DOCSLIB.ORG

Spring Break Trip to France! As Told by Josh and Angela

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Spring Break Trip to France! As Told by Josh and Angela Spring Break trip to France! as told by Josh and Angela After months of preparation, form filling, and French practice (just to make sure we would survive!), the day was finally here. In the early morning of March 10th, tired but excited, we arrived at the airport and met the students from Meadowridge with whom we would be traveling to France. Getting on the first plane, like always, was exciting. But how this metal contraption could ever fly, however, I had no idea. We soon took off, and throughout the two plane rides we watched movies, practiced French with the stewardesses, and desperately tried to catch some sleep. The stop at Montreal was long - perfect to grab a snack and take a nap! Eventually, after almost 24 hours of planes, the time had come... When we finally touched down in Paris, after two long flights, we were tired - but also extremely excited. Upon arrival at Paris, we checked in at our hotel and were given free time to explore the neighbourhood. In the afternoon we went to Montmartre and had our first experience with the intricate and sketchy metro system. In Montmartre we visited the Place du Tertre, a gathering place for freelance artists; Sacré Coeur, the church on the highest point of Paris, overlooking the magnificent city; and the Dali museum: crazy, eye-catching and surreal. Soon enough, our first day in Paris had passed. Over the next week, we would explore every inch of the incredible city, from the top of the Eiffel Tower to the bottom floors of the Louvre. For me, Paris was truly an incredible and an eye-opening city. With some iconic monument literally on every street block, and every building a chiseled stone masterpiece, I couldn’t believe how different it was from the wooden houses and skyscrapers of Vancouver. And there were statues EVERYWHERE! The most memorable parts of this week definitely came with visiting these monuments. The ‘Tour Eiffel’ (Eiffel Tower) was a LOT larger than it seems in pictures, and going to the top of it was truly breathtaking, and kind of freaky. The Mona Lisa, on the other hand, was much smaller than one would think - how such a painting became so iconic, I have no idea. L’Arc de Triomphe was also huge, along with the incredibly furnished Paris opera house, which we got to explore! And the Louvre - man, I thought people were joking when they said you need a month to see it all. It was positively the largest labyrinth of art I have ever seen laid out on a map. These monuments, along with so many others - Notre Dame, the river Seine, Montmartre, the palace of Versaille, etc. - made this trip truly memorable. But I’m getting ahead of myself. On the second day, we spent the morning wandering in the extravagance of Versailles where we got to see the lavish bedrooms of King Louis XIV and Queen Marie Antoinette. The palace was covered in gold, detailed carvings, and lifelike paintings of gods and royalties. After lunch we went to shop at the one of the biggest mall in Paris—Galleries Lafayette-- to satisfy our inner shopaholic desires! Not only did they have an extensive amount of top brands, but the Art Deco decoration of the mall style was also detailed. Not to mention the delicious macarons we got to taste at Pierre Herme! After dinner, a group of us went to see le Tour Eiffel while the others returned to the hotel for an early rest. The next morning, we drowsily rode the elevator to the top of le Tour Eiffel and were awoken by the magnificent view of Paris beneath our feet. We could see the grand, wide boulevards that march in straight lines through the city, lined with bustling cafés and tempting patisseries. Afterwards we went on a Bateau Mouche boat tour and sailed down the Seine River in the beautiful weather. During lunch, we had free time on the famous Champs-Elysées for a couple of hours. By walking in the side streets we were able get a taste of chic fashion and gourmet food that you won’t find on any typical route. We then met up at the l’Arc de Triomphe and saw a special ceremony with soldiers. Some of us visited the Rodin museum and saw works by this famous sculptor. Early the next morning, we eagerly went to see the Louvre before it was filled with a suffocating amount of tourists. Since it was the beginning of the day, there weren’t a lot of tourists and we all got a chance to take photos by Mona Lisa. In addition to the more famous collections, the Louvre has artifacts dating back to the Mesopotamians, Egyptians, Romans and Greeks. Our next stop was Notre Dame, but before we went in, our tour guide showed us where Paris began. From that point, Paris spread to the city it is today. As for Notre Dame, it has to be one of the most beautiful cathedrals we saw in Paris. The stained glass windows were simply breathtaking. The day, however, did not stop there, for as our last tourist destination we visited the famous opera house. Our guide kindly explained the history and designs that made this opera house special. This was where Gaston Leroux had his inspiration for the ‘Phantom of the Opera’ although the musical was never performed at the opera. After the first week, we took the TGV (the fast train) to Montpellier, where we were to meet our host families, with whom we would stay for the next two weeks. Of this experience, the Mulgrave boys report: Our homestay mother, Madame Ferry, was awesome - extremely helpful, and always ready to help us with something we didn’t understand. Even cooler, our homestay brother, Gustaf, was seven years old and very energetic! With this adopted family, we spoke endless amounts of French, constantly picking up new ways of saying things and cool slang, which you just do not find in a classroom. Also, the age-old stereotype of baguettes was entirely TRUE! We ate them every day, all the time - regular bread didn’t even seem to exist! The girls say: Arriving at the train station, the three of us were welcomed by Martine, our host. Our apartment was in the downtown area, right beside the opera house. Through our windows, we were able to see the plaza of the city, and crowds of people bustling past each other in the lively and noisy streets. In Montpellier, we spent spent 8:30 to 12:00 every weekday in ‘l’école Klesse’, a French language school. Here we learned more French in a French-only environment and also learned of about French culture - listening to French music videos, looking at French brochures, reading French books, etc. I still listen to some of the songs we heard in this school - it was an awesome experience. In the afternoons and on weekends, we went on excursions in and around Montpellier. On the first day in Montpellier, we visited Aiges-Morts, where the Crusades set sail and pilgrimages started. We walked on the city walls surrounding the city and saw the Mediterranean Sea beside us. We spent a big chunk of the day inside the walls of the city exploring and appreciating architectures of the past. In the afternoon, a group of us went horseback riding along the beach, whereas the other group went to another nearby beach. During our stay, we went to nearby towns like Arles, the gathering place of many artists. Vincent Van Gogh once lived there and painted his famous painting “Cafe Terrace at Night”. The cafe is still currently operating beside the hospital that he stayed in. He also painted two paintings of the hospital he stayed in called “Ward of the Hospital in Arles” and “Garden of the Hospital in Arles”. For one of our excursions, we went to the Pont du Gard, a Roman aqueduct. We were able to climb to its highest point and view the passageway which the water flowed through thousands of years ago, as well as being able to see the great river that runs underneath it. During these two weeks, we saw castles and churches and red-tiled stone buildings everywhere, ancient yet beautiful building structures. We played laser tag, shopped in nearby malls and markets, visited ancient cities and Roman ruins in the region of Provence, explored an amazing cave (la Grotte de Clamouse), and went to the beach to dip our toes in the Mediterranean. My personal favourite activity over those two weeks was the zip lining, which we did one day for fun. It was AWESOME! We flew through the trees, not only zip lining, but tackling obstacles high up in the trees - all while attached to a wire, of course! We also ate well---we participated in ‘degustation de frommage’ - cheese tasting - where we tried piles of different cheeses. There were some really good ones and some stinky ones, too! Along with cheese tasting, we learned to make crêpes (delicious!) and every day, we would go back to an awesome French meal with our host family, whether it was escargots, pasta, or ‘cordon bleu’ - but always with a baguette. However, all great things come to an end, and soon it was time for us to head home. The plane ride back was similar to the one coming here - lots of sleeping and movie watching. When we arrived, we said goodbye to all our new Meadowridge friends (exchanging Facebook contacts) and headed back home..
Load more

Recommended publications
  • 7. Headings Etc with Properties Title
    Vincent van Gogh Summary of Van Gogh’s life Vincent van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post- Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings. They include landscapes, still lifes, portraits and self-portraits, and are characterized by bold colors and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. His suicide at 37 followed years of mental illness and poverty. Van Gogh was unsuccessful during his lifetime, and was considered a madman and a failure. He became famous after his suicide, and exists in the public imagination as the quintessential misunderstood genius, the artist "where discourses on madness and creativity converge". His reputation began to grow in the early 20th century as elements of his painting style came to be incorporated by the Fauves and the German Expressionists. He attained widespread critical, commercial and popular success over the ensuing decades, and is remembered as an important but tragic painter, whose troubled personality typifies the romantic ideal of the tortured artist. Some highlights of van Gogh’s work Artwork title Year created Location Van Gogh Museum, The potato Eaters 1885 Amsterdam Fishing Boats on the Van Gogh Museum, Beach at Saintes- June 1888 Amsterdam Maries Van Gogh Museum, Bedroom in Arles October 1888 Amsterdam Van Gogh Museum, Sunflowers 1889 Amsterdam Museum of Modern The Starry Night 1889 Art, New York City Van Gogh’s life in more detail Early years Vincent van Gogh was born on 30 March 1853 in Groot-Zundert, in the southern Netherlands.
    [Show full text]
  • Van Gogh Museum Journal 2002
    Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh.
    [Show full text]
  • Vincent Van Gogh in Arles
    VINCENT VAN GOGH IN ARLES “Van Gogh sur la route de Tarascon” Known also as “The painter on his way to work”, July 1888, 48 x 44 cm Formerly in the Kaiser-Friedrich-Museum, Magdeburg, Germany (Destroyed by fire in 1945) https://commons.wikimedia.org/wiki/File:Vincent_Van_Gogh_0013.jpg A Walk-Around of Selected Sites L. M. Boring Membre de l’Association des Artistes Alpicois, Le Pecq 28 February 2019 Vincent Van Gogh arrived in Arles by train on Monday, February 20, 1888, with an idea to found an artist colony in the south “Wishing to see a different light, thinking that looking at nature under a bright sky might give us a better idea of the Japanese way of feeling and drawing. Wishing also to see this stronger sun, because one could not understand Delacroix’s pictures from the point of view of execution and technique without knowing it, and because one feels that the colors of the prism are veiled in the mist of the North.” Oddly and by happenstance, when he arrived, he found the countryside covered in snow, and among his first paintings were soft landscapes of snow covered fields. He found lodging in the Hotel-Restaurant Carrel, but his stay ended badly over a billing dispute after only two months. Vincent signed a lease on May 1st for a small four-room two-story semi-detached house on the Place Lamartine, not far from the train station. Its stucco exterior was bright ochre, and it became known by Van Gogh’s paintings as La Maison Jaune, the Yellow House.
    [Show full text]
  • Van-Gogh-LM0918 Lores-1.Pdf
    LUXURYLUXURY MAGAZINE FALL 2018 ARTIST PROFILE Garden at Arles, 1888, oil on canvas, 73 x 92 cm, located at Haags Gemeentemuseum, The Hague, the Netherlands LOVING VINCENT VINCENT VAN GOGH has long been a mainstay of popular culture and international exhibitions, and now he is the subject of a new book and Hollywood film, proving the fascination with the fabled painter has not abated. by Jason Edward Kaufman NY HIP / Art Resource, 182 Fall 2018 Fall 2018 183 Van Gogh painted more than three dozen self-portraits, a self-examination rivaling that of Rembrandt. The 1889 picture, created after he injured himself, seems to show a restored left ear, but depicts his right ear seen in reverse in the mirror. From left: Self-portrait with Straw Hat, 1887, oil on cardboard, 40.9 cm x 32.8 cm, located at the Van Gogh Museum, Amsterdam, the Netherlands; Self-Portrait as a Painter (Self-portrait before Easel), 1887-1888, oil on canvas, 65.1 x 50 cm, located at the Van Gogh Museum, Amsterdam, the Netherlands; Self-Portrait, 1887, oil on canvas, 44.1 x 35.1 cm, located at Musée d’Orsay, Paris; Self-Portrait Dedicated to Paul Gauguin, 1888, oil on canvas, 61 x 50 cm, located at the Fogg Art Museum, Harvard Art Museums, Cambridge, MA; Self-Portrait, 1889, oil on canvas, 65 x 54.5 cm, located at Musée d’Orsay, Paris. ince he died from a self-inflicted gunshot wound in 1890, the world has venerated Vincent van Gogh. SFew artists have been as obsessively studied and perhaps none is more adored by the general public.
    [Show full text]
  • Vincent: Arte E Melancolia
    UNIVERSIDADE VEIGA DE ALMEIDA MESTRADO PROFISSIONAL EM PSICANÁLISE, SAÚDE E SOCIEDADE SHEYLA DA CONCEIÇÃO BEZERRA VINCENT: ARTE E MELANCOLIA RIO DE JANEIRO 2019.1 1 SHEYLA DA CONCEIÇÃO BEZERRA VINCENT: ARTE E MELANCOLIA Dissertação apresentada ao Programa de Pós- graduação - Stricto Senso - Mestrado Profissional em Psicanálise, Saúde e Sociedade da Universidade Veiga de Almeida (RJ) como parte dos requisitos para obtenção do título de Mestre em Psicanálise, Saúde e Sociedade. Área de concentração: Psicanálise e Sociedade. ORIENTADOR: Prof.ª Drª VERA MARIA POLLO FLORES RIO DE JANEIRO 2019.1 2 AGRADECIMENTOS A natureza e a Deus por me proporcionarem a vida. A minha família pela educação, permitindo que eu chegasse até aqui. A Dra. Vera Pollo que orientou a elaboração da dissertação. A Dra. Sonia Borges e a Dra. Doris Rinaldi por aceitarem a compor minha banca, contribuindo com considerações e análises significativas sobre meu trabalho. Ao meu esposo pela paciência e estímulo ao meu crescimento. Ao meu incansável amigo, Afonso pelas dedicações e conversas sobre psicanálise, arte, psicologia e visão acerca do Universo. Nós dividimos nossas angústias e alegrias. Ao artista Vincent (in memoriam) que me inspirou em momentos difíceis e conturbados. 3 RESUMO Este trabalho de dissertação investiga a relação do estado emocional e psíquico de Vincent van Gogh e a produção de sua arte reconhecida como impressionista pelo próprio artista. Utilizamos como constructo teórico a psicanálise. Como método investigativo, foi feita uma correlação entre a biografia do artista e a vasta correspondência com seus familiares, amigos, médicos, em particular com seu irmão Theodorus van Gogh. Os pensadores Freud e Lacan serviram de base para uma compreensão entre arte e psicanálise.
    [Show full text]
  • Salud Mental Y Atención Psicosocial
    11 Pensar la salud mental: aspectos clínicos, epistemológicos, culturales y políticos Editor Omar Alejandro Bravo Una publicación de la Facultad de Derecho y Ciencias Sociales № 11 octubre, 2016 Pensar la salud mental: aspectos clínicos, epistemológicos, culturales y políticos Cali. Facultad de Derecho y Ciencias Sociales, Universidad Icesi, 2016. 228pp.; 17x23cm. ISBN: 978-958-8936-17-8 Palabras Clave: 1. Salud mental | 2. Atención (Psicología) | 3. Psiquiatría | 4. Psicoanálisis | 5. Psicología patológica y clínica Sistema de Clasificación Dewey 616.89-ddc 21 © Universidad Icesi Primera edición / Octubre de 2016 Facultad de Derecho y Ciencias Sociales Colección «El sur es cielo roto» Rector: Francisco Piedrahita Plata Secretaria General: María Cristina Navia Klemperer Director Académico: José Hernando Bahamón Lozano Decano de la Facultad de Derecho y Ciencias Sociales: Jerónimo Botero Marino Directora de la Oficina de Publicaciones: Natalia Rodríguez Uribe Asistente Editorial: Adolfo A. Abadía Comité Editorial Roberto Gargarella [Ph.D.] Universidad Torcuato Di Tella, Argentina. Victor Lazarevich Jeifets [Ph.D.] Universidad Estatal de San Petersburgo, Rusia. Antonio Cardarello [Ph.D.] Universidad de la República, Uruguay. Javier Zúñiga [Ph.D.] Universidad del Valle, Colombia. Juan Pablo Milanese [Ph.D.] Universidad Icesi, Colombia. Diseño y Diagramación Cactus Taller Gráfico | www.cactus.com.co Natalia Ayala Pacini Revisión de Estilo: Sarah Ángela Nieto Foto de Portada: Vincent Van Gogh, Ward in the Hospital in Arles, 1889. (Tomada de: http://www.vggallery.com/painting/by_period/arles.htm) Universidad Icesi | Calle 18 No. 122-135 (Pance), Cali – Colombia Teléfono: +57 (2) 555 2334 | E-mail: [email protected] http://www.icesi.edu.co/publicaciones_derecho_ciencias_sociales Impreso en Colombia / Printed in Colombia El material de esta publicación puede ser reproducido sin autorización, siempre y cuando se cite el título, el autor y la fuente institucional.
    [Show full text]
  • TEST CLIL 1 Who Was Gauguin? He Was a Famous French Painter Born
    TEST CLIL 1 Who was Gauguin? He was a famous French painter born in Paris who managed to create his own distinctive identity expressing it through his artworks. His art can’t be experienced without linking it to his life path. His influences can be found in his travels, such as the period that he spent in Perú and Tahiti. One of his works was accepted into the “Salon of 1876” an important art show in Paris. This exhibition presented him to the public and made him meet Pissarro, Degas, Monet and other artistic greats. Gauguin eventually contracted Syphilis. When did he meet Van Gogh? In 1888 Gauguin and Van Gogh spent several weeks together in Van Gogh’s home in Arles but their time together ended after Van Gogh pulled a razor on Gauguin during an argument. 2 How did Gauguin call his own style? He called his own style synthetism Why? Because it synthesized observation of the subject in nature with the artist’s feelings about that subject, expressed through abstracted line, shape, space and colour. Do you remember some of these paintings? For example “The yellow Christ” and “La Orana Maria”. He painted may of these artworks during his stay in Polinesia, from 1891 to 1903, where had originated The synthetism and the symbolism. 3 When did Van Gogh live in Arles? Van Gogh lived in Arles from 1888 to 1890. Who organized his stay in Arles and why? His brother, Theo, worried about Vincent’s physical and mental health, tried to satisfy the dream of Van Gogh to create an utopic artistic community where artists could share ideas and opinions.
    [Show full text]
  • Vincent Van Gogh and Flix Rey to Theo Van Gogh. Arles, Wednesday, 2 January 1889
    Vincent van Gogh and Flix Rey to Theo van Gogh. Arles, Wednesday, 2 January 1889. Wednesday, 2 January 1889 Metadata Source status: Original manuscript Location: Amsterdam, Van Gogh Museum, inv. no. b614 V/1962 Date: Letter headed: Arles, le 2 Janvier 1889. Additional: After Vincent had written to Theo, Dr Flix Rey added his own note to Theo. Original [1r:1] Hospices civils de la VILLE DARLES bouches-du-rhone Arles, le 2 Janvier 1889. mon cher Theo, afin de te rassurer tout fait sur mon compte je tcris ces quelques mots dans le cabinet de M. linterne Rey que tu a vu toimme. Je resterai encore quelques jours ici lhpital puis jose compter retourner la maison trs-tranquillement. 1 1 On the evening of 23 December 1888, Van Gogh suffered an acute mental breakdown. As a result he cut off his left ear and took it to a prostitute in a local brothel. The police found him at home the next morning and had him admitted to hospital. On 24 December Gauguin2 sent a telegram to Theo, who immediately took the night train to Arles. Despite Van Goghs repeated pleas, Gauguin did not come to visit him in hospital (see letter 736). Jo van Gogh-Bonger3 wrote in her introduction to the letters that Gauguin travelled back to Paris with Theo, who left Arles on Tuesday, 25 December, as emerges from a letter he wrote to Jo on 28 December (see Brieven 1914, p. liv, and Brief happiness 1999, pp. 70-71). Bernard4s letter of 1 January 1889 to Albert Aurier5 (quoted below) agrees with this description of events: he reports that Gauguin had arrived in Paris four days earlier, meaning 27 December.
    [Show full text]
  • To Theo Van Gogh. Arles, Sunday, 3 February 1889
    To Theo van Gogh. Arles, Sunday, 3 February 1889. Sunday, 3 February 1889 Metadata Source status: Original manuscript Location: Amsterdam, Van Gogh Museum, inv. nos. b623 a-b V/1962 Date: Jo van Gogh-Bonger, who presumably had the postmark at her disposal, dated the letter to Sunday, 3 February 1889 (Brieven 1914). We have retained this dating, which agrees with the receipt of Theos letter containing 100 francs Vincent hoped to receive it as early as possible after 1 February (letter 744, ll. 103-104), to which he would have liked to reply immediately (ll. 1*-6). Additional: Original [1r:1] Mon cher Theo, jaurais prfr te rpondre aussitt la bien bonne lettre contenant 100 francs mais justement tant trs fatigu ce moment-l et le medecin1 mayant ordonn absolument de me promener sans travail mental, ce nest par suite de cela quaujourd hui que je tecris. Pour le travail le mois na en somme pas t mauvais et le travail me distrait ou plutt me tient regl, alors je ne men prive pas. Jai fait la berceuse trois fois , 3 or Mme Roulin tant le modle et moi netant que le peintre je lui ai laiss choisir entre les trois, elle et son mari, seulement en conditionnant que de celle quelle prendrait jen ferais encore une rptition pour moi laquelle actuellement jai en train. 4 1 Dr Flix Rey2. 3 The three versions of Augustine Roulin (La berceuse) are F 508 / JH 1671, F 506 / JH 1670 and F 505 / JH 1669. 4 1 2 To Theo van Gogh.
    [Show full text]
  • Vincent Van Gogh (1853–1890) Artessentials
    Vincent van Gogh (1853–1890) ArtEssentials Vincent van Gogh was born in a small, rural town in the southern Netherlands, the son of a minister in the Dutch Reformed Church. Accounts of his childhood describe a serious and solitary boy who was often at odds with his parents and his five siblings—although his younger brother, Theo, adored him. A few weeks before his fifteenth birthday, Van Gogh left school and soon became an Vincent van Gogh, Self-Portrait, 1887. The Art Institute of Chicago. apprentice at an art dealership, Goupil and Co., where his uncle (also named Vincent) was a partial owner. Already a voracious reader, Van Gogh now devoted himself to the study of art and traveled to museums in Amsterdam and Antwerp to see masterpieces by Vermeer, Rembrandt, and Rubens. As a young boy, he had taken nature walks, collecting beetles and studying various species of birds, and he now applied the close looking skills he had developed to categorizing the thousands of images he encountered in the Goupil stockrooms. Although Van Gogh relished the opportunity to study art closely, he struggled with interpersonal relationships and was transferred first to London and then to Paris. Increasingly withdrawn and argumentative, Van Gogh was fired from his job as an art dealer in 1876. Spurred by deep religious fervor, he traveled to a downtrodden area of Belgium to work as an 1 evangelist among the local coal miners. His failure was apparent after just a few years, however, and in 1880, on the verge of a breakdown, he decided to devote himself to painting.
    [Show full text]
  • The Fine Art of Patient-Doctor Relationships
    Downloaded from bmj.com on 30 June 2005 The fine art of patient-doctor relationships M P Park and R H R Park BMJ 2004;329;1475-1480 doi:10.1136/bmj.329.7480.1475 Updated information and services can be found at: http://bmj.com/cgi/content/full/329/7480/1475 These include: Rapid responses You can respond to this article at: http://bmj.com/cgi/eletter-submit/329/7480/1475 Email alerting Receive free email alerts when new articles cite this article - sign up in the service box at the top right corner of the article Topic collections Articles on similar topics can be found in the following collections • Patient - caregiver relationships (163 articles) Notes To order reprints of this article go to: http://www.bmjjournals.com/cgi/reprintform To subscribe to BMJ go to: http://bmj.bmjjournals.com/subscriptions/subscribe.shtml Downloaded from bmj.com on 30 June 2005 Images of health The fine art of patient-doctor relationships M P Park, RHRPark Paintings depicting patient-doctor relationships have been created for different reasons—among them gestures of gratitude and as a form of therapy At Christmas many doctors experience brief but well may have inspired the composition of the self portrait, Department of Adult and intentioned and tangible gestures of successful patient- with Arrieta in the role of the priest administering to Continuing doctor relationships. Various patients’ gifts, such as the dying soul, there is a fundamental difference: San Education, boxes of chocolates or bottles of wine, are always José is resigned to death whereas Goya grasps his bed- University of Glasgow, Glasgow appreciated by the recipient.
    [Show full text]
  • The Neuropsychiatric Ailment of Vincent Van Gogh
    History of Neurology The neuropsychiatric ailment of Vincent Van Gogh Kalyan B. Bhattacharyya, Saurabh Rai Department of Neurology, Bangur Institute of Neurosciences, Kolkata, West Bengal, India Abstract Vincent Van Gogh is one of the most celebrated creative artists of all time. All his life, he was afflicted by some kind of neurological or psychiatric disorder, which remains a mystery even today. Many historians and his personal physicians believe that he suffered from epilepsy while others felt that he was affected by Ménière’s disease. Features such as hypergraphia, atypical sexuality, and viscosity of thinking suggest the possibility of Gastaut-Geschwind phenomenon, a known complication of complex partial seizure. On the contrary, some historians feel that he was forced to sever his right ear in order to get relief from troublesome tinnitus, a complication of Ménière’s disease. He was addicted to the liquor absinthe, which is known to lead to xanthopsia, and many authorities argue that this was the reason for his penchant for the deep and bright yellow color in many of his paintings. Others have suggested the possibility of bipolar disorder, sunstroke, acute intermittent porphyria, and digitalis toxicity as well. Key Words Absinthe, epilepsy, Ménière’s disease, Vincent Van Gogh For correspondence: Prof. Kalyan B. Bhattacharyya, Amrapali Point, Flat 1C, 59f, Bosepukur Road, Kolkata - 700 042, West Bengal, India. E-mail: [email protected] Ann Indian Acad Neurol 2015;18:6-9 Introduction He left the clinic in 1890 and moved to Auvers-sur-Oise, a commune in Paris, where he was treated by Paul Gachet, and There can be no gainsaying that Vincent Van Gogh is one of the later he sought refuge in the company of Theo.
    [Show full text]