZ\i}j\c \e\cXqXi%Gi\jkXdlZ_XXk\eZ`eXcXj yconellolallegadade“After Z ('%Jg`k X^fkXd`\ekfp_Xi}j]\c`qXklgXi\aX% j\Xc\jhl\k\cc\^Xe\ekljjl\fj# Forever”, banda liderada por Z ((%9li`\[nfi[j `ekl`Z`fe\jpZfiXqfeX[Xj%=leZ`feXi}e% una mujer encargada de abrir Z ()%Kiffgjf][ffd C@9I8))[\j\gk`\dYi\$))[\ el evento. Cl`j>lk`ii\q&<OGI<JF Z (*%J\glceXk`fe fZklYi\ % ))[\\e\if$(0[\ La tradicional luz del encen- J\glckliX[\adlpYl\ejXYfi[\YfZX\eki\cfjXj`jk\ek\j% 8:L8I@F Z (+%9\e\Xk_k_\i\dX`ej ]\Yi\if % dedor fue suplida por el brillo CXXe^ljk`Xhl\k`\e\j#pcX`eZ\ik`[ld$ Z (,%9i\\[XgXik Yi\hl\jli^\]i\ek\Xle\eZl\ekif :l`[X[fZfeXhl\ccXjg\ijfeXjXhl`\e\j de los celulares, que alzados en Fue “Dark wood” la prime- del vocalista mientras hacia Z (-%JcXm\e\nnfic[ j\ek`d\ekXcdXek`\e\eklj`jk\dX ZfefZ`jk\i\Z`\ek\d\ek\%Gl\[\eZXl$ manos de las personas, decora- ra canción interpretada con la girarsulargacabelleraderas- Z (.%K\ii`kfip e\im`fjfXck\iX[f%Gfek\\edfm`d`\ekf# jXik\j\i`fj\`ii\m\ij`Yc\j[fcfi\j[\ZX$ ron el ambiente entre asistentes que rápidamente el vocalista trasalentonarcancionescomo Z (/%8i`j\ Xjk\i\cXaXi}j% Y\qX%EfZfd\kXj\c\iifi[\g\ejXihl\ con camisetas de bandas como Derrick Green puso a brincar “Spit”, “Buried words” y “Breed Z (0%E\ZifdXeZ\i kf[fj\ek`\e[\eY`\eklj`ek\eZ`fe\j% Pantera, Misfits y The Beatles. ycantaralpúblico;porsupar- apart” siendo “Territory” una Z )'%:fd\YXZbXc`m\ teAndreasKisser,guitarrista las más cantadas. Z )(%Iffkj <J:FIG@äE)*[\fZklYi\$ <cdfd\ekfd}j\jg\iX[f de la agrupación, aprovechó Definitivamente“Roots”fue )([\efm`\dYi\ % G@J:@J)'[\]\Yi\if$)'[\dXiqf % Unalluviadepequeñospapeles parapracticarsuespañoly eltemaquesellevólanoche de C8DÝJ:8EK8;81 Kl`ekl`Z`ek\gfe[i}\e\c <j`dgfikXek\hl\k\d`[Xj# dorados y plateados anunciaba dirigirse a las personas que un concierto tan esperado don- Z K\ii`kfip ZXd`efZfii\Zkf%JXZXi}jX[\cXek\klj \jg\Z`Xcd\ek\_fp#XcX_fiX que se acercaba lo mejor,y a las con gritos y señas le hicieron de varias generaciones se die- gifp\Zkfj\e\ckiXYXaf#g\ifleZfd$ [\j\XcXiXc^eXjg\ZkfZik`ZfXfkiX 11:20laesperaseviorecom- saber su gran emoción. roncitaparaconvivir,bailar, C8DÝJ<JG<I8;81 gX\ifdlpZfeÕ`Zk`mf\jkXi}Zi\Xe[f g\ijfeXf\ogfe\ikljglekfj[\m`jkX gifYc\dXj%<mkXcfjXkf[XZfjkX% Xek\leXi\le`ecXYfiXc%JZXlkf% penzada con de la banda de la Unas gotas de sudor comen- cantar y disfrutar al máximo Z Iffkj noche: Sepultura zaron a resbalar por el rostro de un gran evento. ANTES Y DESPUÉS GF9I<8E><C@KF GifYXYc\d\ek\kf[fdle[f i\Zl\i[XXDXZXlcXp:lcb`eZfdf\c 8EK<J e`f[\cXg\cZlcXÈ?fd\Xcfe\ÉD` gfYi\Xe^\c`kf Ôcd\hl\]l\dlp kXhl`cc\if_XZ\Xc^lefjXfj% Cfhl\gfZfjjXY\e\jhl\\jk\XZkfi k`\e\pX)-Xfjpj`^l\YljZXe[f kile]Xi[\el\mf\ecXgXekXccX ^iXe[\#\jg\i\dfjhl\c\mXpXY`\e% :fik\jXKM8qk\ZX&<OGI<JF ;<JGLyJ <cgYc`Zf[\?\idfj`ccf\jklmfdlp[\XZl\i[fZfecX\ekiX[X[\DXiY\ccX% 8gfpXei\^i\jf[\DXiY\ccX GFJGFE<E CFL>I8DD <cZfeZ`\ikf[\Cfl Lei\^i\jfki`le]Xc >iXddhl\j\\]\ZklXiX Gfi>\iXi[f<jZXi\f cXefZ_\[\Xp\i\e\c<ogf HERMOSILLO.-Marbella no :8E:@FE<JG8I8 lo puede creer está de nuevo en =ild#]l\gfjgl\jkf La Academia V y con ello el reto <JK<;FD@E>F1 _XjkXel\mfXm`jf# esmásgrande,debidoaquelos Z PXqde1ÈDlm\cfÉ#[\=\p maestros le han recalcado mu- Z DXiY\ccX1ÈD`gifYc\dXÉ# [\Y`[fXhl\\cZXekXek\ chosuregreso.Eldíadehoyin- [\DXi`j\cX j\\eZl\ekiX[\c`ZX[f terpretará un tema de Marisela, Z :fc\kk\1È=l\legcXZ\iZfefZ\i$ “Miproblema”conelquetendrá k\É#[\IfZf;liZXc [\jXcl[%CX^\ek\hl\ quedemostraralpúblicoyalos Z @jXY\c1ÈJfcXÉ#[\De`ZXEXiXeaf XcZXeqXZfdgiXiYfc\kf críticos el porqué está de nuevo Z M`eZ\1È9lc\iXÉ#[\;Xm`[9`jYXc en el reality musical. Ante su Z Alc`f1ÈM`m`\e[f[\gi`jXÉ#[\ j\c\i\jg\kXi}jl\ekiX[X regreso inesperado el público 8c\aXe[ifJXeq Z Ef1È<cXd`^fhl\j\]l\É#[\ gXiXcXel\mX]\Z_X% 8iZ_`mf&<OGI<JF opinó en un sondeo realizado por EXPRESO-CONSULTA, @ekfZXYc\ que está muy de acuerdo con la Z I\eXkX1È;XiXÉ#[\CXhl`ekX LAS OCHO entradadelaacadémica,mos- \jkXZ`e trando así el apoyo que Her- Z JXdl\c1È9`c`iilY`eXÉ#[\AlXe Cl`j>l\iiX mosillo tiene hacia la alumna ¶<jk}[\XZl\i[fhl\mfcm`\iXDXiY\ccX Z J\YXjk`}e1ÈD`m`\afÉ#[\M`Z\ek\ 8ik`jkXjhl\ZXekXeZXeZ`fe\j[\cfj9\Xkc\j Marbella. XcX8ZX[\d`X6 Jà Estanochelosretosestarán =\ie}e[\q alaordendeldíayaqueYaz- (Cfj=XYlcfjfj:X[`ccXZj#JkiXnY\iip ,A`d:Xii\p#@Xdk_\nXcilj% mín Valencia bailará y cantará /, Ô\c[j]fi\m\i% <[[`\M\[[\i#PflËm\^fkkf_`[\ eltema“Muévelo”deFey,loque Lgj -pflicfm\XnXp% representa una prueba difícil CXdla\i\jk}c\p\e[flec`Yif )E`imXeX#Kn`jkXe[j_flk% para la sonorense por no consi- pc\[`Z\XcdXi`[f1 .K_\M`e\j#@Ëdfecpjc\\g`e^% derarsemuybuenaenelbaile. $·Hl[\jZXif *=`feX8ggc\#8Zifjjk_\le`m\ij\% Asimismo los alumnos recibi- ¶Hl`\i\jZi\\i8cY\ikf#hl\lekXcGXYcf /Jkfe\K\dgc\G`cfkj#I\mfclk`fe% ránlavisitadelcantanteFranco EF E\il[X_XglYc`ZX[flec`Yif +:\c`X:ilq#FYcX[`FYcX[X% de Vita con quien interpretarán Zfg`Xe[fcXjgf\jXjhl\d\\jZi`Y`jk\ varios temas a dueto. (, ZlXe[fiXdfjefm`fj6.
Recommended publications
  • Metal Híbrido Desde Brasil
    Image not found or type unknown www.juventudrebelde.cu Metal híbrido desde Brasil Publicado: Jueves 11 octubre 2007 | 12:00:08 am. Publicado por: Juventud Rebelde La ciudad de Belo CubiertaImage not found del or CD:type unknown Dante XXI de la agrupación brasileña Sepultura. Horizonte, ubicada en el estado brasileño de Minas Gerais, fue el sitio que vio nacer, a inicios de los 80 del pasado siglo, a la banda de rock de nuestro continente que más impacto ha registrado a escala universal: el grupo Sepultura. Integrada en un primer momento por los hermanos Cavalera, Max (guitarra y voz), e Igor (batería), junto al bajista Paulo Jr., y Jairo Guedez en una segunda guitarra, la agrupación conserva total vigencia a más de 20 años de fundarse. Las principales influencias que el cuarteto reconoce en sus comienzos, provienen de gentes como Slayer, Sadus, Motörhead y Sacred Reich, quienes les ayudan a conformar un típico sonido de thrash metal. En 1985, a través del sello Cogumelo Produçoes, editan en Brasil su primer trabajo fonográfico, Bestial devastation, un disco publicado en forma de split (como se conoce a un álbum compartido con otra banda), en compañía de los también brasileños de Overdose. El éxito del material sorprende a muchos y así, Cogumelo Produçoes se asocia a Road Runner Records, para sacar al mercado, en 1986, el primer LP íntegro con música de Sepultura, Morbid visions, valorado al paso del tiempo como un clásico del universo metalero, gracias a cortes como War, Crucifixion y, en especial, Troops of doom, tema que pasó a ser una suerte de himno para la banda.
    [Show full text]
  • Heavy Metal and Classical Literature
    Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal).
    [Show full text]
  • Sepultura Revolusongs Mp3, Flac, Wma
    Sepultura Revolusongs mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Revolusongs Country: Thailand Released: 2002 Style: Thrash MP3 version RAR size: 1113 mb FLAC version RAR size: 1722 mb WMA version RAR size: 1734 mb Rating: 4.1 Votes: 780 Other Formats: VOX XM AAC MPC ADX AU FLAC Tracklist Hide Credits Messiah A1 Written-By – Ain*, Warrior* Angel A2 Written-By – Andrew Vowles, Grantley Marshall*, Horace Andy, Robert Del Naja Black Steel In The Hour Of Chaos A3 Co-producer – Dzcutz*, Zegonz P*Programmed By, Scratches – Zé GonzalesVocals [Additional] – Sabotage Written-By – C. Ridenhour*, Eric Sadler, James Boxley, W. Drayton* Mongoloid B1 Written-By – Gerald Casale*, Mark Mothersbaugh Mountain Song B2 Written-By – David Navarro*, Eric Avery, Perry Farrell, Stephen* Bullet The Blue Sky B3 Written-By – Adam Clayton, Dave Evans , Larry Mullen, Paul Hewson Piranha B4 Written-By – Exodus Companies, etc. Licensed From – Fábrica Nacional De Música Phonographic Copyright (p) – FNM Recorded At – Trama Mixed At – Trama Designed At – AKL Studio Mastered At – Westside Music Mastered At – Deko Music Distributed By – BMG Entertainment (Thailand) Limited Manufactured By – BMG Pacific (Thailand) Ltd. Marketed By – BMG Entertainment (Thailand) Limited Credits Bass – Paulo Jr. Cover – Pablo Menna Design [Concept] – Estevam Romera, Igor Cavalera Drums – Igor Cavalera Engineer [Assistant] – Marcos Ferrari, Maurício Felício Engineer, Mixed By – Steve Evetts Guitar – Andreas Kisser Management – Jim Lewis Mastered By – Alan Douches Photography By – Estevam Romera Producer – Sepultura, Steve Evetts Technician [Assistant] – Márcio Ferrari, Ronaldo Frige Vocals – Derrick Green Notes Multi panel fold out sleeve. Housed in a BMG case with a BMG Entertainment (Thailand) Limited., ifpi distribution sticker attached.
    [Show full text]
  • EVHGEAR.COM 2020 CATALOG THIS IS WHAT I USE ‟A Guitar Is a Very Personal Extension of the Person Playing It
    EVHGEAR.COM 2020 CATALOG THIS IS WHAT I USE ‟A Guitar is A very personal extension of the person playing it. You have to be emotionally and spiritually connected Battle-Tested to your instrument.” ® Since its launch in 2007, the EVH brand has had one mission – to take the And nothing gets his approval unless it’s been battle-tested by Eddie where -Eddie Van Halen tools Eddie Van Halen uses to create his groundbreaking guitar work and the rubber meets the road – in front of an arena full of screaming fans. place them unmodified in your hands. “I don’t let anything out unless I’ve taken it on tour.” The guitars are tweaked-out for high-speed playing and the amps are hot-rodded for gloriously saturated tone. Every piece of EVH gear, from Raised onstage, these instruments, amps and accessories are as innovative as the highly-defined speaker cabinets to the unique pickups, picks, strings Eddie’s playing. and straps, are the real deal – designed, perfected and approved by the man himself. “I don’t want to fight with it,” he said, with regard to his equipment. “I want to speak to it and have it deliver my message – and it works “I am involved in every phase because I am not endorsing a product – this with me.” is my company,” he said. The same equipment he’s created and continued to evolve for over four Refining and adjusting components and specs until they’re up to his decades is now available to work with you. Plug in and make your own mark exacting standards, no piece – no matter how large or small – is produced with EVH gear – it’s what he uses.
    [Show full text]
  • SEPULTURA 'Roorback' Album out May 26Th on SPV, Download Festival Slot 31St May, Irish Dates in June, UK Tour July
    SEPULTURA 'Roorback' album out May 26th on SPV, Download Festival slot 31st May, Irish dates in June, UK tour July In the wake of their legendary, totally sold out, heaving 3 London Underworld gigs last month, Sepultura, whose brand new studio album, 'Roorback', is released on SPV on May 26th, have been added to the Download Festival at Castle Donington on May 31st, and will play the Scuzz stage at 7.25pm. On June 1st Sepultura fly to Istanbul for a one-off gig and then return to play the following Irish dates:- 3rd June Derry Nerve Centre (£11) 4th June Belfast Limelight (£13) 5th June Dublin Music Centre (18 Euros) 6th June Dublin Music Centre (18 Euros) Sepultura then tour Sweden, Norway, Denmark, France, Holland, Germany, Czech Republic, Poland, Hungary, Croatia, Austria, Belgium, Switzerland and Spain before returning to the UK for four headline shows. Atreyu have been confirmed as support band, while a special guest act has yet to be announced for the following shows:- 13th July London Astoria (£12.50) 14th July Manchester HDH II (£11) 15th July Glasgow Academy (£11) 16th July Wolverhampton Civic (£11) 'Roorback', packed with a wealth of ideas, inquisitiveness and love of experimentation, was recorded at AR studio in Rio and mixed by producer Steve Evetts at the Mosh Studios in São Paulo, Brazil, at the end of 2002 and the beginning of 2003. A limited edition will be released as a double digipack, with a bonus disc, the 7 track "Revolusongs" EP, containing the following cover versions:- [1] 'Messiah' (Hellhammer), [2] 'Angel' (Massive Attack), [3] 'Black Steel In The Hour Of Chaos' (Public Enemy), [4] 'Mongoloid' (Devo), [5] 'Mountain Song', (Jane's Addiction), [6] 'Bullet The Blue Sky', (U2), [7] 'Piranha', (Exodus), and "Bullet The Blue Sky" as an Enhanced Video Track.
    [Show full text]
  • Sepultura Roots Bloody Roots Mp3, Flac, Wma
    Sepultura Roots Bloody Roots mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Roots Bloody Roots Country: Australia Released: 1996 Style: Thrash, Heavy Metal MP3 version RAR size: 1308 mb FLAC version RAR size: 1175 mb WMA version RAR size: 1563 mb Rating: 4.7 Votes: 135 Other Formats: AC3 VOX ASF AU XM MP4 WMA Tracklist Hide Credits 1 Roots Bloody Roots 3:33 Procreation (Of The Wicked) 2 3:39 Written-By – Martin Ain*, Tom Warrior* 3 Propaganda (Live) 3:37 4 Beneath The Remains / Escape To The Void (Live) 3:33 Companies, etc. Phonographic Copyright (p) – The All Blacks B.V. Copyright (c) – The All Blacks B.V. Licensed To – Roadrunner Records Licensed From – The All Blacks B.V. Published By – Roadblock Music, Inc. Published By – Roadster Music B.V. Published By – EMI Blackwood Published By – Maldoror Musikverlag Manufactured By – Combined Creative Services Made By – PMI Credits Bass – Paulo Jr. Co-producer – Sepultura (tracks: 1, 2) Design, Artwork [B&W Montage] – Twelve Point Rule Drums – Igor Cavalera Guitar – Andreas Kisser Mixed By – Andy Wallace (tracks: 1, 2), Scott Burns (tracks: 3, 4) Photography By [B&w] – Gary Monroe Photography By [Cover And Band] – Michael Grecco Producer – Ross Robinson (tracks: 1, 2), Sepultura (tracks: 3, 4) Recorded By, Engineer – Steven Remote (tracks: 3, 4) Vocals, Guitar – Max Cavalera Written-By – Sepultura (tracks: 1, 3, 4) Notes Clone of the Netherlands issue. Main distinguishing characteristics are the matrix information and digipak manufacturer. Track 2 originally performed by Celtic Frost. Tracks 3, 4 recorded live, March 1994, Minneapolis, US. CD is housed in a digipak DIGIPAK Manufactured under exclusive licence from A.G.I., USA, for Australasia by Combined Creative Services.
    [Show full text]
  • Instrumento Particular De Contrato De
    CONTRATO ADMINISTRATIVO PARA PRESTAÇÃO DE SERVIÇOS ARTÍSTICOS Por este instrumento de contrato de prestação de serviços, de um lado a PREFEITURA DE SANTA CRUZ DO RIO PARDO/SP, inscrita no C.N.P.J/M.F sob o n.º 46.231.890/0001-43, com sede na Praça Deputado Leônidas Camarinha, nº 340, Centro, em Santa Cruz do Rio Pardo, Estado de São Paulo, o Prefeito Sr. Otacílio Parras Assis, neste ato representado pelo Secretário Municipal de Cultura, Sr. Frednes de Oliveira Botelho, doravante denominado CONTRATANTE e de outro lado, a empresa TRIBUS PRODUCOES ARTISTICAS LTDA, inscrita no CNPJ/M.F sob o n.º 05.868.323/0001-15 com sede na Rua Bartolomeu Dias, nº 26, Jardim Textil, na cidade de São Paulo - SP, CEP: 03.413-000 neste ato representada pela Sra. Patricia Perissinotto Kisser, portadora do documento de identidade R.G. nº 14.517.110 expedido pela SSP/SP e inscrita no CPF/MF sob o nº 152.392.668-67, doravante denominada CONTRATADA, firmam o presente contrato, que é regido pela Lei Federal n.º 8.666/93 e suas posteriores alterações, e nos termos da Inexigibilidade n.º 10/2019, mediante as cláusulas e condições seguintes: CLÁUSULA PRIMEIRA 1.1 O presente contrato tem por objeto a contratação de Show da banda Sepultura para o encerramento do tradicional evento Rock Rio Pardo a realizar-se no Recinto de Exposições José Rosso – “EXPOPARDO”, no dia 13 de julho de 2019, com duração aproximada de 1 hora e 30 min (uma hora e trinta minutos).
    [Show full text]
  • 2018-EVH-Catalog.Pdf
    EVHGEAR.COM 2018 CATALOG 2018 MARKS THE 40TH ANNIVERSARY OF THE 1978 RELEASE OF VAN HALEN, A LANDMARK ALBUM THAT FOREVER CHANGED ELECTRIC GUITAR AND ROCK HISTORY. TRAILBLAZER FROM THE INSTANT THE PASADENA QUARTET ASCENDED FROM THE L.A. CLUB SCENE WITH ITS 1978 WARNER BROS. RECORDS DEBUT, EDDIE VAN HALEN BECAME TO MANY THE MOST INFLUENTIAL PARADIGM-SHIFTING GUITARIST SINCE INNOVATOR JIMI HENDRIX, FIRMLY CEMENTING HIS PLACE IN HISTORY AS ONE OF THE BEST OF THE ALL-TIME GREATS. GAME CHANGER FOR THE PAST 40 YEARS, MOST GUITARISTS HAVE BEEN ABLE TO GIVE YOU A SURPRISINGLY DETAILED ACCOUNT OF THE FIRST TIME THEY HEARD EDDIE VAN HALEN — WHERE THEY WERE, WHO THEY WERE WITH AND THE BEWILDERED STATE THEY FOUND THEMSELVES IN AFTER HEARING “ERUPTION.” FROM THE VICIOUS ATTACK AND INSANELY ENVIABLE GUITAR TONE LEGENDARY ON “YOU REALLY GOT ME” TO THE RADICAL AND LIMIT-PUSHING PLAYING TECHNIQUES EDDIE DEPLOYED ON VAN HALEN 1, PEOPLE’S FIRST REACTIONS OFTEN REFLECTED THE SAME THEMES — “HOW DOES ICONIC HE DO THAT?” OR “I HAD NEVER HEARD ANYONE PLAY LIKE THAT OR SOUND LIKE THAT BEFORE.” HIS INFLUENCE WAS, IS AND WILL CONTINUE TO BE A TRIFECTA COMBINING THE INNOVATIVE GENIUS OF HIS PLAYING, HIS MASTER CRAFTSMANSHIP AS A SONGWRITER AND HIS UNRELENTING ABILITY TO EXPERIMENT AND PUSH TO CREATE SOME OF THE GREATEST GUITAR DESIGNS AND SOUNDS EVER. FOUR DECADES LATER, WE CONTINUE TO MARVEL OVER THE PARADIGM SHIFT HE CREATED, WHICH HAS YET TO BE PARALLELED OR EXCEEDED. 2 3 THIS IS WHAT I USE “A Guitar is A very personal extension of the person playing it.
    [Show full text]
  • Dante in a Modern Context: a Review of Sepultura's Album Dante XXI
    LATCH: A Journal for the Study of the Literary Vol. 1 Artifact in Theory, Culture, or History (2008) Dante in a Modern Context: A Review of Sepultura's Album Dante XXI Matthew Teutsch University of Louisiana—Monroe Abstract Sepultura’s Dante XXI, an attempt to create a modern-day soundtrack for Dante’s Divine Comedy, provides us an opportunity of exploring the Divine Comedy through an aesthetic rendering of twenty-first-century national (and international) issues. The album also allows us to examine how a musical tenor can guide a modern audience along the same paths that Dante’s medieval readers transversed. Although Dante XXI does not provide a narrative, plot-informed version of Dante’s Divine Comedy, the musical tenor employed by the band provides a rough sketch of Dante’s journey. The listeners’ musical involvement encourages them to embark on this journey for themselves. Keywords Dante, Divine Comedy, Sepultura, Dante XXI, tenor, Italian literature In 2006, Sepultura, a thrash metal band from Brazil, unleashed Dante XXI on the world. As lead singer Derrick Green acknowledges, this album is a modern-day soundtrack for the Divine Comedy. Going further, guitarist and lyricist Andreas Kisser reveals that the band’s purpose “was to find the inspiration to write music and of course to make people read the book.” In light of these statements, one might wonder what Sepultura adds to a discussion of Dante’s Divine Comedy? One answer is that the band provides a timely aesthetic injection of critical commentary about current political institutions. Another answer is that the band, with the assistance of graphic artist Stephan Doitschinoff, gives us a work that explores the musicality and spirituality present in the 159 Matthew Teutsch Dante in a Modern Context: pp.
    [Show full text]
  • Entre a Sanfona E a Guitarra Hibridismos E Identidades No Rock’N’Roll E Heavy Metal Nacionais Dos Anos 90
    Universidade de Brasília Instituto de Ciências Humanas Programa de Pós-Graduação em História Área de Concentração: História Cultural Linha de pesquisa: Identidades, Tradições, Processos Dissertação de Mestrado Orientadora: Profª Drª Eleonora Zicari Costa de Brito Entre a sanfona e a guitarra Hibridismos e identidades no rock’n’roll e heavy metal nacionais dos anos 90 Jorge Alexandre Fernandes Anselmo Sobrinho Brasília, março de 2013 Universidade de Brasília Entre a sanfona e a guitarra Hibridismos e identidades no rock’n’roll e heavy metal nacionais dos anos 90 Dissertação apresentada ao Programa de Pós- Graduação em História da Universidade de Brasília, na área de concentração de História Cultural, como requisito parcial para a obtenção do título de Mestre em História. Jorge Alexandre Fernandes Anselmo Sobrinho Brasília, março de 2013 Banca Examinadora Profa. Dra. Eleonora Zicari Costa de Brito (PPGHIS/UnB – Orientadora) Profa. Dra. Marcia de Melo Martins Kuyumjian (PPGHIS/UnB) Prof. Dr. Guilherme Bryan (Centro Universitário Belas Artes – SP) Prof. Dra. Nancy Alessio Magalhães (PPGHIS/UnB – Suplente) À mais linda, com seu amor, apoio e paciência infinitos. Too many hands on my time Too many feelings Too many things on my mind When I leave, I don’t know what I’m hoping to find When I leave, I don’t know what I’m leaving behind Muitas mãos no meu tempo / Muitos sentimentos / Muitas coisas em minha mente / Quando partir, não sei o que espero encontrar / Quando partir, não sei o que deixo para trás. (Rush – The Analog Kid, 1982 ) Agradecimentos Antes de tudo, gostaria de agradecer a todos aqueles e aquelas que tornaram este trabalho possível.
    [Show full text]
  • Universidade Federal Do Ceará Centro De Humanidades Programa De Pós-Graduação Em Sociologia
    UNIVERSIDADE FEDERAL DO CEARÁ CENTRO DE HUMANIDADES PROGRAMA DE PÓS-GRADUAÇÃO EM SOCIOLOGIA GLAUBER BARRETO LUNA “REFUSE / RESIST”: AS POÉTICAS DE CONTESTAÇÃO SOCIAL DA BANDA SEPULTURA FORTALEZA 2014 GLAUBER BARRETO LUNA “REFUSE / RESIST”: AS POÉTICAS DE CONTESTAÇÃO SOCIAL DA BANDA SEPULTURA Dissertação apresentada ao programa de Pós- Graduação em Sociologia da Universidade Federal do Ceará - UFC, como requisito parcial para obtenção do título de Mestre em Sociologia. Orientadora: Profª Dra. Irlys Alencar Firmo Barreira. FORTALEZA 2014 Dados Internacionais de Catalogação na Publicação Universidade Federal do Ceará Biblioteca de Ciências Humanas __________________________________________________________________________________________ L983r Luna, Glauber Barreto. “Refuse / resist” : as poéticas de contestação social da banda Sepultura / Glauber Barreto Luna. – 2014. 152 f. : il. color. Dissertação (mestrado) – Universidade Federal do Ceará, Centro de Humanidades, Departamento de Ciências Socais, Programa de Pós-Graduação em Sociologia, Fortaleza, 2014. Área de Concentração: Sociologia da arte – Sociologia da música. Orientação: Profa. Dra. Irlys Alencar Firmo Barreira. 1. Grupos de rock – Aspectos sociais – Brasil – 1984-1996. 2. Músicos de rock – Aspectos sociais – Brasil – 1984-1996. 3. Canções de protesto – Brasil – História e crítica – 1984-1996. 4. Heavy metal – Brasil – 1984-1996. 5. Música e sociedade – Brasil – 1984-1996. 6. Sepultura(Conjunto musical). I. Título. CDD 781.66159209810904 __________________________________________________________________________________________
    [Show full text]
  • SEPULTURA Release Date Pre-Order Start Territory: World Machine Messiah Uu 13/01/2017 Uu 10/11/2016 Style: Thrash Metal
    New Release Information uu January SEPULTURA Release Date Pre-Order Start Territory: World Machine Messiah uu 13/01/2017 uu 10/11/2016 Style: Thrash Metal uu LIMITED CD+DVD DIGIPAK available incl. bonus DVD & 2 bonus tracks uu 2-LP BLACK VINYL in Gatefold available incl. 2 bonus tracks uu 2-LP PICTURE VINYL in Gatefold available incl. 2 bonus tracks uu watch out ads in all important music magazines DEC 2016 uu advertising in many important music magazines JAN 2017 uu album reviews, interviews in all important Metal magazines in Europe’s NOV/DEC 2017 issues uu song placements in European magazine compilations uu Spotify playlists in all European territories uu retail marketing campaigns uu instore decoration: flyers, poster A1 uu More on SEPULTURA’s upcoming album: Studio Diary #1 Studio Diary #2 Studio Diary #3 Studio Diary #4 Album Teaser uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 of the most important Metal & Rock websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu video and pre-roll ads on YouTube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a background on nuclearblast.de and nuclearblast.com uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release BRAZILIAN HEAVY METAL ICONS, SEPULTURA, ARE BACK WITH A STUNNING NEW MASTERPIECE! Formed in 1984 by brothers Max and Igor Cavalera, the band was a ma- States, Cyprus and their native Brazil.
    [Show full text]