A COURSE in WOOD TURNING by ARCHIE S
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Tips and Techniques for Using a Detail Gouge
Woodturning Tools, Techniques, and Projects Alan N. Leland Tips and Techniques for Using a Detail Gouge Roughing with a Spindle Gouge I prefer to rough out my spindles with a 1 1/4” roughing gouge or a ¾” roughing gouge. Roughing out can be accomplished with a detail gouge but it takes a bit longer and the finished cuts are not as smooth. Used properly a 1 ¼” roughing gouge can leave nearly the same finish as a skew. For roughing cuts: the cut is started approximately 2” in from the tail stock end and proceeds in multiple 2” increments cutting toward the tail stock until approximately 3” from the head stock end of the blank at which point the direction of cut is reversed toward the head stock these cuts are accomplished with the tool handle perpendicular to the blank and the end of the handle down at approximately a 45 degree angle to insure that when the cutting edge makes contact with the wood that the bevel is rubbing and the tool is not cutting until the handle is raised up to start the cut. Hold the tool firmly but not tight as in all turning the tool needs to be easily manipulated and this can not be done with a tight grip on the tool. The feet should be spread apart and the body should be free to move with the cut. To achieve the most control, the flute of the tool is sandwiched between the thumb and fingers of the left hand. The thumb is exerting pressure down toward the tool rest and is griping the flute against the fingers. -
Woodturning Magazine Index 1
Woodturning Magazine Index 1 Mag Page Woodturning Magazine - Index - Issues 1 - 271 No. No. TYPE TITLE AUTHOR Types of articles are grouped together in the following sequence: Feature, Projects, Regulars, Readers please note: Skills and Projects, Technical, Technique, Test, Test Report, Tool Talk Feature - Pages 1 - 32 Projects - Pages 32 - 56 Regulars - Pages 56 - 57 Skills and Projects - Pages 57 - 70 Technical - Pages 70 - 84 Technique - Pages 84 - 91 Test - Pages 91 - 97 Test Report - Pages 97 - 101 Tool Talk - Pages 101 - 103 1 36 Feature A review of the AWGB's Hay on Wye exhibition in 1990 Bert Marsh 1 38 Feature A light hearted look at the equipment required for turning Frank Sharman 1 28 Feature A review of Raffan's work in 1990 In house 1 30 Feature Making a reasonable living from woodturning Reg Sherwin 1 19 Feature Making bowls from Norfolk Pine with a fine lustre Ron Kent 1 4 Feature Large laminated turned and carved work Ted Hunter 2 59 Feature The first Swedish woodturning seminar Anders Mattsson 2 49 Feature A report on the AAW 4th annual symposium, Gatlinburg, 1990 Dick Gerard 2 40 Feature A review of the work of Stephen Hogbin In house 2 52 Feature A review of the Craft Supplies seminar at Buxton John Haywood 2 2 31 Feature A review of the Irish Woodturners' Seminar, Sligo, 1990 Merryll Saylan 2 24 Feature A review of the Rufford Centre woodturning exhibition Ray Key 2 19 Feature A report of the 1990 instructors' conference in Caithness Reg Sherwin 2 60 Feature Melbourne Wood Show, Melbourne October 1990 Tom Darby 3 58 -
American Hand Book of the Daguerreotype Giving The
AMERICAN HAND BOOK OF THE DAGUERREOTYPE GIVING THE MOST APPROVED AND CONVENIENT METHODS FOR PREPARING THE CHEMICALS, AND THE COMBINATIONS USED IN THE ART. CONTAINING THE DAGUERREOTYPE, ELECTROTYPE, AND VARIOUS OTHER PROCESSES EMPLOYED IN TAKINGHELIOGRAPHIC IMPRESSIONS. BY S. D. HUMPHREY FIFTH EDITION NEW YORK: PUBLISHED BY S. D. HUMPHREY 37 LISPENARD STREET 1858 Entered, according to Act of Congress, in the year 1858, by S. D. HUMPHREY, In the Clerk's Office of the District Court of the Southern District of New York. To J. GURNEY, WHOSE PROFESSIONAL SKILL, SCIENTIFIC ACCURACY, AND ENERGETIC PERSEVERANCE, HAVE WON FOR HIM UNIVERSAL ESTEEM, THIS WORK IS MOST RESPECTFULLY INSCRIBED. PREFACE. There is not an Amateur or practical Daguerreotypist, who has not felt the want of a manual--Hand Book, giving concise and reliable information for the processes, and preparations of the Agents employed in his practice. Since portraits by the Daguerreotype are at this time believed to be more durable than any other style of "Sun-drawing," the author has hit upon the present as being an appropriate time for the introduction of the Fifth Edition of this work. The earlier edition having a long since been wholly; exhausted, the one now before you is presented. The endeavor has been to point out the readiest and most approved Methods of Operation, and condense in its pages; as much practical information as its limits will admit. An extended Preface is unnecessary, since the aim and scope of this work are sufficiently indicated by the title. S. D. HUMPHREY NEW YORK, 1858. CONTENTS CHAPTER I. -
Lathe Parts and Accessories
What’s that called? Lathe Parts and Accessories Headstock Toolrest Handwheel Tailstock Spindle Quill or Ram Tailstock handwheel Swing over Spindle bed Axis Speed control Leg Bed or Ways Banjo Length Illustration by Robin Springett If you are new to woodturning, these runs perpendicular to the lathe’s bed illustrations can help you learn the common and spindle axis. As the name parts of a lathe, as well as important accessories implies, spindle turning is how stair specific tospindle and faceplate turning. balusters, chair parts, and other furniture parts are made. Bowls and platters are generally The terms spindle turning and faceplate turned in faceplate orientation. turning refer to the orientation of the wood grain relative to the axis of the lathe. Spindle Wood can be mounted in both grain orientation means the wood grain runs parallel orientations using the same methods and ➮ to the lathe’s bed, or ways, and spindle axis. accessories. Faceplate orientation means the wood grain Woodturning FUNdamentals 1 © American Association of Woodturners | woodturner.org viewed from the tailstock). Most modern lathes Lathe parts (but few older designs) can switch to “Reverse” Lathes from various manufacturers differ for sanding and finishing. in some ways, such as motor systems, speed adjustments, size, and other features. But The spindle has a female Morse taper on the the basic premise and major components are inside and male threads on the outside. These common to all of them. two features, which vary in size by make and model, allow you to mount accessories and turn The headstock is the drive end of the lathe, wood. -
TEACHER's RESOURCE and PROJECT GUIDE Teaching Resources AAW TABLE of CONTENTS EDUCATION
TEACHER'S RESOURCE AND PROJECT GUIDE Teaching Resources AAW TABLE OF CONTENTS EDUCATION Turning to the Future Teachers Resource and Project Guide Note from Phil McDonald, AAW Executive Director 1 Safety • Intro to the Lathe 2 • Lathe Speed 3 • Personal Protection Equipment (PPE) 4 • Teaching Tips 5 Best Practices • Anchor Bevel Cut 9 • Before Turning on the lathe 10 • Lesson Plans & Handouts 11 • Workshop Environmental & Protocol 12 • General Student Shop Guidelines 13 Projects • Bottle Stopper 14 • Natural Edge Bowl 45 • Christmas Ornaments 17 • Open Bowl 53 • Gavel 19 • Ornament Stand 57 • Goblet 24 • Pen 59 • Honey Dipper 27 • Small Screwdriver 63 • Key Chains 31 • Spheres 65 • Lidded Box 35 • Top 70 • Morse Taper 40 • Weed Pot 73 • Napkin Rings 42 • Whisk 75 Teaching Resources Board of Directors A Note About Safety: An accident at a publication by the American Kurt Hertzog, President the lathe can happen with blinding Association of Woodturners Art Liestman , VP suddenness. Respiratory and other 222 Landmark Ctr Rob Wallace, Sec. problems can build over years. Take 75 5th St W Gregory Schramek, precautions when you turn. Safety St. Paul, MN 55102 Treas. guidelines are published online at phone 651-484-9094 Lou Williams http://www.woodturner.org/?page=Safety website woodturner.org Denis Delehanty Following them will help you continue to Exec. Director: Phil McDonald Louis Vadeboncoeur enjoy woodturning. [email protected] Jeff Brockett Kathleen Duncan AAW | woodturner.org INTRODUCTION Greeting from Phil McDonald, AAW Executive Director The AAW staff and board are pleased to present you with this complimentary special edition of our Turning to the Future Teaching Resources. -
A Handbook on Japanning by William N. Brown
A HANDBOOK ON JAPANNING FOR IRONWARE, TINWARE, WOOD, ETC. WITH SECTIONS ON TIN-PLATING AND GALVANIZING BY WILLIAM N. BROWN SECOND EDITION: REVISED AND ENLARGED WITH THIRTEEN ILLUSTRATIONS LONDON SCOTT, GREENWOOD AND SON "THE OIL AND COLOUR TRADES JOURNAL" OFFICES 8 BROADWAY, LUDGATE, E.C. 1913 D. VAN NOSTRAND COMPANY 8 WARREN ST., NEW YORK First Edition under title "A Handbook on Japanning and Enamelling", 1901 Second Edition, Revised and Enlarged, under title "A Handbook on Japanning"— January, 1913 CONTENTS PAGE SECTION I. INTRODUCTION. 1-5 Priming or Preparing the Surface to be Japanned 4 The First Stage in the Japanning of Wood or of Leather without a Priming 5 SECTION II. JAPAN GROUNDS. 6-19 White Japan Grounds 7 Blue Japan Grounds 9 Scarlet Japan Ground 9 Red Japan Ground 10 Bright Pale Yellow Grounds 10 Green Japan Grounds 10 Orange-Coloured Grounds 11 Purple Grounds 11 Black Grounds 11 Common Black Japan Grounds on Metal 12 Tortoise-shell Ground 12 Painting Japan Work 13 Varnishing Japan Work 17 SECTION III. JAPANNING OR ENAMELLING METALS. 20-28 Enamelling Bedstead Frames and similar large pieces 24 Japanning Tin, such as Tea-trays and similar goods 25 Enamelling Old Work 27 SECTION IV. THE ENAMELLING AND JAPANNING STOVE—PIGMENTS SUITABLE FOR JAPANNING WITH NATURAL LACQUER—MODERN METHODS OF JAPANNING WITH NATURAL JAPANESE LACQUER. 29-48 Appliances and Apparatus used in Japanning and Enamelling 29 Modern Japanning and Enamelling Stoves 34 Stoves heated by direct fire 34 Stoves heated by hot-water pipes 36 Pigments suitable for Japanning with Natural Lacquer 45 White Pigments 45 Red Pigments 46 Blue Pigment 46 Yellow Pigments 46 Green Pigment 46 Black Pigment 46 Methods of Application 46 Modern Methods of Japanning and Enameling with Natural Japanese 47 Lacquer SECTION V. -
2010-09 September Newsletter
GULF COAST WOODTURNER September, 2010 PRESIDENT’S CORNER GCWA Web Sites: Http://www.gulfcoastwoodturners.org I don’t know about you, but I came back from SWAT with a new energy for my work. The annual symposium was again held in Waco, as it will be for the foreseeable future. The construction was a major hassle, and we ended up was beaucoup going on in Waco, so if I missed anything hosting a “room” that was bounded by curtains, but the or anyone, I apologize. demos were super and we all had a great time. Speaking of our room, the new A/V system worked flawlessly. We’ve got a lot coming up in the next few months, starting Thanks to Thomas Irven and all those who have helped with the September demo by Paula Haymond, who will with this system. We did get a new speaker recently, and talk to us about her techniques for surface decoration. I’m I’m hearing that it is a big improvement. If you don’t agree, sure you have joined me in awe of some of her recent let me know. work. In addition to giving us a meeting demo, Paula will be leading two small hands-on workshops on surface Our lead demonstrator in Room 3 was Molly Winton, a decoration. The first class is full, and I hear from George very sweet and talented lady. Her daughter Jean was with Kabacinski that there is one place left in the second her, and Jean even got to turn a pen! Now Molly has to class to be offered Oct 9 at George’s shop. -
Using the Tormach PCNC Duality Lathe
Using the Tormach PCNC Duality Lathe Programmer's and Operator's Guide to the Duality Lathe © 2008 Tormach® LLC All Rights Reserved Questions or comments? Please email us at: PCNC Duality Lathe Manual [email protected] Part Number 31023 – Rev A1-2 Preface Using Tormach PCNC Duality Lathe ii 301023 Rev A1-2 Contents 1. Preface................................................................................................7 1.1 Manual Overview...............................................................................................................7 1.2 Safety..................................................................................................................................7 1.2.1 Safety Publications..............................................................................................................7 1.2.2 Operator Safety....................................................................................................................7 1.2.3 Electrical Safety...................................................................................................................9 1.3 Performance Expectations.................................................................................................9 1.3.1 Cutting Ability.....................................................................................................................9 1.3.2 Understanding Accuracy....................................................................................................10 1.3.3 Resolution, Accuracy and Repeatability of -
MICRO-MESH Procedures for Wood MICRO-MESH Is a Unique Cushioned Abrasive That Produces a Very Fine and Uniform Scratch Pattern
MICRO-MESH Procedures for Wood MICRO-MESH is a unique cushioned abrasive that produces a very fine and uniform scratch pattern. The nine grits range from 1500 up to 12,000. The 1500 is slightly coarser than a common 600 grit sandpaper. The 12,000 will leave a scratch pattern that cannot be detected by the human eye. MICRO-MESH abrasives can polish to a high reflective state or leave a matte or satin finish depending upon where you stop using the series. 1. Bare Woods Before starting the MICRO-MESH series, coarse sanding should be done using up to 320 grit sandpaper. Shaping, sawing or turning of the work piece should be complete. Begin with 1500 MICRO-MESH, sand until all of the common sandpaper scratches are removed. Continue with the MICRO-MESH series (1800, 2400, 3200, 3600, 4000, 6000, 8000, 12000). You may stop at any point during this process when you have reached the finish that you desire. On wood to be finished with urethane, polyester, lacquer, etc. you may want to stop at 3200 or 3600. This gives the wood a smooth base but leaves a gripping surface for the finish. 2. Wood Finishes (polyurethane, polyester, epoxy, lacquer, etc.) When applying multiple coats of finish sand only to 3200 or 3600 before re-coating. This will remove any orange-peel or dirt. Polish surface, beginning with 2400 MICRO-MESH and continuing through the series (3200-12000) until the desired gloss is achieved. Satin finishes are achieved with the 3600 grade. The satin finish gets progressively higher in gloss through the 6000 step. -
SPINDLE OFFSET TURNING Richard Pikul 1.0 PARALLEL AXIS TURNING
SPINDLE OFFSET TURNING Richard Pikul This article is only a basic start for offset turning 1.3 Using a compass, draw a circle at each end of between centres. There are many ways to augment the blank, using the awl point mark as centre. the methods shown to produce a wide variation of Circles shown are 10mm (0.4“) and 20mm turned shapes. (0.8“). These dimensions chosen as the best Only two types of offset turning are described. Two minimum and offset axis parallel to the centre axis and two axis maximum arcs for which cross the centre axis. the blank size chosen. Look To begin, use only waste wood until you become closely at the blank familiar with how it's done and to see how even on the right, the awl small differences in technique and marking accuracy hole is slightly off can affect the final shape produced. the marked centre. We will see how this affects the turning later. It must be emphasized that this article describes only 1.4 Now it's time to mark out positions so that we the very basics of multi axis turning. Experiment to can keep track of where we are when moving progress to more complex shapes. For some the centres around. suggestions, refer to the reading list at the end of this article. 1.5 Mark the headstock (Drive) end and the tailstock (live centre) end as shown in THOROUGHLY READ THE ENTIRE paragraph 1.6.1 and 1.6.2 below. Do place the ARTICLE AT LEAST TWICE – OR MORE – TO marks nearer to centre, I forgot to do this when MAKE SURE YOU UNDERSTAND ALL STEPS marking the examples and had to remark them BEFORE YOU PUT A TOOL TO WOOD. -
Wood-Frame House Construction
WOOD-FRAME HOUSE CONSTRUCTION U.S. DEPARTMENT OF AGRICULTURE «FOREST SERVICB»AGRICULTURE HANDBOOK NO. 73 WOOD-FRAME HOUSE CONSTRUCTION By L. O. ANDERSON, Engineer Forest Products Laboratory — Forest Service U. S. DEPARTMENT OF AGRICULTURE Agriculture Handbook No. 73 • Revised July 1970 Slightly revised April 1975 For sale by the Superintendent of Documents, U.S. Government Printing Office, Washincfton, D.C. 20402 Price: $2.60 ACKNOWLEDGMENT Acknowledgment is made to the following members of the Forest Products Laboratory (FPL) for their contributions to this Handbook: John M. Black, for information on painting and finishing; Theodore C. Scheffer, for information on protection against termites and decay; and Herbert W. Eickner, for information on protection against fire. Acknowledgment is also made to Otto C. Heyer (retired) for his part as a co-author of the first edition and to other FPL staff members who have contributed valuable information for this revision. The wood industry has also contributed significantly to many sections of the publication. 11 CONTENTS Page Page Introduction 1 Chapter 6.—Wall Framing 31 Requirements 31 Chapter 1.—Location and Excavation 1 Platform Construction 31 Condition at Site 1 Balloon Construction 33 Placement of the House 3 Window and Door Framing 34 Height of Foundation Walls 3 End-wall Framing 36 Excavation 4 Interior Walls 38 Chapter 2.—Concrete and Masonry 5 Lath Nailers 39 Mixing and Pouring 5 Chapter 7.—Ceiling and Roof Framing 40 Footings 5 Ceiling Joists 40 Draintile 7 Flush Ceiling Framing 42 -
Woodworking Glossary, a Comprehensive List of Woodworking Terms and Their Definitions That Will Help You Understand More About Woodworking
Welcome to the Woodworking Glossary, a comprehensive list of woodworking terms and their definitions that will help you understand more about woodworking. Each word has a complete definition, and several have links to other pages that further explain the term. Enjoy. Woodworking Glossary A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | #'s | A | A-Frame This is a common and strong building and construction shape where you place two side pieces in the orientation of the legs of a letter "A" shape, and then cross brace the middle. This is useful on project ends, and bases where strength is needed. Abrasive Abrasive is a term use to describe sandpaper typically. This is a material that grinds or abrades material, most commonly wood, to change the surface texture. Using Abrasive papers means using sandpaper in most cases, and you can use it on wood, or on a finish in between coats or for leveling. Absolute Humidity The absolute humidity of the air is a measurement of the amount of water that is in the air. This is without regard to the temperature, and is a measure of how much water vapor is being held in the surrounding air. Acetone Acetone is a solvent that you can use to clean parts, or remove grease. Acetone is useful for removing and cutting grease on a wooden bench top that has become contaminated with oil. Across the Grain When looking at the grain of a piece of wood, if you were to scratch the piece perpendicular to the direction of the grain, this would be an across the grain scratch.