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John N. Smith to Direct Guy Vanderhaeghe's The
JOHN N. SMITH TO DIRECT GUY VANDERHAEGHE’S THE ENGLISHMAN’S BOY (June 27, 2006) Guy Vanderhaeghe is adapting his Governor General Award-winning novel, The Englishman’s Boy, as a two-part, four-hour mini-series to be directed by John N. Smith and produced by Kevin DeWalt of Minds Eye Entertainment for CBC Television. The Englishman’s Boy, which was shortlisted for the Giller Prize and the International IMPAC Dublin Award, weaves two parallel narratives into one spellbinding story. In 1920s Hollywood, the young Canadian writer Harry Vincent is engaged by a movie mogul to track down an elusive old-time Western actor. Vincent’s relationships with both the actor and the studio boss expose the dark side of myth-making. In counterpoint to the realm of Hollywood is the haunting story of a young drifter known simply as “the Englishman’s boy.” In 1873, the boy joins a group of wolf hunters on the trail of horse thieves. It is a journey that climaxes in a brutal encounter with the Assiniboine Indians in the Cypress Hills – an encounter which will change this country forever. “Guy is a writer of rare power,” comments director John N. Smith. “We have been collaborating on bringing this riveting story to the screen for a very long time. Canadian viewers are in for a great treat, I promise you.” “This is very much a cautionary tale,” explains Vanderhaeghe. “It is a western and an examination of the mythic political power of westerns. It is also a little-known tale of Canada. I can’t think of a more sensitive director than John to transform my words into images.” John N. -
Uvisno "Acting Is Handed on from Actor to Actor
Inaide the Stratford Festival uviSNO "Acting is handed on from actor to actor. It's the only way to do it... from observing the people who came before you. That is really the way theatre goes" In OFFSTAGE ONSTAGE: Inside the Stratford Festival, Stratford cameras go backstage during an entire season to capture the creative spirit at the heart of a treasured Canadian theatre company. For five decades, the Festival's stage has been home to the world's great plays and performers. Award-winning director John N. Smith (The Boys of St. Vincent), given unprecedented access backstage, offers a fascinating look at the personalities and the production process behind live theatre performance. Peek into William Hutt's dressing room as he does his vocal warm-ups before Twelfth Night. Watch Martha Henry command the stage in Who's Afraid of Virginia Woolf? Observe an up-and-coming generation of young performers who learn from the masters. Meet dozens of artists, craftspeople and technicians who reveal their secrets, from shoemaking, sword fighting and sound effects to makeup and mechanical monkeys. Join us behind the scenes of Canada's premier classical theatre institution ... and discover the love for the stage that drives this artistic company. Resource guide on reverse side, DIRECTOR: John N. Smith PRODUCER: Gerry Flahive 83 minutes Order number: C9102 042 Closed captioned. A decoder is required. TO ORDER NFB VIDEOS, CALL TODAY! -800-267-7710 (Canada) 1-800-542-2164 (USA) © 2002 National Film Board of Canada. A licence is required for any reproduction, television broadcast, sale, rental or public screening. -
Classics (345Kb)
Ethan McSweeny /Selected Press – Classics 01.18 “Ethan McSweeny seems to have a Midas touch. It’s not that the plays he directs turn into gold but they do sail across the footlights with a vibrant, magnetic sheen… The wunderkind director who made his Broadway debut before some directors finish graduate school, is earning plaudits for a flurry of new productions…Throughout his career, McSweeny has moved from classics to contemporary dramas to premieres with ease…His scrupulous attention to the melding of design, pacing, and performance and facility with which he presents them, feels crisp, vibrant, and cinematic.” Jaime Kleiman, American Theatre “McSweeny is revealing himself to be the kind of directorial prodigy we read about in biographies of such auteurs as Robert Wilson and Peter Sellers. Except that he does not impose a vision or conceit on a play; he amplifies themes in the work.” Rohan Preston, Minneapolis Star Tribune “McSweeny is not only one of our most successful theatre directors, but equally one of our most important, and for a man who zoomed a few years ago past 40, he continues to sport the aura of a modern Boy Wonder — an Orson Welles with much more in his future than commercials for Paul Masson … It’s not just that he is — as Peter Marks characterized him in his Washington Post review of The Tempest — a “classical imagist,” although he does possess that rare mixture of deep affinity for text and a fanciful eye. He has proven to be fluid in his choices, negotiating between the classical and the edgy-new. -
2016 Study Guide
2016 STUDY ProductionGUIDE Sponsor 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER BREATH OF KINGS: REBELLION | REDEMPTION BY WILLIAM SHAKESPEARE CONCEIVED AND ADAPTED BY GRAHAM ABBEY WORLD PREMIÈRE COMMISSIONED BY THE STRATFORD FESTIVAL DIRECTORS MITCHELL CUSHMAN AND WEYNI MENGESHA TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by The Brian Linehan Charitable Foundation and by Martie & Bob Sachs INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: From left: Graham Abbey, Tom Rooney, Araya Mengesha, Geraint Wyn Davies.. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis .............................................................................................................. -
Subject: National Church Council of the ELCIC Declares Eastern Synod
www.gatheringbaptists.ca Baptists Gathering in Wholeness and Integrity following the example of Jesus Fall 2006 Vol. XII Issue III ISSN 1499-111X ©The Gathering of Baptists Subject: National Church It's still not to late to reconsider this draconian measure that violates everything we hold dear Council Of The ELCIC as Baptist's and enter into a reasoned dialogue Declares Eastern Synod on an issue where there are clearly differing points of view held by sincere Christians. Motion Unconstitutional Tommy Douglas: A EDITORIAL: by Michael Steeves Remarkable Canadian Baptist I want to commend the Eastern Synod of the Evangelical Lutheran Church in Canada for By Walter Mulkewich their process and decision on same sex marriage (see the news release below). While “My friends, watch out for the little fellow with they have been overruled by the national an idea.” - Tommy Douglas, 1961 church they have taken a courageous step that will enable a helpful dialogue. Their approach Tommy Douglas, a father of Canada’s is one that I hoped and prayed Baptists would medicare and voted “The Greatest Canadian of employ because it is so much in keeping with All Times” in a CBC nationwide poll, was a Baptist polity. The Lutherans studied the issue Baptist preacher of the social gospel tradition. carefully. They provided scriptural study Influenced by his religious beliefs, Douglas guides exploring both sides of the issue. They helped reframe the politics of his time and was prayed for guidance and when decision time a powerful influence in shaping modern came they recognized that this is a matter for Canada. -
"The Sense of an Ending": the Destabilizing Effect of Performance Closure in Shakespeare's Plays
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-8-2016 12:00 AM "The Sense of An Ending": The Destabilizing Effect of Performance Closure in Shakespeare's Plays Megan Lynn Selinger The University of Western Ontario Supervisor Margaret Jane Kidnie The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Megan Lynn Selinger 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, British Isles Commons, and the Performance Studies Commons Recommended Citation Selinger, Megan Lynn, ""The Sense of An Ending": The Destabilizing Effect of Performance Closure in Shakespeare's Plays" (2016). Electronic Thesis and Dissertation Repository. 3797. https://ir.lib.uwo.ca/etd/3797 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract What makes a good ending? How do we know when something ends? In performance, it is difficult to characterize that nebulous and highly subjective — yet nonetheless theatrically powerful — “sense” of an ending. Previous scholarly work on Shakespearean endings, even when emphasizing performance, has largely focused on understanding endings from a narrative viewpoint, questioning how endings reach textual closure. These works examine the lingering questions or problems at the end of Shakespeare’s texts, and discuss how performance tackles these issues. This dissertation takes performance as its starting point. -
HH Press Kit Aug4 2009
George Ryga’s HUNGRY HILLS The award-winning novel HUNGRY HILLS by legendary Canadian author George Ryga has been adapted for the screen by Vancouver-based screenwriter Gary Fisher and began principal photography in and around Regina, Saskatchewan on April 27, 2009 under the helm of director Rob King. The rolling hills of Saskatchewan’s Qu’Appelle Valley provided the setting for Ryga’s story of a young man’s desperate attempts to overcome poverty and discrimination. Ryga’s timeless story of perseverance and redemption has been a sixteen-year journey for screenwriter Gary Fisher, a dream shared by award-winning director Rob King (Moccasin Flats: Redemption, Something More) who has championed the project alongside Fisher for the last decade. George Ryga’s HUNGRY HILLS stars Keir Gilchrist (United States of Tara), Alexander De Jordy (Sticks and Stones, True Heroes), John Pyper-Ferguson (Brothers & Sisters, Everest), Gabrielle Rose (Grace, Mothers & Daughters), Alexia Fast (Kaya, Left Coast) and Cavan Cunningham (Just Friends, Corner Gas). Rhonda Baker (Dolan’s Cadillac, Ticket Out, The Messengers), Avi Federgreen (One Week; Leslie, My Name is Evil), Rob King and Gary Fisher produced the feature-length film. Jennifer Jonas (Leslie, My Name Is Evil, All Hat) and Leonard Farlinger (Monkey Warfare, The Perfect Son) of New Real Films, and Gerard Demaer of Gerard Productions Inc. served as executive producers. SYNOPSIS In 1954 after two years in a home for boys, Snit Mandolin (Keir Gilchrist), 15, returns home to his seemingly unhinged and reclusive aunt Matilda (Gabrielle Rose). Defeated by a community that still shuns him, confronted by the impossibility of surviving on his aunt’s farm, Snit falls in with Johnny Swift (Alexander De Jordy), 16, another outcast. -
Marcia Gay Harden
Paragraph Pictures Inc. in association with TallTree Pictures presents Marcia Gay Harden Leonor Watling and Aidan Quinn in Joseph Kell Michael Therriault Gary Piquer Bethany Jillard Elizabeth Whitmere Claire Brosseau Patrick Garrow Darren Keay Michael Tait Peter Van Gestel with Valerie Mahaffey Produced by David Gordian and Alan Latham Written & Directed by Joan Carr-Wiggin MPAA Rating: R (for language/sexual references) Running time: 115 min New York Publicity: FALCO INK Shannon Treusch / Joanna Pinker [email protected]/[email protected], 212.445.7100 Los Angeles Publicity: MARINA BAILEY FILM PUBLICITY Marina Bailey/Sara Tehrani [email protected]/[email protected], 323.962.7511 www.kinolorber.com CONTENTS Page 3 CAST LIST Page 4 FILMMAKERS LIST Page 5 SYNOPSIS 1 SYNOPSIS 2 Page 6 ABOUT THE FILM Page 12 ABOUT THE CAST Page 17 ABOUT THE FILMMAKERS Page 19 END CREDITS CAST (in order of appearance) Madelyn MARCIA GAY HARDEN Lucy LEONOR WATLING Paul JOSEPH KELL Waitress DANIELA SAIONI Store Clerk GENADIJS DOLGANOVS Mother JESSICA BOOKER Office Assistant GENEVIEVE KANG Keith GARY PIQUER Sarah KAITLYN RIORDAN Tyler LEON B. AUREUS Sam JEFF ELLIOT Carla BEATRIZ YUSTE Maggie VICKIE PAPAVS Neighbour Elizabeth RHONDA HALL First Lear MAIRTIN O’CARRIGAN Rainer (Director) MICHAEL THERRIAULT Regan CLAIRE BROSSEAU Cordelia BETHANY JILLARD Goneril ELIZABETH WHITMERE Edgar DARREN KEAY Second Lear MICHAEL POLLEY Lydia VALERIE MAHAFFEY Gloucester MICHAEL TAIT Kent PETER VAN GESTEL Edmund PATRICK GARROW Nurse JENNI BURKE Derek AIDAN -
Shine Gala Program 2015.Pdf
65317_Shine_Gala_Program.indd 1 15-05-26 8:23 PM Principal’s Message Welcome to Shine: An Evening Celebra6ng ESA! ! Want to learn more about our Thank you so much for coming out tonight to support ESA – a fantas6c community of singers, dancers, filmmakers, actors, ar6sts and musicians who are supported by school staff, guest students? Visit… ar6sts, parents and community members. Tonight is the first of what we are hoping will be an annual event to celebrate our alumni and current students, while raising funds to enhance the physical space at ESA. When the idea to hold a gala was first floated, we had no idea what the response from our alumni would be. We were overwhelmed by the generosity of our graduates to come back and join the show and we couldn’t be more grateful. Since launching the event, I have also heard from many other former students who would love to be a part of this produc6on in future years (watch out for next year’s line up!). Our Co-‐Hosts tonight (and parents of ESA grads), Robin Duke and Rosemary Dunsmore were also happy and quick to sign on and our collec6ve thanks to these fabulous ar6sts. Of course, you will also see many of our current student groups on stage tonight and we thank them and their teachers for coming out, performing and suppor6ng this event to improve their school! As audience members, we rightly focus on the stage and give great applause to the fantas6c ar6sts we see there, but I also want to thank and congratulate those who organized this evening’s show (and, in many cases, who are also working on the capital campaign to improve school facili6es). -
01 Coveraoutsept (Page 1)
profile | city life | trends | culture | shopping portrait | vie urbaine | tendances | culture | shopping PANORAMA MICHAEL THERRIAULT Playing for Keeps À tour de rôles This versatile Stratford Festival vet recently played Tommy Douglas in a TV biopic, and had a part in the musical The Producers.And he’s been wowing audiences and critics as Gollum in the stage adaptation of The Lord of the Rings. Vétéran du Festival de théâtre de Stratford, en Ontario, cet acteur très polyvalent a aussi incarné Tommy Douglas à la télévision, en plus de jouer dans la comédie musicale The Producers. Et il stupéfie tout le monde dans le spectacle Lord of the Rings. By | Par Sonia Sarfati ALTHOUGH THE MUSICAL VERSION of The Lord of MÊME SI LORD OF THE RINGS a été mal reçu par la the Rings was poorly received by most North American majorité des critiques nord-américains (la production de critics—the $27-million production will end its run at 27 millions présentée depuis février au théâtre Princess of Toronto’s Princess of Wales Theatre on September 3 after Wales de Toronto fermera boutique le 3 septembre just six months, though a revised version will open in prochain, avant de revivre dans une version remaniée London in May 2007—reviewers did save many kind à Londres, en mai 2007), le consensus s’est fait autour de words for the performance of Michael Therriault, who is la performance de Michael Therriault qui incarne avec a truly inspired Gollum. brio Gollum. Like every vertically challenged thespian (he stands Comme tous les comédiens de taille… modeste (il just 5’6”) who auditioned for the musical version of mesure 1,70 m) qui auditionnaient pour participer à Tolkien’s masterpiece, Therriault was hoping to land the l’adaptation théâtrale du chef-d’œuvre de Tolkien, l’acteur DESTINATIONS 11 Photo: Allan Feildel panorama Michael Therriault PEOPLE LES GENS 1 THERRIAULT’S TOMMY DOUGLAS IN de 32 ans natif d’Oakville, en THE CONTROVERSIAL Ontario, avait Frodon dans sa mire. -
Canadian Claimants Group (CCG)
WRITTEN DIRECT TESTIMONY OF JANICE DE FREITAS (CBC - RIGHTS ADMINISTRATION) 2004—2005 Cable Royalty Distribution Proceeding Docket No. 2007-03 CRB CD 2004-2005 1. Introduction I am Manager of Rights Administration for the Canadian Broadcasting Corporation/Radio-Canada (CBC/Radio-Canada) at the Head Office in Ottawa. I have worked for the CBC since 1980. For the last 15 years, I have served as Chairman of the Canadian Claimants Group (CCG). Before assuming my current position, I spent nine years in CBC’s television program distribution department eventually managing the Educational Sales unit. Those responsibilities called for me to be familiar with the English television network’s programming, and rights administration. CBC/Radio-Canada is Canada’s national public broadcaster, and one of its largest and most important cultural institutions. It was created by an Act of Parliament in 1936, beginning with Radio. Bilingual television services were launched in 1952. CBC/Radio-Canada is licensed and regulated by the Canadian Radio-television and Telecommunications Commission (CRTC)1. CBC/Radio-Canada employs approximately 9,930 Canadians in 27 regional offices across the country. CBC programming is provided on multiple platforms: television (both traditional over-the-air and cable networks), radio, the Internet, satellite radio, digital audio and a recording label. Through this array of activities, CBC/Radio-Canada delivers content in English, French, and eight aboriginal languages. In addition to this, programming is available in seven other languages including Spanish, Russian and Mandarin on both Radio Canada International, and Web-based www.rciviva.ca, a radio service for recent and aspiring immigrants to Canada. -
How Canadians Communicate IV: Media and Politics
How Canadians Communicate IV How Canadians Communicate IV Media and Politics Edited by David Taras and Christopher Waddell Copyright © 2012 David Taras and Christopher Waddell Published by AU Press, Athabasca University 1200, 10011 – 109 Street, Edmonton, AB T5J 3S8 ISBN 978-1-926836-81-2 (print) 978-1-926836-82-9 (PDF) 978-1-926836-83-6 (epub) Interior design by Sergiy Kozakov Printed and bound in Canada by Marquis Book Printers Library and Archives Canada Cataloguing in Publication Media and politics / edited by David Taras and Christopher Waddell. (How Canadians communicate ; 4) Includes bibliographical references and index. Issued also in electronic formats. ISBN 978-1-926836-81-2 1. Mass media--Political aspects--Canada. 2. Social media--Political aspects--Canada. 3. Communication in politics--Canada. 4. Canada--Politics and government. I. Taras, David, 1950- II. Waddell, Christopher Robb III. Series: How Canadians communicate ; 4 P95.82.C3M45 2012 302.230971 C2012-901951-8 We acknowledge the financial support of the Government of Canada through the Canada Book Fund (CFB) for our publishing activities. Assistance provided by the Government of Alberta, Alberta Multimedia Development Fund. This publication is licensed under a Creative Commons License, Attribution– Noncommercial–No Derivative Works 2.5 Canada: see www.creativecommons.org. The text may be reproduced for non-commercial purposes, provided that credit is given to the original author. To obtain permission for uses beyond those outlined in the Creative Commons license, please