SECOND THOUGHTS on HYGINUS by HJ ROSE When in 1934 I
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Greek Mythology at the Service of the Portuguese Inquisition: the Case of Hercules and the Hydra of Lerna
Athens Journal of Mediterranean Studies- Volume 1, Issue 1 – Pages 25-44 Greek Mythology at the Service of the Portuguese Inquisition: The Case of Hercules and the Hydra of Lerna By Milton Dias Pacheco Greek mythology has been along the centuries a fruitful source of inspiration to artists and writers, as it possesses the strength of expressing symbolically the most common circumstances of life. Regarding the threats that in every age put in danger human life the most popular figure was maybe the Hydra that infested the region of the Lake of Lerna, in Argolis. This mythical figure may still have an older origin as it is connected with chthonic dangers. Because of its terrifying aspect, reptilian traits and poisonous breath, it was related to the evil and the domains of Hell. Later the Hydra significance became larger and deeper as it represented the heresies that could affect the Christian orthodoxy. According to this point of view, every defender of the Catholic Faith was immediately compared to Hercules, the Greek hero who succeeded in killing the mythological Hydra monster. In this way, it is easy to understand why this representation was often used in connection with the Iberian Habsburg Kings, as it worked as a political strategy of this dynasty, in which the Spanish Habsburgs were faced as the guardians and defenders of the Church of Rome, mainly in times when the Inquisition developed a determinative role. An illustrative example of this was the decoration of the arch built by the Inquisition in Lisbon, when King Philip II of Portugal visited the Portuguese Empire capital. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Hesiod, Cosmogony, and Cupid-Apollo-Daphne in Metamorphoses Book 1 April 12, 2018 - CAMWS Annual Meeting – Albuquerque, NM Brett L
Hesiod, Cosmogony, and Cupid-Apollo-Daphne in Metamorphoses Book 1 April 12, 2018 - CAMWS Annual Meeting – Albuquerque, NM Brett L. Stine – Texas Tech University – [email protected] 1) Theogony 116-28 Translation:1 ἤτοι μὲν πρώτιστα Χάος γένετ᾽· αὐτὰρ ἔπειτα Then first Chaos came to be; then next Γαῖ᾽ εὐρύστερνος, πάντων ἕδος ἀσφαλὲς αἰεὶ Gaia, broad-breasted, the always unslipping seat ἀθανάτων οἵ ἔχουσι κάρη νιφόεντος Ὀλύμπου, of all the immortals, who hold the head of snowy Olympus, [Τάρταρά τ᾽ ἠερόεντα μυχῷ χθονὸς εὐρυοδείης,] and murky Tartarus in the depths of broad-pathed earth 120 ἠδ᾽ Ἔρος, ὅς κάλλιστος ἐν ἀθανάτοισι θεοῖσι, and Eros who [is] most beautiful, among the immortal gods, λυσιμελής, πάντων τε θεῶν πάντων, τ᾽ ἀνθρώπων limb-loosening, [who] subdues the mind and prudent council δάμναται εν στήθεσσι νόον καὶ ἐπί φρονα βουλήν. of all gods and men. ἐκ Χάεος δ᾽Ἔρεβός τε μέλαινά τε Νὺξ ἐγένοντο· From Chaos came to be Erebos and Swarthy Night. Νυκτὸς δ᾽ αὖτ᾽ Αἰθήρ τε καὶ Ἡμέρη ἐξεγένοντο, And further from Night Aëther and Day came to be, 125 οὕς τέκε κυσαμένη Ἐρέβει φιλότητι μιγεῖσα. whom [she] bore, impregnated, having mingled in love Γαῖα δἐ τοι πρῶτον μὲν ἐγείνατο ἶσον ἑωυτῇ with Erebos. And Gaia first brought into being an equal to herself Οὐρανὸν ἀστερόενθ᾽, ἵνα μιν περὶ πᾶσαν ἐέργοι, starry Uranus, in order to cover her on every side, ὄφρ᾽ εἴη μακάρεσσι θεοῖς ἕδος ἀσφαλὲς αἰεί. [and] so as to be always an unslipping seat for the blessed gods 2) Metamorphoses 1.5-9, 15-25 5 ante mare et terras et, quod tegit Omnia, caelum before sea and earth, and which covers everything, heaven, unus erat toto naturae vultus in orbe, one face existed in the whole orb of nature, quem dixere Chaos, rudis indigestaque moles which they call Chaos, a mass unformed and without order, nec quicquam nisi pondus iners congestaque eodem which [was] nothing except artless weight and similarly non bene iunctarum discordia semina rerum heaped-up discordant seeds of things poorly joined. -
Free Script Sample
DANCING WITH THE OLYMPIANS By Lavinia Roberts Copyright © 2011 by Lavinia Roberts, All rights reserved. ISBN: 1-60003-590-6 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Brooklyn Publishers, LLC. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Brooklyn Publishers, LLC. Questions concerning other rights should be addressed to Brooklyn Publishers, LLC. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Brooklyn Publishers, LLC. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. -
Hybrid Monsters
HYBRID MONSTERS IN THE CLASSICAL WORLD THE NATURE AND FUNCTION OF HYBRID MONSTERS IN GREEK MYTHOLOGY, LITERATURE AND ART by Liane Posthumus Thesis presented in partial fulfilment of the requirements for the degree Master of Philosophy in Ancient Cultures at the University of Stellenbosch Supervisor: Prof. J.C. Thom Co-supervisor: Dr. S. Thom Faculty of Arts and Social Sciences Department of Ancient Studies March 2011 Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the authorship owner thereof (unless to the extent explicitly otherwise stated) and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Date: 28 February 2011 Copyright © 2010 University of Stellenbosch All rights reserved i ABSTRACT The aim of this thesis is to explore the purpose of monster figures by investigating the relationship between these creatures and the cultures in which they are generated. It focuses specifically on the human-animal hybrid monsters in the mythology, literature and art of ancient Greece. It attempts to answer the question of the purpose of these monsters by looking specifically at the nature of man- horse monsters and the ways in which their dichotomous internal and external composition challenged the cultural taxonomy of ancient Greece. It also looks at the function of monsters in a ritual context and how the Theseus myth, as initiation myth, and the Minotaur, as hybrid monster, conforms to the expectations of ritual monsters. The investigation starts by considering the history and uses of the term “monster” in an attempt to arrive at a reasonable definition of monstrosity. -
ECHIDNA E I SUOI DISCENDENTI Studio Sul Carattere Ibrido E Mostruoso Nella Stirpe Di Pontos
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio della ricerca- Università di Roma La Sapienza IGOR BAGLIONI ECHIDNA E I SUOI DISCENDENTI Studio sul carattere ibrido e mostruoso nella stirpe di Pontos Dottorato di Ricerca in Storia Religiosa XXIV ciclo Roma 2012 1 SOMMARIO ELENCO DELLE ABBREVIAZIONI ………………………………... 4 INTRODUZIONE ……………………………………………………... 6 NOTE ALLA TERMINOLOGIA E AL CONCETTO DI “MOSTRUOSO” NELL’ANTICA GRECIA ………………………..... 8 La terminologia del “mostruoso” …………………………………… 8 Il “mostruoso” come categoria …..………………………………… 15 La tipologia del mostro femminile tra Gender Studies e psicologia.. 24 Tevra~ come equivalente di monstrum ……………………………... 56 Tipologie del “mostruoso” nell’antica Grecia ……………………... 59 LE CARATTERISTICHE DI ECHIDNA IN ESIODO ……………... 65 Echidna come entità ofiomorfa ……………………………………. 66 Echidna come entità primordiale …………………………………... 83 Echidna come entità femminile ……………………………………. 89 L’ASPETTO ACOSMICO E PRIMORDIALE DI TYPHON NELLA TEOGONIA …………………………………………………………... 93 LA DISCENDENZA DI ECHIDNA ……………………………….. 111 Premessa ………………………………………………………….. 112 Orthos …………………………………………………………….. 113 Kerberos ………………………………………………………….. 119 2 Hydra ……………………………………………………………... 135 Chimaira ………………………………………………………….. 157 Sphinx …………………………………………………………….. 179 Il leone di Nemea ………………………………………………… 201 CONCLUSIONI ……………………………………………………. 220 BIBLIOGRAFIA …………………………………………………… 233 3 ELENCO DELLE ABBREVIAZIONI AAt = Atti della Accademia delle Scienze di Torino. Classe di Scienze Morali, -
Greco-Roman Gods and Goddesses
GRECO -ROMAN GODS AND GODDESSES THE OLYMPIANS : THE “T WELVE ” Of the many major and minor gods in the Olympian dynasty the most important are the Twelve, a group chosen by the Greeks themselves as the key figures in the Olympian group and the basis for most of their religious observances. Greek law is also to some extent derived from the concept of the Twelve, and Greeks in both court proceedings and in ordinary conversation took their oath “by the Twelve.” The divinities constituting this group were: Zeus (Jupiter, Jove) Leader of the Olympians, god of lightening, and representative of the power principle. Hera (Juno) Wife of Zeus and goddess of marriage and domestic stability. Poseidon (Neptune) God of the sea. Often called “the earth shaker,” possibly because the Greeks attributed earthquakes to marine origin. Hades (Pluto, Dis) God of the Underworld and presider over the realm of the dead. Also connected with the nature myth by his marriage to Persephone (Proserpine), who spent half of her time on earth (the growing season) and half in the underworld (the winter period). Hades does not represent death itself, that function being relegated to a lesser divinity Thanatos. Pallas Athena, Athena (Minerva) Goddess of wisdom, but also associated with many other concepts from warfare to arts and crafts. Her birth was remarkable, since she sprang fully-armed from the forehead of Zeus. She was the patron goddess of Athens and to the Athenians represented the art of civilized living. Phoebus Apollo Son of Zeus and Leto, daughter of the Titans Krios and Phoebe. -
Mythology, Greek, Roman Allusions
Advanced Placement Tool Box Mythological Allusions –Classical (Greek), Roman, Norse – a short reference • Achilles –the greatest warrior on the Greek side in the Trojan war whose mother tried to make immortal when as an infant she bathed him in magical river, but the heel by which she held him remained vulnerable. • Adonis –an extremely beautiful boy who was loved by Aphrodite, the goddess of love. By extension, an “Adonis” is any handsome young man. • Aeneas –a famous warrior, a leader in the Trojan War on the Trojan side; hero of the Aeneid by Virgil. Because he carried his elderly father out of the ruined city of Troy on his back, Aeneas represents filial devotion and duty. The doomed love of Aeneas and Dido has been a source for artistic creation since ancient times. • Aeolus –god of the winds, ruler of a floating island, who extends hospitality to Odysseus on his long trip home • Agamemnon –The king who led the Greeks against Troy. To gain favorable wind for the Greek sailing fleet to Troy, he sacrificed his daughter Iphigenia to the goddess Artemis, and so came under a curse. After he returned home victorious, he was murdered by his wife Clytemnestra, and her lover, Aegisthus. • Ajax –a Greek warrior in the Trojan War who is described as being of colossal stature, second only to Achilles in courage and strength. He was however slow witted and excessively proud. • Amazons –a nation of warrior women. The Amazons burned off their right breasts so that they could use a bow and arrow more efficiently in war. -
Greek Mythology Bingo Call Sheet
Greek Mythology Bingo Call Sheet This is a randomized list of all 33 bingo events in square format that you can mark off in order, choose from randomly, or cut up to pull from a hat: Camp Percy Lightning Half Annabeth Ares Jackson Bolt Blood Fields Cerbereus Echidna Athena Mist of Punishment Dionysus Persephone Fates Medusa Kronos Zeus Olympus Poseidon Aphrodite Elysium Tartarus Lighting Sword Sally Hades Gabe Procrustes Kronos Underworld Grover BuzzBuzzBingo.com · Create, Download, Print, Play, BINGO! · Copyright © 2003-2021 · All rights reserved Greek Mythology Bingo Call Sheet This continues the randomized list of all 33 bingo events. The bingo squares are aligned on each page to allow for easier cutting. Fields Furies Annabeth of Asphodel BuzzBuzzBingo.com · Create, Download, Print, Play, BINGO! · Copyright © 2003-2021 · All rights reserved G R E E K Percy Cerbereus Sword Underworld Persephone Jackson Fields Zeus Lighting Aphrodite Annabeth of Asphodel Fates Gabe FREE Grover Mist Poseidon Echidna Kronos Olympus Medusa Camp Athena Ares Procrustes Half Dionysus Blood This bingo card was created randomly from a total of 33 events. Annabeth, Annabeth, Aphrodite, Ares, Athena, Camp Half Blood, Cerbereus, Dionysus, Echidna, Elysium, Fates, Fields of Asphodel, Fields of Punishment, Furies, Gabe, Grover, Hades, Kronos, Kronos, Lighting, Lightning Bolt, Medusa, Mist, Olympus, Percy Jackson, Persephone, Poseidon, Procrustes, Sally, Sword, Tartarus, Underworld, Zeus. BuzzBuzzBingo.com · Create, Download, Print, Play, BINGO! · Copyright © 2003-2021 · All rights reserved G R E E K Fields Elysium Procrustes Fates Cerbereus of Asphodel Camp Lightning Annabeth Half Underworld Aphrodite Bolt Blood Percy Tartarus FREE Lighting Grover Jackson Furies Athena Sword Poseidon Echidna Ares Hades Olympus Persephone Dionysus This bingo card was created randomly from a total of 33 events. -
Bulfinch's Mythology
Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34 -
Creatures and Monsters from Greek Mythology the HEROES Are
Creatures and Monsters from Greek Mythology The HEROES are probably the best-known part of GREEK MYTHOLOGY, but what makes a hero? Having monsters to fight, that's what. Luckily for the heroes, the Ancient Greeks had the strangest, coolest, most terrifying creatures & monsters mythology had to offer ranging from Dragons, Giants, Demons and Ghosts, to multi-formed creatures such as the Sphinx, MINOTAUR, CENTAURS, Manticores & CHIMAERA. There were also many fabulous animals such as the Nemean Lion, golden-fleeced Ram and the winged horse PEGASUS, not to mention the creatures of legend such as the Phoenix, the Griffin and Unicorns. In this section, you'll learn interesting facts and information about the many creatures and monsters of ancient Greek mythology Children of Typhon Many of the great Greek monsters were descendants of TYPHON, the most deadly monster of Greek mythology. Typhon was the last son of GAIA, fathered by Tartarus, he was known as the “Father of All Monsters”. Instead of a human head, a hundred dragon heads erupted from Typhon's neck and shoulders. His wife ECHIDNA, half woman half snake, was likewise the “Mother of All Monsters.” Together, Echidna and Typhon raised some of the most well known monsters and creatures in all mythology. Orthrus- A fearsome two-headed hound that lived with giants Sphinx- A half human, half lion who would slay anybody who did not answer her riddles. When Oedipus was able to answer a riddle correctly, she jumped into the ocean in a fit of rage and drowned. Nemean Lion- A gigantic lion with impenetrable skin that eventually became the star constellation Leo. -
Katabasis and the Serpent in Aristophanes' Frogs, As Dionysus Is
ORE Open Research Exeter TITLE Katabasis and the serpent AUTHORS Ogden, D JOURNAL Les Etudes Classiques DEPOSITED IN ORE 03 August 2016 This version available at http://hdl.handle.net/10871/22845 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Page 1 of 18 Katabasis and the Serpent1 In Aristophanes’ Frogs, as Dionysus is preparing to make his katabasis, Heracles explains to him what he can expect to encounter as he descends to and then penetrates the underworld. After Charon and his boat, he tells him: μετὰ τοῦτ’ ὄφεις καὶ θηρί’ ὄψει μυρία / δεινότατα. After this you will see snakes and most terrible beasts in myriads. Aristophanes Frogs 142-3 The ‘myriads’, whilst grammatically associated in the first instance with the ‘most terrible beasts,’ is presumably to be read with the ‘snakes’ too. A hundred of these snakes at any rate can be accounted for in the form of the ‘hundred-headed’ (ἑκατογκέφαλος) Echidna, the ‘Viper’, which, the underworld warden and keeper of Cerberus, Aeacus, subsequently tells Heracles, will tear at his innards, in punishment for his former theft of the dog.2 In Apuleius’ tale of Cupid and Psyche, Psyche is directed by Venus to the banks of the Styx: Dextra laevaque cautibus cavatis proserpunt ecce longa colla porrecti saevi dracones inconivae vigiliae luminibus addictis et in perpetuam lucem pupulis excubantibus.