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Boston Symphony Orchestra Concert Programs, Season 47,1927-1928

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Boston Symphony Orchestra Concert Programs, Season 47,1927-1928 # I r^*. f BOSTON SYMPHONY ORCHESTRA INC. FORTY-SEVENTH SEASON 1927-1928 PR5GR7W1E (TUESDAY) s Dark Blue Drawn by Ballibuntl Chandler V Co.' 25.00 own artist 1 '. i']i \ >v J\J /\ 2D I 1 m\ X 1 [lik\:l± \%3 DJEvIJVl Is long on right side and turned up naively over left eye. The sketch shows a hat of ballibuntl reproduced in our own atelier from Reboux's original model which sold at 65.00. Copied to fit the head, in any color, 25.00. Copied Exactly By special arrangements, you may now have any original model in our French Millinery Salon copied on your head. Our staff of twenty-four expert milliners will recreate the original so it will be really your hat. It will become you, it will be the right color, and perhaps a slightly altered line will eloquently express your own distinctive personality. In most cases, it will be far less expensive than the original. Your choice may- be made from a large collection of recently arrived Paris hats. Cfmnfcrler & Co. BOSTON COMMON OPPOSITE SUBWAY TREMONT ST. AT WEST SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 ioston Symphony Orchestra INC. SERGE KOUSSEVITZKY, Conductor FORTY-SEVENTH SEASON. 1927-1926 Programme TUESDAY AFTERNOON, APRIL 3, at 3.00 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1928, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN , Vice-President ERNEST B. DANE . Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN. Manager G. E. JUDD, Assistant Manager STEINWAY the instrument of the immortals Not only the best piano, but the best piano value It IS possible to build a piano to beauty of line and tone, it is the sell at any given price, but it is not greatest piano value ever offered! often possible to build a good . Convenient terms will be piano under such conditions. arranged, if desired. Steinway pianos are not—and There is a Steinway dealer in your com' never have been built to meet a — munity, or near you, through whom you price. They are made as well as may purchase a new Steinway piano with human skill can make them, and a small cash deposit, and the balance will the price is determined later. The be extended over a period of two years* result is the world's finest piano. Used pianos accepted in partial exchange. Such an instrument costs more Prices: an^ up than a commonplace product—yet *tPO 4 O in point of long life, prestige, and Plus transportation STEINWAY & SONS, Steinway Hall, 109 W. 57th Street, New York Represented by the foremost dealers everywhere . Forty-seventh Season, Nineteen Hundred Twenty-seven and Twenty-eight Fourth Programme TUESDAY AFTERNOON, APRIL 3 AT 3.00 Berlioz . Overture to "Benvenuto Cellini," Op. 23 Schubert Symphony in B minor ("Unfinished") I. Allegro moderate. II. Andante con moto. Strauss "Don Juan," Tone-poem, Op. 20 (after Lenau) Debussy "Prelude a l'Apres-Midi d'un Faune" ("Prelude to the Afternoon of a Faun"), Eclogue by S. Mallarme Stravinsky . Orchestral Suite from the Ballet "Petrouchka" Russian Dance — Petrouchka — Grand Carnival — Nurses' Dance —The Bear and the Peasant Playing a Hand Organ — of the Coach- , The Merchant and the Gypsies — The Dance men and Grooms — The Masqueraders. STEINWAY PIANO USED There will be an intermission of ten minutes after the symphony City of Boston, Revised Regulation of August 5. 1898, — Chapter 3, relating to the covering of the head in places of public amusement. Every licensee shall not. in his place of amusement, allow any person to wear upon the head a covering which obstructs the view of the exhibition or performance in such place of any person seated in any seat therein provided for spectators, it being understood that a low head covering without projection, which does not obstruct such view, may be worn. Attest: J. M. GALVIN. City Clerk The works to be played at these concerts may be seen in the Allen A. Brown Music collection of the Boston Public Library one week before the concert YOUR OWN TRIP TO EUROPE the first step . .. - ....... .. _._ ,„>,., . WHITCDM. eOM»>« FECHI IIIIESAq for Bfi. 4ae BBS- chabi,es blaiicue .'.-•v.. i. ....... ... .*................ 1 ; iiss Saturday April 7 .* .* .. Sail from Sew Xork at noon op the S.E. ' • BGMA, Plfir 69 North River, Foot of West 19th Street. Sunday April 8.' to y Saturday April 14 Sunday April 15 Leave *• » 5.00 PK Transfer by builoclt sled or autooobile | to the railway station, hide up Terrelro £$ d& Lucta Mountain by the famous Funicular Kuilroad and descend in the local wicker sleds to thy town. Luncheon on shore. ilonday April 16 • Tuesday April 1? . ., .*, Arrive at Gibraltar ' 8.00 AM Leave * 5.00 PU j Carriage drive in a»d about the fortress- town, including the Alameda Gardens and the Heutral Ground.' leoSfeMy April Xu Thursday April IS Autoaobile will be waiting to transfer you to tbf HOTEL ST. GEOhGE. Friday April to Private automobile and guide will be Tuesday Aprl'l 24 ) supplied for two days' sightseeing m ,,j •the city and vicinity, visiting the . i Kasbah, the Polr.te Pescade and the $ee next page / -i ' _.._ 1 RAYMOND-WHITCOMB will prepare an itinerary for the trip that meets your own special desires in dates, places visited, time spent, cost and other details. They will also make complete advance arrangements for your trip, and their extensive chain of European offices and repre- sentatives will see that they are carried out to your satisfaction. Send for the Raymond-Whitcomb Quide to European Travel RAYMOND & WHITCOMB CO. 165 TREMONT STREET, BOSTON Telephone HANcock 7820 Overture to the Opera "Benvenuto Cellini," Op. 23 Hector Berlioz (Born at La C6te-Saint-Andr6, December 11, 1803; died at Paris, March 9, 1869) This overture was composed at Paris early in 1838. Prudhomme says it was composed probably in January of that year. Berlioz wrote to Maurice Schlesinger, the publisher, on January 7, 1838: "It is absolutely necessary that I should rest and find a shelter from albums. For a fortnight I have searched vainly for three hours to dream at leisure over the overture of my opera. The inability to obtain them is a torture of which you have no idea, one that is abso- lutely insupportable. I warn you then that if I were forced to live on bread and water up to the moment when my score would be com- pleted, I do not wish to hear anything more about a criticism of any sort. Meyerbeer, Liszt, Chopin, and Kalkbrenner are not in need of my praise." The story has been condemned as weak and foolish. It is also wholly fictitious. It is enough to say that in 1532 Cellini is in Rome, called thither by the Pope. He falls in love with Teresa, the daughter of Balducci, an old man, who favors another suitor, Fieramosca, the Pope's sculptor. Cellini attempts to elope with her, and neglects work on his Perseus, which he at last finishes in an hour's time, fired by the Paris creates for Spring IQ28 The Animated Coat jPHE swinging silhouette! The mode may be fluttering, feminine as all leading French couturiers unite in saying — yet this does not mean an excess of elaboration — indeed, the reverse. And one notes the new "femininity" in coats by its capes, scarfs and tiers — by its flying panels, flaring cuffs — by its elbow-creeping furs with tails! Opposite Boston Common promise of Cardinal Salviati to reward him with the hand of Teresa. Cellini and his pupils and friends are disgusted early in the opera at a paltry sum of money given to Cellini by the Pope through Ascanio, but only after he had promised solemnly to complete the statue of Perseus. They decided to revenge themselves on the stingy and avari- cious treasurer, Balducci, by impersonating him in the theatre. Fieramosca, who has overheard the plot, calls in the help of Pompeo, a bravo. They plan to outwit Cellini by adopting the same costumes that he and his pupil Ascanio will wear. The pantomime of "King Midas" is acted; Balducci, among the spectators, recognizes the king in a caricature of himself. He advances to lay hands on the actor; Cellini profits by the confusion to go towards Teresa, but Fieramosca also comes up, and Teresa cannot distinguish her lover on account of the similarity of the masks. Cellini stabs Pompeo. He is arrested. The people are about to kill him, when the cannon-shots announce that it is Ash Wednesday. The lights are turned out, and Cellini escapes. The thematic material of the overture, as that of "Le Carnaval Romain," originally intended by Berlioz to be played as an introduction to the second act of "Benvenuto Cellini," but first performed at a con- cert in Paris, February 3, 1844, is taken chiefly from the opera. The overture opens, Allegro deciso con impeto, G major, 2-2, with the joyful chief theme. This theme is hardly stated in full when there is a moment of dead silence. Revised Edition MUSIC CLUB PROGRAMS FROM ALL NATIONS By ARTHUR ELSON A Unique and Invaluable Aid to Music Study Practical for Clubs and Schools Completely up to date, covering music from the Early times to the Modernists as well as music of the United States Price $2.50 OLIVER DITSON COMPANY 179 TREMONT STREET, BOSTON, MASS.
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