The Mentality of Survival
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fire and Ice from Album the Unforgiving
Fire and Ice From album The Unforgiving Originally composed by Within Temptation Arrangement for piano and voice by Tommaso Murgia = 72 Cm Voce 4 Piano 4 4 Fm CMaj 4 E very wordyou're say ing is a li e. Run a wa Cm Fm CMaj 7 y mydear but e very sign will say your heart is deaf All rights go to Within Temptation, songwriters Sharon den Adel, Robert Westerholt, Martijn Spierenburg, Producer Daniel Gibson and labels Dragnet/Sony (Europe) and Roadrunner (US and Japan) 10 Cm Cm Gm Bu ry all the me mories, cover themwithdirt 13 Fm D♯Maj where's thelove weonce had? Our de sti ny's un sure. Why Cm 15 Gm can't you see what we had? Let the fi re burn the ice. All rights go to Within Temptation, songwriters Sharon den Adel, Robert Westerholt, Martijn Spierenburg, Producer Daniel Gibson and labels Dragnet/Sony (Europe) and 2 Roadrunner (US and Japan) 17 Fm D♯Maj GMaj G♯Maj Where'sthelove weoncehad? Is it all a lie And I still won A♯Maj Cm Gm G♯Maj 20 der why ourhea ven has died theskiesare all fal ling -
Director's Foreword Statement of the Board International Support ISGIES
p. 4 Director’s Foreword p. 9 Statement of the Board p. 12 International Support p. 40 ISGIES p. 42 Visitors p. 54 International Residencies p. 62 Programme p. 65 p. Publications p. 69 Office for Contemporary Art Norway Annual Report 2015 Project: Staging Three. “Incidental Insurgents” p. 72 Project: Staging Two. “They Went Away to Stay” p. 76 Norway at the Venice Biennale p. 83 OCA in the Press p. 103 Key Figures 2015 p. 122 Organisation and the Board Office for Contemporary Art Norway 3 “Norway has always been a place in which the while reflecting upon the history of sound as a boundaries of the world have been questioned. force of repression, emancipation and excitation, Director’s Foreword As early as 1075, Bishop Adam of Bremen noted as well as contemporary concepts of consonance Norway’s position on the edge of the world thus: and dissonance, and the water, glass and light ‘Beyond Norway, which is the farthermost northern of Venice. Weaving together architectural and country, you will find no human habitation, nothing sculptural interventions in the space of the pavilion, but ocean, terrible to look upon and limitless, Norment developed a new composition for the glass encircling the whole world.’ Inevitably, a nation at armonica – a legendary 18th-century instrument the edge of the world is also one from which the that creates ethereal music from glass and water very frontiers of reason can be questioned. From – and a chorus of female voices, as well as the a historic perspective, it was along those northern resonances of the pavilion itself. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
I Just Love This Orchestra! Berkeley Symphony Photo by David S
My life here Bette Ferguson, joined in 2006 My Life Here Is INDEPENDENT The people who live here are well-traveled and engaged with life. Their independent lifestyle is enhanced with our Continuing Care and contract options so they have all levels of healthcare under one roof. Find out why our established reputation as one of the very best not-for-profit communities is just one more reason people like Bette Ferguson know a good thing when they live it. To learn more, or for your personal visit, please call 510.891.8542. stpaulstowers-esc.org Making you feel right, at home. A fully accredited, non-denominational, not-for-profit community owned and operated by Episcopal Senior Communities. Lic. No. 011400627 COA #92 EPSP1616-01CJ 100111 CLIENT ESC / St. Paul’s Towers PUBLICATION Berkeley Symphony AD NAME Bette Ferguson REFERENCE NUMBER EPSP616-01cj_Bette_01_mech TYPE Full Page Color - Inside Front Cover TRIM SIZE 4.75” x 7.25” ISSUE 2011/12 Season MAT’LS DUE 9.01.11 DATE 08.22.11 VERSION 01 mech AGENCY MUD WORLDWIDE 415 332 3350 Berkeley Symphony 2011-12 Season 5 Message from the Executive Director 7 Board of Directors & Advisory Council 9 Message from the Music Director 11 Joana Carneiro 13 Berkeley Symphony 16 January 26 Orchestra 19 January 26 Program 21 January 26 Program Notes 31 January 26 Guest Artists 41 April 26 Program 43 April 26 Program Notes 55 April 26 Guest Artists 60 Music in the Schools 63 Under Construction 65 Contributed Support 74 Advertiser Index Season Sponsors: Kathleen G. Henschel and Official Wine Sponsor of Berkeley Symphony: Presentation bouquets are graciously provided by Jutta’s Flowers, the Official Florist of Berkeley Symphony. -
I Stick My Neck out for Nobody
Excerpted from We’ll Always Have Casablanca: The Life, Legend, and Afterlife of Hollywood’s Most Beloved Movie by Noah Isenberg. Copyright © 2017 by Noah Isenberg. With permission of the publisher, W. W. Norton & Company, Inc. All rights reserved. Chapter 3 I Stick My Neck Out for Nobody Propertyuring of the W. 1930s, W. and intoNorton the early ’40s,& Company as the Great D Depression continued to cast its long shadow and dis- tressing memories of the Great War were still fresh in the minds of most Americans, politicians and the public at large were disinclined to meddle with the political affairs of Europe. Even after Hitler’s stunning ascent in Germany in January 1933, and the gradual rise of fascism in Italy, Americans showed little interest in waging an opposition. Hollywood, for its part, was no exception. Most studios, still reliant on sig- nificant revenue streams from the European export market, which into the mid-1930s constituted 30 to 40 percent of its box-office profits, fiercely avoided subjects that could be- con strued as offensive or insensitive. A typical attitude, voiced by M-G-M producer Irving Thalberg after returning from a trip to Germany in 1934, was “Hitler and Hitlerism will pass.” The 85 WellAlwaysHaveCasablanca_txt_final.indd 85 11/10/16 2:14 PM We’ll Always Have Casablanca imposition of the anti-Jewish Nuremberg Laws in 1935 didn’t stop most studios from continuing to retain cordial business ties with Nazi Germany, nor did the ruthless expansion of the Third Reich. “Fascism tipped the European applecart,” wrote journalist Helen Zigmond in a sobering report from December 1938, several months after the Anschluss and just weeks after the violent pogroms of Kristallnacht, “and Hollywood, instead of crying out against the bunglers, still scrambles for the fruit.” Although not without fault, Warner Bros. -
Filming the End of the Holocaust War, Culture and Society
Filming the End of the Holocaust War, Culture and Society Series Editor: Stephen McVeigh, Associate Professor, Swansea University, UK Editorial Board: Paul Preston LSE, UK Joanna Bourke Birkbeck, University of London, UK Debra Kelly University of Westminster, UK Patricia Rae Queen’s University, Ontario, Canada James J. Weingartner Southern Illimois University, USA (Emeritus) Kurt Piehler Florida State University, USA Ian Scott University of Manchester, UK War, Culture and Society is a multi- and interdisciplinary series which encourages the parallel and complementary military, historical and sociocultural investigation of 20th- and 21st-century war and conflict. Published: The British Imperial Army in the Middle East, James Kitchen (2014) The Testimonies of Indian Soldiers and the Two World Wars, Gajendra Singh (2014) South Africa’s “Border War,” Gary Baines (2014) Forthcoming: Cultural Responses to Occupation in Japan, Adam Broinowski (2015) 9/11 and the American Western, Stephen McVeigh (2015) Jewish Volunteers, the International Brigades and the Spanish Civil War, Gerben Zaagsma (2015) Military Law, the State, and Citizenship in the Modern Age, Gerard Oram (2015) The Japanese Comfort Women and Sexual Slavery During the China and Pacific Wars, Caroline Norma (2015) The Lost Cause of the Confederacy and American Civil War Memory, David J. Anderson (2015) Filming the End of the Holocaust Allied Documentaries, Nuremberg and the Liberation of the Concentration Camps John J. Michalczyk Bloomsbury Academic An Imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2014 Paperback edition fi rst published 2016 © John J. -
Film As a Primary Source Why We Fight – Prelude to War
film as a primary source why we fight – prelude to war Introduction In Prelude to War, the first film in Frank Capra's Why We Fight series, World War II was depicted as a battle between the “slave world” and the “free world.” America's enemies - Germany, Italy, and Japan - were portrayed as evil, militaristic, dictatorial regimes that sought to enslave the world. In contrast, America was portrayed as a just, peaceful, egalitarian society that sought to liberate the world. film as a primary source why we fight – prelude to war Assignment Your task is to evaluate Capra's characterization of the United States during World War II. Do so, by discussing the following: 1) The ways in which the American government presented the war. 2) The degree to which the government lived up to its rhetoric of freedom. 3) The ways in which wartime realities often conflicted with the government's idealistic presentation of the war. film as a primary source why we fight – prelude to war Prelude to War World War II was a conflict in which . Describe the slave world . Describe the free world . film as a primary source why we fight – prelude to war film as a primary source why we fight – prelude to war How accurate is this story ??? Slave world? - Tanaka Memorial (1927) - Unification of Germany, Italy, and Japan - Desire of Japanese to invade the U.S. and march down Pennsylvania Avenue film as a primary source why we fight – prelude to war How accurate is this story ??? Free world? . Alternative Narratives African Americans . -
Between 'Information' and 'Inspiration' Frame, Gregory the Routledge
Between 'Information' and 'Inspiration' ANGOR UNIVERSITY Frame, Gregory The Routledge Companion to Cinema and Politics PRIFYSGOL BANGOR / B Published: 30/06/2016 Peer reviewed version Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): Frame, G. (2016). Between 'Information' and 'Inspiration': the Office of War Information, Frank Capra's Why We Fight series, and US World War II propaganda. In Y. Tzioumakis, & C. Molloy (Eds.), The Routledge Companion to Cinema and Politics (pp. 151-160). Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 25. Sep. 2021 Between “Information” and “Inspiration”: The Office of War Information, Frank Capra’s Why We Fight series and US World War II Propaganda Gregory Frame While there is little debate that the United States required propaganda films as part of its war effort in order to combat the masterful and dangerous concoctions of the Axis powers and to inspire its people for a war of unprecedented ferocity against an unrelenting and vicious enemy, how these films should be constituted, and by whom, was a matter of significant debate and disagreement. -
World War II 1931 - 1945
World War II 1931 - 1945 The Treaty of Versailles • Germany lost land to surrounding nations • War reparations – Allies collect $ to pay back war debts to US – Germany pays $57 trillion (modern day equivalent) – Germans are bankrupt, embarrassed, guilt ridden, and angry. The Rise of Dictators The legacy of World War I and the effects of the Great Depression led to mass unemployment, inflation, and the threat of communism in Europe. These factors caused widespread political unrest. The Rise of Dictators Benito Mussolini and Adolf Hitler preached that became known as . Mussolini became prime minister of Italy in 1922 and soon established a dictatorship. Hitler and his Nazi Party won control of the German government in 1933 and quickly overthrew the nation’s constitution. The Rise of Dictators By 1929, Joseph Stalin was dictator of the Soviet Union, which he turned into a totalitarian state. Stalin took brutal measures to control and modernize industry and agriculture. Stalin had four million people killed or imprisoned on false charges of disloyalty to the state. The Spanish Civil War The Spanish Civil War offered an opportunity to test the new German military tactics and the strategy of Die Totale Krieg (The Total War). Japanese Aggression General Hideki Tōjō was the Prime Minister of Japan from 1941 to 1944. In 1931, military leaders urged the to invade Manchuria, a province in northern China that is rich in natural resources. Italian Aggression In 1935, ordered the invasion of Ethiopia. Italian troops roared in with machine guns, tanks, airplanes, and chemical weapons quickly overwhelming the poorly equipped Ethiopian army and killing thousands of civilians. -
World War II Information Collection, 1942-1951
WORLD WAR II INFORMATION COLLECTION A Register, 1942-1951 Overview of Collection Repository: Clemson University Libraries Special Collections, Clemson, SC Creator: War Information Center (Clemson Agricultural College of South Carolina) Collection Number: Mss 253 Title: World War II Information Collection, 1942-1951 Abstract: The War Information Center was established at Clemson College in April 1942. It was one of roughly 140 colleges and universities across the United States designated by the Library Service Division of the U.S. Office of Education to receive a wide range of publications and information in order to keep communities informed about the war effort in an age before mass media. The collection contains materials that document the events of World War II and its immediate aftermath. Quantity: 24 cubic feet consisting of 93 folders in 6 letter-sized boxes / 84 oversized folders / 10 oversized boxes. Scope and Content Note The collection includes publications, brochures, newsletters, news-clippings, posters, maps, ration coupons, and Newsmaps detailing the events of World War II. The collection dates from 1942-1951. The bulk of the material dates from the U.S. war years of 1942-1945. The subject files date from 1942-1945 with one correspondence file dated 1951. The World War II posters date from 1942-1946. The war-related maps date from 1941-1945. The Newsmaps date from 1942-1948. The subject files are arranged in alphabetical order by folder title. The news-clippings are arranged in chronological order. The oversized World War II posters, maps, and Newsmaps have detailed separation lists provided. The subject files contain pamphlets, newsletters, publications, brochures, and articles that document the activities of countries that fell to German occupation. -
Matias Corbett Garcez Gil Scott-Heron: a Black Bullet
MATIAS CORBETT GARCEZ GIL SCOTT-HERON: A BLACK BULLET THROUGH THE HEART OF WHITE AMERICA Florianópolis, 2015 2 3 MATIAS CORBETT GARCEZ GIL SCOTT-HERON: A BLACK BULLET THROUGH THE HEART OF WHITE AMERICA Tese de doutorado apresentada à Banca Examinadora do Programa de Pós-Graduação em Inglês do Centro de Comunicação e Expressão da Universidade Federal de Santa Catarina, como requisito parcial para a obtenção do título de Doutor em Estudos Culturais, linha de pesquisa Poéticas de Resistência, sob a orientação da Professora Doutora Maria Lúcia Milléo Martins. Florianópolis, 2015 Ficha de identificação da obra elaborada pelo autor, através do Programa de Geração Automática da Biblioteca Universitária da UFSC. Garcez, Matias Corbett Gil Scott-Heron: A Black Bullet Through The Heart Of White America / Matias Corbett Garcez ; orientadora, Maria Lúcia Milléo Martins - Florianópolis, SC, 2015. 292 p. Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós Graduação em Literatura. Inclui referências 1. Literatura. 2. Gil Scott-Heron. 3. Poéticas de Resistência . 4. Contra-narrativas . 5. FonoFicção. I. Milléo Martins, Maria Lúcia. II. Universidade Federal de Santa Catarina. Programa de Pós-Graduação em Literatura. III. Título. 6 7 Dedicated to my wife and love, Cristiane, and my son, Ravi. 8 9 ACKNOWLEDGMENTS I would like to thank CNPQ and Projeto de Extensão: Cursos Extracurriculares for the financial support granted throughout my studies. I would also like to thank Professor Maria Lúcia Milléo Martins for accepting me as her advisee, and for all the guidance and support during my research. I would also like to express my gratitude to my family, who gave me a lot of support, love, and motivation. -
Emergindo Das Trevas: Análise Do Discurso Metal Sinfônico Em Within Temptation
UNIVERSIDADE PRESBITERIANA MACKENZIE PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS MESTRADO EM LETRAS TALES DOS SANTOS EMERGINDO DAS TREVAS: ANÁLISE DO DISCURSO METAL SINFÔNICO EM WITHIN TEMPTATION São Paulo 2017 TALES DOS SANTOS EMERGINDO DAS TREVAS: ANÁLISE DO DISCURSO METAL SINFÔNICO EM WITHIN TEMPTATION Dissertação de mestrado apresentada à banca examinadora da Universidade Presbiteriana Mackenzie como requisito parcial para a obtenção do título de Mestre em Letras. Orientadora: Profa. Dra. Neusa Maria Oliveira Barbosa Bastos. São Paulo 2017 S237e Santos, Tales dos. Emergindo das trevas: análise do discurso metal sinfônico em Within Temptation / Tales dos Santos – São Paulo, 2017. 112 f. : il. ; 30 cm. Dissertação (Mestrado em Letras) - Universidade Presbiteriana Mackenzie, 2017. Orientador: Neusa Maria Oliveira Barbosa Bastos Referência bibliográfica: p. 95-98. 1. Heavy metal. 2. Metal sinfônico. 3. Análise do discurso. 4. Letras de música. Título. CDD 401.41 TALES DOS SANTOS EMERGINDO DAS TREVAS: ANÁLISE DO DISCURSO METAL SINFÔNICO EM WITHIN TEMPTATION Dissertação aprovada em: ____/____/________ BANCA EXAMINADORA: Profa. Dra. Neusa Maria Oliveira Barbosa Bastos – Orientadora Universidade Presbiteriana Mackenzie - UPM Profa. Dra. Diana Luz Pessoa de Barros – Avaliadora interna Universidade Presbiteriana Mackenzie - UPM Profa. Dra. Maria Mercedes Saraiva Hackerott – Avaliadora externa Universidade Paulista - UNIP Dedicatória Aos meus amigos Lucas Seiji Watanabe, Pedro Henrique Camargo e Pietro Beires Marzani Silva que compartilham do mesmo