Five Star Final" Be Held Over An- Child Anticipates Christmas
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Fact Or Fiction: Hollywood Looks at the News
FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth. -
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MAY 2020 h 2001: A Space Odyssey (1968) 5/2 h The Body Snatcher (1945) 5/30 h The Devil Bat (1940) 5/18 a w 36 Hours (1964) 5/9 R Born Reckless (1959) 5/30 R Devotion (1946) 5/13 ADVENTURE D m 42nd Street (1933) 5/11 m Born to Dance (1936) 5/11 The Diary of Anne Frank (1959) 5/13 c c Bowery Battalion (1951) 5/2 m Ding Dong Williams (1946) 5/8 COMEDY –––––––––––––––––––––– A ––––––––––––––––––––––– c Boys’ Night Out (1962) 5/2 c Dinner at Eight (1933) 5/13 D Abe Lincoln in Illinois (1940) 5/13 P h The Brain That Wouldn’t Die (1962) 5/18 w The Dirty Dozen (1967) 5/25 z CRIME D Ace in the Hole (1951) 5/9 R Break of Hearts (1935) 5/12 h Doctor X (1932) 5/18 c The Actress (1953) 5/22 c Brewster McCloud (1970) 5/9 D Dolls (1987) 5/15 o DOCUMENTARY a Adventures of Don Juan (1948) 5/14 c The Bride Came C.O.D. (1941) 5/29 R Don Juan (Or if Don Juan Were a Woman) (1973) 5/17 u After the Thin Man (1936) 5/3 z Brother Orchid (1940) 5/14 Hc Double Exposure (1935) 5/9 D DRAMA HD Age 13 (1955) 5/15 z Bullets or Ballots (1936) 5/7 S z Double Indemnity (1944) 5/21 S c Alice Adams (1935) 5/12 D Dr. Ehrlich’s Magic Bullet (1940) 5/28 S e EPIC Hm All Girl Revue (1940) 5/27 –––––––––––––––––––––– C ––––––––––––––––––––––– h Dr. -
EXTENSIONS of REMARKS July 17, 1973
24392 EXTENSIONS OF REMARKS July 17, 1973 1 percent in the 6 months following the stand in adjournm ent until 10 a.m . At 10:30 a.m. debate will resume on the effective date of those increases. tomorrow. amendment offered by the Senator from We are all aware of the recession The PR ESIDIN G O FFICER . Without Colorado (M r. Dommicx) and the Sena- which occurred during 1969-71. A s the objection, it is so ordered. tor from Ohio (M r. TAFT) . chart shows, unemployment for both A rollcall vote will occur on the Domi- adults and teenagers increased during nick-Taft amendment at 12:30 p.m. that period, as one would expect. T here ORDER FOR ROUTINE BUSINESS O ther amendments will be called up is no justification whatsoever for at- TOMORROW during the afternoon. R ollcall votes can tributing this increase to the increases in M r. R O BE R T C. BYR D. M r. Presi- be expected to occur thereon. minimum wages which went into effect dent, I ask unanimous consent that up- If a slack period should occur during for a very limited number of workers on the conclusion of the remarks by the which no amendments are being offered during this period. O n the contrary, the S enator from Wisconsin (M r. PROX- to the minimum wage bill, the S enate record in the years prior to 1969 dem- MIRE) tomorrow there be a period for may turn temporarily to the considera- onstrates that the minimum wage, by the transaction of routine morning busi- tion of S. -
Final Master Script Heroes and Scoundrels
HEROES AND SCOUNDRELS: THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE by Matthew C. Ehrlich and Joe Saltzman APPLE: CHAPTER ONE WINDOWS: CHAPTER ONE, SECTION ONE Chapter 1: History Popular culture plays an important part in shaping the public’s thinKing about history The birth of modern journalism is vividly depicted by the 1952 film Park Row Heroes and Scoundrels Edit Script 2 #1. Park Row (1952) VOICE-OVER: The film stars a character named Phineas Mitchell, who founds a paper called the Globe. SOUND FULL: VOICE-OVER: Phineas achieves it all despite fierce opposition from Charity HacKett, the female publisher of the rival Star, where Phineas used to worK. Even though the two share a mutual lust, they repeatedly clash. SOUND FULL: VOICE-OVER: HacKett’s paper, without her Knowledge, targets the Globe with goons, one of whom Phineas chases down the street and pummels against a statute of Benjamin FranKlin. SOUND FULL: VOICE-OVER: An older member of Phineas’s staff dies amid the mayhem, but not before writing his own obituary addressed to Phineas. SOUND FULL: VOICE-OVER: Somehow it all ends happily: Charity Kills the Star and joins forces with Phineas at the Globe. SOUND FULL: Another film celebrated the birth of a global wire service #2. A Dispatch from Reuters (1941) VOICE OVER: Paul Julius Reuter (played by Edward G. Robinson) passionately believes that access to information should be a universal right, and he seeKs to better the world through the quicK transmission of news. SOUND FULL: VOICE-OVER: When he is the first to report in Europe that Abraham Lincoln has been assassinated, no one believes the horrific news. -
August 30, 2011 (XXIII:1) Mervyn Leroy, GOLD DIGGERS of 1933 (1933, 97 Min)
August 30, 2011 (XXIII:1) Mervyn LeRoy, GOLD DIGGERS OF 1933 (1933, 97 min) Directed by Mervyn LeRoy Written by Erwin Gelsey, James Seymour, David Boehm, Ben Markson, & Avery Hopwood (play) Produced by Robert Lord, Jack L. Warner Cinematography by Sol Polito Edited by George Amy Art Direction by Anton Grot Costume Design by Orry-Kelly Makeup by Perc Westmore Music & lyrics byAl Dubin, Harry Warren Conducted by Leo F. Forbstein Arranged by Ray Heindorf Numbers created and directed by Busby Berkeley Warren William...Lawrence 1935 Oil for the Lamps of China, 1933 Tugboat Annie, 1933 Gold Joan Blondell...Carol Diggers of 1933, 1932 I Am a Fugitive from a Chain Gang, 1932 Aline MacMahon...Trixie Three on a Match, 1932 Big City Blues, 1932 The Heart of New Ruby Keeler...Polly York, 1931 Five Star Final, 1931 Broadminded, 1931 Little Caesar, Dick Powell...Brad 1930 Show Girl in Hollywood, 1929 Broadway Babies, 1928 Flying Guy Kibbee...Peabody Romeos, and 1927 No Place to Go. Ned Sparks...Barney Ginger Rogers...Fay Jack L. Warner (August 2, 1892 in London, Ontario, Canada – Billy Barty...Baby in 'Pettin' in the Park' Number September 9, 1978, Los Angeles, California) was a prolific Busby Berkeley...Call Boy producer: he has almost 300 producing credits. He won two Oscars, Dennis O'Keefe...Chorus Boy the 1965 Irving G. Thalberg Memorial Award and the 1965 Best Jane Wyman...Gold Digger Picture Award for My Fair Lady (1964). Some of his other films are 1972 Dirty Little Billy, 1972 1776, 1967 Camelot, 1964 My Fair Awards Lady, 1949 Beyond the Forest, -
Dancing Lady Robert Z. Leonard M-G-M USA 1933 16Mm 5/6/1972
Listed Screening Season Title Director Studio Country Year Format runtime Date Notes Dancing Lady Robert Z. Leonard M-G-M USA 1933 16mm 5/6/1972 The first screening ever! 11/25/1972 Per Trib article from 11/23/1972, "our meeting this Saturday will be our last until after the Holidays" Go Into Your Dance Archie Mayo Warner Bros. USA 1935 16mm 1/18/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Sunny Side Up David Butler Fox Film Corp. USA 1929 16mm 1/25/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Shall We Dance Mark Sandrich RKO USA 1937 16mm 2/1/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 You'll Never Get Rich Sidney Lanfield Columbia USA 1941 16mm 2/8/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for A Night at the Opera Stand-In Tay Garnett United Artists USA 1937 16mm 2/15/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for No Man Of Her Own Now And Forever Henry Hathaway Paramount USA 1934 16mm 2/22/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 Spy Smasher Returns William Witney Republic USA 1942 16mm 3/1/1975 per Chuck Schaden's Nostalgia Newsletter 3/1975 - subbed in for Sing You Sinners White Woman Stuart Walker Paramount USA 1933 16mm 3/8/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Broadway Gondolier Lloyd Bacon Warner Bros. USA 1935 16mm 3/15/1975 per Chuck Schaden's Nostalgia Newsletter 4/1975 Argentine Nights Albert S. -
Fifty Year Old Warner Bros. 0 Has Retrospective of 207 Films
The Museum of Modern Art & ^EDIATE RELEASE HWest 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart FIFTY YEAR OLD WARNER BROS. 0 HAS RETROSPECTIVE OF 207 FILMS Fifty years ago the Warner Brothers, who had started in a storefront exhibiting "flicks" and then began distributing and producing them, became a corporate entity. It was 1923 when four sons of a Polish immigrant, having discovered Edison's Kinetoscope while work ing on a fair ground, first undertook to become a major film company that was eventually to supply pictures not only to theatre emporiums over the face of America but in ail parts of the world. Now, five decades later, The Museum of Modern Art, in observance of this fiftieth anniversary, will trace the history of Warners from 1923 to 1973, with a four-and-a-half month retrospective of its films, from July 4 to November 18. The Warner show, pro grammed by Associate Curator Adrienne Mancia and Assistant Curator Larry Kardish, in cludes 207 feature length films chosen from a selection of 3000 pictures, and, in addition, a number of period cartoons, trailers and other shorts and featurettes. Film historians around the country recommended several of the pictures in what constitutes the longest and most extensive cycle of its kind ever undertaken by the Department of Film. The re trospective, besides following Warners' rise, demonstrates the accomplishments of a fledgling film industry and its growth, with its internationally-known stars and directors, its myths and myth-makers, and its technical competence and innovations, most notably the wondrous invention of sound. -
Mervyn Leroy: LITTLE CAESAR (1930), 79 Min
September 5, 2017 (XXXV:2) Mervyn LeRoy: LITTLE CAESAR (1930), 79 min. (The online version of this handout has color images and hot url links.) Selected in 2000 for the National Film Registry Directed by Mervyn LeRoy Written by W.R. Burnett (novel), Robert N. Lee (continuity), Francis Edward Faragoh (screen version & dialogue), Robert Lord (uncredited), Darryl F. Zanuck (uncredited) Produced by Hal B. Wallis, Darryl F. Zanuck Cinematography Tony Gaudio Film Editing Ray Curtiss Art Direction Anton Grot Set Decoration Ray Moyer Costume Design by Earl Luick Ferike Boros…Mrs. Passa (uncredited) Music Erno Rapee (general director), Leo F. Forbstein Kernan Cripps…Detective (uncredited) (conductor: Vitaphone Orchestra (uncredited), David George Daly…Machine-Gunner (uncredited) Mendoza (composer: title music, uncredited) Adolph Faylauer…New Year's Celebrant (uncredited) Ben Hendricks Jr….Kid Bean (uncredited) Cast Al Hill…Rico's 'Butler' (uncredited) Edward G. Robinson…Little Caesar - Alias 'Rico' Lucille La Verne…Ma Magdalena (uncredited) Douglas Fairbanks Jr….Joe Massara Gladys Lloyd…McClure Guest (uncredited) Glenda Farrell…Olga Stassoff Noel Madison…Killer Peppi (uncredited) William Collier Jr….Tony Passa Tom McGuire…Detective on Phone (uncredited) Sidney Blackmer…Big Boy Louis Natheaux…Hood (uncredited) Ralph Ince…Pete Montana Henry Sedley…Scabby (uncredited) Thomas E. Jackson…Flaherty Gay Sheridan…Nightclub Patron (uncredited) Stanley Fields…Sam Vettori Larry Steers…McClure Guest (uncredited) Maurice Black…Little Arnie Lorch Landers Stevens…Alvin McClure - Crime Commissioner George E. Stone…Otero (uncredited) Armand Kaliz…De Voss Mike Tellegen…Bodyguard (uncredited) Nicholas Bela…Ritz Colonna Robert Walker…Lorch Henchman (uncredited) Ernie Adams…Cashier (uncredited) Elmer Ballard…Undetermined Role (uncredited) LeRoy—LITTLE CAESAR—2 MERVYN LE ROY (b. -
360 Degrees of Oscar
2020 SCHEDULE 360 Degrees of Oscar Saturday, February 1 6:00 AM The Entertainer (1960) (Laurence Olivier) 7:45 AM Wuthering Heights (1939) (Flora Robson) 9:30 AM Caesar and Cleopatra (1945) (Leo Genn) 11:45 AM Quo Vadis (1951) (Peter Ustinov) 2:45 PM Billy Budd (1962) (Terence Stamp) 5:00 PM Far From the Madding Crowd (1967) (Julie Christie) 8:00 PM Doctor Zhivago (1965) (Omar Sharif) 11:30 PM Funny Girl (1968) (Barbra Streisand) 2:15 AM The Way We Were (1973) (Robert Redford) 4:30 AM The Candidate (1972) (Melvyn Douglas) Sunday, February 2 6:30 AM Ninotchka (1939) (Richard Carle) 8:30 AM Morning Glory (1933) (C. Aubrey Smith) 10:00 AM Dr. Jekyll and Mr. Hyde (1941) (Barton MacLane) 12:00 PM The Maltese Falcon (1941) (Mary Astor) 2:00 PM Little Women (1949) (Elizabeth Taylor) 4:15 PM Lassie Come Home (1943) (Donald Crisp) 6:00 PM The Private Lives of Elizabeth and Essex (1939) (Errol Flynn) 8:00 PM The Adventures of Robin Hood (1938) (Olivia de Havilland) 10:00 PM Hold Back the Dawn (1941) (Charles Boyer) 12:15 AM All This, And Heaven Too (1940) (Bette Davis) 2:45 AM Dark Victory (1939) (George Brent) 4:45 AM 42nd Street (1933) (Una Merkel) 2020 SCHEDULE Monday, February 3 6:30 AM Born to Dance (1936) (Buddy Ebsen) 8:30 AM Broadway Melody of 1936 (1936) (Eleanor Powell) 10:45 AM Lady Be Good (1941) (Red Skelton) 12:45 PM Neptune's Daughter (1949) (Betty Garrett) 2:30 PM On the Town (1949) (Frank Sinatra) 4:15 PM The Tender Trap (1955) (Carolyn Jones) 6:15 PM The Bachelor Party (1957) (Don Murray) 8:00 PM Bus Stop (1956) (Marilyn Monroe) -
Newspaper Film Festival.Pdf
THE NEWSPAPER PICTURE at Film Forum in New York City Page 1 of 16 New York’s leading movie house for independent premieres and repertory programming A nonprofit cinema since 1970 Share this page “You have to go back nearly half a century to sample the sights, sounds and smells that still evoke the quintessence of print journalism in all its inky, hectic glory. Or you could go to Film Forum... the program is a crackerjack history lesson and also, perhaps, a valediction. [The Newspaper film is] a vibrant and protean genre.” – A.O. Scott, The New York Times Click here to read full article Click here to read Clyde Haberman's interview with series programmer Bruce Goldstein in The New York Times “Once upon a time, newspaper men and women — in all their wisecracking, get-the-story glory — could often be found performing their fact-checking up on the silver screen. Each daily in this inspired Fourth Estate series is worth a look, with many of the films still headliners!” – Flavorpill “The essential invention of this subgenre — which are really comedies or mysteries, nitromethane-fueled by hot-brained, motormouth reporters in the classic urban-American style — might just be a masterstroke. Is there a class of film, besides the history-specific emergence of Noir, that says as much about American life? Westerns, musicals and romantic comedies were their own brands of fantasy, but the newspaper movie, with its boundless cynicism and keep-it-moving pace and narrative need to know *what happened*, captures a sense of our national character that's unique and that hasn't faded a pixel since.” – Michael Atkinson, The L Magazine Click here to read full article “A SPLENDID SERIES!” – Lou Lumenick, New York Post Click here to read full article “Almost as soon as the movies learned to talk, reporters started monopolizing the on-screen conversation. -
Guide to the Motion Picture Stills Collection 1920-1934
University of Chicago Library Guide to the Motion Picture Stills Collection 1920-1934 © 2006 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Scope Note 3 Related Resources 5 Subject Headings 5 INVENTORY 6 Series I: Actors and Actresses 6 Series II: Motion Picture Stills 171 Series III: Scrapbooks 285 Subseries 1: Scrapbooks; Individual Actors and Actresses 285 Subseries 2: Miscellaneous Scrapbooks 296 Series IV: Vitaphone Stills 297 Series V: Large Film Stills and Marquee Cards 300 Series VI: Coming Attractions, Glass Lantern Slides 302 Series VII: Duplicate Film Stills 302 Series VIII: Index Cards 302 Descriptive Summary Identifier ICU.SPCL.MOTIONPICTURE Title Motion Picture Stills. Collection Date 1920-1934 Size 87.5 linear feet (139 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Contains approximately 30,000 black and white photographs of movie stills, production shots, and portrait photographs of actors. Includes 8" x 10" photographs, 187 scrapbooks devoted to individual film stars, marquee cards, and glass lantern slides announcing coming attractions from Pathe and other movie studios. Information on Use Access No restrictions. Citation When quoting material from this collection, the preferred citation is: Motion Picture Stills. Collection, [Box #, Folder #], Special Collections Research Center, University of Chicago Library Scope Note The Motion Picture Stills Collection features a group of approximately 30,000 black and white photographs of movie stills, production shots, and portrait photographs of actors. The first half of this collection consists of these 8" x 10" photographs. -
Titolo Anno Imdb ...All the Marbles 01/01/1981 10,000 Bc
TITOLO ANNO IMDB ...ALL THE MARBLES 01/01/1981 10,000 BC 01/01/2008 11TH HOUR 01/03/2008 15 MINUTES 01/01/2001 20,000 YEARS IN SING SING 01/01/1933 2001: A SPACE ODYSSEY 01/01/1968 2010 01/01/1984 3 MEN IN WHITE 01/01/1944 300 01/06/2007 300: RISE OF AN EMPIRE 01/05/2014 36 HOURS 01/01/1965 42 01/07/2013 42ND STREET 01/01/1933 50 MILLION FRENCHMEN 01/01/1931 6 DAY BIKE RIDER 01/01/1934 6,000 ENEMIES 01/01/1939 7 FACES OF DR. LAO 01/01/1964 7 WOMEN 01/01/1966 8 SECONDS 01/01/1994 A BIG HAND FOR THE LITTLE LADY 01/01/1966 A CERTAIN YOUNG MAN 01/01/1928 A CHILD IS BORN 01/01/1940 A CHRISTMAS CAROL 01/01/1938 A CHRISTMAS STORY 01/01/1983 A CINDERELLA STORY 01/02/2005 A CLOCKWORK ORANGE 01/01/2013 A COVENANT WITH DEATH 01/01/1967 A DATE WITH JUDY 01/01/1948 A DAY AT THE RACES 01/01/1937 A DISPATCH FROM REUTER'S 01/01/1940 A DISTANT TRUMPET 01/01/1964 A DOLPHIN TALE 01/03/2012 A DREAM OF KINGS 01/01/1970 A FACE IN THE CROWD 01/01/1957 A FAMILY AFFAIR 01/01/1937 A FAN'S NOTES 01/01/1972 A FEVER IN THE BLOOD 01/01/1961 A FINE MADNESS 01/01/1966 A FREE SOUL 01/01/1931 A FUGITIVE FROM JUSTICE 01/01/1940 A GLOBAL AFFAIR 01/01/1964 A GUY NAMED JOE 01/01/1943 A KISS IN THE DARK 01/01/1949 A LA SOMBRA DEL PUENTE 01/01/1948 A LADY OF CHANCE 01/01/1928 A LADY WITHOUT PASSPORT 01/01/1950 A LADY'S MORALS 01/01/1930 A LETTER FOR EVIE 01/01/1946 A LIFE OF HER OWN 01/01/1950 A LION IS IN THE STREETS 01/01/1953 A LITTLE JOURNEY 01/01/1927 A LITTLE PRINCESS 01/01/1995 A LITTLE ROMANCE 01/01/1979 A LOST LADY 01/01/1934 A MAJORITY OF ONE 01/01/1962 A MAN AND