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Park Road Post Production Wins an IBC2013 Innovation Award with Leading Technology Partner SGO
Press Release Park Road Post Production wins an IBC2013 Innovation Award with leading Technology Partner SGO SGO Mistika's Unique workflow helped to produce world's first HFR Stereo 3D in The Hobbit Trilogy IBC2013, Amsterdam, 20th September 2013 - SGO is thrilled to announce that Park Road Post Production won an IBC2013 Innovation Award for their pioneering work on “The Hobbit: An Unexpected Journey”, a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM) – the world’s first High Frame Rate Stereoscopic 3D feature film – directed by Peter Jackson. Arguably one of the most significant developments in the last 80 years of cinema, Park Road - with technology partner SGO - spearheaded innovation throughout the acquisition and post production pipeline that provides new creative opportunities to all filmmakers, and a new exciting experience for film audiences. The IBC Innovation Awards recognise those who have made a real contribution to the industry and whose expertise has had a positive impact on its future direction. The award goes to the end user who has brought together a technology partner and collaborator to realise a creative, commercial or technical goal. The project was selected from over 200 entries, winning in the Content Creation category. In addition, the 2013 IBC International Honour for Excellence was presented to movie director Sir Peter Jackson. Miguel Angel Doncel, SGO's CEO outlines his company's participation in the delivery of The Hobbit: An Unexpected Journey by stating, “We are aware that a post production company of Park Road’s stature, when making a film with a world-class director like Peter Jackson, could choose any technology partner they wanted. -
Peter Ellion
Resume – PETER ELLIOTT – Piranha Talent Agency Peter Ellio* Profile Born 1956 Height 185cm Build Medium Weight 94kgs Hair Brown Eyes Brown Accent NZ Neutral Awards 2012 Nominated Best Performance by a SupporKng Actor | ‘Bliss’ (Katherine Mansfield Story) - MF Films 2009 Best Performance by a SupporKng Actor | ‘UnKl Proven Innocent’ - Lippy Pictures TV1 | Qantas Film and TV Awards 2005 Best Presenter | 'Explorers’ | Screen Directors Guild Awards 2002 Nominated Best Presenter | ‘Captain’s Log' | TV Guide Television Awards 1989 Nominated Best Actor | ‘Gloss’ | Film & TV Awards Film 2014 Break in the Weather (Short) | Duncan | Humans Ltd | Aidee Walker Dir 2014 Venus & Mars - A-Telemovie | D.I QuenKn Doig | ScreenKme Ltd | John Laing Dir 2014 The Brokenwood Mysteries (telefeature)| Julian Bright | South Pacific Pictures | Josh Frizzel Dir 2013 Damien (Short) | MarKn | 8com | Josh Frizzell Dir 2012 The F.E.U.C (Short film ) | Narrator | Aidee Walker Dir 2010 Shepherd | Mahew Green | Zorp Films | Julia Reynolds Dir 2010 Bliss (Katherine Mansfield Story) | Harold Beauchamp | MF Films | Fiona Samuel Dir 2008 Brideflight | Doctor | NZ/Netherlands Co-producKon | Ben Sombogaart Dir 2008 Apron Strings | David | Great Southern TV | Sima Urale Dir 2006 Amy's Break (Short) | Paul | Twighlight Prod. | Mark Prebble Dir 2004 Maiden Voyage (TV) | Trevor Denning | Carlton America | Colin Buds Dir | US Feature 2004 Spooked | Randy Fox | Silv.srn Films Spooked | Geoff Murphy Dir 2003 Terror Peak (TV) | Paddy McGowan | Millennium Films Ltd | Dale G Bradlet Dir | US Feature 2002 This is Not A Love Story | Karl | Syndicate ProducKons | Keith Hill Dir 1997 The Bar (Short) | This is it ProducKons | Dorthe Scheffman Dir Piranha Talent Agency Limited PO Box 47862 . -
Itage James Nesbitt Ken Stott
New Line Cinema e Metro-Goldwyn-Mayer Pictures Presentano Una Produzione Wingnuts Film Ian McKellen Martin Freeman Richard Armitage James Nesbitt Ken Stott Con Cate Blanchett Ian Holm Christopher Lee Hugo Weaving Elijah Wood e Andy Serkis nel ruolo di ‘Gollum’ Musiche Howard Shore Co-prodotto da Philippa Boyens Eileen Moran Armi, Creature e Trucco Effetti Speciali Richard Taylor Effetti visivi e animazioni Weta Digital Ltd. Capo Squadra Supervisone Effetti Visivi Joe Lettieri Montaggio Jabez Olssen Scenografie Dan Hennah Direttore della fotografia Andrew Lesine Acs,Asc Produttori esecutivi Alan Horn Toby Emmerich Ken Kamis Carolyn Blackwood Prodotto da Carolynne Cunningham Zane Weiner Fran Walsh Peter Jackson Tratto da una storia di J.R.R. Tolkien Scritto da Fran Walsh Philippa Boyens Peter Jackson Guillermo Del Toro Distribuzione Warner Bros.Pictures Italia Durata: 173 minuti Uscita italiana: 13 Dicembre 2012 I materiali sono a disposizione sul sito “Warner Bros. Media Pass”, al seguente indirizzo: https://mediapass.warnerbros.com Sito: http://www.hobbitilfilm.it Fb: https://www.facebook.com/LoHobbitIlfilm Twitter: https://twitter.com/lohobbitfilm #LoHobbit Canale YouTube: http://www.youtube.com/watch?v=2e241Qvgmww&feature=share&list=PL1D7BC5C386EEC263 Ufficio stampa Warner Bros. Pictures Italia Emanuela Semeraro [email protected] Cinzia Fabiani [email protected] Antonio Viespoli [email protected] Il premio Oscar® Peter Jackson firma la regia de “Lo Hobbit - Un viaggio inaspettato”, il primo di tre episodi tratti dal romanzo cult Lo hobbit di J.R.R. Tolkien. I tre film si svolgono nella Terra di Mezzo, sessanta anni prima delle vicende de “Il Signore degli anelli” che Jackson e il suo team hanno portato sul grande schermo con la popolare trilogia conclusasi con il premio Oscar® “Il signore degli anelli - Il ritorno del re”. -
Marton Csokas. Height 183 Cm
Actor Biography Marton Csokas. Height 183 cm Feature Film. 2005 Aeon Flux Trevor Goodchild MTV Films/Lakeshore Dir. Karyn Kusama 2005 Kingdom of Heaven Guy 20th Century Fox Dir. Ridley Scott 2005 The Great Raid Redding Village Roadshow Productions Dir. John Dahl 2004 The Bourne Supremacy Manheim Universal Productions Dir. Paul Greengrass 2004 Evilenko Vadim Mario Cotone Dir. David Grieco 2004 Asylum Edgar Stark Paramount Classics Dir. David MacKenzie 2003 The Lord of the Rings: The Return Celeborn WingNut Films of the King (Support) Dir. Peter Jackson 2003 Kangaroo Jack Mr Smith Underdown Productions Dir. David McNally 2003 Time Line De Kere Paramount Pictures Dir. Richard Donner 2002 XXX Yorgi Revolution Production Services Dir. Rob Cohen 2002 Garage Days Shad Garage Days Productions Dir. Alex Proyas PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Marton Csokas. Page 2 Feature continued... 2002 Star Wars Episode II Poggle the Lesser JAK Australia Dir. George Lucas 2002 The Lord of the Rings: The Two Celeborn WingNut Films Towers (Support) Dir. Peter Jackson 2001 The Lord of the Rings: The Celeborn WingNut Films Fellowship of the Ring (Support) Dir. Peter Jackson 2000 The Monkey's Mask Nick Arenafilm (Support) Dir. Samantha Lang 2000 Rain Cady Communicado Productions (Lead) Dir. Christine Jeffs 1998 Hurrah Raoul Hurrah Productions (Lead) Dir. Frank Shields 1996 Chicken Young Zane Keir Film Productions (Support) Dir. Grant LaHood 1996 Broken English Darko Communicado (Support) Dir. Gregor Nicholas 1994 Jack Brown, Genius Dennis WingNut Films (Support) Dir. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
West of Memphis
Mongrel Media Presents WEST OF MEMPHIS A film by Amy Berg (146 min., USA, 2012) Language: English Official Selection Sundance Film Festival 2012 Toronto Film Festival 2012 Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html WEST OF MEMPHIS Synopsis A new documentary written and directed by Academy Award nominated filmmaker, Amy Berg (DELIVER US FROM EVIL) and produced by first time filmmakers Damien Echols and Lorri Davis, in collaboration with the multiple Academy Award winning team of Peter Jackson and Fran Walsh, WEST OF MEMPHIS tells the untold story behind an extraordinary and desperate fight to bring the truth to light; a fight to stop the State of Arkansas from killing an innocent man. Starting with a searing examination of the police investigation into the 1993 murders of three, eight year old boys Christopher Byers, Steven Branch and Michael Moore in the small town of West Memphis, Arkansas, the film goes on to uncover new evidence surrounding the arrest and conviction of the other three victims of this shocking crime – Damien Echols, Jason Baldwin and Jessie Misskelley. All three were teenagers when they became the target of the police investigation; all three went on to lose 18 years of their lives - imprisoned for crimes they did not commit. How the documentary came to be, is in itself a key part of the story of Damien Echols’ fight to save his own life. -
Curriculum Vitae – Florian 'Utsi' Martin
Curriculum Vitae – Florian ‘Utsi’ Martin Date of Birth: July 17, 1974, in Buchholz, Germany Phone: +49 -160 - 946 660 54 Email: [email protected] Website: www.utsi.name Objective To contribute my skills, knowledge and talents as a Digital Colorist in high quality feature films and commercials. Capabilities - thorough knowledge in digital color grading - effective team coordinator in a deadline driven environment - strong planing, organizing and monitoring abilities for large, data-intensive projects - extensive expertise of grading digital shot footage - proficient in the process of transferring film into digital and vice versa and the professional color management involved Screen-credits (selection) Feature Film: Director, Production Company Screen Credit: “The Lovely Bones” Peter Jackson, WingNut Films Lead Digital Colorist “Men on the Bridge” Asli Özge, Endorphine Production Lead Digital Colorist “Flame & Citron” Ole Christian Madsen, Nimbus Film Digital Colorist Bodil Awards Denmark - Won Best Cinematography “Perfume, Tom Tykwer, Constantin Film Lead Digital Colorist The Story of a Murderer” “Tristan and Isolde” Kevin Reynolds, Apollo Media Supervising Digital Colorist “Takva” Özer Kiziltan, Corazón International HD Digital Colorist Toronto International Film Festival - Cultural Innovation Award Berlin International Film Festival - Fipresci Prize Sarajevo Film Festival - Jury Prize “Adam and the devil” Baris Pirhasan, IFR Supervising Digital Colorist “Seven Swords” Hark Tsui, Film Workshop Ltd Consultant Technical Director -
Macquarie Conference Presentation May 2017 Important Notice
Macquarie Conference Presentation May 2017 Important notice This presentation has been prepared by Vista Group International Limited (“Vista Group”). Information in this presentation: > is provided for general information purposes only, does not purport to be complete or comprehensive and is not an offer or invitation for subscription, purchase or recommendation of securities in Vista Group. This presentation does not constitute investment advice; > should be read in conjunction with, and is subject to, Vista Group’s financial statements, market releases and information published on Vista Group’s website (www.vistagroup.co.nz); > may include projections or forward looking statements about Vista Group and the environment in which Vista Group operations. Such forward-looking statements are based upon current expectations and involve risks, uncertainties and contingencies outside of Vista Group’s control. Vista Group’s actual results or performance may differ materially from these statements. Although management may indicate and believe the assumptions underlying the forward looking statements are reasonable, any assumptions could prove inaccurate or incorrect and, therefore, there can be no assurance that the results contemplated in the forward looking statements will be realised; > may include statements relating to past performance, which should not be regarded as a reliable indicator of future performance. While all reasonable care has been taken in compiling this presentation, Vista Group accepts no responsibility for any errors or omissions. All information in this presentation is current at the date of this presentation, unless otherwise stated. All currency amounts are in NZ dollars, unless stated otherwise. PAGE 2 • Group update • Results highlights • International Trends • Operating performance and trading metrics • Outlook • Questions PAGE 3 VISTA GROUP – RESULTS HIGHLIGHTS & GROUP UPDATE VISTA GROUP UPDATE • Founded 1996 & listed on NZX/ASX in Aug 2014 with market cap of $187M; now $460M. -
Images © 2009 Tristar Pictures, Inc. All Rights Reserved
All images © 2009 TriStar Pictures, Inc. All Rights Reserved. © 2009 TriStar Pictures, Inc. All Rights Reserved. © 2009 TriStar Pictures, Inc. All Rights Reserved. 4 Blomkamp Selects Image Engine SHAWN WALSH 8 Neill Blomkamp Talks District 9 Visual Effects Executive Producer Phone: 604.874.5634 Mobile: 604.377.4144 12 DISTRICT 9 - FXGUIDE [email protected] IMAGE ENGINE 18 Visual Effects Presentation 15 West 5th Avenue Vancouver, British Columbia Canada, V5Y 1H4 23 About Image Engine Phone: 1.604.874.5634 Fax: 1.604.708.8433 24 District 9 Awards Nominations www.image-engine.com “I want to sincerely thank and praise everyone at Image Engine for what you created. From a management and scheduling perspective Image Engine dealt with all the hurdles “District 9” threw at us brilliantly. In terms of the aliens in particular I think Image Engine has done absolutely top tier brilliant work that far exceeded my expectations! Please thank the artists and everyone involved for slaving over my film and coming through in such a huge way”. -Neill Blomkamp All images © 2009 TriStar Pictures, Inc. All Rights Reserved. Blomkamp Selects Image Engine as Lead Visual Effects Vendor on “District 9” Image Engine has completed 311 visual effects shots for “District 9”, the “District 9,” says Stewart “is a cumulative result of Image Engine’s feature film debut from director Neill Blomkamp. investment in a film pipeline and the efforts of the supervisors on the crew, many of whom are Canadians that have longstanding international Image Engine’s workload focused the studio’s efforts on creating 100% experience, returning to work in Canada on a high-end feature.” Ultimately, digital aliens that populate an area of Soweto, South Africa known as the creature build grew to feature some 50 or more discrete aliens. -
Catalogue of the African Studies Library Film Collection in UCT Libraries Special Collections
Catalogue of the African Studies Library Film Collection in UCT Libraries Special Collections Any queries regarding the ASL film collection please contact Bev Angus ([email protected]) Updated:June 2015 Introduction In film, as with all other African Studies material in Special Collections, we collect comprehensively on South and Southern Africa and we are also committed to strengthening and broadening our film coverage of the rest of Africa to meet existing needs and to create new opportunities for research. Film is a powerful and accessible medium for conveying the stories and images of Africa, past and present. The African continent has a long and proud tradition of film-making, and has produced many film-makers of international renown. Our collection contains documentaries, television series and feature films made by both African and international film-makers. Besides supporting the teaching and research programmes of the University of Cape Town, the African Studies Library makes provision for the preservation of the films in the collection. Please note: The films in the ASL are primarily for viewing by members of the University of Cape Town community. For a collection of African films with public access see the Western Cape Provincial Library Service collection at http://cplweb.pals.gov.za Tips on searching the collection: To facilitate searching, click the binoculars in the toolbar. Select Use Advanced Search Options. If you know the title of the film, enter the exact title in the box and select Match Exact Word or Phrase in the dropdown box e.g. “Cry the Beloved Country” For a keyword search where the exact title is unknown or you are searching around a particular topic, enter appropriate keywords in the box provided, then select Match any of the Words in the drop-drown box below e.g. -
Classroom Pack Table of Content
a play by Arnaud Cramoisan Classroom Pack Table Of Content 1. vocabulary exercises 2. multiple choice exercises 3. oral expression 4. written expression Rocket Channel 5. culture C l a s s r o o m P a c k JUNIOR SHOW voc abular y exerc is es A. Complete the sentences with the appropriate word(s) C. Complete the crossword thanks to the clues 1. I think I will buy Brian a because he took care of my cat while I was Across on holiday. 1. Synonym of “very small“ 2. John had always had great ideas. Today he is the of an 4. Informal name chosen for someone according to their (first)name or personality association which organizes activities for elderly people. Down 3. The plane was about to when the pilot realized there was a 1. Synonym of “to invent“ problem with one of the engines. 2. Adjective to describe something which gets popular very quickly 4. Solving a math problem is extremely difficult for me but for Rachel, it’s a 3. Synonym of unusual, strange . 5. You can be sure that if you cheat, Louise will you to the teacher. B. Link the questions from the first column to their convenient answer in the second column 1. What does Spud look like? a. Very determined to catch the alien. 2. What do Commando and Square like? b. He is small, green and has 5 eyes. 3. What is the Very Very Special Agent like? c. Breaking records and making the buzz. 4. What would Spud like to do? d. -
THE LOVELY BONES Screenplay by Fran Walsh, Philippa Boyens
THE LOVELY BONES Screenplay by Fran Walsh, Philippa Boyens & Peter Jackson Based on a novel by Alice Sebold © WingNut Films Productions Ltd. 2006 PO Box 15-208 Final Draft 2009 Miramar Wellington 6243 NEW ZEALAND Tel. +64 4 388 9939 © 2007 WINGNUT FILMS PRODUCTIONS RESTRICTED IN CONFIDENCE 1 INT SALMON HOUSE - DAY (WINTER, 1963) CLOSE ON: The BLURRED IMAGE of a WORLD, distorted by a wall of CLEAR PLASTIC ... CAMERA is INSIDE a small SNOW GLOBE, looking out ... as we glimpse PEOPLE moving about in the room beyond. They only come into FOCUS when they get CLOSE. SUSIE (V.O.) I remember being really small, too small to see over the edge of a table. CHUBBY, LITTLE FINGERS grope towards the OBJECT ... a 3 year old SUSIE SALMON comes into FOCUS ... a YOUNG FATHER, JACK SALMON looks over his daughter’s shoulder. In the BACKGROUND, IMAGES flicker on black and white TELEVISION. SUSIE (V.O.) (CONT’D) There was a snow globe. CLOSE ON: SUSIE, captivated by the PLASTIC PENGUIN wearing a red and white striped scarf around it’s neck ... LARGE in the FOREGROUND. SUSIE (V.O.) (CONT’D) And I remember the penguin who lived inside the globe. He was all alone in there and I worried for him ... JACK crouches down next to his daughter. JACK Don’t worry, kiddo. He has a nice life - he’s trapped in a perfect world. JACK reaches towards camera, takes hold of the GLOBE and flicks it. A SHOWER of SNOW FLAKES explode across the screen. INT. SALMON HOUSE, YEARS PASS - DAY/NIGHT ON THE SOUND TRACK: I Hear You Knockin’ - Dave Edmunds ABIGAIL - JACK’S WIFE - in BED reading a LITERARY TEXT.