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Abstract African and African
ABSTRACT AFRICAN AND AFRICAN AMERICAN STUDIES HILL, ERNESS A. B.A. SPELMAN COLLEGE, 1998 REFLECTIONS OF THE PAST: THE CASE OF MOZAMBICAN ART. THE MACONDE AND THE SHETANI Advisor: Dr. Mustafah Dhada Thesis dated December, 2000 This thesis examines to what extent the shetani icon in Maconde Art has been elevated to the status of deity; and what powers it has been endowed with to transform the lives of its "worshippers." The investigation was based on the observation that, although not a recognized 'god' in the traditional Maconde form of worship, nor that of Mozambique, the shetani’s appearance in Mozambican art was consistent and abundant. The investigative approach used was a comparative analysis of three internationally known Mozambican artists, two of which are Maconde. The researcher found that with all three artists, the shetani was an obvious element in their artistic renderings and in each instance, their individual lives, though not unique, were charged with suffering and unhappiness. The conclusion drawn from this investigation suggests that, although created by a Maconde for the purpose of patronage, the shetani icon has become a 'deity' not only for the Maconde, but for Mozambicans, as well. While not 'worshipped' in the sense that Westerners worship, it has been endowed with powers that transform the lives of those who identify with it. At the very least, it has been endowed with the power to promote their artistic abilities with a view to catalyzing greater creativity. REFLECTIONS OF THE PAST: THE CASE OF MOZAMBICAN ART, THE MACONDE AND THE SHETANI A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY ERNESS A. -
What Caused the "Scramble for Africa"? by Thoughtco.Com, Adapted by Newsela Staff on 01.16.18 Word Count 978 Level 1220L
What caused the "Scramble for Africa"? By ThoughtCo.com, adapted by Newsela staff on 01.16.18 Word Count 978 Level 1220L Image 1. Askari colonial troops in German East Africa in 1906. An askari was an African soldier serving in the armies of the European colonial powers in Africa. Photo by: Wikimedia/German Federal Archive The Scramble for Africa (1880 to 1900) was a period of rapid colonization of the African continent by European powers. This article is available at 5 reading levels at https://newsela.com. 1 At the beginning of the 1880s, only a small part of Africa was under European rule. Just 20 years later, virtually the entire continent was under European control. What Caused The Scramble? There were several factors which led to the Scramble for Africa, most of which had to do with developments in Europe rather than in Africa. This article is available at 5 reading levels at https://newsela.com. 2 Exploration: During the 19th century, barely a year went by without a European expedition into Africa. The boom in exploration was triggered to a great extent by the creation of the African Association by wealthy Englishmen in 1788. The Association's members wanted someone to "find" the fabled city of Timbuktu and the course of the Niger River. As the century progressed, the goals of exploration changed, and rather than traveling out of pure curiosity, explorers started to record details of markets, goods and resources for the wealthy businessmen who financed their trips. Henry Morton Stanley: The explorer most closely connected to the start of the Scramble for Africa was Henry Morton Stanley, a Welshman who later became an American citizen. -
(I) the SOCIAL STRUCTUBE of Soumn SOMALI TRIB by Virginia I?
(i) THE SOCIAL STRUCTUBE OF SOumN SOMALI TRIB by Virginia I?lling A thesis submitted for the Degree of Doctor of Philosophy at the University of London. October 197]. (ii) SDMMARY The subject is the social structure of a southern Somali community of about six thousand people, the Geledi, in the pre-colonial period; and. the manner in which it has reacted to colonial and other modern influences. Part A deals with the pre-colonial situation. Section 1 deals with the historical background up to the nineteenth century, first giving the general geographic and ethnographic setting, to show what elements went to the making of this community, and then giving the Geledj's own account of their history and movement up to that time. Section 2 deals with the structure of the society during the nineteenth century. Successive chapters deal with the basic units and categories into which this community divided both itself and the others with which it was in contact; with their material culture; with economic life; with slavery, which is shown to have been at the foundation of the social order; with the political and legal structure; and with the conduct of war. The chapter on the examines the politico-religious office of the Sheikh or Sultan as the focal point of the community, and how under successive occupants of this position, the Geledi became the dominant power in this part of Somalia. Part B deals with colonial and post-colonial influences. After an outline of the history of Somalia since 1889, with special reference to Geledi, the changes in society brought about by those events are (iii) described. -
Ethiopian and Eritrean Askaris in Libya (1911- 1932) Dechasa Abebe1
Ethiopian Journal of the Social Sciences and Humanities (EJOSSAH) ISSN (online): 2520-582X ISSN (print): 1810-4487 Ethiopian and Eritrean Askaris in Libya (1911- 1932) Dechasa Abebe1 Abstract A number of books and articles were published on the three consecutive Italian wars in Libya and its resistances during the first three decades of the twentieth century. However, the role and experiences of the Ethiopian and Eritrean askaris were rarely studied. Thus, this article is an attempt to disclose their role in the wars, why they were interested in being employed by the Italians and why Italy relied heavily on them instead of the Italian soldiers and the Libyan askaris. Historical sources, like the memoires of Italian military commanders and the askaris, travellers’ accounts mainly that of journalists, correspondence documents, and popular songs particularly that of Tigrigna were consulted to write this article. Moreover, publications produced by military historians on the Italian wars in Libya were also referred. While starvation and famines, poverty, unemployment and maladministration were the driving force from Eritrea and Ethiopia; salary, military uniform, guns and bullets, rations, protections and relative freedom were some of the attractions from the Italian side for the Ethiopians and Eritreans to be employed as askaris. In relation to these, political expediency or loss aversion, cost, fighting skill and courage, adaptability to Libyan topography and loyalty were some of the qualities of Ethiopians and Eritrean askaris that initiated the Italians to rely on. As a result, about 68 battalions fought in the wars. In the process, the askaris were identified by their Italian commanders as “warlike race” and best soldiers in contrast to the Italian soldiers and Libyan collaborators. -
Why It's So Hard to Prosecute Wildlife Crimes: Lessons from Tanzania
22/03/2021 Why it’s so hard to prosecute wildlife crimes: Lessons from Tanzania | Journal of African Elephants Journal of African Elephants SPOTLIGHTING THE PLIGHT OF AFRICA'S ELEPHANTS COMMENTARY Why it’s so hard to prosecute wildlife crimes: Lessons from Tanzania 22ND MAR 2021 By Global Initiative Against Transnational Organized Crime – In Mail & Guardian https://africanelephantjournal.com/why-its-so-hard-to-prosecute-wildlife-crimes-lessons-from-tanzania/ 1/8 22/03/2021 Why it’s so hard to prosecute wildlife crimes: Lessons from Tanzania | Journal of African Elephants evelopments in two major ivory trafcking cases in Tanzania are not what conservationists might have hoped for. The conviction of Boniface Mathew Malyango, known as “Shetani Hana Huruma” (“the Devil has no mercy” in Kiswahili), was hailed by conservation organisations as a victory in 2017, with one of East Africa’s most notorious illegal ivory traders. However, his conviction was quietly overturned in mid-2020 — a development that was largely unreported in the press. Likewise, Mateso “Chupi” Kasian was extradited from Mozambique to Tanzania in 2017 to face prosecution in what was, at the time, seen as a major victory for regional co-operation against wildlife trafcking. However, his prosecution only led to a ne of $215 — a small sum compared to the enormity of the trafcking operation he supposedly controlled. Boniface Mathew Malyango, known as “Shetani Hana Huruma” Both cases highlight the signicant challenges that major wildlife trafcking investigations often face, including corruption, delays in prosecution and poor evidence handling. Support and political pressure from international partners and NGOs have primarily focused on arrests and initial prosecutions, rather than on the follow-up to legal cases. -
Environment and Society in Tanzania – Summer 2018 Page 2 Natural Environment
Environment and Society in Tanzania May 14 - 30, 2018 This study abroad program is coordinated by the Northern Illinois University Study Abroad Office (SAO), in cooperation with the NIU Department of Geography at Northern Illinois University, and in collaboration with the University of North Alabama. PROGRAM DATES: The program will officially begin with departure of the group from Chicago O’Hare Airport on May 14, 2018 and will end with the return of the group from Dar es Salam, Tanzania to Chicago on May 30, 2018. PROGRAM DIRECTORS: This program will operate in conjunction with an existing program at the University of North Alabama so there will be one program director from each institution: Courtney Gallaher, from NIU and Francis Koti, from UNA. Dr. Greg Gaston (UNA) will also serve as an instructor for this program. (See Appendix A for more information) Courtney Gallaher is a jointly-appointed Assistant Professor in Geography and Women, Gender and Sexuality Studies at NIU. She has a background in environmental management, natural resource conservation and agriculture and has spent more than fifteen years working in Sub- Saharan Africa. She co-directed a non-profit in Kenya for more than a decade and has traveled and conducted extensive research in East Africa, including Kenya, Tanzania and Malawi. Her research interests focus primarily on sustainable agriculture and food security. As a student she studied abroad in France, Senegal, Kenya and Tanzania so she has a deep appreciation for the benefits of studying abroad. Francis Koti serves as department chair for the Department of Geography at the University of North Alabama. -
Issued by the Britain-Tanzania Society
Tanzanian Affairs Issued by the Britain-Tanzania Society No 119 Jan 2018 President Magufuli cites successes, while activists cry foul Peacekeepers killed in Eastern DRC Action in Maasai land dispute Ben Taylor: PRESIDENT MAGUFULI CITES SUCCESSES, WHILE ACTIVISTS CRY FOUL President Magufuli marked his first two years in office by celebrating ten key achievements. The Director General of Tanzania Information Services and Chief government spokesman, Hassan Abbasi, listed these as: •Restoration of discipline among public servants resulting in an increase of productivity in service delivery. •Control of government expenditure and enhancemant of value for money in all state funded projects. This included the removal of 32,000 names from the government payroll who were either ghost workers or public servants holding fake academic certificates, saving a total of TShs 378 billion. •The anti-corruption war, including the establishment of an anti-graft court, the dismissal of dishonest public officials and the arrest of the alleged masterminds behind the Escrow case. Tundu Lissu is greeted in hospital by fellow Chadema member Edward Lowassa. cover photo: UN memorial ceremony in Beni, eastern Congo for Tanzanian peacekeepers killed by rebels (Al-Hadji Kudra Maliro) President Magufuli cites successes... 3 •Increased control on the protection of natural resources such as minerals, including the signing of three mineral laws and changes which laid reforms in the extractive industry. •Cost cutting measures that saw fewer foreign trips by government officials and cuts in the budgets for unnecessary workshops. •Moving the government capital to Dodoma; Mr Abbasi described this as “a dream for a long time, at the beginning no one expected it would be possible, but the dream has become true.” •Reduced dependency on donors when it comes to implementing development projects. -
On Some Problems of the Modern Art of the Makonde People
ANNALS OF THE NAPRSTEK MUSEUM 11 e PRAGUE 1983 one >, “zcum <evo% ON SOME PROBLEMS OF THE MODERN ART OF THE MAKONDE PEOPLE ERICH HEROLD Little attention has been paid to the modern carving of Africa. After all, hardly eighty years have passed since the time when the intellectual Europe started to realize that, besides the fine arts based on the heritage of the antique of the Mediterranean and perhaps also the arts grown up from the soil of the great religious systems of Islam and Buddhism (having some common points with the antique), there exists yet another art quite in- dependent on the antique and guided by entirely different prin- ciples. This is the traditional tribal art, or, as one used to say, primitive art, or the art of natural peoples. But nevertheless Art, no mere masks, idols, or godlings. Among the areas in which this art was living, Africa with its carvings occupied the foremost place. It was thus only natural that, after the new conception had asserted itself and the European knowledge of the traditional tribal art had grown wider and deeper, one started to look, and is still looking, for works as old and original as possible, undis- turbed by foreign influences of form, ideas and socio-economic elements. It is only these works which are accepted as real re- presentatives of the African artistic genius and, therefore, also the only criteria of the value of everything which has originated in the soil of Africa, formerly as well as nowadays. To a certain extent, this attitude is justifiable, especially when evaluating sculptures which, though retaining traditional themes, were not made to traditional social order, but to satisfy the de- git mands of tourists and the uninformed foreign arts market. -
Swahili-English Dictionary, the First New Lexical Work for English Speakers
S W AHILI-E N GLISH DICTIONARY Charles W. Rechenbach Assisted by Angelica Wanjinu Gesuga Leslie R. Leinone Harold M. Onyango Josiah Florence G. Kuipers Bureau of Special Research in Modern Languages The Catholic University of Americ a Prei Washington. B. C. 20017 1967 INTRODUCTION The compilers of this Swahili-English dictionary, the first new lexical work for English speakers in many years, hope that they are offering to students and translators a more reliable and certainly a more up-to-date working tool than any previously available. They trust that it will prove to be of value to libraries, researchers, scholars, and governmental and commercial agencies alike, whose in- terests and concerns will benefit from a better understanding and closer communication with peoples of Africa. The Swahili language (Kisuiahili) is a Bantu language spoken by perhaps as many as forty mil- lion people throughout a large part of East and Central Africa. It is, however, a native or 'first' lan- guage only in a nnitp restricted area consisting of the islands of Zanzibar and Pemba and the oppo- site coast, roughly from Dar es Salaam to Mombasa, Outside this relatively small territory, elsewhere in Kenya, in Tanzania (formerly Tanganyika), Copyright © 1968 and to a lesser degree in Uganda, in the Republic of the Congo, and in other fringe regions hard to delimit, Swahili is a lingua franca of long standing, a 'second' (or 'third' or 'fourth') language enjoy- ing a reasonably well accepted status as a supra-tribal or supra-regional medium of communication. THE CATHOLIC UNIVERSITY OF AMERICA PRESS, INC. -
THE ROLE of CULTURE in the LIBERATION of MOZAMBIQUE* by Edward A
THE ROLE OF CULTURE IN THE LIBERATION OF MOZAMBIQUE* By Edward A. Alpers A baby is a European HE DOES NOT EAT OUR FOOD: he drinks from his ow.n water pot. A baby is a EUropean HE DOES NOT SPEAK OUR TONGUE: he is cross when the mother understands him not. A baby is a European HE CARES VERY LITTLE FOR OTHERS; he forces his will upon his parents. A baby is a European HE IS ALWAYS VERY SENSITIVE: the slightest scratch on his skin results in an ulcer.** One of the most important popular expressions of resistance to the brutality and humiliation of colonialism in Mozambique was cultural . Of these, songs, music and dance were easily the most universal form of protest, with proverbs, stories, and wood sculp ture providing other vehicles of resistance. Just as important, *Original Title: "Cultural Expressions of Protest and Resistance in Colonial Mozambique." Author's Note: Research for this article was supported by grants from the African Studies Center and the Academic Senate of the University of California, Los Angeles, and from the Fundasao Calouste Gulbenkian, Lisbon. I am indebted to colleagues at the Centro de Estudios Africanos of the Universidade Eduardo Mondlane, Maputo, for both material and intellectual support during visits to Mozambique in 1975 and 1976, especially to the Rector of the Universidade, Fernando Ganhao, and to the Director of the Centro, Aquino de Brangan~a. Special thanks go also to Allen Isaacman for friendship and criticism, as to Ricardo Teixeira Durate, then Di rector of the Nampula Museum, who allowed me to photograph items in the museum collection. -
ECFG-Tanzania-2020R.Pdf
About this Guide This guide is designed to prepare you to deploy to culturally complex environments and achieve mission objectives. The fundamental information contained within will help you understand the cultural dimension of your assigned location and gain skills necessary for success. (Photo a courtesy of ECFG USAID). The guide consists of 2 parts: Part 1 introduces “Culture General,” the foundational knowledge you need to operate effectively in any global Tanzania environment. Part 2 presents “Culture Specific” Tanzania, focusing on unique cultural features of Tanzanian society and is designed to complement other pre- deployment training. It applies culture-general concepts to help increase your knowledge of your assigned deployment location. For further information, visit the Air Force Culture and Language Center (AFCLC) website at www.airuniversity.af.edu/AFCLC/ or contact AFCLC’s Region Team at [email protected]. Disclaimer: All text is the property of the AFCLC and may not be modified by a change in title, content, or labeling. It may be reproduced in its current format with the expressed permission of the AFCLC. All photography is provided as a courtesy of the US government, Wikimedia, and other sources as indicated. GENERAL CULTURE CULTURE PART 1 – CULTURE GENERAL What is Culture? Fundamental to all aspects of human existence, culture shapes the way humans view life and functions as a tool we use to adapt to our social and physical environments. A culture is the sum of all of the beliefs, values, behaviors, and symbols that have meaning for a society. All human beings have culture, and individuals within a culture share a general set of beliefs and values. -
Swahili Military Terminology: a Case of an Evolving Non- Institutionalized Language Standard
Research on Humanities and Social Sciences www.iiste.org ISSN (Paper)2224-5766 ISSN (Online)2225-0484 (Online) Vol.4, No.21, 2014 Swahili Military Terminology: A Case of an Evolving Non- Institutionalized Language Standard Kevogo Stanley Adika 1* Alex Umbima Kevogo 2 1. Assistant Lecturer in the Department Kiswahili and other African Languages at Stella Maris Mtwara University College, A Constituent College of St. Augustine University of Tanzania. Presently he is a Ph.D. candidate in the Department of Kiswahili and other African languages at Mount Kenya University in Thika, Kenya. 2. Lecturer in Kiswahili Department at Garissa University College, A Constituent College Moi University. He is currently pursuing his Ph.D. studies in Kiswahili at Mount Kenya University in Thika, Kenya. * E-mail of the corresponding author: [email protected] Abstract Kiswahili, like all languages, is dynamic. It evolves to accommodate economic, scientific, technological and social changes. Such changes are evident in Kiswahili military terms. The changes can be traced back to the 16 th century contacts with visitors from Asia and Europe to the East African Coast. The outcomes of these contacts were borrowed military terms which form relics of their impact on Kiswahili vocabulary. Moreover, with the advent of globalization and its attendant Information Communication Technologies (ICTs), Kiswahili has more contact with the outside world via English. Kiswahili has grown from describing rudimentary military strategies, processes and hardware to describing today’s highly sophisticated warfare. While such changes might appear inevitable, most of the military hardware is imported from Western countries. This paper therefore scrutinizes the non-institutionalised advancement of Kiswahili through the years to elaborate new military concepts such as terrorism ( ugaidi ), bomb ( bomu ), sniper ( mdenguaji ), nuclear weapons ( silaha za kinyuklia ), weapons of mass destruction ( silaha za mauaji halaiki ) and the linguistic strategies employed in creating such terms.