DOCSLIB.ORG

Academy Award for Best Picture - Wikip… Academy Award for Best Picture from Wikipedia, the Free Encyclopedia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Academy Award for Best Picture - Wikip… Academy Award for Best Picture from Wikipedia, the Free Encyclopedia 3/4/2011 Academy Award for Best Picture - Wikip… Academy Award for Best Picture From Wikipedia, the free encyclopedia The Academy Award for Best Picture is one of the Academy Award for Best Picture Academy Awards of Merit presented annually by the Awarded for Best Picture of the Year Academy of Motion Picture Arts and Sciences (AMPAS) to artists working in the motion picture industry. The Best Presented by Academy of Motion Picture Arts Picture category is the only category in which every member and Sciences of the Academy is eligible not only to vote on the final ballot, Country United States but also to nominate. During the annual Academy Awards ceremony, Best Picture is reserved as the final award First awarded 1929 (for films released in 1927 presented and, since 1951, is collected at the podium by the and 1928) film's producers. The Academy Award for Best Motion Picture is considered the most important of the Academy Currently The King's Speech (2010) Awards, as it is the final award presented, and represents all held by the directing, acting, and writing efforts put forth for a film. Official http://www.oscars.org The Grand Staircase columns at the Kodak Theatre in Los website Angeles, where the Academy Awards ceremonies have been held since 2002, showcase every film that has won the Best Picture title since the award's inception 82 years ago. On June 24, 2009, AMPAS announced that the number of films nominated in the Best Picture award category would increase from five to ten, starting with the 82nd Academy Awards (2009).[1] Contents 1 History 2 Winners and nominees 2.1 1920s 2.2 1930s 2.3 1940s 2.4 1950s 2.5 1960s 2.6 1970s 2.7 1980s 2.8 1990s 2.9 2000s 2.10 2010s 2.11 Notes 3 Milestones 3.1 Milestones related to acting 3.2 Milestones related to country or language 3.3 Milestones related to directing 3.4 Milestones related to genre 3.5 Milestones related to other Academy Awards …wikipedia.org/…/Academy_Award_for_…3.6 Milestones related to other awards ceremonies 1/37 3/4/2011 Academy Award for Best Picture - Wikip… 3.6 Milestones related to other awards ceremonies 3.7 Milestones related to rating 3.8 Milestones related to sequels, prequels, remakes and adaptations 3.9 Milestones related to superlatives 3.10 Milestones related to technology 4 Superlatives 5 See also 6 References 7 External links History At the 1st Academy Awards ceremony (for 1927 and 1928), there was no Best Picture award. Instead, there were two separate awards, one called Most Outstanding Production, won by the epic Wings, and one called Most Artistic Quality of Production, won by the art film Sunrise. The awards were intended to honor different and equally important aspects of superior filmmaking, and in fact the judges and the studio bosses who sought to influence their decisions paid more attention to the latter - MGM head Louis B. Mayer, who had disliked the realism of King Vidor's The Crowd, another of the nominees (the third was Merian C. Cooper and Ernest B. Schoedsack's Chang) pressured the judges not to honor his own studio's film, and to select Sunrise instead. The next year, the Academy instituted a single award called Best Production, and decided retroactively that the award won by Wings had been the equivalent of that award, with the result that Wings is often listed as the winner of a sole Best Picture award for the first year. The title of the award was eventually changed to Best Picture for the 1931 awards. From 1944 to 2008, the Academy restricted nominations to five Best Picture nominees per year. As of the 83rd Academy Awards ceremony (for 2010), there have been 484 films nominated for the Best Picture award. Throughout the past 83 years, AMPAS has presented a total of 84 Best Picture awards. Invariably, the Academy Awards for Best Picture and Best Director have been very closely linked throughout their history. Of the 83 films that have been awarded Best Picture, 61 have also been awarded Best Director.[1] (http://awardsdatabase.oscars.org/ampas_awards/help/statistics/bestpixdirdiff.html) Only three films have won Best Picture without their directors being nominated (though only one since the early 1930s): Wings (1927/28), Grand Hotel (1931/32), and Driving Miss Daisy (1989). The only two Best Director winners to win for films which did not receive a Best Picture nomination are likewise in the early years: Lewis Milestone (1927/28) and Frank Lloyd (1928/29). However, in 2009, The Academy of Motion Pictures Arts and Sciences announced that the number of Best Picture nominees would be increased from five to ten. The expansion was a throwback to the Academy's early years in the 1930s and '40s, when anywhere between eight and 12 films were shortlisted (or longlisted). "Having 10 Best Picture nominees is going to allow Academy voters to recognize and include some of the fantastic movies that often show up in the other Oscar categories but have been squeezed out of the race for the top prize," AMPAS President Sid Ganis said in a press conference. "I can't wait to see what that list of 10 looks like when the nominees are announced in February."[1] At the same time, the voting system was switched from first-past-the-post to Alternative Vote (also known as Instant Run-off Vote).[2] One point of contention is the lack of consideration of non-English language films for categories other than Best Foreign Language Film. Very few foreign language films have been nominated for any other categories, regardless …wikipedia.org/…/Academy_Award_for_… 2/37 3/4/2011 Academy Award for Best Picture - Wikip… of artistic merit. To date, only eight foreign language films (and three partly foreign language films) have been nominated for Best Picture: Grand Illusion (French, 1938); Z (French, 1969); The Emigrants (Swedish, 1972); Cries and Whispers (Swedish, 1973); Il Postino (Italian/Spanish, 1995); Life Is Beautiful (Italian, 1998); Crouching Tiger, Hidden Dragon (Mandarin Chinese, 2000); and Letters from Iwo Jima (Japanese, 2006), which was ineligible for the Best Foreign Language Oscar because it was an American production. The only partly foreign language films to win Best Picture are The Godfather Part II (English/Sicilian, 1974), The Last Emperor (English/Mandarin, 1987) and Slumdog Millionaire (English/Hindi, 2008). Another point of contention is the recent extreme bias toward 2-plus hour films: Crash (2005, 112m) is the shortest film to win Best Picture in the past 20 years. It has been criticized for ignoring films that were huge commercial and critical successes. Furthermore, no animated film has won the award (Disney's Beauty and the Beast and Disney- Pixar's Up and Toy Story 3 were nominated), and only one comedy (Shakespeare in Love, 1998) has won in the last 30 years. To date, eleven films exclusively financed outside the United States have won Best Picture; all eleven were financed, in part or in whole, by the United Kingdom. Those films were, in chronological order: Hamlet, The Bridge on the River Kwai, Lawrence of Arabia, Tom Jones, A Man for All Seasons, Oliver!, Chariots of Fire, Gandhi, The Last Emperor, Slumdog Millionaire and The King's Speech No Best Picture winner has been lost, though a few such as All Quiet on the Western Front and Lawrence of Arabia exist only in a form altered from their original, award-winning release form, usually due to editing for reissue (and subsequently partly restored by archivists). Other winners and nominees such as Tom Jones and Star Wars are widely available only in subsequently altered versions. The 1928 film The Patriot is the only Best Picture nominee that is lost; The Racket was believed lost for many years but a print existed in producer Howard Hughes' archives and it has since been shown on Turner Classic Movies. Wings and Sunrise were the only silent winners of a Best Picture-equivalent award, although a part-silent version of All Quiet on the Western Front was created for foreign-language release and survives. Winners and nominees In the list below, the winner of the award for each year is shown first, followed by the other nominees. Except for the early years (when the Academy used a non-calendar year), the year shown is the one in which the film first premiered in Los Angeles County, California; normally this is also the year of first release, but it may be the year after first release (as with Casablanca and, if the film-festival premiere is considered, Crash). This is the year before the ceremony at which the award is given; for example, a film exhibited theatrically during 2005 was eligible for consideration for the 2005 Best Picture Oscar, awarded in 2006. The number of the ceremony (1st, 2nd, etc.) appears in parentheses after the awards year, linked to the article (if any) on that ceremony. Each individual entry shows the title followed by the production company, and the producer. For foreign language films, the original title is also shown. Until 1950, the Best Picture award was given to the production company; from 1951 on, it has gone to the producer. The official name of the award has changed several times over the years: 1927/28 → 1928/29: Outstanding Picture 1929/30 → 1940: Outstanding Production 1941 → 1943: Outstanding Motion Picture 1944 → 1961: Best Motion Picture 1962 → Present: Best Picture For the first ceremony, three films each were nominated for two separate awards similar to the Best Picture Award.
Load more

Recommended publications
  • Uses of the Judeo-Christian Bible in the Anti-Abolitionist
    THIS FIERCE GEOMETRY: USES OF THE JUDEO-CHRISTIAN BIBLE IN THE ANTI-ABOLITIONIST AND ANTI-GAY RHETORIC OF THE UNITED STATES by Michael J. Mazza B. A., State University of New York at Buffalo, 1990 M. A., University of Pittsburgh, 1996 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Michael J. Mazza It was defended on April 15, 2009 and approved by Nancy Glazener, University of Pittsburgh Moni McIntyre, Duquesne University William Scott, University of Pittsburgh Committee Chair: Jean Ferguson Carr, University of Pittsburgh ii THIS FIERCE GEOMETRY: USES OF THE JUDEO-CHRISTIAN BIBLE IN THE ANTI-ABOLITIONIST AND ANTI-GAY RHETORIC OF THE UNITED STATES Michael J. Mazza, PhD University of Pittsburgh, 2009 Copyright © by Michael J. Mazza 2009 iii Jean Ferguson Carr_______ THIS FIERCE GEOMETRY: USES OF THE JUDEO-CHRISTIAN BIBLE IN THE ANTI-ABOLITIONIST AND ANTI-GAY RHETORIC OF THE UNITED STATES Michael J. Mazza, Ph.D. University of Pittsburgh, 2009 This dissertation examines the citational use of the Judeo-Christian Bible in two sociopolitical debates within the United States: first, the debate over the abolition of slavery in the nineteenth century, and second, the contemporary debate over gay rights. This study incorporates two core theses. First, I argue that the contemporary religious right, in its anti-gay use of the Bible, is replicating the hermeneutical practices used by opponents of the abolitionist movement. My second thesis parallels the first: I argue that the contemporary activists who reclaim the Bible as a pro-gay instrument are standing in the same hermeneutical tradition as nineteenth-century Christian abolitionists.
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • Section I - General Education Core Courses
    Class# Section (Units) General Education Designation (if any) Consent Start/End Dates Meeting Days Meeting Times Location Instructor Course Topic (if applicable) Section I - General Education Core Courses Spring 2018 Complete UWW Class Listing -- Page 1 / 252 5/18/2018 9:00 AM Class# Section (Units) General Education Designation (if any) Consent Start/End Dates Meeting Days Meeting Times Location Instructor Course Topic (if applicable) GENERAL EDUCATION General Education GENED 110 WORLD OF THE ARTS (GA) ... This course exposes students to the areas of Dance, Music, Theatre, and Visual Art. Students will gain insight into the basic components of the arts, the role of art in society, and be given an historical perspective on art. Students will attend performing arts events and see work in the gallery context. Both western and non-western arts will be explored. May not be taken on an S/NC grade basis. #2011 Section 01 [units: 3] Gen Ed Arts (GA) NOTE: Required special field experiences are required for this class for all students enrolled in this course. A fee of $35.00 will be charged to cover the cost of these field experiences. 01/22-05/11 MWF 02:00 PM - 02:50 PM MG0101 Bruce Cohen #2002 Section 02 [units: 3] Gen Ed Arts (GA) NOTE: Required special field experiences are required for this class for all students enrolled in this course. A fee of $35.00 will be charged to cover the cost of these field experiences. 01/22-05/11 MWF 09:00 AM - 09:50 AM MG0101 Piper Hayes #2003 Section 03 [units: 3] Gen Ed Arts (GA) NOTE: Required special field experiences are required for this class for all students enrolled in this course.
    [Show full text]
  • BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
    London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation.
    [Show full text]
  • Festival at a Glance
    FESTIVAL AT A GLANCE WEDNESDAY 22 10:00-11:00 BREAK 11:30-12:30 BREAK 14:00-15:00 BREAK 15:45-16:45 BREAK 17:45-18:30 18:30-21:00 P Masterclass: 11:00-11:30 P Meet the Controllers: 12:30-14:00 F Gamechanger: 15:00-15:45 P Edinburgh Does 16:45-17:45 L MacTaggart Lecture: Free coaches to The FH Screening: Love Island T Channel 4 Charlotte Moore, L It’s all about me... SA Music from Nancy Daniels, T How to Cash In Catchphrase with B Branded Michaela Coel Museum of Scotland Vanity Fair, ITV. S Meet the Controller: Random Acts Live Pitch BBC One on TV: Joanna Lumley Hannah Haynes, Discovery on the Streaming Roy Walker Entertainment Network depart from the EICC Exclusive Preview Damian Kavanagh, 11:00 - 12:00 F Tomorrow’s World with Clive Tulloh Harpist and Composer S Meet the Controller: Goldrush S Meet the Cocktail Reception 18:30 - 19:15 of Episode One with BBC Three SA Music from of TV 12:45 - 13:45 Zai Bennett, Sky UK 15:10 -15:40 Controllers: Richard 16:45 - 17:35 Cast & Crew Q&A 19:00 - 20:30 MK Too Posh Hannah Haynes, S The Insider’s Guide T Meet the Canadians: MK Commissioner LF Lightning Talk: Watsham, Hilary Rosen BT Pre-MacTaggart & Steve North, UKTV to Produce? Harpist and Composer to Building Your Opportunities for Interview: Luke Hyams, How to make a Lecture Drinks A+E Networks Opening UK Producers Green Production 16:45 - 17:35 P5 Speed Meetings: Audience on YouTube Head of Originals, MK Introductory Night Reception: The 12:45 - 13:30 15:10 - 15:40 10:00 - 16:00 MK Lessons from YouTube EMEA Address: SA Join us for a Museum of
    [Show full text]
  • SUE BLAINEY, ACE Editor
    SUE BLAINEY, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS POWER BOOK III: RAISING KANAN Various Directors STARZ / LIONSGATE TV Season 1 Tim Christenson, Bart Wenrich Shana Stein, Courtney Kemp, Sascha Penn THE WALKING DEAD: WORLD BEYOND Michael Cudlitz AMC Season 1, Episode 7 Jonathan Starch, Matt Negrete THE GOOD LORD BIRD Albert Hughes SHOWTIME / BLUMHOUSE Limited Series O’Shea Read, Olga Hamlet STRANGE ANGEL David Lowery SCOTT FREE / CBS Pilot & Season 1 - 2 David Zucker, Mark Heyman WHAT IF Various Directors WARNER BROS. / NETFLIX Series Mike Kelley 13 REASONS WHY Various Directors PARAMOUNT TV / NETFLIX Season 2 Kim Cybulski, Brian Yorkey ANIMAL KINGDOM Various Directors WARNER BROS. / TNT Season 1 Terri Murphy, Lou Wells 11/22/63 Kevin MacDonald BAD ROBOT / HULU Series Jill Risk, Bridget Carpenter THE MAGICIANS Mike Cahill SYFY / Desiree Cadena, John McNamara Pilot Michael London MOZART IN THE JUNGLE Paul Weitz AMAZON Season 1 Caroline Baron, Roman Coppola Jason Schwartzman, Paul Weitz UN-REAL Roger Kumble LIFETIME Pilot Sarah Shapiro, Marti Noxon IN PLAIN SIGHT Various Directors NBC Season 3 Dan Lerner, John McNamara Consulting Producer Karen Moore HAPPY TOWN Darnell Martin ABC Season 1 Mick Garris Paul Rabwin, Josh Appelbaum John Polson André Nemec EASY VIRTUE Stephan Elliott EALING STUDIOS Toronto Film Festival Barnaby Thompson, Alexandra Ferguson THE HILLS HAVE EYES 2 Martin Weisz FOX / ATOMIC Co-Editor Wes Craven, Marianne Maddalena SIX DEGREES David Semel BAD ROBOT / ABC Series Wendey Stanzler J.J. Abrams, Jane Raab, Bryan Burke LOST Jack Bender ABC Season 2 Finale J.J. Abrams, Ra’uf Glasgow, Bryan Burke Nomination, Best Editing – ACE Eddie Awards Nomination, Best Editing – Emmy Awards HOUSE Greg Yaitanes FOX Series Keith Gordon Katie Jacobs, David Shore SIX FEET UNDER Kathy Bates HBO Series Migel Arteta Alan Ball, Alan Poul Lisa Cholodenko THE ADVENTURES OF PRISCILLA Stephan Elliott POLYGRAM QUEEN OF THE DESERT Al Clark, Michael Hamlyn Cannes Film Festival INNOVATIVE-PRODUCTION.COM | 310.656.5151 .
    [Show full text]
  • Public Politics/Personal Authenticity
    PUBLIC POLITICS/PERSONAL AUTHENTICITY: A TALE OF TWO SIXTIES IN HOLLYWOOD CINEMA, 1986- 1994 Oliver Gruner Thesis submitted for the degree of Ph.D. University of East Anglia School of Film and Television Studies August, 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. 1 TABLE OF CONTENTS Introduction 5 Chapter One “The Enemy was in US”: Platoon and Sixties Commemoration 62 Platoon in Production, 1976-1982 65 Public Politics/Personal Authenticity: Platoon from Script to Screen 73 From Vietnam to the Sixties: Promotion and Reception 88 Conclusion 101 Chapter Two “There are a lot of things about me that aren’t what you thought”: Dirty Dancing and Women’s Liberation 103 Dirty Dancing in Production, 1980-1987 106 Public Politics/Personal Authenticity: Dirty Dancing from Script to Screen 114 “Have the Time of Your Life”: Promotion and Reception 131 Conclusion 144 Chapter Three Bad Sixties/ Good Sixties: JFK and the Sixties Generation 146 Lost Innocence/Lost Ignorance: Kennedy Commemoration and the Sixties 149 Innocence Lost: Adaptation and Script Development, 1988-1991 155 In Search of Authenticity: JFK ’s “Good Sixties” 164 Through the Looking Glass: Promotion and Reception 173 Conclusion 185 Chapter Four “Out of the Prison of Your Mind”: Framing Malcolm X 188 A Civil Rights Sixties 191 A Change
    [Show full text]
  • Teaching Social Issues with Film
    Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film
    [Show full text]
  • Class of 1959 55 Th Reunion Yearbook
    Class of 1959 th 55 Reunion BRANDEIS UNIVERSITY 55th Reunion Special Thanks On behalf of the Offi ce of Development and Alumni Relations, we would like to thank the members of the Class of 1959 Reunion Committee Michael Fisher, Co-chair Amy Medine Stein, Co-chair Rosalind Fuchsberg Kaufman, Yearbook Coordinator I. Bruce Gordon, Yearbook Coordinator Michael I. Rosen, Class Gathering Coordinator Marilyn Goretsky Becker Joan Roistacher Blitman Judith Yohay Glaser Sally Marshall Glickman Arlene Levine Goldsmith Judith Bograd Gordon Susan Dundy Kossowsky Fern Gelford Lowenfels Barbara Esner Roos Class of 1959 Timeline World News Pop Culture Winter Olympics are held in Academy Award, Best Picture: Marty Cortina d’Ampezzo, Italy Elvis Presley enters the US music charts for fi rst Summer Olympics are held in time with “Heartbreak Hotel” Melbourne, Australia Black-and-white portable TV sets hit the market Suez Crisis caused by the My Fair Lady opens on Broadway Egyptian Nationalization of the Suez Canal Th e Wizard of Oz has its fi rst airing on TV Prince Ranier of Monaco Videocassette recorder is invented marries Grace Kelly Books John Barth - Th e Floating Opera US News Kay Th ompson - Eloise Alabama bus segregation laws declared illegal by US Supreme Court James Baldwin - Giovanni’s Room Autherine Lucy, the fi rst black student Allen Ginsburg - Howl at the University of Alabama, is suspended after riots Federal-Aid Highway Act of 1956 signed into law for the construction of 41,000 miles of interstate highways over a 20-year period Movies Guys and Dolls Th e King and I Around the World in Eighty Days Economy Gallon of gas: 22 cents Average cost of a new car: $2,050 Ground coff ee (per lb.): 85 cents First-class stamp: 3 cents Died this Year Connie Mack Tommy Dorsey 1956 Jackson Pollock World News Pop Culture Soviet Union launches the fi rst Academy Award, Best Picture: Around the World space satellite Sputnik 1 in 80 Days Soviet Union launches Sputnik Leonard Bernstein’s West Side Story debuts on 2.
    [Show full text]
  • Itage James Nesbitt Ken Stott
    New Line Cinema e Metro-Goldwyn-Mayer Pictures Presentano Una Produzione Wingnuts Film Ian McKellen Martin Freeman Richard Armitage James Nesbitt Ken Stott Con Cate Blanchett Ian Holm Christopher Lee Hugo Weaving Elijah Wood e Andy Serkis nel ruolo di ‘Gollum’ Musiche Howard Shore Co-prodotto da Philippa Boyens Eileen Moran Armi, Creature e Trucco Effetti Speciali Richard Taylor Effetti visivi e animazioni Weta Digital Ltd. Capo Squadra Supervisone Effetti Visivi Joe Lettieri Montaggio Jabez Olssen Scenografie Dan Hennah Direttore della fotografia Andrew Lesine Acs,Asc Produttori esecutivi Alan Horn Toby Emmerich Ken Kamis Carolyn Blackwood Prodotto da Carolynne Cunningham Zane Weiner Fran Walsh Peter Jackson Tratto da una storia di J.R.R. Tolkien Scritto da Fran Walsh Philippa Boyens Peter Jackson Guillermo Del Toro Distribuzione Warner Bros.Pictures Italia Durata: 173 minuti Uscita italiana: 13 Dicembre 2012 I materiali sono a disposizione sul sito “Warner Bros. Media Pass”, al seguente indirizzo: https://mediapass.warnerbros.com Sito: http://www.hobbitilfilm.it Fb: https://www.facebook.com/LoHobbitIlfilm Twitter: https://twitter.com/lohobbitfilm #LoHobbit Canale YouTube: http://www.youtube.com/watch?v=2e241Qvgmww&feature=share&list=PL1D7BC5C386EEC263 Ufficio stampa Warner Bros. Pictures Italia Emanuela Semeraro [email protected] Cinzia Fabiani [email protected] Antonio Viespoli [email protected] Il premio Oscar® Peter Jackson firma la regia de “Lo Hobbit - Un viaggio inaspettato”, il primo di tre episodi tratti dal romanzo cult Lo hobbit di J.R.R. Tolkien. I tre film si svolgono nella Terra di Mezzo, sessanta anni prima delle vicende de “Il Signore degli anelli” che Jackson e il suo team hanno portato sul grande schermo con la popolare trilogia conclusasi con il premio Oscar® “Il signore degli anelli - Il ritorno del re”.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Alan Silvestri
    ALAN SILVESTRI AWARDS/NOMINATIONS EMMY NOMINATION (2014) COSMOS: A SPACETIME ODYSSEY Outstanding Music Composition for a Series / Original Dramatic Score and Outstanding Original Main Title Music WORLD SOUNDTRACK NOMINATION (2008) “A Hero Comes Home” from BEOWULF Best Original Song Written for Film* INTERNATIONAL FILM MUSIC CRITICS BEOWULF ASSOCIATION NOMINATION (2007) Best Original Score-Animated Feature GRAMMY AWARD (20 05) “Believe” from THE POLAR EXPRESS Best Song Written for a Motion Picture* ACADEMY AWARD NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song* GOLDEN GLOBE NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song* BRO ADCAST FILM CRITICS CHOICE “Believe” from THE POLAR EXPRESS NOMINATION (2004) Best Song* GRAMMY AWARD (2001) End Credits from CAST AWAY Best Instrumental Composition ACADEMY AWARD NOMINATION (1994) FORREST GUMP Best Original Score GRAMMY AWARD NOMINA TION (1994) “Feather” from FORREST GUMP Best Instrumental Performance GOLDEN GLOBE NOMINATION (1994) FORREST GUMP Best Original Score CABLE ACE AWARD (1990) TALES FROM THE CRYPT: ALL THROUGH Best Original Score THE HOUSE GRAMMY AWARD NOMINATION (1989) Suite from WHO FRAMED ROGER RABBIT? Best Instrumental Composition GRAMMY AWARD NOMINATION (1988) WHO FRAMED ROGER RABBIT? Best Album of Original Score Written for a Motion Picture GRAMMY AWARD NOMINATION (1985) BA CK TO THE FUTURE Best Instrumental Composition 1 The Gorfaine/Schwartz Agency (818) 260-8500 ALAN SILVESTRI GRAMMY AWARD NOMINATION (1985) BACK TO THE FUTURE Best Album of Original Score Written for a Motion Picture *shared nomination/award MOTION PICTURES RUN ALL NIGHT Roy Lee / Michael Tadross / Brooklyn Weaver, prods. Warner Brothers Jaume Collet-Serra, dir. RED 2 Lorenzo di Bonaventura / Mark Vahradian, prods.
    [Show full text]