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Visit Us Welcome Location Buses: Paseo del Parque: 1, 3, 4, 11, 14, 16, 19, 25, 32, 33, MUSEO DE MÁLAGA 34, 35, 36, 37, E, C1, C2, N1, N2. [email protected] Taxi rank: C/ Cortina del Muelle and Plaza de la Marina. www.museosdeandalucia.es/cultura/museos/MMA www.museosdeandalucia.es Parking: Nearest public car park: Plaza de la Marina. Palacio de la Aduana Plaza de la Aduana s/n 29015 Málaga location Telephone: (+34) 951911904 • (+34) 600160881 first floor. art The art collections of the Museum of Málaga 8. Recovering history 10. The Málaga school of painting: a national success The collections of the Museum of Málaga contain limited examples of work from With the arrival in Málaga of the Va- before the 19th century. Nonetheless, through state deposits it holds representative lencian Bernardo Ferrándiz y Badenes pieces from Morales, Murillo, the Ribera school, Pedro de Mena and Fernando in 1867, a local school of painting was Ortiz. The collections of Ricardo de Orueta, General Director of Fine Arts during the formed which fostered the training of Second Spanish Republic, consolidate the Museum’s own collection. painters who were to become suc- cessful throughout Spain, producing 9. Landscape painting in the 19 th century: triumph of a genre particularly important portraits and genre art. Particularly distinguished Landscape painting was one of the students of the school include Denis most successful genres in the 19th J. Denis Belgrano. After the bullfight. 1885–1890. Belgrano and Martínez de la Vega. century. Production of this work in Málaga became particularly import- ant in the national scene due to the 11. The professionalism of the Málaga circle: Muñoz Degrain development of a local school under the care of Carlos de Haes, where Establishing himself in Málaga in 1870, Antonio Muñoz Degrain became its most Manuel Criado, Emilio Ocón and important painter, alongside Bernardo Ferrándiz, for his solid training and national José Gartner were all distinguished exposure. His active role in creating the Fine Arts Museum means that our collec- students. J. Gartner. Destruction of the Invincible tion today includes work from Joaquín Agrassot, Salvador Martínez Cubells, Emilio Spanish Armada. 1892. Salas, Domingo Marqués, Joaquín Sorolla and Ramón Casas. 12. Moreno Carbonero, artistic prestige and social recognition 13. Continuity and decline: José Nogales Sevilla Moreno Carbonero was without a doubt an outstanding student of the Málaga José Nogales Sevilla, a disciple of Moreno Carbonero and teacher at the local School and its most widely recognised painter internationally. The main piece in the School of Fine Art, is represented with the display of two of his large-format works, room is his work The meta sudans (1882). Two distinguished works accompany the The Valencian florists and The miracle of St. Casilda, which demonstrate the beauty Museum of Málaga Moreno Carbonero collection: Jiménez Aranda’s Slave girl for and the quality of the floral compositions for which Nogales was considered a sale and Vicente Palmaroli’s The model Amelia. master nationally. J. Jimenez Aranda. Slave girl for sale. 1892-1897. V. Palmaroli. The model Amelia. 1890. J. Nogales. The miracle of St. Casilda. 1892. 14. Fin de siècle art: Enrique Simonet y Lombardo Fin de siècle art is represented in Málaga with the work of Pedro Sanz, Simonet and Viniegra, accompanied by pieces from Joaquín Sorolla, Schmidtt and Beltrán Massés. And she had a heart! by E. Simonet (1890), undoubtedly the Museum of Málaga’s most distinctive piece, is set against Judgement of Paris (1904), an example of the J. Moreno Villa. second stage of the painter’s development. The sheer size of Salvador Viniegra’s Female nude by window (detail). 1935 piece Blessing of the peasants (1887) and his skill in representing light complete a 15. The avant-garde in room which is not to be missed. Málaga: Pablo Picasso P. Picasso. and José Moreno Villa Old man with blanket. 1895. The writer, art historian and painter José Moreno Villa is the best exponent of avant-garde art in the Museum of Málaga. His art is accompanied by a presentation of Litoral magazine. This avant-garde work continues with Joaquín Peinado’s work and the Sabartés collection, which formed the basis for rooms dedicated to Picasso opened at the Museum in the 1970s. E. Simonet. And she had a heart! 1870. 17. Special collections The Museum of Málaga has a signi- ficant collection of drawings, graphic 16. Contemporary art of Málaga works and other objects where the Representing the Generation of 1950, the Picasso Group and the Palmo Collective material or techniques used mean are a selection of contemporary artists from Málaga who demonstrate the local they need to be conserved under spe- commitment to renewing the visual arts, which continues to be an active focus cial conditions; exhibitions in this room in the city. will therefore be rotated periodically. first floor. history of the museum 18. A museum loaded with history The Museum of Málaga has been active for a hundred years. Its status as an outstanding institution is narrated through its collections, centres, exhibitions, the unique na- ture of some of its collections, the public demand that led to the Aduana building being reclaimed, and the plans to adapt the Palace for use as a museum. The Andalusian regional government’s Ministry for Museum of Seville, Museum of Popular Arts Culture has been working for years to modernise and Traditions of Seville, Sevilla Museum of Andalusia’s museums, transforming them into a Fine Arts, Andalusia Contemporary Art Cen- space that can take on the new cultural and social tre, Archaeological Ensemble of Carmona challenges with the objective of improving and and the Archaeological Ensemble of Itálica. increasing citizens’ access to museum collections. These institutions welcome anybody who The Andalusian museums managed by the Re- wants to know more about Andalusia and View of the Aduana patio gional Ministry of Culture make up a network of its heritage through their collections and 24 institutions which are very different from one activities. This artistic, archaeological and another: Museum of Almería, Alcazaba of Alme- ethnographic heritage reflects what we used ría Monumental Ensemble, Andalusian Centre of to be and how we became what we are to- Photography, Museum of Cádiz, Baelo Claudia day. Through their exhibitions and activities, Monumental Ensemble, Archaeological Museum of these institutions also show what we yearn to Córdoba, Córdoba Museum of Fine Arts, Archaeolo- be in the future. gical Ensemble of Madinat Al-Zahra, Archaeological Museum of Granada, Museum of Casa de los Tiros, We would like to welcome you to this mu- Granada Museum of Fine Arts, Museum of Huelva, seum and hope that you enjoy your visit. We Museum of Jaén, Archaeological Museum of Úbe- encourage you to visit all the museums of da, Museum of Arts and Traditions of the Upper Andalusia and thank you for the ever-lasting Guadalquivir, Cazorla, Archaeological Ensemble of bond with Andalusian heritage you have Cástulo, Museum of Málaga, Archaeological En- created today. semble of the Antequera Dolmens, Archaeological welcome Regional Ministry of Culture Opening hours: Library To confirm opening hours and days, please visit Only open to researchers. www.museosdeandalucia.es Visits to be organised with Management and the Technical Department. Group visits Other facilities To guarantee the best service, we recommend that Conference room groups inform us of their visits in advance and Cafeteria agree on the details with the Museum’s Depart- ment of Education and Cultural Action. Restaurant We prefer for applications to be made four days Shop in advance of the visit through the appointment Teaching room form on our website, which is available at the Areas for children Educational Programmes section, or by telephone or email: Lactation room [email protected] visit us Depósito legal: SE 1360-2017 introduction the museum and its collections The Loring Collection, the origin of the Archaeological Museum of Málaga The city’s Provincial Museums of Fine second floor The Museum of Málaga archaeology collections Arts (1913) and of Archaeology (1945) were joined in 1972, becoming the Prehistory in Málaga’s caves Museum of Málaga. These collections were later made unavailable to the Among the tombs of giants: the megalithic landscape public in 1996 and 1997. In 2005 the national and regional governments Readings of colonisation: Phoenicians and indigenous Iberians agreed to install the Museum of Má- From the Roman conquest to the first towns laga in its current home, the Palacio de la Aduana, in response to massive The end of Roman Málaga: the not-so-dark ages citizen mobilisation under the slogan Málaga and the islamisation of al-Andalus “Aduana for Málaga (1998–2004)”. Madina Málaqa and its territory Archaeology The San Telmo Royal Academy and the origin of the Málaga Fine Arts Museum Two collections in a The Museum of Málaga art collections first floor single museum Recovering history The Museum of Málaga art and ar- chaeology collections are exhibited th Landscape painting in the 19 century: triumph of a genre together in a single narrative that ex- th The Málaga school of painting: a national success plains the 19 -century emergence of interest in collection-building in two The professionalism of the Málaga circle: Muñoz Degrain areas, which subsequently led to the establishment of the two museums. Moreno Carbonero, artistic prestige and social recognition The Palacio de la Aduana is present Continuity and decline: José Nogales Sevilla as another exhibit, and takes on its own role in the narrative. Visitors are Fin de siècle art: Enrique Simonet y Lombardo welcomed to the Palace’s ground floor by the (“ The avant-garde in Málaga: Pablo Picasso and José Moreno Villa Dama de la Aduana The Art Lady of La Aduana”) statue, evoking Contemporary art of Málaga the building’s history and contextu- History of alising the exhibition.
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