Progress Report on Quadrasonics
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CBS Cuts $ on CD Front -Lines
iUI 908 (t,14 **,;t*A,<*fi,? *3- DIGIT 4401 8812 MAR90UHZ 000117973 MONTY GREENLY APT A TOP 3740 ELM 90P07 LONG BEACH CA CONCERTS & VENUES Follows page 56 VOLUME 100 NO. 13 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 26, 1988/$3.95 (U.S.), $5 (CAN.) 3-Inch CD Gets Big Play Dealers Get A Big Spring Break As Majors Start Ball Rolling CD Front This story was prepared by Dave said Lew Garrett, vice president of CBS Cuts $ On -lines DiMartino and Geoff Mayfield. purchasing for North Canton, Ohio- will cut prices on selected black, front -line level and will translate based Camelot Music, speaking at a BY KEN TERRY country, and new artist releases and roughly to a $1 drop in wholesale LOS ANGELES The 3 -inch compact seminar. "Now, we're more excited LOS ANGELES In a surprise MCA plans to reduce the cost of its cost. At the same time, CBS will disk got major play at the National about it." move that may have a profound ef- country CD releases (see story, start offering new and developing Assn. of Record- Discussion among many label exec- fect on industry page 71), the CBS package repre- artist product at the $12.98 list ing Merchandis- utives shifted from general concerns pricing of com- sents the most comprehensive as- equivalent, which represents a ers convention with product viability to more specific pact disks, CBS wholesale cut of about $2. NAHM here March 11 -14. matters of packaging. One executive HARM Records plans to Teller keynote, p. -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y. -
Its Worst Christmas in Years 5 Holiday Sales Strategie
JIMMY IVINE ON U2, YOUTUBE AND WHEN TO EXPECT DRE DAY >P.16 BRANDY'S BIG COMEBACK >P.37 DR PEPPER'S GUNS N' ROSES PROMOTION GOES FLAT >P.6 COMMON'S `MIND' GAMES >P.38 WHAT THE MUSIC BIZ CAN LEARN FROM OBAMA >P.8 EXPERIENCE THE BUZZ BLACKEST FR Why Physical Retail Expects Its Worst Christmas In Years DECEMBER 6, 2008 www.billboard.com PLUS. www.billboard.biz US $6.99 CAN $8.99 UK £5.50 Fore SCII 3 -DIGIT 907 The Season's Digital i EENCTCC 000/004 120193NBB /CB /9AMAR10 001 A04 Look Next Year's Hit II1I11II111I11I1II111_111_111_1111111111111111111111 A At 0012 MONTY GRBBNLY i A 3740 ELM AVE 000880 5 Holiday Sales Strategie LONG BEACH CA 90807 -3402 www.americanradiohistory.com LOEB& LOEB LLP PPESENTS B J music& money S Y M P O S I U M March 5, 2009 St. Regis, New York City CONNECT WITH THE DEALMAKERS DRIVING THE MUSIC BUSINESS Now in its 8th year, this one -day event brings TOPICS INCLUDE: together the best minds from the music, legal, Investing in Online Music Start -Ups financial and Wall Street communities for an in -depth Working with Consumer Brands examination of the financial realities with which the Trends in Venture Capital and Private Equity music industry is contending. Mobile Music Applications Music Publishing M &A Join Billboard and today's most important entertainment Behind the Scenes: Case Studies executives for compelling keynote interviews, informative panel sessions, networking receptions and more. CONFIRMED SPEAKERS: Roger Faxon, Chairman /CEO, EMI Music Publishing Scott Sperling, Co- President, Thomas H. -
Strauss Also Sprach Zarathustra Mp3, Flac, Wma
Strauss Also Sprach Zarathustra mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Also Sprach Zarathustra Country: US Released: 1975 Style: Modern MP3 version RAR size: 1586 mb FLAC version RAR size: 1669 mb WMA version RAR size: 1493 mb Rating: 4.9 Votes: 709 Other Formats: ASF FLAC AIFF AUD VOC RA MP3 Tracklist A1 Also Sprach Zarathustra, Op. 30 (Part 1) 16:46 B1 Also Sprach Zarathustra, Op. 30 (Concluded) 15:49 Companies, etc. Phonographic Copyright (p) – Vox Productions, Inc. Copyright (c) – Vox Productions, Inc. Credits Composed By – Strauss* Conductor – Walter Susskind Liner Notes – Richard Freed Orchestra – Saint Louis Symphony Orchestra Violin, Soloist – Max Rabinovitzj Notes Recorded in May 1974 Both DBX and non-DBX encoded versions were made. This is the non-DBX version. Other versions Category Artist Title (Format) Label Category Country Year Saint Louis Symphony Saint Louis Orchestra, Walter Symphony QTV 34584 Susskind - Also Sprach Turnabout QTV 34584 US Unknown Orchestra, Zarathustra Strauss (LP, Walter Susskind Album) Strauss* / Saint Louis Strauss* / Saint Symphony Orchestra / QTV-S Louis Symphony QTV-S Walter Susskind - Also Turnabout US 1975 34584 Orchestra / 34584 Sprach Zarathustra (LP, Walter Susskind Album, Quad, DBX) Related Music albums to Also Sprach Zarathustra by Strauss Richard Strauss - The Philadelphia Orchestra, Eugene Ormandy - Strauss Also Sprach Zarathustra Bernstein, New York Philharmonic - Richard Strauss - Also Sprach Zarathustra Richard Strauss, Zubin Mehta - Also sprach Zarathustra -
5 Years Time (Sun Sun Sun)
5 Years Time (Sun Sun Sun) Noah and the Whale Intro: [C] [F] [G] [F] x4 Oh well in [C] five years [F] time we could be walking round a [F] zoo With the [C] sun shining [F] down over [G] me and [F] you And there’ll be [C] love in the [F] bodies of the [G] elephants [F] too And I’ll put my [C] hands over [F] your eyes, Soprano but you’ll [G] peep through C And there’ll be [C] sun sun [F] sun [G] all over our [F] bodies And [C] sun sun [F] sun [G] all down our [F] necks And [C] sun sun [F] sun [G] all over our [F] faces And [C] sun sun [F] sun [G] so what the [F] heck F Cos I’ll be [C]laughing at [F] all your [G] silly little [F] jokes And we’ll be [C] laughing [F] about how we [G] used to [F] smoke All those [C] stupid little [F] cigarettes G and [G] drink stupid [F] wine Cos it’s [C] what we [F] needed to [G] have a good [F] time And it was [C] fun fun [F] fun [G] when we were [F] drinking It w as [C] fun fun [F] fun [G] when we were [F] drunk And it was [C] fun fun [F] fun [G] when we were [F] laughing It w as [C] fun fun [F] fun [G] oh it w as [F] fun [C] [F] [G] [F]x2 Baritone Oh well I [C] look at you and [F] say Chords it’s the happiest that [G] I’ve ever [F] been And I’ll say [C] I no longer [F] feel C I have to [G] be James [F] Dean And s he’ll say [C] "Yeah well I [F] feel all [G] pretty happy [F] too And I’m [C] always pretty [F] happy when I’m just [G] kick ing back with [F] you" F And it’ll be [C] love love [F] love [G] all through our [F]bodies And [C] love love [F] love [G] all through our [F] minds And it be [C] love love -
Downbeat.Com June 2014 U.K. £3.50
JUNE 2014 U.K. £3.50 DOWNBEAT.COM JUNE 2014 VOLUME 81 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom -
Video on Demand and Catch-Up TV in Europe
On-demand audiovisual services have mushroomed in Europe. Video on demand, catch- Video on up television and video sharing are vying for the consumer’s attention but are facing the problem of internet piracy at the same time. The landscape has become very fragmented demand and is developing very rapidly. Business models are being defined and are in some cases Video on merging with one another. The crisis on the advertising market and the limits imposed and on the development of the free services offered by the public broadcasters are leading to a growing interest in paid-for services, but the development of pay models is being catch-up TV impeded by piracy and it seems these services will not come into their own until on- demand offerings can be fully accessed on a television set instead of only on a computer demand in Europe screen or mobile telephone. The provision of access to VOD on a TV is thus becoming a very important issue and galvanising manufacturers and network operators into action. This report provides a complete and up-to-date picture of the different on-demand au- diovisual services and of how they fit into the strategy of the various types of player. It and is both concise and detailed and will be a useful tool for anyone seeking to understand the complexity of this evolving field. catch-up TV Set up in December 1992, the European Audiovisual Observatory’s mission is to gather European and distribute information on the audiovisual industry in Europe. The Observatory is a in Europe European public service body comprised of 36 member states and the European Commu- Audiovisual nity, represented by the European Commission. -
Lincoln, Persichetti and the 2Nd Inauguration of Richard Nixon: a Study in Artistic Vision Versus Political Expediency1
Lincoln, Persichetti and the 2nd Inauguration of Richard Nixon: a Study in Artistic Vision Versus Political Expediency1 MICHAEL CHIKINDA On December 15, 1972, Vincent Persichetti was contacted by Ed Cowling, Chairman of Entertainment for the second inauguration of Richard Nixon, to write a new piece for orchestra and narrator based on Lincoln’s Second Inaugural Address of 1865.2 Eugene Ormandy was to lead the Philadelphia Orchestra in the performance of this commission, and the role of the narrator was to be assumed by Charlton Heston, who would read selected passages from Lincoln’s speech. Purportedly, later that same month, a decision was made by the Inaugural Committee to remove selected passages from Lincoln’s text and, finally, to substitute it with something else entirely. Persichetti was deeply inspired by these words, and he would not replace Lincoln’s speech to alleviate the concerns of the Inaugural Committee; consequently, the piece was dropped from the program entirely. I will explore the dynamics that led to the rejection of A Lincoln Address, a piece of music that is both patriotic and exemplary of American values.3 Specifically, this paper reviews the decisions of the committee that pertain to the Inaugural concert—the Inaugural theme and the selection of an alternative text—and reveals a pattern of arbitrary decisions that belie the democratic values the inauguration is meant to celebrate. Indeed, the Persichetti incident does not merely recount the decision to remove a piece of music from an inaugural concert; I argue that it is a cautionary tale demonstrating how a decision meant to quell negative publicity, or worse, riots, ended up fomenting the very controversy it was intended to avoid. -
The Universitj Musical Societj , of the University of Michigan
The UniversitJ Musical SocietJ , of The University of Michigan Presents ANN ARBOR THE PHILADELPHIA ORCHESTRA EUGENE ORMANDY, Music Director and Conductor WILLIAM SMITH, Assistant Conductor EUGENE ORMANDY, Conducting WEDNESDAY EVENING, APRIL 30, 1975, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Come, Sweet Death BACH A Moment of Silence in Memory of Thor Johnson *Symphony No.1 in D major, "The Titan" MAHLER Langsam; gemachlich Kraftig bewegt Feierlich und gemessen Stlirmisch bewegt INTERMISSION t"An American in Paris" GERSHWIN tSuite from The Firebird (1919 version) STRAVINSKY Introduction; the Firebird and Her Dance Dance of the Princesses Infernal Dance of Kastchei Berceuse Finale The Philadelphia Orchestra records exclusively for RCA R ed Seal * A vailable on RCA Red Seal t A vailable on C olu.rnbia R ecords First Concert Eighty-second May Festival Complete Concerts 3944 In Memoriam - Thor 'Johnson Thor Johnson, 1913- 1975, conductor of fifty-seven May Festival concerts between 1940 and 1973, began his University of Michigan affiliation as a student iti 1934. After graduation, he was conductor of the U-M orchestras and the Little Symphony. He seryed as a member of the Univer sity Musical Society's Board of Directors from 1940-1968. He leaves a long legacy of service with orchestras throughout the United States, the first American-born, American-trained conductor chosen to direct a major orchestra when he was appointed conductor of the Cin.cinnati Symphony Orchestra in 1947. At the time of his death, January 16, he was Music Director of the Nashville Symphony and conductor of the Interlochen Arts Academy Orchestra. -
714.01 [Cover] Mothernew3
BREAKING BENJAMIN NEW MUSIC REPORT REVIEWED: BECK, CAVE IN, LUNA, TERRANOVA, PEACHES, BLACK DICE... Issue 783 • October 7, 2002 • www.cmj.com SPOTLIGHT PLUS MORE! Last Chance To Pre-Register For CMJ Music Marathon RYKODISC’SRYKODISC’S Big $ Savings! See Page 21! PLATINUMPLATINUM STATION PROFILE WDET/DETROIT EXPOSED! ANNIVERSARYANNIVERSARY LOUD ROCK Rykodisc's George Howard and Trevor Jones HELLBENT FOR PLEATHER! CMJ RETAIL DISTURBED DEBUTS AT NO. 1 CHARTS: SLEATER-KINNEY STILL NO.1, HOT WATER MUSIC MOST ADDED 1. Obvious Things 2. Sunshine 3. All Along 4. Maybe We Wont Die 5. Good Thing You're Young 6. Easy Target 7. Strange Situation 8. World Without You 9. Not a Sinner 10. Prefers Fall Be A SEX JUNKIE! See Lava Baby as they headline “The Passion Tour” 10/8 – James Madison University, Hightown Pavilion 10/10 – Duke University, George’s Garage 10/11 – UNC-Chapel Hill, Pantana Bob’s 10/13 – University of Virginia, Starr Hill 10/18 – University of Georgia, The Last Call 10/19 – Georgia Tech University, The Library Bar & Grill Check out www.lavababy.com for more dates… Powderfinger 1-800-356-1155 [email protected] Roger Schrader 1-877-740-4620 www.pilot-radio.com [email protected] 10/7/2002 Issue 783 • Vol 73 • No. 4 FEATURES 8 Rykodisc Turns 20 One of America’s largest and most successful independent record companies, Rykodisc has made its living by anticipating change, staying one step ahead of the competition and, of course, signing the best talent available. With a catalogue that includes albums from such artists as Frank Zappa, Nick Drake, Morphine, Sugar, Chuck E. -
A Comparison of the Careers and Recordings of Stanley Drucker and Karl Leister
University of South Carolina Scholar Commons Theses and Dissertations Summer 2020 A Legacy Preserved: A Comparison of the Careers and Recordings of Stanley Drucker and Karl Leister Peter M. Geldrich Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Geldrich, P. M.(2020). A Legacy Preserved: A Comparison of the Careers and Recordings of Stanley Drucker and Karl Leister. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/ 5990 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A LEGACY PRESERVED: A COMPARISON OF THE CAREERS AND RECORDINGS OF STANLEY DRUCKER AND KARL LEISTER by PETER M GELDRICH Bachelor of Music University of Maryland, 2003 Master of Music University of Florida, 2006 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2020 Accepted by: Joseph Eller, Major Professor Rebecca Nagel, Committee Member Clifford Leaman, Committee Member Sarah Williams, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Peter M Geldrich, 2020 All Rights Reserved. ii Dedication To my father, Peter James Geldrich, who placed me on my musical path…and to my wife, Shannon Lowe, who has held my hand on the journey. iii Acknowledgements This document is a result of the inspiration and guidance that many people have provided me, and to whom I owe an enormous debt of gratitude.