EXTENSIONS of REMARKS July 17, 1973
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Fact Or Fiction: Hollywood Looks at the News
FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth. -
Online Versions of the Handouts Have Color Images & Hot Urls September
Online versions of the Handouts have color images & hot urls September 6, 2016 (XXXIII:2) http://csac.buffalo.edu/goldenrodhandouts.html Sam Wood, A NIGHT AT THE OPERA (1935, 96 min) DIRECTED BY Sam Wood and Edmund Goulding (uncredited) WRITING BY George S. Kaufman (screenplay), Morrie Ryskind (screenplay), James Kevin McGuinness (from a story by), Buster Keaton (uncredited), Al Boasberg (additional dialogue), Bert Kalmar (draft, uncredited), George Oppenheimer (uncredited), Robert Pirosh (draft, uncredited), Harry Ruby (draft uncredited), George Seaton (draft uncredited) and Carey Wilson (uncredited) PRODUCED BY Irving Thalberg MUSIC Herbert Stothart CINEMATOGRAPHY Merritt B. Gerstad FILM EDITING William LeVanway ART DIRECTION Cedric Gibbons STUNTS Chuck Hamilton WHISTLE DOUBLE Enrico Ricardi CAST Groucho Marx…Otis B. Driftwood Chico Marx…Fiorello Marx Brothers, A Night at the Opera (1935) and A Day at the Harpo Marx…Tomasso Races (1937) that his career picked up again. Looking at the Kitty Carlisle…Rosa finished product, it is hard to reconcile the statement from Allan Jones…Ricardo Groucho Marx who found the director "rigid and humorless". Walter Woolf King…Lassparri Wood was vociferously right-wing in his personal views and this Sig Ruman… Gottlieb would not have sat well with the famous comedian. Wood Margaret Dumont…Mrs. Claypool directed 11 actors in Oscar-nominated performances: Robert Edward Keane…Captain Donat, Greer Garson, Martha Scott, Ginger Rogers, Charles Robert Emmett O'Connor…Henderson Coburn, Gary Cooper, Teresa Wright, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Flora Robson. Donat, Paxinou and SAM WOOD (b. July 10, 1883 in Philadelphia, Pennsylvania—d. Rogers all won Oscars. Late in his life, he served as the President September 22, 1949, age 66, in Hollywood, Los Angeles, of the Motion Picture Alliance for the Preservation of American California), after a two-year apprenticeship under Cecil B. -
El Puente De Waterloo
El Puente de Waterloo (WATERLOO BRIDGE) Nº 330 (MAYO 2010) %F -?FI>L;G; SINOPSIS Durante un bombardeo alemán sobre Londres en la Primera Guerra Mundial, se produce el encuentro casual entre un capitán del ejército británico y una bailarina. El amor surge entre ellos, pero la guerra, que todo lo arrasa, pronto dicta su sentencia: el capitán debe partir hacia la Europa continental y la bailarina queda a la espera de su regreso. Una equivocada nota de prensa acerca de la muerte en com- bate de su amor será el comienzo del drama. FICHA ARTÍSTICA Myra ............................................................................ VIVIEN LEIGH Roy Cronin .............................................................. ROBERT TAYLOR Lady Margaret Cronin ............................................. LUCILE WATSON Kitty .......................................................................... VIRGINIA FIELD Madame Olga Kirowa ..................................... MARIA OUSPENSKAYA El Duque ............................................................... C. AUBREY SMITH FICHA TÉCNICA Dirección .......... MERVYN LEROY Fotografía ......... J. RUTTENBERG Duración ....................... 108 min. Nacionalidad ........ Estados Unidos Productora .................... NOMBRE Montaje ....... GEORGE BOEMLER Año de Producción ............... 1940 Productor ....... SIDNEY FRANKLIN Música ...... HERBERT STOTHART (Blanco y Negro) Guión ....... GEORGE FROESCHEL D. Artística ... CEDRIC GIBBONS S. N. BEHRMAN, HANS RAMEAU Vestuario . ADRIAN, GILE STEELE .. (Basado en -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MAY 2020 h 2001: A Space Odyssey (1968) 5/2 h The Body Snatcher (1945) 5/30 h The Devil Bat (1940) 5/18 a w 36 Hours (1964) 5/9 R Born Reckless (1959) 5/30 R Devotion (1946) 5/13 ADVENTURE D m 42nd Street (1933) 5/11 m Born to Dance (1936) 5/11 The Diary of Anne Frank (1959) 5/13 c c Bowery Battalion (1951) 5/2 m Ding Dong Williams (1946) 5/8 COMEDY –––––––––––––––––––––– A ––––––––––––––––––––––– c Boys’ Night Out (1962) 5/2 c Dinner at Eight (1933) 5/13 D Abe Lincoln in Illinois (1940) 5/13 P h The Brain That Wouldn’t Die (1962) 5/18 w The Dirty Dozen (1967) 5/25 z CRIME D Ace in the Hole (1951) 5/9 R Break of Hearts (1935) 5/12 h Doctor X (1932) 5/18 c The Actress (1953) 5/22 c Brewster McCloud (1970) 5/9 D Dolls (1987) 5/15 o DOCUMENTARY a Adventures of Don Juan (1948) 5/14 c The Bride Came C.O.D. (1941) 5/29 R Don Juan (Or if Don Juan Were a Woman) (1973) 5/17 u After the Thin Man (1936) 5/3 z Brother Orchid (1940) 5/14 Hc Double Exposure (1935) 5/9 D DRAMA HD Age 13 (1955) 5/15 z Bullets or Ballots (1936) 5/7 S z Double Indemnity (1944) 5/21 S c Alice Adams (1935) 5/12 D Dr. Ehrlich’s Magic Bullet (1940) 5/28 S e EPIC Hm All Girl Revue (1940) 5/27 –––––––––––––––––––––– C ––––––––––––––––––––––– h Dr. -
January 23, 1942 Vol
\ Madison Knits German Dance The Dark Past ZE Tomorrow Night L m Established 1922 Madison College, Harrisonburg, Virginia, Friday, January 23, 1942 Vol. XVm No^4* X3 Student Survey Votes Against Marriage German Midwinters Tomorrow Aud Motherhood Combined With Career "■Women should not try to combine than prbfessionals. The plurality, Will Open Winter Social Season marriage and motherhood with a ca- thirty-eight per cent, are opposed, reer outside the home"—heads a list while twenty-eight per cent approve. Rogers, Willis Lead Figure of beliefs of American students as Interesting Is the fact that more men Ice Skaters' Atmosphere than women like the idea. Erskine, Dance Group polled by the Student Opinion Sur- As Satterfield Plays In veys of America, the cooperative The three related questions asked Are Tentative Lyceums weekly poll sponsored by college in this survey are as follows: Having as its theme an Ice skaters' Tentative lyceum programs newspapers including the Breeze. ball, the German midwinter dances "Do you wish more colleges would for the remainder of the ses- 6econd opinion is: "There would be adopt the idea of training girls to be sion will feature Dr. John will take place tomorrow in Reed more divorces if women were given gym, which will be decorated as a primarily wives and mothers, or Erskine, famous lecturer, and more nearly equal social status with miniature outdoor skating rink, sur. should women receive the same sort the Martha Graham Modern men." rounded by trees laden with new- of education that men get?" Thirty- Dance group. The general effect Is given that eight percent are in favor of educa- fallen snow. -
This Month on Tcm On
WEEKLY THIS MONTH ON TCM SHOWCASES 1 “31 DAYS OF OSCAR®”– 5 ROBERT OSBORNE’S PICKS 12 WESTERSTERN JUSTUSTICE 19 GUGUEST PPRROGRAMMER: 26 MUSIC BY MANCINI THE ESSENTIALS UNITED ARTISTS JOEL GREY Good News (’47) HanHang ‘Em HigHigh (’68(’68) Days of Wine and Roses (’62) Must-See Classics The Circus (’28) The Hard Way (’42) The Westerneesterner (’40(’40) The BesBest Years of OuOur Lives (’46) Dear Heart (’64) Saturdays at 8:00pm (ET) 5:00pm (PT) The Moon and Sixpence (’42) Limelight (’52) The MaMan frofrom ColoradColorado (’48(’48) Yankee DoodlDoodle DandDandy (’42) The Pink Panther (’64) Grand Hotel (’32) To Be or Not To Be (’42) A Day at the Races (’37) RequieRequiem fofor a GunfighGunfighter (’65(’65) On ththe Waateterrfrfront (’54) Mr. Hobbs Takes a Vacation (’62) The Big Chill (’83)* I Married a Witch (’42) OklahomOklahoma Territorerritory (’60(’60) Bachelor in Paradise (’61) Tootsie (’82) Brewster’s Millions (’45) 6 KIM NOVAK: LIVE FROM THE The Law West of Tombstone (’58(’58) 20 THE MOON ANAND THE STARS Gun Crazy (’50) The Lady Eve (’41) The Southerner (’45) TCM CLASSIC FILM FESTIVAL For All MankinMankind (’89(’89) 27 THE NEED FOR SPEED Hangmen Also Die (’43) Kim Novak: Live from the TCM 13 LIONEL ROGOSIN 2010 (’84(’84) Le Mans (’71) The Story of G.I. Joe (’45) TCM UNDERGROUND Classic Film Festival (’13) On tthhe Bowerery (’56) FoForbidderbidden Planet (’56(’56) The Crowd Roars (’32) Monsieur Verdoux (’47) Cult Classics Bell, Book and Candle (’58) Come Back, AfAfrricica (’59) 20 MillioMillion Miles to EartEarth (’57(’57) The Fast and the Furious (’55) Red River (’48) Fridays at 2:00am (ET) 11:00pm (PT) Kim Novak: Live from the TCM An American in Sophiatown (’07) Marooned (’69(’69) Thunder Road (’58) Witness for the Prosecution (’57) Wild Guitar (’62) Classic Film Festival (’13) Black RootRoots (’70) Smokey and the Bandit (’77) Cyrano de Bergerac (’50) The Sadist (’63) * Picnic (’55) Good Times, Wonderfrfuul Times (’66) 21 STARRTARRING DEAN STOCKWELL Speed (’36) A Hole in the Head (’59) The Awful Dr. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Final Master Script Heroes and Scoundrels
HEROES AND SCOUNDRELS: THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE by Matthew C. Ehrlich and Joe Saltzman APPLE: CHAPTER ONE WINDOWS: CHAPTER ONE, SECTION ONE Chapter 1: History Popular culture plays an important part in shaping the public’s thinKing about history The birth of modern journalism is vividly depicted by the 1952 film Park Row Heroes and Scoundrels Edit Script 2 #1. Park Row (1952) VOICE-OVER: The film stars a character named Phineas Mitchell, who founds a paper called the Globe. SOUND FULL: VOICE-OVER: Phineas achieves it all despite fierce opposition from Charity HacKett, the female publisher of the rival Star, where Phineas used to worK. Even though the two share a mutual lust, they repeatedly clash. SOUND FULL: VOICE-OVER: HacKett’s paper, without her Knowledge, targets the Globe with goons, one of whom Phineas chases down the street and pummels against a statute of Benjamin FranKlin. SOUND FULL: VOICE-OVER: An older member of Phineas’s staff dies amid the mayhem, but not before writing his own obituary addressed to Phineas. SOUND FULL: VOICE-OVER: Somehow it all ends happily: Charity Kills the Star and joins forces with Phineas at the Globe. SOUND FULL: Another film celebrated the birth of a global wire service #2. A Dispatch from Reuters (1941) VOICE OVER: Paul Julius Reuter (played by Edward G. Robinson) passionately believes that access to information should be a universal right, and he seeKs to better the world through the quicK transmission of news. SOUND FULL: VOICE-OVER: When he is the first to report in Europe that Abraham Lincoln has been assassinated, no one believes the horrific news. -
August 30, 2011 (XXIII:1) Mervyn Leroy, GOLD DIGGERS of 1933 (1933, 97 Min)
August 30, 2011 (XXIII:1) Mervyn LeRoy, GOLD DIGGERS OF 1933 (1933, 97 min) Directed by Mervyn LeRoy Written by Erwin Gelsey, James Seymour, David Boehm, Ben Markson, & Avery Hopwood (play) Produced by Robert Lord, Jack L. Warner Cinematography by Sol Polito Edited by George Amy Art Direction by Anton Grot Costume Design by Orry-Kelly Makeup by Perc Westmore Music & lyrics byAl Dubin, Harry Warren Conducted by Leo F. Forbstein Arranged by Ray Heindorf Numbers created and directed by Busby Berkeley Warren William...Lawrence 1935 Oil for the Lamps of China, 1933 Tugboat Annie, 1933 Gold Joan Blondell...Carol Diggers of 1933, 1932 I Am a Fugitive from a Chain Gang, 1932 Aline MacMahon...Trixie Three on a Match, 1932 Big City Blues, 1932 The Heart of New Ruby Keeler...Polly York, 1931 Five Star Final, 1931 Broadminded, 1931 Little Caesar, Dick Powell...Brad 1930 Show Girl in Hollywood, 1929 Broadway Babies, 1928 Flying Guy Kibbee...Peabody Romeos, and 1927 No Place to Go. Ned Sparks...Barney Ginger Rogers...Fay Jack L. Warner (August 2, 1892 in London, Ontario, Canada – Billy Barty...Baby in 'Pettin' in the Park' Number September 9, 1978, Los Angeles, California) was a prolific Busby Berkeley...Call Boy producer: he has almost 300 producing credits. He won two Oscars, Dennis O'Keefe...Chorus Boy the 1965 Irving G. Thalberg Memorial Award and the 1965 Best Jane Wyman...Gold Digger Picture Award for My Fair Lady (1964). Some of his other films are 1972 Dirty Little Billy, 1972 1776, 1967 Camelot, 1964 My Fair Awards Lady, 1949 Beyond the Forest, -
Collezione 16Mm
Elenco pellicole collezione “16mm GEH” TITOLO ORIGINALE TITOLO COPIA REGIA NAZIONE ANNO FORM. RULLI 20.000 YEARS IN SING SING 20.000 YEARS IN SING SING Michael Curtiz USA 1932 16 3 2001: A SPACE ODISSEY 2001: A SPACE ODISSEY Stanley Kubrick UK/USA 1968 16 4 2001: A SPACE ODISSEY 2001: A SPACE ODISSEY Stanley Kubrick UK/USA 1968 16 4 3 GODFATHERS 3 GODFATHERS John Ford USA 1948 16 3 3 MEN IN WHITE THREE IN WHITE Willis Goldbeck USA 1944 16 2 36 HOURS 36 HOURS George Seaton USA 1965 16 4 42ND STREET 42ND STREET Lloyd Bacon USA 1933 16 3 7 FACES OF DR. LAO 7 FACES OF DR. LAO George Pal USA 1964 16 3 7 WOMEN 7 WOMEN John Ford USA 1966 16 3 A CHRISTMAS CAROL A CHRISTMAS CAROL Edwin L. Marin USA 1938 16 2 A DATE WITH JUDY A DATE WITH JUDY Richard Thorpe USA 1948 16 3 A DAY AT THE RACES A DAY AT THE RACES Sam Wood USA 1937 16 3 A FAMILY AFFAIR A FAMILY AFFAIR George B. Seitz USA 1937 16 2 Elenco pellicole collezione “16mm GEH” Pagina 1 TITOLO ORIGINALE TITOLO COPIA REGIA NAZIONE ANNO FORM. RULLI A FREE SOUL A FREE SOUL Clarence Brown USA 1931 16 3 A GUY NAMED JOE A GUY NAMED JOE Victor Fleming USA 1943 16 3 A KISS IN THE DARK A KISS IN THE DARK Delmer Daves USA 1949 16 3 A LIFE FOR A LIFE A LIFE FOR A LIFE Stephen Whittaker UK 1998 16 2 A MIDSUMMER NIGHTʼS DREAM A MIDSUMMER NIGHTʼS DREAM William Dieterle, Max Reinhardt USA 1935 16 3 A MODERN HERO A MODERN HERO G.W. -
Dancing Lady Robert Z. Leonard M-G-M USA 1933 16Mm 5/6/1972
Listed Screening Season Title Director Studio Country Year Format runtime Date Notes Dancing Lady Robert Z. Leonard M-G-M USA 1933 16mm 5/6/1972 The first screening ever! 11/25/1972 Per Trib article from 11/23/1972, "our meeting this Saturday will be our last until after the Holidays" Go Into Your Dance Archie Mayo Warner Bros. USA 1935 16mm 1/18/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Sunny Side Up David Butler Fox Film Corp. USA 1929 16mm 1/25/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Shall We Dance Mark Sandrich RKO USA 1937 16mm 2/1/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 You'll Never Get Rich Sidney Lanfield Columbia USA 1941 16mm 2/8/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for A Night at the Opera Stand-In Tay Garnett United Artists USA 1937 16mm 2/15/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for No Man Of Her Own Now And Forever Henry Hathaway Paramount USA 1934 16mm 2/22/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 Spy Smasher Returns William Witney Republic USA 1942 16mm 3/1/1975 per Chuck Schaden's Nostalgia Newsletter 3/1975 - subbed in for Sing You Sinners White Woman Stuart Walker Paramount USA 1933 16mm 3/8/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Broadway Gondolier Lloyd Bacon Warner Bros. USA 1935 16mm 3/15/1975 per Chuck Schaden's Nostalgia Newsletter 4/1975 Argentine Nights Albert S.