Boston Symphony Orchestra Concert Programs, Season 128, 2008-2009
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University Microiilms, a XERQ\Company, Ann Arbor, Michigan
71-18,075 RINEHART, John McLain, 1937- IVES' COMPOSITIONAL IDIOMS: AN INVESTIGATION OF SELECTED SHORT COMPOSITIONS AS MICROCOSMS' OF HIS MUSICAL LANGUAGE. The Ohio State University, Ph.D., 1970 Music University Microiilms, A XERQ\Company, Ann Arbor, Michigan © Copyright by John McLain Rinehart 1971 tutc nTccrSTATmil HAS fiEEM MICROFILMED EXACTLY AS RECEIVED IVES' COMPOSITIONAL IDIOMS: AM IMVESTIOAT10M OF SELECTED SHORT COMPOSITIONS AS MICROCOSMS OF HIS MUSICAL LANGUAGE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy 3n the Graduate School of The Ohio State University £ JohnfRinehart, A.B., M«M. # # * -k * * # The Ohio State University 1970 Approved by .s* ' ( y ^MrrXfOor School of Music ACm.WTji.D0F,:4ENTS Grateful acknov/ledgement is made to the library of the Yale School of Music for permission to make use of manuscript materials from the Ives Collection, I further vrish to express gratitude to Professor IJoman Phelps, whose wise counsel and keen awareness of music theory have guided me in thi3 project. Finally, I wish to acknowledge my wife, Jennifer, without whose patience and expertise this project would never have come to fruition. it VITA March 17, 1937 • ••••• Dorn - Pittsburgh, Pennsylvania 1959 • • • • • .......... A#B#, Kent State University, Kent, Ohio 1960-1963 . * ........... Instructor, Cleveland Institute of Music, Cleveland, Ohio 1 9 6 1 ................ • • • M.M., Cleveland Institute of ITu3ic, Cleveland, Ohio 1963-1970 .......... • • • Associate Professor of Music, Heidelberg College, Tiffin, Ohio PUBLICATIONS Credo, for unaccompanied chorus# New York: Plymouth Music Company, 1969. FIELDS OF STUDY Major Field: Theory and Composition Studies in Theory# Professor Norman Phelps Studies in Musicology# Professors Richard Hoppin and Lee Rigsby ill TAPLE OF CC NTEKTS A C KI JO WLE DGEME MT S ............................................... -
10 –19 January
29TH INTERNATIONAL SHORT FILM FESTIVAL ELECTRIFYING SHORT FILMS 10 –19 JANUARY BONDI PAVILION, BONDI BEACH As Australia’s leading Academy® accredited Affairs And Trade, and Australia now ASEAN short film festival, the shorts in competition at 2019, European Union Delegation to Australia, Flickerfest are fiercely vying for a number of and Screen NSW. prestigious prizes including the Flickerfest Award I would also like to extend an enormous thanks for Best International Short Film, the Yoram to our major government partner Screen Gross Award for Best International Animation, Australia who supports both our festival, and the the Flickerfest Award for Best Australian Short national tour, and who has been a continuous Film, and for Best Documentary. Plus a host of source of encouragement as we strive to deliver other hotly contested prizes, which recognise the our vision of providing a platform that nurtures various craft areas inherent in making a great and supports Australian Filmmakers, and in turn short film. provides Australian audiences with access to 2020 will bring over 23 different short film inspirational storytelling from their own backyard programmes across the 10-day festival and beyond. season. We are proud to announce that BRONWYN KIDD To all our partners who are acknowledged in due to the outstanding home grown talent FESTIVAL DIRECTOR this programme, I am extremely grateful for the and creativity received this year, we will essential and ongoing support they provide. We Welcome to the 29th Flickerfest International be screening 7 Australian competitive thank them enormously for their belief in us, Short Film Festival. As we move forward into programmes in addition to the 5 international which assists us in maintaining Flickerfest as one another film filled and jam packed festival, I am and 2 documentary programmes, which of the best short film competitions in the world. -
559288 Bk Wuorinen US
559273 bk Ives US 8/26/08 3:28 PM Page 16 Also available: AMERICAN CLASSICS Charles IVES Songs • 5 Premonitions Requiem 8.559271 8.559272 Rosamunde Slugging a Vampire Soliloquy Get this free download from Classicsonline! Griffes: Three Poems of Fiona McLeod: The Rose of the Night A Son of Gambolier Copy this Promotion Code Nax9YMg3jsR6 and go to http://www.classicsonline.com/mpkey/grif4_main. Downloading Instructions 1 Log on to Classicsonline. If you do not have a Classicsonline account yet, please register at Sunrise http://www.classicsonline.com/UserLogIn/SignUp.aspx. 2 Enter the Promotion Code mentioned above. 3 On the next screen, click on “Add to My Downloads”. Various Artists 8.559273 16 559273 bk Ives US 8/26/08 3:28 PM Page 2 1 Paracelsus (Text: Robert Browning) (1921) 4:06 ^ Rosenzweige (Karl Stieler) (1902) 1:09 Robert Gardner, Baritone • Eric Trudel, Piano Kenneth Tarver, Tenor • Eric Trudel, Piano Also available: 2 Peaks (Henry Bellamann) (1923) 2:04 & Rough Wind (Percy Bysshe Shelley) (1902) 1:09 Michael Cavalieri, Baritone • Douglas Dickson, Piano Ryan MacPherson, Tenor • Douglas Dickson 3 A Perfect Day (Anon.) (1902) 2:41 and Laura Garritson, Piano 4 hands Janna Baty, Mezzo-soprano • Douglas Dickson, Piano * A Scotch Lullaby (Charles Edmund Merrill Jr) 4 Pictures (Monica Peveril Turnbull) (1906) 3:23 (1896) 2:17 Janna Baty, Mezzo-soprano • J. J. Penna, Piano Lielle Berman, Soprano • Eric Trudel, Piano 5 Premonitions ( A Sea Dirge (William Shakespeare) (1925) 2:30 (Robert Underwood Johnson) (1921) 2:10 Patrick Carfizzi, Baritone • Eric Trudel, Piano Mary Phillips, Mezzo-soprano • J. -
2015,3 Interview with Johnny Reinhard
Рецензии, интервью • Reviews, Interviews 2015,3 INTERVIEW WITH JOHNNY REINHARD Anton Rovner: Can you tell me about your the Pompidou Centre. I have held important concert activities with the microtonal festival? concerts of microtonal music in Switzerland, What cities have you performed in the United for which I took eight people from New York, States besides New York, as well as what other where we introduced the music of Harry Partch countries? for concerts in Zurich and Kreuzlingen, and a Johnny Reinhard: I started my musical Zurich Radio broadcast. activities as a bassoonist. During my graduate AR: Can you tell about your microtonal studies in bassoon at the Manhattan School of festival, how it began, where do you perform Music and in ethnomusicology at Columbia and what kind of music do you perform there? University, I began to be interested in JR: In 1980 I received my Master’s degree microtonal music, which I decided to devote from Manhattan School of Music, and I learned to my full time to. In 1981 I founded the American play quartertones on the bassoon, so composers Festival of Microtonal Music, which has been began writing pieces for me. I enrolled in the in existence since then. The festival has held Music Department of Columbia University, performances of numerous musical works where I studied ethnomusicology, and I started incorporating microtones and alternate tunings to learn that different types of music of different by many composers throughout the world, peoples of past ages had different tunings. As both contemporary and from earlier times. In a result, I came up with the idea of a festival addition to that, I have performed with recitals of microtonal music, which would be inter- on the bassoon and with concerts of microtonal stylistic, where I would put together on one stage music in most European countries, different such diverse types of music as Middle Ages and cities across Canada – St. -
Doc Nyc Announces Full Line-Up for Fifth Edition, November 13-20, 2014
DOC NYC ANNOUNCES FULL LINE-UP FOR FIFTH EDITION, NOVEMBER 13-20, 2014 US Premiere of David Thorpe’s Do I Sound Gay? Opens Festival; US Premiere of Laura Nix and The Yes Men’s The Yes Men Are Revolting Will Close Event Four New Sections Announced With Expanded Features Line-up That Includes 19 World Premieres and 7 US Premieres Among Over 150 Films and Events World Premieres Include Amy Berg’s An Open Secret, Hank Rogerson & Jilann Spitzmiller’s Still Dreaming and Dan Rybicky & Aaron Wickenden’s Almost There Dozens of Filmmakers in Person to Present their Work Including Amy Berg, Joe Berlinger, Nick Broomfield, Ric Burns, Chris Hegedus, Rory Kennedy, Steve James, Albert Maysles, DA Pennebaker, Lucy Walker, and Frederick Wiseman; Other Special Guests Include Béla Fleck, Greg Louganis, Albie Sachs, Spandau Ballet, and The Yes Men NEW YORK, Oct. 15, 2014 – DOC NYC, America’s largest documentary festival, announced the full line-up for its fifth edition, running November 13-20 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Bow Tie Chelsea Cinemas. Representing a dramatic growth from last year’s edition, the 2014 festival will showcase 153 films and events, with over 200 documentary makers and special guests expected in person to present their films to New York City audiences. DOC NYC is made possible by its sponsors, including Leadership Sponsor HBO Documentary Films; Media Sponsors WNET and New York magazine; and Major Sponsors A&E IndieFilms, History Films and SundanceNow Doc Club. The festival is produced by IFC Center. -
Australian Academy Announces Feature Length Documentary Nominees for 4Th AACTA Awards
MEDIA RELEASE Strictly embargoed until Wednesday 10th September, 2014 Australian Academy Announces Feature Length Documentary Nominees for 4th AACTA Awards The Australian Academy of Cinema and Television Arts (AACTA) today announced feature length documentary nominees for the 4th AACTA Awards, marking Australia’s finest documentaries of the last year. In an exceptional year for Australian documentary, this year’s nominees have captured audiences and critics at home and abroad with gripping storytelling, subjects and subject matter. ‘The Outsiders’ feature alongside the ‘glitterati,’ with sex, drugs, rock n’ roll, jailed subjects, jailed filmmakers, murder and a feminist uprising confidently competing alongside scenes from the deepest reach of the sea. NOMINEES FOR BEST FEATURE LENGTH DOCUMENTARY All This Mayhem. George Pank, Eddie Martin, James Gay-Rees DEEPSEA CHALLENGE 3D. Andrew Wight, Brett Popplewell The Last Impresario. Nicole O'Donohue Ukraine Is Not A Brothel. Kitty Green, Jonathan auf der Heide, Michael Latham The Best Feature Length Documentary nominees will screen along with all Feature Films In Competition and all Short Film nominees at the AACTA Awards Screenings in Sydney and Melbourne during October, and online via AACTA TV. Screenings and AACTA TV are accessible to members of AACTA (accredited screen professionals) and AFI members (members of the public). The Best Feature Length Documentary winner will be announced at the 4th AACTA Awards, Australia’s preeminent film and television Awards, in Sydney, home of the AACTA Awards, in January 2015. ABOUT THE BEST FEATURE LENGTH DOCUMENTARY NOMINEES All This Mayhem captures the fractured lives of two former champion pro skaters, brothers Tas and Ben Pappas, whose technical skill took the skating world by storm, but whose personal lives tragically spiralled into a dangerous world of drugs, jail, murder, depression and death. -
Sydney Film Festival Full Guest Line up for 2014 Festival 03/06/2014
MEDIA INFO DOC SYDNEY FILM FESTIVAL FULL GUEST LINE UP FOR 2014 FESTIVAL The 61st Sydney Film Festival presents over 180 films and welcomes over 100 filmmaker guests from 16 countries to walk the red carpet, introduce their films and participate in talks, panels and Q&A sessions this 4-15 June. For the most up-to-date information on guests and film please visit sff.org.au Highlights include: Direct from its world-premiere screening at the Cannes Film Festival, SFF and Vivid Ideas are proud to present the Australian Premiere of the highly anticipated futuristic thriller The Rover and host director David Michôd, actors Guy Pearce and Robert Pattinson and producer Liz Watts at the State Theatre on Saturday 7 June. The Rover screens as part of SFF’s Official Competition. Michôd, Pearce, Pattinson and Watts will also give a talk as part of Vivid Ideas at Town Hall on Sunday 8 June. Actor Cate Blanchett will attend the Festival to introduce a special screening of DreamWorks Animation’s How to Train Your Dragon 2 the second chapter of the epic trilogy in which Blanchett is the voice of the character Valka. The screening is held at 2pm on Public Holiday Monday, 9 June, at Event Cinemas George Street. UK visual artists and film directors Iain Forsyth & Jane Pollard introduce SFF’s Opening Night Film, the Australian Premiere of 20,000 Days on Earth, on Wednesday 4 June at the State Theatre. The film, a highly stylised imagination of a day in the life of musician and author Nick Cave is also in SFF’s Official Competition. -
Program 4, 2014 House)
Where Stars light the Screen Deckchair Cinema screens films 7 nights a week from April until November. We are open nightly from 6.30pm, with films starting promptly at the advertised time. You can bring your own food, but remember you cannot bring your own alcohol. We are a fully licensed venue and our bar opens from 6.30pm nightly. Our nightly caterers are: Sunday Trina’s Catering Monday Incredible India Tuesday Trina’s Catering Wednesday Hanuman Thursday Fundraiser catering Friday Hanuman Saturday Incredible India Buy tickets online at www.deckchaircinema.com to skip the queue; we don’t charge an online booking fee! Otherwise buy tickets at our Box Office nightly from 6.30pm (sorry we cannot process in-person purchases outside of our Box Office hours, or telephone bookings). Single Double Sessions Tickets (weekends only) Adults $16 $24 Concession* $12 $18 Members* $10 $15 Children (5-15) $8 $12 Family – 2 adults and 2 children $35 $55 * ID required Become a member of the Darwin Film Society and over your 12 month membership you get: t 4 FREE tickets per year t 4 FREE members screenings per year t A MASSIVE $6 discount off the adult ticket price t And MUCH MORE! See website for more details and to purchase. Jervois Road, Darwin Waterfront FREE parking at Deckchair and on the Esplanade. Only a short walk from town, take the scenic Damoe Ra Park walkway to the cinema (just before Parliament Program 4, 2014 House). Thursday 25 September - Sunday 16 November Sunday 28 September We’re celebrating 20 years of Deckchair Cinema with a special presentation by Corrugated Iron, who are celebrating their 30th birthday. -
1-5 Frontespizio
UNIVERSITÀ DEGLI STUDI DI NAPOLI “L’ORIENTALE” CENTRO DI STUDI EBRAICI ARCHIVIO DI STUDI EBRAICI III\5 ALOMA BARDI ESOTISMI MUSICALI DEL DIBBUK ISPIRAZIONI DA UN SOGGETTO DEL FOLCLORE EBRAICO UniorPress AdSE III\5 ARCHIVIO DI STUDI EBRAICI DIRETTO DA GIANCARLO LACERENZA REDAZIONE: DIANA JOYCE DE FALCO, DOROTA HARTMAN CENTRO DI STUDI EBRAICI DIPARTIMENTO ASIA, AFRICA E MEDITERRANEO UNIVERSITÀ DEGLI STUDI DI NAPOLI “L’ORIENTALE” PIAZZA S. DOMENICO MAGGIORE 12, 80134 NAPOLI TEL.+39 0816909675 - FAX.+39 0815517852 E-MAIL: [email protected] In copertina: Solomon Epstein, The Dybbuk: An Opera in Yiddish in Three Acts. Atto III, Scena 7 (Finale dell’opera): la sposa velata; trasfigurazione e morte di Leah. Il soprano Camilla Griehsel nella parte di Leah; regia Rachel Michaeli. Suzanne Dellal Centre for Dance and Theatre, Tel Aviv, 2 maggio 1999. Used by permission. © Rachel Michaeli, [email protected] ISBN 978-88-6719-056-0 Prodotto da IL TORCOLIERE – Officine Grafico-Editoriali di Ateneo © Università degli Studi di Napoli “L’Orientale” 2014 Edizione digitale UniorPress - 2020 UNIVERSITÀ DEGLI STUDI DI NAPOLI “L’ORIENTALE” CENTRO DI STUDI EBRAICI ARCHIVIO DI STUDI EBRAICI III\5 ALOMA BARDI ESOTISMI MUSICALI DEL DIBBUK ISPIRAZIONI DA UN SOGGETTO DEL FOLCLORE EBRAICO Napoli 2014 A Gabriele Boccaccini con gratitudine per quello che mi ha insegnato sull’ebraismo e ancor di più per il suo esempio di studioso AB SOMMARIO PREFAZIONE Il dramma Der Dybuk di S. An-Ski e la musica 11 I. RICERCA ETNOGRAFICA E ORIGINI DELL’INTERESSE MUSICALE 15 An-Ski e la musica del Dibbuk 17 Le musiche di scena di Yoel Engel 22 Le trascrizioni di A.Z. -
Our American Cousin Libretto by John Shoptaw
ERIC SAWYER: OUR AMERICAN COUSIN LIBRETTO BY JOHN SHOPTAW A ERIC SAWYER b. 1962 DISC 1 DISC 2 OUR AMERICAN COUSIN ACT I PAGE ACT II (cont’d) PAGE [1] PRELUDE 6:36 20 [1] SCENE 4 In the Library 3:42 37 LIBRETTO BY JOHN SHOPTAW [2] SCENE 1 A Sneeze 1:58 20 [2] Two Letters 2:38 38 [3] Arts of Theater 4:16 20 [3] SCENE 5 Musical Chairs 6:29 39 [4] SCENE 2 Harry Hawk’s Substitute 1:52 21 ACT III BOSTON MODERN ORCHESTRA ProjeCT [5] Walking a Corduroy Road 4:26 21 [4] SCENE 1 In the Dairy 2:31 41 [6] SCENE 3 Mathews and Booth 1:59 22 GIL ROSE, CONDUCTOR [5] Ancient Business 5:35 41 [7] What Happens Here? 2:48 23 [6] Mary and Abraham 2:40 43 [8] SCENE 4 Chorus of Women 1:57 24 JANNA BATY mezzo-soprano [7] Sic Semper Booth 2:52 43 [9] Chorus of Amputees 1:27 24 ALAN SCHNEIDER tenor [8] SCENE 2 Assassination 7:34 44 [10] Chorus of Freedmen 1:14 24 [9] SCENE 3 The Presidential Box 9:18 47 AAroN ENGEBRETH baritone [11] Chorus of Nurses 1:23 25 [10] SCENE 4 Hawk’s Second Chance 2:47 50 DREW POLING baritone [12] Chorus of Businessmen 0:45 25 [11] Burning Letter 5:32 50 [13] SCENE 5 Drinking Song 4:02 25 DONALD WILKINSON baritone [12] SCENE 5 Blood Stains 5:10 52 [14] SCENE 6 Laura Keene 3:59 27 ANGELA HINES GooCH soprano [13] Apparition 3:44 53 [15] Emancipate your Sorrows 3:28 27 Tom O’Toole bass-baritone [14] Final Chorus 4:47 54 ACT II HILLARIE O’Toole soprano TOTAL 65:20 [16] SCENE 1 Father and Daughter 3:58 28 JANICE EDWARDS mezzo-soprano [17] I Feel a Draft 2:06 30 DANIEL KAMALIC baritone [18] Asa’s Letter 4:20 30 [19] SCENE 2 A Moneyed Man 5:21 32 THE AMHERST COLLEGE CONCERT CHOIR [20] SCENE 3 Introductions 1:44 33 Mallorie Chernin, music director [21] Possum Herding 3:02 34 [22] Lincoln 4:17 35 TOTAL 67:00 COMMENTS By Eric Sawyer MUSICAL REALITIES IVISION D In an opera containing colliding realities, I sought music that could give distinct identi- S H ties to the comic play and historical drama while at the same time connecting them. -
Music Inspired by Astronomy, Organized by Topic an Annotated Listing by Andrew Fraknoi
Music Inspired by Astronomy, Organized by Topic An Annotated Listing by Andrew Fraknoi © copyright 2019 by Andrew Fraknoi. All rights reserved. Used with permission. Borresen: At Uranienborg Cage: Atlas Eclipticalis Glass: Orion Connections between astronomy and music have been proposed since the time of the ancient Greeks. This annotated listing of both classical and popular music inspired by astronomy restricts itself to music that has connections to real science -- not just an astronomical term or two in the title or lyrics. For example, we do not list Gustav Holst’s popular symphonic suite The Planets, because it draws its inspiration from the astrological, and not astronomical, characteristics of the worlds in the solar system. Similarly, songs like Soundgarden’s “Black Hole Sun” or the Beatles’ “Across the Universe” just don’t contain enough serious astronomy to make it into our guide. When possible, we give links to a CD and a YouTube recording or explanation for each piece. The music is arranged in categories by astronomical topic, from asteroids to Venus. Additions to this list are most welcome (as long as they follow the above guidelines); please send them to the author at: fraknoi {at} fhda {dot} edu Table of Contents Asteroids Meteors and Meteorites Astronomers Moon Astronomy in General Nebulae Black Holes Physics Related to Astronomy Calendar, Time, Seasons Planets (in General) Comets Pluto Constellations Saturn Cosmology SETI (Search for Intelligent Life Out There) Earth Sky Phenomena Eclipses Space Travel Einstein Star Clusters Exoplanets Stars and Stellar Evolution Galaxies and Quasars Sun History of Astronomy Telescopes and Observatories Jupiter Venus Mars 1 Asteroids Coates, Gloria Among the Asteroids on At Midnight (on Tzadik). -
Chapter 29: National Monuments I. Introduction A. Modernism Existed
Chapter 29: National Monuments I. Introduction A. Modernism existed in places other than Austro-Germany or France. B. After the defeat of Germany in 1918, music became increasingly international in Europe and the United States. II. Outskirts of Western Europe A. Sibelius 1. Sibelius was one of the earliest of these composers to become famous internationally. 2. His life established a pattern that many subsequent composers followed: traditional music training abroad, study with Modernist composers, interest in his own national traditions, fame at home that resulted in an international reputation. 3. From Finland and speaking Swedish (because of Swedish domination of Finnish culture and politics), Sibelius studied with Busoni in Helsinki. 4. He then studied in Berlin and Vienna. 5. Wagner was an early influence, later Strauss and Debussy. 6. Sibelius’ native interest followed similar strains in music by Tchaikovsky and Grieg. 7. He used Finnish native literature, such as epic poetry (see his Kalevala), in his music. 8. Sibelius’ most famous tone poem was Finlandia (1900). a. It aided in Finland’s struggle for independence from Russia. b. It became an unofficial national anthem. 9. His symphonies and Violin Concerto owe some debt to Tchaikovsky. 10. Sibelius wrote less and less as he got older, even though he became something of a national monument (his birthday is a national holiday). He came to be seen as the embodiment of “The North.” B. England 1. Since the eighteenth century, England’s musical life was dominated by imported composers. This changed in the late nineteenth century. 2. Elgar was the most prominent English composer at the turn of the century.