Diana's Struggles in Breaking Women's Stereotypes in Wonder Woman Movie Script 2017
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Wonder Woman & Associates
ICONS © 2010, 2014 Steve Kenson; "1 used without permission Wonder Woman & Associates Here are some canonical Wonder Woman characters in ICONS. Conversation welcome, though I don’t promise to follow your suggestions. This is the Troia version of Donna Troy; goodness knows there have been others.! Bracers are done as Damage Resistance rather than Reflection because the latter requires a roll and they rarely miss with the bracers. More obscure abilities (like talking to animals) are left as stunts.! Wonder Woman, Donna Troy, Ares, and Giganta are good candidates for Innate Resistance as outlined in ICONS A-Z.! Acknowledgements All of these characters were created using the DC Adventures books as guides and sometimes I took the complications and turned them into qualities. My thanks to you people. I do not have permission to use these characters, but I acknowledge Warner Brothers/ DC as the owners of the copyright, and do not intend to infringe. ! Artwork is used without permission. I will give attribution if possible. Email corrections to [email protected].! • Wonder Woman is from Francis Bernardo’s DeviantArt page (http://kyomusha.deviantart.com).! • Wonder Girl is from the character sheet for Young Justice, so I believe it’s owned by Warner Brothers. ! • Troia is from Return of Donna Troy #4, drawn by Phil Jimenez, so owned by Warner Brothers/DC.! • Ares is by an unknown artist, but it looks like it might have been taken from the comic.! • Cheetah is in the style of Justice League Unlimited, so it might be owned by Warner Brothers. ! • Circe is drawn by Brian Hollingsworth on DeviantArt (http://beeboynyc.deviantart.com) but coloured by Dev20W (http:// dev20w.deviantart.com)! • I got Doctor Psycho from the Villains Wikia, but I don’t know who drew it. -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
FORTY-NINTH SESSION Hansard Report
FORTY-NINTH SESSION Hansard Report 49th Session Fourth Meeting Volume 4 FRIDAY 7 JUNE 2019 MR DEPUTY SPEAKER took the Chair at 9.00 a.m. OPENING PRAYER MR DEPUTY SPEAKER (T. TURA): Please be seated. Greetings to all of us this morning. It’s beautiful to see all of us this morning. Special mention to our students from Nukutere College. Kia Orana. Good morning. Welcome to Parliament. Maybe one day some of you will be sitting in this House to lead us in the future. We hope your visit with us this morning is productive to you and your teachers and all your parents. God bless. Special thanks to the Reverend for delivering a beautiful message this morning and maybe a food of the spirit for all of us today and other days in the Parliament. May the spirit of our Lord be with us throughout our deliberations today. Honourable Members of Parliament, my warmest greetings to all of you this morning and also to the Clerk and staff of Parliament. Kia Orana to you all today and also to everyone in this Honourable House. To everyone listening to our Parliament on the radio and the livestreaming on Rarotonga, in the Pa Enua and overseas – Kia Orana to you all. To Madam Speaker, Niki Rattle and Papa Colin in New Zealand, special greetings to you both. Again to our friend from WA, Peter McHugh, a warm Kia Orana to you and your good wife Penny. We hope you both are enjoying your short visit here in Rarotonga. There’s a lot of sun out there and do make the most of it because last week and the past many weeks it’s been wet and raining. -
Dc Comics: Wonder Woman: Wisdom Through the Ages Pdf, Epub, Ebook
DC COMICS: WONDER WOMAN: WISDOM THROUGH THE AGES PDF, EPUB, EBOOK Mike Avila | 192 pages | 29 Sep 2020 | Insight Editions | 9781683834779 | English | San Rafael, United States DC Comics: Wonder Woman: Wisdom Through the Ages PDF Book Instead, she receives the ability to transform into the catlike Cheetah, gaining superhuman strength and speed; the ritual partially backfires, and her human form becomes frail and weak. Diana of Themyscira Arrowverse Batwoman. Since her creation, Diana of Themyscira has made a name for herself as one of the most powerful superheroes in comic book existence. A must-have for Wonder Woman fans everywhere! Through close collaboration with Jason Fabok, we have created the ultimate Wonder Woman statue in her dynamic pose. The two share a degree of mutual respect, occasionally fighting together against a common enemy, though ultimately Barbara still harbors jealousy. Delivery: 23rdth Jan. Published 26 November Maria Mendoza Earth Just Imagine. Wonder Girl Earth She returned to her classic look with help from feminist icon Gloria Steinem, who put Wonder Woman — dressed in her iconic red, white, and blue ensemble — on the cover of the first full-length issue of Ms. Priscilla eventually retires from her Cheetah lifestyle and dies of an unspecified illness, with her niece Deborah briefly taking over the alter ego. In fact, it was great to see some of the powers realized in live-action when the Princess of Themyscira made her big screen debut in the Patty Jenkins directed, Wonder Woman. Submit Review. Although she was raised entirely by women on the island of Themyscira , she was sent as an ambassador to the Man's World, spreading their idealistic message of strength and love. -
Feminine Narrative and Agency in Wonder Woman Mikala Carpenter
Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 2018 Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman Mikala Carpenter Follow this and additional works at: http://commons.emich.edu/theses Part of the Children's and Young Adult Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Carpenter, Mikala, "Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman" (2018). Master's Theses and Doctoral Dissertations. 893. http://commons.emich.edu/theses/893 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Sculpted from Clay, Shaped by Power: Feminine Narrative and Agency in Wonder Woman by Mikala Carpenter Thesis Submitted to the Department of English Language and Literature Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Children’s Literature Thesis Committee: Annette Wannamaker, PhD, Chair Amanda Allen, PhD, Second Reader 15 March 2018 Ypsilanti, Michigan Carpenter ii To the wonder women in my life who have loved me, who have challenged me, who have made me stronger, brighter, better. Carpenter iii Acknowledgments In Wonder Woman Vol. 4 #40 (2015), Diana declares, “An Amazon looks for ways to empower her sisters … because their strength is hers.” The creation of this thesis project has only been accomplished with the same tenet in mind. -
Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English Vol
AboutUs: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ ContactUs: http://www.the-criterion.com/contact/ EditorialBoard: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com The Criterion: An International Journal in English Vol. 12, Issue-I, February 2021 ISSN: 0976-8165 Wonder Woman: American Dc Comics Purbasa Banerjee Article History: Submitted-15/10/2020, Revised-21/02/2021, Accepted-22/02/2021, Published-28/02/2021. Abstract: Comics enlighten the fact in a light manner with a serious theme to it. Wonder Woman very much serves the purpose of the article that emphasizes on the importance of women, the value of women, the superior thought of a woman with awe-inspiring nature and characteristics that eventually demonstrate ‘Feminism’ or invaluable women around. The work is significant as the protagonist is a woman with invincible herself without any fear, facing her own world of the living and also another world where patriarchy narrates itself. There are mixed methods in the article that have been used i.e. some experiments shown in 2017 The Wonder Woman movie and some secondary data have been collected from websites and sites. The protocol used here was to proliferate the womanism as feminism and to wide open the eyes of the people about the feminine entity. And to reach the destination the theoretical angles been used giving all the information on the main character even scientifically. Ultimately, a lot of learning took place that called as results of the article. -
Art Teacher's Book of Lists
JOSSEY-BASS TEACHER Jossey-Bass Teacher provides educators with practical knowledge and tools to create a positive and lifelong impact on student learning. We offer classroom-tested and research-based teaching resources for a variety of grade levels and subject areas. Whether you are an aspiring, new, or veteran teacher, we want to help you make every teaching day your best. From ready-to-use classroom activities to the latest teaching framework, our value-packed books provide insightful, practical, and comprehensive materials on the topics that matter most to K–12 teachers. We hope to become your trusted source for the best ideas from the most experienced and respected experts in the field. TITLES IN THE JOSSEY-BASS EDUCATION BOOK OF LISTS SERIES THE SCHOOL COUNSELOR’S BOOK OF LISTS, SECOND EDITION Dorothy J. Blum and Tamara E. Davis • ISBN 978-0-4704-5065-9 THE READING TEACHER’S BOOK OF LISTS, FIFTH EDITION Edward B. Fry and Jacqueline E. Kress • ISBN 978-0-7879-8257-7 THE ESL/ELL TEACHER’S BOOK OF LISTS, SECOND EDITION Jacqueline E. Kress • ISBN 978-0-4702-2267-6 THE MATH TEACHER’S BOOK OF LISTS, SECOND EDITION Judith A. Muschla and Gary Robert Muschla • ISBN 978-0-7879-7398-8 THE ADHD BOOK OF LISTS Sandra Rief • ISBN 978-0-7879-6591-4 THE ART TEACHER’S BOOK OF LISTS, FIRST EDITION Helen D. Hume • ISBN 978-0-7879-7424-4 THE CHILDREN’S LITERATURE LOVER’S BOOK OF LISTS Joanna Sullivan • ISBN 978-0-7879-6595-2 THE SOCIAL STUDIES TEACHER’S BOOK OF LISTS, SECOND EDITION Ronald L. -
Wonder Woman
WONDER WOMAN screenplay by Allan Heinberg story by Zack Snyder & Allan Heinberg and Jason Fuchs based on characters from DC Comics WONDER WOMAN created by William Moulton Marston This script is the confidential and proprietary property of Warner Bros. Pictures and no portion of it may be performed, distributed, reproduced, used, quoted or published without prior written permission. FINAL SHOOTING SCRIPT WARNER BROS. PICTURES INC. © 2017 4000 Warner Boulevard WARNER BROS. ENT. Burbank, California 91522 All Rights Reserved FADE IN: 1 EXT. THE EARTH (FROM SPACE) 1 The EARTH as seen from space, perfect and seemingly serene. DIANA (V.O.) I used to want to save the world... The distant SOUND OF TRIBAL DRUMS as we DESCEND planet- ward. CIRCLING the globe, CLOSER as the DRUMS BUILD. DIANA (V.O.) This beautiful place. LOUDER DRUMS SOARING OVER oceans and continents. CLOSER. DIANA (V.O.) But the closer you get, the more you see the great darkness simmering within. Finally, we arrive in PARIS, FRANCE. 2 EXT. LOUVRE MUSEUM (PARIS) - EARLY MORNING 2 The LOUVRE MUSEUM -- with its 16th-Century architecture and its I.M. Pei glass-and-metal PYRAMIDS -- a place where the past and the future meet. DIANA PRINCE (30), antiquities expert, strides towards the Louvre, passing ARMED MILITARY at guard and alert. DIANA (V.O.) And mankind? That’s another story altogether. A TRUCK pulls up, blocking our VIEW. ARMED SECURITY OFFICERS exit, unloading a CRATE from WAYNE ENTERPRISES addressed to DIANA PRINCE: CURATOR. 3 INT. LOUVRE MUSEUM - CORRIDOR - CONTINUOUS ACTION 3 Diana walks down a HALLWAY with Assyrian bas-relief sculptures showing the good, and the bad, of humanity throughout history. -
BATMAN VS SUPERMAN (Untitled)
BATMAN VS SUPERMAN (untitled) Written by David S. Goyer & Chris Terrio from a story by Zack Snyder & David S. Goyer Warner Bros. 3rd Draft, January 19th, 2014 ©2014 WARNER BROS. All Rights Reserved FADE IN: EXT. ARCTIC OCEAN -- MORNING TWO RUSSIAN WARSHIPS, the ANATOLE and the CASSIOPEIA, approach a RUSSIAN OIL RIG in ARCTIC WATERS. INT. BRIDGE, CASSIOPEIA -- CONTINUOUS Karpov 60, an INTIMIDATING RUSSIAN GENERAL, CAPTAINS the WARSHIP. His SECOND IN COMMAND UMINSKI, 30's, stands at his side. KARPOV (to Uminski, in Russian) Hold this position. UMINSKI Yes General. INT. CARGO HOLD, RUSSIAN OIL RIG -- CONTINUOUS 300 RUSSIAN OIL RIG WORKERS are held PRISONER in the CARGO HOLD of the RUSSIAN OIL RIG. They are surrounded by a ATLANTEAN HIJACKERS. The Atlanteans wear a combination of BLACK WET SUITS and ARMOR PLATING designed like FISH SCALES. Their faces are CONCEALED behind MASKS. Their HANDS and FEET are BARE. They wield STRANGE WEAPONRY which HUM with ENERGY. OKSANA, 40's, A HARDENED FEMALE OIL RIG WORKER cradles a frightened YOUNGER FEMALE OIL RIG WORKER, LUCYA, early 20's, who SOBS in her arms. OKSANA (in Russian) It's Ok. It's Ok. MERA, a TALL, BEAUTIFUL REDHEAD ATLANTEAN walks past them and speaks with one of her Warriors. He BOWS to her and leaves. She walksWarner towards a TALL MAN with LONG FLOWINGBros. hair who sits on top of a stack of CRATES like a King on a THRONE. He is dressed in ARMOR. In his right hand he holds a LONG GOLDEN TRIDENT. His left hand is SHIMMERING and BLUE as if MADE OF WATER. -
Voting for Love & Justice
VOTING FOR LOVE & JUSTICE WITH WONDER WOMAN FORWARD BY LYNDA CARTER Forty-five years ago, I was asked to bring one of my childhood heroes to life on screen. As a little girl growing up in Phoenix, Arizona, I would flip through the pages of Wonder Woman comics and find myself immersed in Diana Prince’s extraordinary adventures. For women and girls of my generation, Diana Prince was THE media representation we had in the world of fantasy and comics. It’s now hard to imagine a world without Dana Scully, Hermione Granger, or Princess Shuri, yet even in 1975, studio executives had little faith that a Wonder Woman TV show would attract an audience. Of course, they were proven wrong! I have been asked many times over the years why I think the character of Wonder Woman is such an enduring icon. While her superhuman strength, agility, and lasso of truth come to mind, I believe that the wisdom and humanity behind the character is why she will remain beloved for the ages. Diana Prince is an Amazonian princess, but in my portrayal I focused on everything that connected her to humanity. Diana’s love and empathy for the people around her empowers her to fight for love and justice at every turn. With kindness, she sets examples that change minds and hearts when you least expect it. Diana also brings intellect and wisdom to the table, reminding us that there’s nothing you can’t do with both a kind heart and a brilliant mind. Throughout her story, she is more than just a superhero in satin tights: she is everything from a devoted civil servant to a savvy businesswoman. -
WST 3335: Representations of Women in Hollywood Cinema: 1950 – Present Note: This Class Is Listed As “Gender Analysis and American Film: 1950 – Present.”
1 WST 3335: Representations of Women in Hollywood Cinema: 1950 – Present Note: this class is listed as “Gender Analysis and American Film: 1950 – present.” TERM | Fall 2018 CREDITS | 3 SECTION NUMBER |21112 LOCATION | 2319 TURL TIME | MWF Period 4 (10:40am – 11:30am) INSTRUCTOR | Dr. Carolyn Kelley EMAIL | [email protected] OFFICE LOCATION and OFFICE HOURS | 302 Tigert Hall Please see CANVAS Homepage for Office Hours: https://ufl.instructure.com/courses/348584 Or by appointment if office hours are not convenient TEACHING ASSISTANT | Nik Wiles EMAIL | [email protected] OFFICE | 102a Ustler Hall OFFICE HOURS | See CANVAS Homepage COURSE DESCRIPTION | In 1985, author Alison Blechdel invented a three-point test to evaluate the quality of the presence of women in movies: 1) The movie has to have at least two women in it, 2) Who talk to each other, 3) About something besides a man. Many feminist scholars would argue that most American films fail the “Blechdel Test,” because they focus on primarily on men, and they reflect men’s interests and wants. Can a film fail the Blechdel test, yet still be considered a feminist film? What exactly is feminism or to be more accurate, feminisms, and how do they speak to issues of empowerment and agency or lack thereof n films? How has cinema affected the discourse of feminisms over the past 60 years? This course uses film to trace the history of feminisms. We will discuss feminism in relationship to the intersectionality of race, gender, sexual orientation, age, and class found in American cinema. We will discuss how Hollywood cinema’s heteronormative “white centre” (to use E. -
Featured Titles
FEATURED TITLES WONDER WOMAN: HER GREATEST VICTORIES Written and Illustrated by: Various | 9781401294342 | TR | $12.99 USA/$17.50 CAN | 7/14/2020 Prepare for the highly anticipated movie Wonder Woman 1984, starring Gal Gadot, with this action-packed collection of stories from some of the best writers and artists in comics, featuring Wonder Woman’s greatest allies and enemies! WONDER WOMAN: THE CHEETAH Written and Illustrated by: Various | 9781401291662 | TR | $19.99 USA/S25.99 CAN | ON SALE NOW The greatest appearances of the Cheetah, archenemy of Wonder Woman, are collected for the first time in Wonder Woman: The Cheetah. WONDER WOMAN VOL. 1: THE JUST WAR Written by: G. Willow Wilson | Illustrated by: Cary Nord | 9781779503459 | TR | $19.99 USA/$25.99 CAN | 6/2/2020 Ares is resurrected after years of oblivion. Can Diana reform his wicked ways, or will she learn the hard way that there’s no such thing as a just war? Vols. 2-3 coming soon! WONDER WOMAN: THE HIKETEIA DELUXE EDITION Written by: Greg Rucka | Illustrated by: J.G. Jones | 9781779502162 | HC | $29.99 USA/$39.99 CAN | 8/18/2020 Wonder Woman: The Hiketeia Deluxe Edition draws themes from a Greek tragedy of duty and vengeance. WONDER WOMAN VOL. 1: BLOOD (THE NEW 52) Written by: Brian Azzarello | Illustrated by: Cliff Chiang | 9781401235628 | TR | $14.99 USA/$17.99 CAN | ON SALE NOW As a part of the critically acclaimed DC Comics The New 52 event of September 2011, the first six issues of the Wonder Woman series are collected in hardcover! Vols.