Strauss Also Sprach Zarathustra Mp3, Flac, Wma
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Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
Lincoln, Persichetti and the 2Nd Inauguration of Richard Nixon: a Study in Artistic Vision Versus Political Expediency1
Lincoln, Persichetti and the 2nd Inauguration of Richard Nixon: a Study in Artistic Vision Versus Political Expediency1 MICHAEL CHIKINDA On December 15, 1972, Vincent Persichetti was contacted by Ed Cowling, Chairman of Entertainment for the second inauguration of Richard Nixon, to write a new piece for orchestra and narrator based on Lincoln’s Second Inaugural Address of 1865.2 Eugene Ormandy was to lead the Philadelphia Orchestra in the performance of this commission, and the role of the narrator was to be assumed by Charlton Heston, who would read selected passages from Lincoln’s speech. Purportedly, later that same month, a decision was made by the Inaugural Committee to remove selected passages from Lincoln’s text and, finally, to substitute it with something else entirely. Persichetti was deeply inspired by these words, and he would not replace Lincoln’s speech to alleviate the concerns of the Inaugural Committee; consequently, the piece was dropped from the program entirely. I will explore the dynamics that led to the rejection of A Lincoln Address, a piece of music that is both patriotic and exemplary of American values.3 Specifically, this paper reviews the decisions of the committee that pertain to the Inaugural concert—the Inaugural theme and the selection of an alternative text—and reveals a pattern of arbitrary decisions that belie the democratic values the inauguration is meant to celebrate. Indeed, the Persichetti incident does not merely recount the decision to remove a piece of music from an inaugural concert; I argue that it is a cautionary tale demonstrating how a decision meant to quell negative publicity, or worse, riots, ended up fomenting the very controversy it was intended to avoid. -
The Universitj Musical Societj , of the University of Michigan
The UniversitJ Musical SocietJ , of The University of Michigan Presents ANN ARBOR THE PHILADELPHIA ORCHESTRA EUGENE ORMANDY, Music Director and Conductor WILLIAM SMITH, Assistant Conductor EUGENE ORMANDY, Conducting WEDNESDAY EVENING, APRIL 30, 1975, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Come, Sweet Death BACH A Moment of Silence in Memory of Thor Johnson *Symphony No.1 in D major, "The Titan" MAHLER Langsam; gemachlich Kraftig bewegt Feierlich und gemessen Stlirmisch bewegt INTERMISSION t"An American in Paris" GERSHWIN tSuite from The Firebird (1919 version) STRAVINSKY Introduction; the Firebird and Her Dance Dance of the Princesses Infernal Dance of Kastchei Berceuse Finale The Philadelphia Orchestra records exclusively for RCA R ed Seal * A vailable on RCA Red Seal t A vailable on C olu.rnbia R ecords First Concert Eighty-second May Festival Complete Concerts 3944 In Memoriam - Thor 'Johnson Thor Johnson, 1913- 1975, conductor of fifty-seven May Festival concerts between 1940 and 1973, began his University of Michigan affiliation as a student iti 1934. After graduation, he was conductor of the U-M orchestras and the Little Symphony. He seryed as a member of the Univer sity Musical Society's Board of Directors from 1940-1968. He leaves a long legacy of service with orchestras throughout the United States, the first American-born, American-trained conductor chosen to direct a major orchestra when he was appointed conductor of the Cin.cinnati Symphony Orchestra in 1947. At the time of his death, January 16, he was Music Director of the Nashville Symphony and conductor of the Interlochen Arts Academy Orchestra. -
A Comparison of the Careers and Recordings of Stanley Drucker and Karl Leister
University of South Carolina Scholar Commons Theses and Dissertations Summer 2020 A Legacy Preserved: A Comparison of the Careers and Recordings of Stanley Drucker and Karl Leister Peter M. Geldrich Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Geldrich, P. M.(2020). A Legacy Preserved: A Comparison of the Careers and Recordings of Stanley Drucker and Karl Leister. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/ 5990 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A LEGACY PRESERVED: A COMPARISON OF THE CAREERS AND RECORDINGS OF STANLEY DRUCKER AND KARL LEISTER by PETER M GELDRICH Bachelor of Music University of Maryland, 2003 Master of Music University of Florida, 2006 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2020 Accepted by: Joseph Eller, Major Professor Rebecca Nagel, Committee Member Clifford Leaman, Committee Member Sarah Williams, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Peter M Geldrich, 2020 All Rights Reserved. ii Dedication To my father, Peter James Geldrich, who placed me on my musical path…and to my wife, Shannon Lowe, who has held my hand on the journey. iii Acknowledgements This document is a result of the inspiration and guidance that many people have provided me, and to whom I owe an enormous debt of gratitude. -
Progress Report on Quadrasonics
PROGRESS REPORT ON QUADRASONICS o E 9,4iiVI vs/ -"V (7z -on n g n v, 3AId0 Warttlii-V-60.2. ELA 47 IdV ?JVW H.LIWS NN319 Lw00vl00s00Ir69Lzol93t0 ZO 800V6OZ 9HIS 0E89E147 Big, acoustic -suspension sion, Fisher tweeters incorporate a soft CDThe Fisher XP -60C, the world's woofers. dome diaphragm. Their impregnated finest $99.95 speaker system. All Fisher speaker cotton or formed-mylar construction If you want outstanding power - systems use a larger - eliminates parasitic high -frequency re- handling capacity and good bass, and than -you'd -expect sonances and the resultant coloration you won't pay more than $100 for them, acoustic -suspension of sound. this is the only speaker for you. It uses woofer. An exclusive a massive 10 -inch woofer with a free -air free -piston design, Even the crossover networks resonance of 22 Hz. In its airtight enclo- coupled with an ex- and enclosures are special. sure, fundamental bass response tremely compliant extends down to 35 Hz. A 21/2 -inch butyl rubber or butyl - extended - bandwidth tweeter provides impregnated sur- pure treble tones to 20,000 without col- round and a specially oration or break-up. (Price includes lat- treated cone, allows a fundamental bass ticework grille.) response down to 30 Hz without doubl- ing or distortion. ®The Fisher XP -65-K, the world's As an additional measure of their finest $109.95 speaker system. quality, the free -air resonance of Fisher A 3 -way system with a lot of ad- woofers ranges from 38 to a remarkable In a Fisher speaker system nothing vantages. -
THURSDAY, March 25 Opening General Session
Thursday, 8:00–10:00 a.m. THURSDAY, March 25 REGISTRATION, 8:00 a.m.–6:00 p.m. Henry B. Gonzalez Convention Center, East Registration Area, Street Level EXHIBITS, 10:00 a.m.–6:00 p.m. Henry B. Gonzalez Convention Center, Exhibit Hall C, Street Level Newcomers Coffee Hour, 7:00 a.m.–8:15 a.m. Henry B. Gonzalez Convention Center, Exhibit Hall C, Street Level Opening General Session 8:30 a.m.–10:00 a.m. Henry B. Gonzalez Convention Center, Theatre, Street Level Presiding: Doug Hesse, Program Chair/CCCC Associate Chair, Illinois State University, Normal, IL Greetings: Sue Hum and Linda Woodson, Local Arrangements Chairs, University of Texas at San Antonio Greetings from the NCTE Executive Committee: Patricia Lambert Stock, Michigan State University, East Lansing, NCTE President Greetings from the Chair of TYCA: Jody Millward, Santa Barbara City College, CA • Scholars for the Dream—2004 Recipients: JuliAnna Avila, University of California, Berkeley O.16 Jeffrey Duncan-Andrade, University of California, Los Angeles J.17 D. Ted Hall, Michigan State University, East Lansing I.10 David Kirkland, Michigan State University, East Lansing I.10 Melvette Melvin, Penn State University, State College E.29 Rose Metts, Savannah State University, GA G.18 Kelvin Monroe, Washington State University, Pullman L.34 Spencer Salas, University of Georgia, Atlanta O.22 Cecilia Solis-Sublette, Texas A&M University B.17 Sandra Young, Allen University, Columbia, SC G.18 80 Thursday, 8:00–10:00 a.m. • Scholars for the Dream Committee Chair: Elaine Richardson, Penn State