Centers of Map Publishing in Europe, 1472–1600 Robert Karrow
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IP* t:44; 4 g r ORHONLU (CENGIZ). iskan tesebbiisii, 1691-1696. --- Osmanli imparatorlugunda asiretleri No. [Istanbul, Univ. Edebiyat Fak. Yayinlari, 998.] Orh. Istanbul, 1963. .9(4.961) Islamic Lib. - -- Another copy. teskilátti. [Istanbul Univ. Edeb. --- Osmanli imparatorlugunda derbend No. 1209.] Fak. Yayinlari, Orh. Istanbul, 1967. .9(4961) ADDITIONS ORHAN (S.T.C.). --- ed. CENTO symposium on the mining & benefaction of fertilizer minerals held in Istanbul ... 1973. See CENTRAL TREATY ORGANIZATION. ORHANG (TORLEIV). - -- See NYBERG (SVEN), O. (T.) and SVENSSON (H.) ORHAN VELI. --- Bütun giileri. Derleyen A. Bezirci. Onaltinci basim. [Turk Yazarlari Dizisi.] Istanbul, 1982. .894351 Orh. ORI, Rabbi. See URI, ben Simeon. ORIA, St. See AURIA,St. ORIANI (ALFREDO). Omnia, a di G. Papini. 2a ed. [Opera - -- La bicicletta. Prefazione cura di Benito Mussolini, 20.] .85391 Ori. Bologna, 1931. [Opere, 1.] - -- La disfatta; romanzo. .85391 Ori. Bari, 1921. [Bibl. Moderna Mondadori, 358 -59.] - -- La disfatta. Ed. integrale. .85391 Ori. [ Milan] 1953. - -- Fino a Dogali. [Opere, 10.] .85391 Ori. Bari, 1918. Omnia, di L. Federzoni. 3a ed. [Opere - -- Fino a dogali. Prefazione a cura di B. Mussolini, 7.] Ori. Bologna, pr. 1935. .85391 -1887. origini della lotta attuale, 476 - -- La lotta politica in Italia; Malavasi e G. Fumagalli. 3 vols. 5a ed. Curata e riveduta ... da A. .3232(45)09 Ori. Firenze, 1921. di Salvatore di Giacomo. [Opera - -- Olocausto; romanzo. Prefazione 22.] Omnia, a cura di Benito Mussolini, .85391 Ori. Bologna, 1925. 3.104. 0r; ideale. - -- La rivolta .301 Bologna, 1912. L. di Benito Mussolini. 3a ed. [010,2.r - -- La rivolta ideale. Prefazione 13.] Omnia, a cura di Benito Mussolini, Ori. -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Africae ut terra mariq[ue], lustrata est, propiissima ac vere genuina descriptio, observatis ad unguem gradibus longitudinis et latitudinis. Autore M. Iacobo Castaldo Stock#: 37039aj Map Maker: de Jode Date: 1578 Place: Antwerp Color: Hand Colored Condition: VG Size: 20.5 x 16.5 inches Price: SOLD Description: Rare old color example of the first state of De Jode's first map of Africa, from the 1578 edition of his Speculum Orbis Terrarum. The map is divided into two sections and includes an elephant, lions, battle scene, sailing ships and palm trees. First state with Latin text on verso but without the addition of "Cum privilegio" in the title cartouche. The map is based on the famous eight sheet Giacomo Gastaldi wall map of Africa of 1564. Within the title, De Jode recognizes Gastaldi as the author of this work ("Autore M. Iacobo Castoldo"). As De Jode was represented at the important Frankfurt Book Fair where he bought and sold maps, he possibly obtained a copy of the Gastaldi wall map of Africa during one of these fairs. Other than reducing Gastaldi's heavily detailed, eight-sheet map to one folio-sized map, the basic outline for Africa and its hydrographical and topographic features are the same. Koeman (1967-71) theorizes that De Jode may have been inspired to issue his own atlas, based on the immediate success of Abraham Ortelius' Theatrum Orbis Terrarum. It is therefore likely that this map of Africa may have been prepared sometime after 1570, but before 1578, with the intention that it would eventually be included in De Jode's atlas, pending receipt of a publisher's privilege intended to prevent unauthorized copying of his maps. -
Venetian Cartography and the Globes of the Tommaso Rangone Monument in San Giuliano, Venice
Stephen F. Austin State University SFA ScholarWorks Faculty Publications School of Art Spring 3-2016 Venetian Cartography and the Globes of the Tommaso Rangone Monument in San Giuliano, Venice Jill E. Carrington School of Art, [email protected] Follow this and additional works at: https://scholarworks.sfasu.edu/art Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Tell us how this article helped you. Repository Citation Carrington, Jill E., "Venetian Cartography and the Globes of the Tommaso Rangone Monument in San Giuliano, Venice" (2016). Faculty Publications. 3. https://scholarworks.sfasu.edu/art/3 This Article is brought to you for free and open access by the School of Art at SFA ScholarWorks. It has been accepted for inclusion in Faculty Publications by an authorized administrator of SFA ScholarWorks. For more information, please contact [email protected]. Venetian Cartography and the Globes of the Tommaso Rangone Monument in S. Giuliano, Venice* Jill Carrington Highly specific stone reliefs of a terrestrial and a celestial globe flank the bronze statue of physician and university professor Tommaso Rangone (1493-1577) in his funerary monument on the façade of S. Giuliano in Venice (1554-1557; installed c. 1558) (Fig. 1).1 The present essay is the first to examine the strikingly specific imagery of these globes; it compares them to actual maps and globes, argues that the features of the globes were inspired by contemporary world maps likely owned by Rangone himself, relates the globes to the emergence of globe pairs at the time and situates them within the thriving production of maps, atlases, and treatises in mid-sixteenth century Venice and in the very neighborhood where these cartographic works were produced and sold. -
Ortelius's Typus Orbis Terrarum (1570)
Ortelius’s Typus Orbis Terrarum (1570) by Giorgio Mangani (Ancona, Italy) Paper presented at the 18th International Conference for the History of Cartography (Athens, 11-16th July 1999), in the "Theory Session", with Lucia Nuti (University of Pisa), Peter van der Krogt (University of Uthercht), Kess Zandvliet (Rijksmuseum, Amsterdam), presided by Dennis Reinhartz (University of Texas at Arlington). I tried to examine this map according to my recent studies dedicated to Abraham Ortelius,1 trying to verify the deep meaning that it could have in his work of geographer and intellectual, committed in a rather wide religious and political programme. Ortelius was considered, in the scientific and intellectual background of the XVIth century Low Countries, as a model of great morals in fact, he was one of the most famous personalities of Northern Europe; he was a scholar, a collector, a mystic, a publisher, a maps and books dealer and he was endowed with a particular charisma, which seems to have influenced the work of one of the best artist of the time, Pieter Bruegel the Elder. Dealing with the deep meaning of Ortelius’ atlas, I tried some other time to prove that the Theatrum, beyond its function of geographical documentation and succesfull publishing product, aimed at a political and theological project which Ortelius shared with the background of the Familist clandestine sect of Antwerp (the Family of Love). In short, the fundamentals of the familist thought focused on three main points: a) an accentuated sensibility towards a mysticism close to the so called devotio moderna, that is to say an inner spirituality searching for a direct relation with God. -
WILLIAM R. TALBOT FINE ART, ANTIQUE MAPS & PRINTS 505-982-1559 • [email protected] • for Purchases, Please Call Or Email
ILLIAM R TALT FIE ART, ATIE MAPS PRITS 129 West San Francisco Street • P. O. Box 2757, Santa Fe, New Mexico 87504 505-982-1559 • [email protected] • www.williamtalbot.com FALL 2019 Abraham Ortelius’s FIRST EDITION WORLD MAP The present map is a depiction of the world from the Age of Discovery and the earliest edition of Abraham Ortelius’s famous world map rendered in magnificent color. Ortelius was a great compiler of newly discovered geographical facts and information. His New World mapping is also a study in early conjecture, including a generous northwest passage below the Terra Septentrionalis Incognita, and a projection of the St. Lawrence reaching to the middle of the continent. Ortelius’s map includes Terra Australis Nondum Cognita, reflecting the misconception held at the time of a massive southern continent, that incorporates Tierra del Fuego in this southern polar region rather than in South America. The relatively unknown regions across Northeast Asia distort the outline of Japan considerably. In the North Atlantic, the outline of Scandinavia is skewed, and Greenland appears very close to Abraham Ortelius (1528–1598). “Typus Orbis Terrarum,” (Antwerp: 1570). First Edition. Published in the Latin editions of Theatrum Orbis Terrarum. Double- North America. Ortelius published his world maps page copperplate engraving with full hand color and some original color. Signed by in his Theatrum Orbis Terrarum, considered to be engraver l.r. “Franciscus (Frans) Hogenberg”. Latin text, verso: “Orbis Terrarum.” the first modern atlas, with 70 copper engravings and “I”. 13 3/32 x 19 7/16” to neatline. Sheet: 15 9/16 x 20 3/4”. -
The European Towns in Braun & Hogenberg's Town Atlas, 1572-1617
Belgeo Revue belge de géographie 3-4 | 2008 Formatting Europe – Mapping a Continent Mapping the towns of Europe: The European towns in Braun & Hogenberg’s Town Atlas, 1572-1617 Cartographie des villes d’Europe: Les villes européennes dans l’Atlas des Villes de Braun et Hogenberg, 1572-1617 Peter van der Krogt Electronic version URL: http://journals.openedition.org/belgeo/11877 DOI: 10.4000/belgeo.11877 ISSN: 2294-9135 Publisher: National Committee of Geography of Belgium, Société Royale Belge de Géographie Printed version Date of publication: 31 December 2008 Number of pages: 371-398 ISSN: 1377-2368 Electronic reference Peter van der Krogt, “Mapping the towns of Europe: The European towns in Braun & Hogenberg’s Town Atlas, 1572-1617”, Belgeo [Online], 3-4 | 2008, Online since 22 May 2013, connection on 05 February 2021. URL: http://journals.openedition.org/belgeo/11877 ; DOI: https://doi.org/10.4000/ belgeo.11877 This text was automatically generated on 5 February 2021. Belgeo est mis à disposition selon les termes de la licence Creative Commons Attribution 4.0 International. Mapping the towns of Europe: The European towns in Braun & Hogenberg’s Town A... 1 Mapping the towns of Europe: The European towns in Braun & Hogenberg’s Town Atlas, 1572-1617 Cartographie des villes d’Europe: Les villes européennes dans l’Atlas des Villes de Braun et Hogenberg, 1572-1617 Peter van der Krogt This article is based upon the research for Koeman’s Atlantes Neerlandici, vol. IV: The Town Atlases, in preparation, scheduled for publication late 2009. Introduction “The Civitates is one of the great books of the World, (...) a wonderful compendium of knowledge of life in Europe in the sixteenth century, (...) it gives a visual printed record of mediaeval Europe, and is one of the most valuable sources remaining to the student and historian of these periods” (R.V.Tooley)1. -
Mapping and Voyages
Comp. by: KNarayanan Stage: Proof Chapter No.: 3 Title Name: WYATT Date:31/1/14 Time:20:47:51 Page Number: 57 Francesca Fiorani 3 Mapping and voyages Fundamentally human is the need to know the places that we inhabit and to dominate them through mapping. In the process of mastering the geography of our world, we define our place within it and our relations to others. If the need to represent the surrounding space is universal, how to map it, what to include and what to omit, is always a selective cultural process that involves choices, reductions, and distortions. Renaissance mapping is traditionally associated with the beginning of modern cartography, and its history has often been reduced to documenting the gradual conquest of mathematical accuracy in the representation of a world of expanding borders. Early European voyages beyond the Columns of Hercules (at Gibraltanuptiisr) and the rediscovery of Ptolemy’s Geographia [Geography], the foundational text for locating places precisely on a cartographic grid, date from the late fourteenth century. But Ptolemy’s mathematical geography, which has become the dominating concern of modern cartography, coexisted in the Renaissance with the verbose descriptions of places that other ancient authors had presented in their geographical texts and which have disappeared from modern maps. As cultural artifacts, maps participated in major cultural trends of the period, from human- ism to the exploration of trading routes and the emergence of the printing press as well as in the planning of religious expeditions and the formation of overseas dominions. Their techniques and conventions of representation emerged in relation to the intentions of their makers and the expectations of their patrons and users. -
Maps in Renaissance Libraries and Collections George Tolias
25 • Maps in Renaissance Libraries and Collections George Tolias The aim of this chapter is to highlight some apparently “he compiles it [the description] into a well-ordered and peripheral yet widespread scholarly uses of maps during proportionally measured map lest it be lost.” 2 the Renaissance—uses associated with map collecting, The allegory broadly agrees with Strabo’s view of display, and study. The chapter examines the role of maps mapmaking as a process of mnemonic reconstruction.3 as visual memory aids in the light of the available evi- However, the fact that Cusanus used the map as a metaphor dence; it then traces the presence and arrangement of to help his readers understand both the process of recon- maps in Renaissance libraries and collections; and finally, it examines the symbolic functions and learned uses of maps within early modern humanistic culture. The research for this chapter was made possible by the Arthur and Janet Holzheimer Fellowship, 2001–2, awarded by the Institute for Re- search in the Humanities of the University of Wisconsin, Madison, and Maps as Memory Aids thanks are due to the fellows of the institute for their helpful comments in the early stages of the work. I was particularly fortunate in being able Although the Renaissance has been described as “the age to use the resources of the History of Cartography Project, and warm of manuals,” a period “inexhaustible in its search for nor- thanks are due to the members of the Project for their constant and valu- able assistance. Naturally, my warmest thanks of all would have gone mative principles of general and perennial value, which to David Woodward for his encouragement and generous advice. -
Mag. Igor Kolenc Matjaž Nemec Tanja Fajon Dello Sviluppo Di Isola E Della Vita Di Qualità Dei Suoi Cittadini
Spoštovane občanke in občani. Pred vami je predvolilni časopis, ki noče biti navaden politični pamflet ali spisek obljub in neuresničljivih projektov. Sem Aleksej Skok, vesel sem, da lahko povem in tudi zapišem, da je moje poslanstvo skrb za razvoj Izole in kakovostno življenje njenih občanov. Trenutno sem podžupan Občine Izola, končujem svoj tretji mandat v občinskem svetu, sem dolgoletni predsednik odbora za okolje in prostor. Sem tudi dolgoletni in zelo aktiven član slovenskih Socialnih demokratov. Zaradi številnih vlog, ki sem jih do sedaj opravljal, sem postal dober poznavalec političnega in gospodarskega delovanja na vseh ravneh naše družbe. Zato sem se odločil, da na letošnjih lokalnih volitvah kandidiram za župana Občine Izola. Ponosen sem, da živimo v mestecu s tradicijo, dušo in z racionalno, a optimistično strategijo razvoja v prihodnost. Zagotavljam, da bom vse svoje moči in znanje usmeril za odločen in hkrati premišljen razvoj, da bo Izola omogočala kakovostno in varno življenje slehernemu občanu ali Aleksej Skok na sredini, Valter Jugovac, Romina Kralj, Katja Flego in Valdi Morato z leve proti desni. njenemu gostu. Care cittadine e cittadini, Avete in mano il mio giornale, che non vuole essere un semplice opuscolo politico oppure un elenco di promesse e progetti irrealistici. Sono Aleksej Skok e sono felice di ammetere che il mio obbiettivo è quello di occuparmi dello sviluppo di Isola e della vita di Mag. Igor Kolenc Matjaž Nemec Tanja Fajon qualità dei suoi cittadini. Al momento župan Občine Izola od leta 2010 do 2018 poslanec v Državnem zboru poslanka evropskega parlamenta sono Vicesindaco del Comune di Isola, Kar zavrti se mi v glavi ob misli Dragi Aleksej, iskreno poveda- Sem poslanka v Evropskem Consigliere comunale con il terzo na dediščino, ki smo jo prevzeli no, počaščen sem, da lahko iz parlamentu znotraj skupine mandato e presidente del Comitato leta 2010. -
Signs on Printed Topographical Maps, Ca
21 • Signs on Printed Topographical Maps, ca. 1470 – ca. 1640 Catherine Delano-Smith Although signs have been used over the centuries to raw material supplied and to Alessandro Scafi for the fair copy of figure 21.7. My thanks also go to all staff in the various library reading rooms record and communicate information on maps, there has who have been unfailingly kind in accommodating outsized requests for 1 never been a standard term for them. In the Renaissance, maps and early books. map signs were described in Latin or the vernacular by Abbreviations used in this chapter include: Plantejaments for David polysemous general words such as “marks,” “notes,” Woodward, Catherine Delano-Smith, and Cordell D. K. Yee, Planteja- ϭ “characters,” or “characteristics.” More often than not, ments i objectius d’una història universal de la cartografia Approaches and Challenges in a Worldwide History of Cartography (Barcelona: Ins- they were called nothing at all. In 1570, John Dee talked titut Cartogràfic Catalunya, 2001). Many of the maps mentioned in this about features’ being “described” or “represented” on chapter are illustrated and/or discussed in other chapters in this volume maps.2 A century later, August Lubin was also alluding to and can be found using the general index. signs as the way engravers “distinguished” places by 1. In this chapter, the word “sign,” not “symbol,” is used through- “marking” them differently on their maps.3 out. Two basic categories of map signs are recognized: abstract signs (geometric shapes that stand on a map for a geographical feature on the Today, map signs are described indiscriminately by car- ground) and pictorial signs. -
Bibliographical Index
Bibliographical Index BIBLIOGRAPHICAL ACCESS TO THIS VOLUME geographies imaginaires de l'Eldorado." L'Homme 122-24 Two modes of access to bibliographical information are used in this (1992): 271-308. 324 volume: the footnotes and the Bibliographical Index. Alkire, William H. "Systems of Measurement on Woleai Atoll, Caro The footnotes provide the full form of a reference the first time it line Islands." Anthropos 65 (1970): 1-73. 462, 463, 464, 465, is cited in each chapter, with author's last name and short title in sub 466,467,470 sequent citations. In most of the short-title references, the note num Allen, Catherine J. "The Nasca Creatures: Some Problems of Icono ber where the fully cited work can be found is given in parentheses. graphy." Anthropology 5, no. 1 (1981): 43-70. 268 The Bibliographical Index constitutes a complete list of works Allen, Elphine. "Australian Aboriginal Dance." In The Australian cited in the footnotes, tables, appendixes, and figure and plate legends. Aboriginal Heritage: An Introduction through the Arts, ed. Numbers in bold type indicate the pages on which the references are Ronald Murray Berndt and E. S. Phillips, 275-90. Sydney: Aus cited. tralian Society for Education through the Arts in association with Ure Smith, 1973. 359 Abbadie, Antoine Thomas d'. Catalogue raisonne de manuscrits Allen, Gary L., et al. "Developmental Issues in Cognitive Mapping: ethiopiens appartenant aAntoine d'Abbadie. Paris: Imprimerie The Selection and Utilization of Environmental Landmarks." Imperiale, 1859. 29 Child Development 50 (1979): 1062-70. 443 Aberley, Doug, ed. Boundaries ofHome: Mapping for Local Allen, James de Vere, and Thomas H. -
Map Gallery : a Historical Survey
CARTOGRAPHic MiSCELLANY MAP GALLERY : A HiSTORicAL SURVEY he purpose of this section is to illustrate the chang- Many map books emphasize rare cartographic milestones ing appearance and aesthetics of printed maps over at the expense of the vast variety of highly collectible and their five-hundred-year history. The maps were se- available maps that fall into the “neat map” category. That lected to provide a visual demonstration of how emphasis on “trophy maps” implicitly demeans many superb Tprinting techniques, cartographic content, artistic designs, maps and tacitly suggests that they are less worthy of being and color styles changed over time. No claim to completeness collected. The aim here is to present a more egalitarian view of can be made—it would take far more room than we have here the wide world of map collecting. to fully illustrate the rich diversity of mapmaking. The maps Beginners are often intrigued when they realize they can were assembled in a diachronic sequence that illustrates the actually afford a map that was printed at the same time Co- salient points of the visual evolution of printed maps. lumbus was discovering America and Leonardo da Vinci was The same forces that moved the art world in Renaissance painting the Mona Lisa. At the other end of the spectrum are Europe influenced the art of mapmaking. While art evolved maps that are not even technically “antique” (over 100 years from one movement to the next, mapmakers echoed the same old), but nevertheless represent an important, interesting era aesthetics. At its artistic height, mapmakers filled their work and are sufficiently removed from 21st-century style and tech- with fine miniatures portraying life and customs in distant nology to be collectible.