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FILE SÃO PAULO 2019 Festival Internacional De Linguagem Eletrônica Electronic Language International Festival Imagem Da Capa | Cover Image Produção | Production Realização | Accomplishment FILE SÃO PAULO 2019 festival internacional de linguagem eletrônica electronic language international festival Imagem da capa | Cover image: Sandrine Deumier – Realness: Cloud and Dust – França | France FILE 2019 FILE SÃO PAULO file.org.br 20 ANOS DE FILE 20 ANOS DE ARTE E TECNOLOGIA 20 YEARS OF FILE 20 YEARS OF ART AND TECHNOLOGY Dados Internacionais de Catalogação na Publicação (CIP) (Câmara Brasileira do Livro, SP, Brasil) FILE São Paulo 2019 : Festival Internacional de Linguagem Eletrônica : 20 anos de FILE 20 anos de Arte e Tecnologia : Electronic Language International Festival : 20 Years of FILE 20 Years of Art and Technology / [concepção e organização / conception and organization] Paula Perissinotto e Ricardo Barreto; [tradução e revisão/translation and proofreading Stephen Rimmer, Isabel Rimmer, Marina Jerusalinsky]. -- 1. ed. -- São Paulo : FILE, 2019. Edição bilíngue: português/inglês. ISBN: 978-85-89730-29-7 1. Arte eletrônica 2. Cultura digital 3. Festival Internacional de Linguagem Eletrônica 4. Multimídia interativa 5. Objetos de arte – Exposições – Catálogos I. Perissinotto, Paula. II. Barreto, Ricardo. III. Título: Electronic Language International Festival : 20 Years of FILE 20 Years of Art and Technology. 19-27391 CDD-700.285 Índices para catálogo sistemático: 1. Cultura digital na arte 700.285 2. Linguagem eletrônica na arte 700.285 Cibele Maria Dias – Bibliotecária – CRB-8/9427 Imagem da capa | Cover image: Sandrine Deumier – Realness: Cloud and Dust – França | France FILE SÃO PAULO 2019 festival internacional de linguagem eletrônica electronic language international festival 20 ANOS DE FILE 20 ANOS DE ARTE E TECNOLOGIA 20 YEARS OF FILE 20 YEARS OF ART AND TECHNOLOGY Organizadores Paula Perissinotto e Ricardo Barreto 1ª edição FILE: São Paulo, 2019 FILE, 20 years of history and future 20 Years of FILE, 20 Years of Art and Technology Art and technology cross paths and look to the future In 2019, FILE – Electronic Language International Festival – together in the story of success and recognition that is celebrates its 20th anniversary. The festival’s main focus the Electronic Language International Festival, a fertile is to show what is innovative in art and technology, and ground for innovation and preservation of the scenery of for the last 20 years FILE’s mission has been to offer the electronic art and its contemporary development. Brazilian public the chance to experience the latest and For the last two decades, information technology has best of electronic art. been revolutionizing society and behavior throughout the Since the 20th century, artists have sought innovative world, while FILE has remained closely in touch with the means of expression through research. From the point endlessly changing world of the arts, giving the Brazilian of view of artistic production, the interdisciplinary public a unique opportunity to keep up to date with this relationship between arts and technology has effectively constantly changing cultural universe. transformed the creative process and the way art is It is one of SESI’s SP missions to inform and educate the shown – be it in the public’ relationship with the work or public about the visual arts. It found in FILE, five years after in its relationship with the exhibition space. its inception, an important partner in achieving this goal. Electronic art has been continually developing and exercising a fundamental purpose in the contemporary world, as it seeks not only to innovate through Paulo Skaf technology but, above all, to represent the diversity of new behaviors within society. President of Federação das Indústrias do Estado As well as looking back with pride at its own story, FILE de São Paulo, Fiesp, and Serviço Social da 2019 has the honor of celebrating important anniversaries Indústria do Estado de São Paulo — SESI-SP of two icons in the history of art -the 500th anniversary of the death of Leonardo da Vinci and 100 years of the Bauhaus. Visitors to FILE 2019 can enjoy a variety of approaches to art and technology through works which make use of electronic language in different ways, from interactive installations and games to animation, GIFs and video art. They are projects which through their innovation and creative potential open up new spaces for living and aesthetic perspectives. To mark an important moment in this journey, FILE is pleased to offer the public 20 Years of FILE, 20 Years of Art and Technology and invites visitors to immerse themselves in a poetic vision of the new technologies. Paula Perissinotto & Ricardo Barreto FILE founders and organizers FILE, 20 anos de história e futuro 20 anos de FILE, 20 anos de arte e tecnologia Everton Amaro | Photo: Foto A arte e a tecnologia entrecruzam seus caminhos O FILE – Festival Internacional de Linguagem Eletrônica e seguem juntas uma trajetória de sucesso e – completa 20 anos em 2019. Mostrar o que existe de reconhecimento no Festival Internacional de Linguagem inovador na arte e tecnologia é a marca principal do Eletrônica, um fértil terreno de inovação e preservação da festival. A qualidade e o compromisso em oferecer ao arte eletrônica e seus desdobramentos contemporâneos. público brasileiro acesso ao que está sendo produzido A tecnologia vem revolucionando o comportamento social na ponta da arte eletrônica tem sido a missão do FILE no mundo todo nessas duas últimas décadas e o FILE nesses 20 anos de história. vem acompanhando essa mudança sem fim no campo Desde o século XX pesquisas artísticas buscam formas das artes, proporcionando ao público brasileiro uma inovadoras de expressão. Do ponto de vista da produção constante atualização cultural. artística, através da relação interdisciplinar das artes A formação de público para as artes visuais tem sido uma com a tecnologia, conquistas efetivas transformaram o das missões do SESI-SP, que encontrou no FILE, cinco processo criativo e a maneira de se expor obras de arte, anos após seu surgimento, um importante parceiro para o seja na relação da obra com o público ou do público cumprimento desta meta. com o espaço expositivo. A arte eletrônica tem se desenvolvido e vem exercendo um papel fundamental no mundo contemporâneo, pois busca desenvolver projetos Paulo Skaf que consideram não somente as inovações tecnológicas, mas sobretudo a diversidade dos novos comportamentos Presidente da Federação das Indústrias do Estado de São Paulo, Fiesp, e do Serviço Social da incorporados na sociedade atual. Indústria do Estado de São Paulo, SESI-SP A exposição do FILE 2019, além de celebrar a sua própria história, tem a honra de homenagear dois ícones inovadores da história da arte que também fazem aniversário nesse ano: 500 anos de Leonardo da Vinci e 100 anos de Bauhaus. O visitante poderá usufruir de uma variedade de aspectos da arte e tecnologia em diversas obras que usam a linguagem eletrônica, desvelada em modalidades que variam entre instalações interativas, jogos, animação, Gifs e videoarte. Projetos estéticos inovadores que instauram, em potência criadora, novos espaços de vivência e perspectiva estética. Como um marco nesse caminho, o FILE oferece ao público a exposição 20 anos de FILE, 20 anos de arte e tecnologia e convida o visitante a uma imersão poética nas novas tecnologias. Paula Perissinotto & Ricardo Barreto Organizadores e fundadores do FILE Sumário | Summary 9 O Começo sem Fim | A Beginning Without an End Paula Perissinotto FILE São Paulo 2019 – Exposição | Exhibition 15 Instalações | Installations Obras | Works 48 Cogitar a Arquitetura Teatral Considering Theater Architecture Cristiano Cezarino Rodrigues 60 Anima+ Obras | Works 104 Cinema Circular | Circular Cinema Obras | Works 118 Games Obras | Works 121 Videoarte | Videoart Obras | Works 6 FILE SÃO PAULO 2019 157 Hipersônica | Hypersonica Obras | Works 172 Mídia Arte | Media Art Obras | Works 179 GIFs Obras | Works 190 Led Show Obras | Works 196 Promovendo o Espírito de Tolerância Promoting the Spirit of Tolerance Felix Beck & Zlatan Filipovic Obras | Works (NYUA & AUS) 200 Participações FILE 2000-2018 FILE 2000-2018 Participations 234 Índice de Artistas | Index of Artists 236 Créditos & Apoio | Credits & Support 20 ANOS DE FILE | 20 YEARS OF FILE 7 A Beginning Without an End Paula Perissinotto With this tale we tell the story of the Electronic Language people were connected, money was not yet circulating in International Festival (FILE). From where did it emerge? the environment. At that time, practically everything on FILE was born in 1999, on the internet. And soon organized the internet was free. its first exhibition, at the Museum of Image and Sound And in the cultural world, what effect would it have? (MIS) in the city of São Paulo, Brazil, in August 2000. What would happen to the museums and other cultural The name “FILE” is a reference to the tag on the top left institutions when they were exposed to this new space? item in the menu of almost all Windows programs (and other How was the internet going to change the art world? operating systems), which in Portuguese is simply translated The traditional cultural institutions had always strived as “Arquivo”. In the beginning, we “filed” the aesthetic to restrict for themselves the artistic references that productions made for the internet. At that time, the web was maintain their authority over that world. Perhaps that is a rapidly expanding space – and today it continues to be a why, for reason that remain somewhat unclear and vague, space open for exploration. The place, par excellence, where the conditions for preserving the digital works of the 21st creativity is permitted and where decentralized information century are far from ideal. Could it be that over the last few is distributed. It is open, fluid and libertarian. A must for years technology has been confronting and even breaking artists. All that was needed then was a vague notion of the rules dictated by the traditional art world as both a HTML editing and access to a free browser like Netscape, all public institution and a marketplace? Is it the traditionalism the tools anyone needed who wanted to invent something.
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