Novels Spring 2020 Catalog
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Representing Heroes, Villains and Anti- Heroes in Comics and Graphic
H-Film CFP: Who’s Bad? Representing Heroes, Villains and Anti- Heroes in Comics and Graphic Narratives – A seminar sponsored by the ICLA Research Committee on Comic Studies and Graphic Narratives Discussion published by Angelo Piepoli on Wednesday, September 7, 2016 This is a Call for Papers for a proposed seminar to be held as part of the American Comparative Literature Association's 2017 Annual Meeting. It will take place at Utrecht University in Utrecht, the Netherlands on July 6-9, 2017. Submitters are required to get a free account on the ACLA's website at http://www.acla.org/user/register . Abstracts are limited to 1500 characters, including spaces. If you wish to submit an astract, visit http://www.acla.org/node/12223 . The deadline for paper submission is September 23, 2016. Since the publication of La vida de Lazarillo de Tormes y de sus fortuna y adversidades in 1554, the figure of the anti-hero, which had originated in Homeric literature, has had great literary fortune over the centuries. Satan as the personification of evil, then, was the most interesting character in Paradise Lost by John Milton and initiated a long series of fascinating literary villains. It is interesting to notice that, in a large part of the narratives of these troubled times we are living in, the protagonist of the story is everything but a hero and the most acclaimed characters cross the moral borders quite frequently. This is a fairly common phenomenon in literature as much as in comics and graphic narratives. The advent of the Modern Age of Comic Books in the U.S. -
Volume 31 Number 10 Issue 375 March 2019 Events Comic Con
Volume 31 Number 10 Issue 375 March 2019 A WORD FROM THE EDITOR Omni Expo This month was a very difficult for me personally but March 15-17 we go on.. Florida Hotel and Convention Center I include a list of recommended short fiction. I read a lot 1500 Sand Lake Road more. There is a lot of good fiction out there. Orlando, FL 32809 Please note that some of the Nebula short fiction Guests: Hisashi Kagawa (animation director) nominees may be available online. Please check Oasfis Mamoru Yokota (animation director) Convention on Facebook or OasisCon on Twitter for links to the Paul St. Peter (voice actor) stories. Matt Shipman (voice actor) Next month pictures from ICFA, and with luck a Sawa (singer) review. And others $50 at the door for weekend www.omniexpo.com Events ICFA 40 (academic conference) Comic Con Revolution March 13-16 March 2-3 Orlando Airport Marriott, Palm Beach County Convention Center Orlando, Florida 650 Okeechobee Boulevard Guest of Honor: G. Willow Wilson West Palm Beach, FL 33401 Guest Scholar: Mark Bould Guests: Chris Claremont (comic book writer) www.fantastic-arts.org Amanda Conner (comic book writer/artist) Jimmy Palmiotti (comic book writer/artist) Clearwater Comic Con Peter Rawlik (writer) March 16 And others Clearwater Public Library $40 for 2 days, $25 for Sat, $20 for Sunday 100 N. Osceola Avenue comicconrevolution.com/westpalmbeach/index.php Clearwater, FL 33755 Guests: Chuck Dixon (comic book writer) Infinity Con 6 Karl Moline (comic writer/artist) March 2-3 And others National Guard Armory Free 490 NW Lake Jeffery Rd See Facebook Page Lake City, FL 32055 $18 for bothe days, $12 for one day My-Con infinityconfl.com/ March 16 Wyndham Orlando Resort Miami Comic Con 8001 International Drive March 9 Orlando, Florida 32819 Miami Airport Convention Center Guest: R. -
Diana's Struggles in Breaking Women's Stereotypes in Wonder Woman Movie Script 2017
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI DIANA’S STRUGGLES IN BREAKING WOMEN'S STEREOTYPES IN WONDER WOMAN MOVIE SCRIPT 2017 AN UNDERGRADUATE THESIS Presented as Fulfillment of the Requirements for the Degree of Sarjana Sastra In English Letters By AVIASKA WIENDA SARASWATI Student Number: 164214133 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2020 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI DIANA’S STRUGGLES IN BREAKING WOMEN'S STEREOTYPES IN WONDER WOMAN MOVIE SCRIPT 2017 AN UNDERGRADUATE THESIS Presented as Fulfillment of the Requirements for the Degree of Sarjana Sastra In English Letters By AVIASKA WIENDA SARASWATI Student Number: 164214133 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2020 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI Your Soul Is Pure Your Intuition Is Right Your Way Is Unique Believe Moving -A- vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI For My Dearest Parents, My Annoying Brother, My Lecturers My Best Friends My Beloved Boyfriend And Myself In The Hope Of A Better Future - - - - viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS First, I would like to show my gratitude to Allah SWT for always stay with me, listen to my pray, bless me, and give me unexpected power. I thanked Allah for allowing me to finish this thesis. I also would like to express my special gratitude for Mrs. Ni Luh Putu Rosiandani, S.S., M.Hum. as my thesis advisor who always support me by giving her effort and suggestions in guiding me to make my thesis better. Also a special gratitude for Ms. Elisabeth Oseanita Pukan, S.S., M.A. -
Exception, Objectivism and the Comics of Steve Ditko
Law Text Culture Volume 16 Justice Framed: Law in Comics and Graphic Novels Article 10 2012 Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Jason Bainbridge Swinburne University of Technology Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Bainbridge, Jason, Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko, Law Text Culture, 16, 2012, 217-242. Available at:https://ro.uow.edu.au/ltc/vol16/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Abstract The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. This relationship has also informed superhero comics themselves – going all the way back to Superman’s debut in Action Comics 1 (June 1938). As DC President Paul Levitz says of the development of the superhero: ‘There was an enormous desire to see social justice, a rectifying of corruption. Superman was a fulfillment of a pent-up passion for the heroic solution’ (quoted in Poniewozik 2002: 57). This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol16/iss1/10 Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko Jason Bainbridge Bainbridge Introduction1 The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. -
A Chilling Look Back at Jeph Loeb and Tim Sale's
Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch . -
Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman. -
Teen Titans the Judas Contract Stream
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The Fall of Wonder Woman Ahmed Bhuiyan, Independent Researcher, Bangladesh the Asian Conference on Arts
Diminished Power: The Fall of Wonder Woman Ahmed Bhuiyan, Independent Researcher, Bangladesh The Asian Conference on Arts & Humanities 2015 Official Conference Proceedings Abstract One of the most recognized characters that has become a part of the pantheon of pop- culture is Wonder Woman. Ever since she debuted in 1941, Wonder Woman has been established as one of the most familiar feminist icons today. However, one of the issues that this paper contends is that this her categorization as a feminist icon is incorrect. This question of her status is important when taking into account the recent position that Wonder Woman has taken in the DC Comics Universe. Ever since it had been decided to reset the status quo of the characters from DC Comics in 2011, the character has suffered the most from the changes made. No longer can Wonder Woman be seen as the same independent heroine as before, instead she has become diminished in status and stature thanks to the revamp on her character. This paper analyzes and discusses the diminishing power base of the character of Wonder Woman, shifting the dynamic of being a representative of feminism to essentially becoming a run-of-the-mill heroine. iafor The International Academic Forum www.iafor.org One of comics’ oldest and most enduring characters, Wonder Woman, celebrates her seventy fifth anniversary next year. She has been continuously published in comic book form for over seven decades, an achievement that can be shared with only a few other iconic heroes, such as Batman and Superman. Her greatest accomplishment though is becoming a part of the pop-culture collective consciousness and serving as a role model for the feminist movement. -
Costume Culture: Visual Rhetoric, Iconography, and Tokenism In
COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to the Office of Graduate Studies Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to: Advisor: Christopher Gonzalez Committee: Tabetha Adkins Donna Dunbar-Odom Mike Odom Head of Department: M. Hunter Hayes Dean of the College: Salvatore Attardo Interim Dean of Graduate Studies: Mary Beth Sampson iii Copyright © 2017 Michael G. Baker iv ABSTRACT COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS Michael G. Baker, PhD Texas A&M University-Commerce, 2017 Advisor: Christopher Gonzalez, PhD Superhero comic books provide a unique perspective on marginalized characters not only as objects of literary study, but also as opportunities for rhetorical analysis. There are representations of race, gender, sexuality, and identity in the costuming of superheroes that impact how the audience perceives the characters. Because of the association between iconography and identity, the superhero costume becomes linked with the superhero persona (for example the Superman “S” logo is a stand-in for the character). However, when iconography is affected by issues of tokenism, the rhetorical message associated with the symbol becomes more difficult to decode. Since comic books are sales-oriented and have a plethora of tie-in merchandise, the iconography in these symbols has commodified implications for those who choose to interact with them. When consumers costume themselves with the visual rhetoric associated with comic superheroes, the wearers engage in a rhetorical discussion where they perpetuate whatever message the audience places on that image. -
A Celebration of Superheroes Virtual Conference 2021 May 01-May 08 #Depaulheroes
1 A Celebration of Superheroes Virtual Conference 2021 May 01-May 08 #DePaulHeroes Conference organizer: Paul Booth ([email protected]) with Elise Fong and Rebecca Woods 2 ACKNOWLEDGMENTS This has been a strange year, to be sure. My appreciation to everyone who has stuck with us throughout the trials and tribulations of the pandemic. The 2020 Celebration of Superheroes was postponed until 2021, and then went virtual – but throughout it all, over 90% of our speakers, both our keynotes, our featured speakers, and most of our vendors stuck with us. Thank you all so much! This conference couldn’t have happened without help from: • The College of Communication at DePaul University (especially Gina Christodoulou, Michael DeAngelis, Aaron Krupp, Lexa Murphy, and Lea Palmeno) • The University Research Council at DePaul University • The School of Cinematic Arts, The Latin American/Latino Studies Program, and the Center for Latino Research at DePaul University • My research assistants, Elise Fong and Rebecca Woods • Our Keynotes, Dr. Frederick Aldama and Sarah Kuhn (thank you!) • All our speakers… • And all of you! Conference book and swag We are selling our conference book and conference swag again this year! It’s all virtual, so check out our website popcultureconference.com to see how you can order. All proceeds from book sales benefit Global Girl Media, and all proceeds from swag benefit this year’s charity, Vigilant Love. DISCORD and Popcultureconference.com As a virtual conference, A Celebration of Superheroes is using Discord as our conference ‘hub’ and our website PopCultureConference.com as our presentation space. While live keynotes, featured speakers, and special events will take place on Zoom on May 01, Discord is where you will be able to continue the conversation spurred by a given event and our website is where you can find the panels. -
Dc Comics: Wonder Woman: Wisdom Through the Ages Pdf, Epub, Ebook
DC COMICS: WONDER WOMAN: WISDOM THROUGH THE AGES PDF, EPUB, EBOOK Mike Avila | 192 pages | 29 Sep 2020 | Insight Editions | 9781683834779 | English | San Rafael, United States DC Comics: Wonder Woman: Wisdom Through the Ages PDF Book Instead, she receives the ability to transform into the catlike Cheetah, gaining superhuman strength and speed; the ritual partially backfires, and her human form becomes frail and weak. Diana of Themyscira Arrowverse Batwoman. Since her creation, Diana of Themyscira has made a name for herself as one of the most powerful superheroes in comic book existence. A must-have for Wonder Woman fans everywhere! Through close collaboration with Jason Fabok, we have created the ultimate Wonder Woman statue in her dynamic pose. The two share a degree of mutual respect, occasionally fighting together against a common enemy, though ultimately Barbara still harbors jealousy. Delivery: 23rdth Jan. Published 26 November Maria Mendoza Earth Just Imagine. Wonder Girl Earth She returned to her classic look with help from feminist icon Gloria Steinem, who put Wonder Woman — dressed in her iconic red, white, and blue ensemble — on the cover of the first full-length issue of Ms. Priscilla eventually retires from her Cheetah lifestyle and dies of an unspecified illness, with her niece Deborah briefly taking over the alter ego. In fact, it was great to see some of the powers realized in live-action when the Princess of Themyscira made her big screen debut in the Patty Jenkins directed, Wonder Woman. Submit Review. Although she was raised entirely by women on the island of Themyscira , she was sent as an ambassador to the Man's World, spreading their idealistic message of strength and love. -
Wonder Woman Daughter of Destiny
WONDER WOMAN: DAUGHTER OF DESTINY Story by Jean Paul Fola Nicole, Christopher Johnson and Edmund Birkin Screenplay By Jean Paul Nicole, and Andrew Birkin NUMBERED SCRIPT 1st FIRST DRAFT 1/3/12 I279731 Based On DC Characters WARNER BROS. PICTURES INC. 4000 Warner Boulevard Burbank, California 91522 © 2012 WARNER BROS. ENT. All Rights Reserved ii. Dream Cast Lol. Never gonna happen. Might as well go all in since I'm "straight" black male nerd living in a complete fantasy world writing about Wonder Woman. My cast Diana Wonder Woman - Naomi Scott Ares - Daniel Craig Dr. Poison - Saïd Taghmaoui Clio - Dakota Fanning Mala - Riki Lindhome IO - Regina King Laurie Trevor - Beanie Feldstein Etta Candy - Zosia Mammet Hippolyta - Rebecca Hall Hera - Juliet Binoche Steve Trevor - Rafael Casal Gideon - James Badge Dale Antiope (In screenplay referred to as Artemis) - Nicole Beharie or Jodie Comer Dr. Gogan - Riz Ahmed Alkyone - Jennifer Carpenter or Jodie Comer or Nicole Beharie W O N D E R W O M A N - D A U G H T E R O F D E S T I N Y Out of AN OCEAN OF BLOOD RED a shape emerges. An EAGLE SYMBOL. BECOMING INTENSELY GOLDEN UNTIL ENGULFING THE SCREEN IN LIGHT. CROSS FADE: The beautiful FACE OF A WOMAN with fierce pride (30s). INTO FRAME She is chained by the neck and wrists in a filthy prison cell. DAYLIGHT seeps through prison bars. O.S. Battle gongs echo. Hearing gongs faint echo, her EYES WIDEN. PRISONER They've come for me. This is Queen Hippolyta queen of the Amazons and mother to the Wonder Woman.