24 January 2014 Page 1 of 10

Total Page:16

File Type:pdf, Size:1020Kb

24 January 2014 Page 1 of 10 Radio 3 Listings for 18 – 24 January 2014 Page 1 of 10 SATURDAY 18 JANUARY 2014 Orchestre du Conservatoire de Musique du Québec, Jacques SAT 14:00 Saturday Classics (b01pyfft) Lacombe (conductor) Noriko Ogawa - Echoes of the East SAT 01:00 Through the Night (b03pdh6z) Rudolf Buchbinder 5:06 AM Episode 1 Martinu, Bohuslav (1890-1959) Rudolf Buchbinder and the Szymanowski Quartet Polkas and Études for Piano, Book III In the first of two programmes, pianist Noriko Ogawa explores Antonín Kubálek (piano) a wealth of musical connections to Japan, including music by Rudolf Buchbinder joins the Szymanowski Quartet in Debussy, Bach and Takemitsu. Beethoven and Dvorak's Piano Quintet No.2 in A . And a rare 5:16 AM chance to hear Dupre's Organ Concerto. Presented by Catriona Durante, Francesco (1684-1755) Young Concerto per quartetto for strings No.3 in E flat major SAT 16:00 Sound of Cinema (b03q4wsv) Concerto Köln Filthy Lucre! 1:01 AM Beethoven, Ludwig van [1770 -1827] 5:26 AM Matthew Sweet introduces film scores on the subject of money Piano Trio in C Minor Op.1 No.3 Mozart, Wolfgang Amadeus [1756-1791] by Max Steiner, Ernest Gold and others, and profiles the music Rudolf Buchbinder (piano), Andrej Bielow (violin), Marcin Concerto for Bassoon and Orchestra (K.191) in B flat major for the new cinema release from Martin Scorsese, "The Wolf of Sienawski (cello) Audun Halvorsen (bassoon), Norwegian Radio Orchestra, Wall Street". Andrew Manze (conductor) 1:27 AM "There's nothing quite as wonderful as money on the this week's Szymanowski, Karol [1882-1937] 5:45 AM Sound Of Cinema - except of course when it's dirty, filthy, String Quartet No.2 Op.56 Morley, Thomas [c.1557-1602], Elgar, Edward [1857-1934] stolen and the root of all evil." Szymanowski Quartet: Andrej Bielow & Grzegorz Kotów Burial Sentences (Morley) & They are at rest (Elgar) (violins), Vladimier Mykytka (viola), Marcin Sienawski (cello) Gabrieli Consort, Paul McCreesh (director) The programme features music from - amongst others - "Rogue Trader"; "The Treasure of the Sierra Madre"; "Indecent 1:44 AM 5:58 AM Proposal"; "Glengarry Glen Ross"; "Trading Places" and "Wall Dvorak, Antonin [1841-1904] Schubert, Franz (1797-1828) Street" Piano Quintet No.2 in A, Op.81 Phantasy in C major (D.934) (Op.Posth.159) Rudolf Buchbinder (piano), Szymanowski Quartet Thomas Zehetmair (violin); Kai Ito (piano) Matthew's Classic Score of Week is Ennio Morricone's "The Good, The Bad and the Ugly". 2:19 AM 6:25 AM Schreker, Franz (1878-1934) Gabrieli, Andrea (1532/3-1585) "soundofcinema. Prelude to a Drama Aria della battaglia à 8 BBC Philharmonic Orchestra, Vassily Sinaisky (conductor) Theatrum Instrumentorum, Stefano Innocenti (conductor) SAT 17:00 Jazz Record Requests (b03q4wsx) 2:39 AM 6:35 AM Alyn Shipton's selection of listeners' jazz requests includes Szymanowski, Karol (1882-1937) Nielsen, Carl [1865-1931] music from Gerry Mulligan's Age of Steam, plus recordings by Preludes for piano, Op.1 Pan og Syrinx (FS.87) (Op.49) George Lewis and Charles Mingus. Jerzy Godziszewski (piano) Danish National Symphony Orchestra/DR, Michael Schønwandt (conductor) 3:01 AM SAT 18:00 Jazz Line-Up (b03q9szx) Vivaldi, Antonio (1678-1741) 6:44 AM Verve Records, Empirical, European Jazz Orchestra Dixit Dominus for SSATB soloists and double choir and Telemann, Georg Philipp [1681-1767] orchestra in D major (RV.595) Concerto in A minor for Recorder, Viola da Gamba, Strings Julian Joseph interviews author Richard Havers about the Unidentified soloists, Choir of Latvian Radio and the Riga and Continuo legacy of Verve Records. Plus previously unbroadcast concert Chamber Players, Sigvards Klava (conductor) La Stagione Frankfurt. music from Empirical at the London Jazz Festival , and the European Jazz Orchestra recorded at the Stockholm Jazz 3:31 AM Festival. Dupré, Marcel (1886-1971) SAT 07:00 Breakfast (b03q4wsl) Concerto in E minor, for organ and orchestra (Op.31) Saturday - Martin Handley Simon Preston (organ), Adelaide Symphony Orchestra, SAT 19:30 Radio 3 Live in Concert (b03q4wtx) Nicholas Braithwaite (conductor) Martin Handley presents Radio 3's classical breakfast show, BBC Philharmonic - Strauss 150 featuring the Best of British Music Playlist, compiled from 3:53 AM listener requests. Live from the Bridgewater Hall, Manchester. Bach, Johann Sebastian (1685-1750) Email [email protected] or text 83111 with your music Brandenburg Concerto No.3 in G major for 3 violins, 3 violas, requests. Presented by Christopher Cook. 3 cellos & basso continuo, BWV.1048 Australian Brandenburg Orchestra, Paul Dyer (conductor) The BBC Philharmonic launches its contribution to SAT 09:00 CD Review (b03q4wsn) Manchester's 'Strauss's Voice' festival with its Chief Conductor, 4:07 AM Building a Library: Monteverdi: L'incoronazione di Poppea Juanjo Mena and soloists Soile Isokoski and Steven Isserlis. Schumann, Robert (1810-1856) Variations on a Theme by Clara Wieck With Andrew McGregor. Building a Library: Monteverdi: Richard Strauss: Also sprach Zarathustra Angela Cheng (piano) L'incoronazione di Poppea; Early string music in recent Richard Strauss: Three Hymns Op 71 recordings; Disc of the Week: Beethoven: Cello Sonatas Nos 4:15 AM 1-5. 8.30pm Interval Moniuszko, Stanislaw (1819-1872) Bajka - concert overture 8:50pm Polish National Philharmonic Orchestra, Kazimierz Kord SAT 12:15 Music Matters (b03q4wsq) (conductor) Maria Joao Pires, David and Christopher Alden, Andris Nelsons Richard Strauss: Don Quixote 4:28 AM Presented by Tom Service. Soile Isokoski, soprano Kerle, Jacobus de (1531/2-1591) During rehearsals at The Barbican in London, Tom meets the Steven Isserlis, cello Agnus Dei - super ut-re-mi-fa-so-la pianist Maria Joao Pires, who celebrates her 70th birthday in BBC Philharmonic Huelgas Ensemble; Paul van Nevel (director) 2014. Juanjo Mena, conductor In a rare joint interview, Tom talks to the opera directors and 4:33 AM twin brothers David and Christopher Alden, as they return to The BBC Philharmonic launches its contribution to Mozart, Wolfgang Amadeus (1756-1791) share the stage at English National Opera - David with a revival Manchester's 'Strauss's Voice' festival with its Chief Conductor, Rondo concertante for violin and orchestra (K.269) in B flat of his production of Britten's Peter Grimes, and Christopher Juanjo Mena, in an all-Strauss programme, celebrating 150 major with a new production of Verdi's Rigoletto. years since his birth in Munich. The festival will feature all his James Ehnes (violin/director), Mozart Anniversary Orchestra And, as the Latvian capital of Riga begins its year in the orchestral songs. Tonight, the orchestra welcomes one of the limelight as a European Capital of Culture, the BBC's Damien leading Strauss interpreters of our time, the Finnish soprano, 4:41 AM McGuinness profiles the city and the Riga-born conductor Soile Isokoski for the Three Hymns. Cellist Steven Isserlis Moniuszko, Stanislaw (1819-1872) [lyrics: Ludwik Syrokomla] Andris Nelsons talks about the essential nature of music in his brings Cervantes' colourful hero to life in Strauss's set of Lirnik wioskowy (Country Lyrist) homeland. character variations while the concert starts with Strauss's most Urszula Kryger (mezzo soprano), Katarzyna Jankowska- iconic moment, beginning his epic portrait of the philosopher Borzykowska (piano) Zarathustra. SAT 13:00 Radio 3 Lunchtime Concert (b03pd8x6) 4:47 AM Wigmore Hall: Sarah Connolly and Julius Drake Nibelle, Henri (1883-1967) SAT 21:45 Between the Ears (b03q4wsz) Carillon Orléannais Live from Wigmore Hall in London, mezzo-soprano Sarah Play and Record Tong-Soon Kwak (female) (organ) Connolly and pianist Julius Drake perform two great song- cycles: Mahler's Rückert-Lieder and Berlioz's Les nuits d'été. Poet Paul Farley imagines himself a sound-recordist taping the 4:53 AM Introduced by Sara Mohr-Pietsch Garden of Eden and recalls the impoverished soundscape of his Salmenhaara, Erkki (1941-March 2002) childhood. Growing on the edge of Liverpool in the 1960s and Adagietto for Orchestra (1981) Berlioz: Les nuits dété given a simple cassette recorder for a birthday present he went Finnish Radio Symphony Orchestra, Ralf Sjöblom (conductor) Mahler: Rückert-Lieder in search of the sounds of the superbs inspired by the bird song records he borrowed from his local library. He pressed play and 5:01 AM Sarah Connolly (mezzo-soprano) record on his Panasonic and eavesdropped on ... What? Not a Champagne, Claude (1891-1965) Julius Drake (piano). lot, as it turned out. Instead his imagination went to work: the Danse Villageoise sound recordist's field notes from the Trojan War, during the Supported by bbc.co.uk/programmes/ Radio 3 Listings for 18 – 24 January 2014 Page 2 of 10 Irish Potato Famine, lodged in the trenches of the First World 4:07 AM SUN 12:00 Private Passions (b03q4z2y) War.... A radio poem with found, remembered and dreamt Abel, Carl Friedrich (1723-1787) Lewis Wolpert sounds. Symphony in C major, Op.10/4 La Stagione, Frankfurt, Michael Schneider (conductor) Lewis Wolpert is a distinguished scientist -and a familiar lanky Producer: Tim Dee. figure on his bicycle, cycling through the Bloomsbury traffic to 4:17 AM University College London where he is Emeritus Professor of Bach, Johann Sebastian (1685-1750) Biology. SAT 22:15 Hear and Now (b03q4wt1) Prelude and Fugue in A minor (BWV.543) GF Haas's in vain David MacDonald (organ) His scientific research has been into the early development of the embryo, but he's a man with many other interests ? he's Tom Service presents two masterworks of the last quarter 4:26 AM written books about depression, and recently a book about century performed recently at the Sounth Bank Centre's The Musorgsky, Modest (1839-1881) getting old ? and he's currently bravely embarking on a book Rest is Noise Festival. Ligeti's Violin Concerto has taken its Khovanschina - overture about the biological differences between the brains of men and place as a classic of the late twentieth century whilst Georg Slovenian Radio and Television Symphony Orchestra, Samo women.
Recommended publications
  • Choose Yourfavorite Three Concerts
    CHOOSE YOUR FAVORITE THREE CONCERTS. You’ll Save 33% – That’s Up to $200 in Savings with Added Benefits Call 212-875-5656 or visit nyphil.org/CYO33 and use promo code CYO33. ** U.S. Premiere–New York Philharmonic Co-Commission with the London Philharmonic Orchestra *** World Premiere–New York Philharmonic Commission † Commissions made possible by The Marie-Josée Kravis Prize for New Music †New York City Premiere–New York Philharmonic Co-Commission Tuesday Wednesday Thursday Friday Saturday 7:30pm 7:30pm 7:30pm 8:00pm 8:00pm unless otherwise noted unless otherwise noted Conductor Guest Artists Program Esa-Pekka Leila Josefowicz violin RAVEL Mother Goose Suite NOV Salonen Esa-Pekka SALONEN Violin Concerto NOV OCT OCT NOV conductor (New York Concert Premiere) 5 30 31 1 2 SIBELIUS Symphony No. 5 (11:00am) Bernard Miah Persson soprano J.S. BACH Cantata No. 51, Jauchzet Labadie Stephanie Blythe Gott in allen Landen! conductor mezzo-soprano HANDEL “Let the Bright Seraphim” Frédéric Antoun tenor from Samson Andrew Foster- MOZART Requiem NOV NOV NOV Williams bass 7 8 9 Matthew Muckey trumpet New York Choral Artists Joseph Flummerfelt director Alan Gilbert Liang Wang oboe R. STRAUSS Also sprach Zarathustra conductor Glenn Dicterow, violin NOV Christopher ROUSE Oboe Concerto NOV NOV NOV 15 (New York Premiere) 19 14 16 R. STRAUSS Don Juan (2:00pm) Glenn Dicterow, violin Alan Gilbert Paul Appleby tenor BRITTEN Serenade for Tenor, Horn, conductor Philip Myers horn and Strings Kate Royal soprano BRITTEN Spring Symphony Sasha Cooke mezzo-soprano NOV NOV NOV New York Choral Artists 21 22 23 Joseph Flummerfelt director Brooklyn Youth Chorus Dianne Berkun- Menaker director Alan Gilbert Paul Appleby tenor MOZART Symphony No.
    [Show full text]
  • Politics of Multilingualism in Roma Education in Early Soviet Union and Its Current Projections Marushiakova, Elena; Popov, Vesselin
    www.ssoar.info Politics of multilingualism in Roma education in early Soviet Union and its current projections Marushiakova, Elena; Popov, Vesselin Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Marushiakova, E., & Popov, V. (2017). Politics of multilingualism in Roma education in early Soviet Union and its current projections. Social Inclusion, 5(4), 48-59. https://doi.org/10.17645/si.v5i4.1128 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de Social Inclusion (ISSN: 2183–2803) 2017, Volume 5, Issue 4, Pages 48–59 DOI: 10.17645/si.v5i4.1128 Article Politics of Multilingualism in Roma Education in Early Soviet Union and Its Current Projections Elena Marushiakova * and Vesselin Popov School of History, University of St. Andrews, St. Andrews, KY16 9BA, UK; E-Mails: [email protected] (E.M.), [email protected] (V.P.) * Corresponding author Submitted: 14 August 2017 | Accepted: 16 October 2017 | Published: 22 December 2017 Abstract This article presents the history of the politics of multilingualism (or lack thereof) in regard to Roma (formerly known as ‘Gypsies’). In the 1920s and 1930s in the newly established Union of Soviet Socialist Republics, against a backdrop of pro- claimed principles of full equality of all peoples1 living in the new state, commenced a rapid creation of schools for Roma children with instruction in Romani mother-tongue along with special training of Roma teachers.
    [Show full text]
  • Myths, Legends, Fairy Tales and Folk Tales in Music ______
    ______________________________________________________________________________________________________ Sounds of Enchantment: Myths, Legends, Fairy Tales and Folk Tales in Music ______________________________________________________________________________________________________ Gioacchino ROSSINI Overture from William Tell Felix MENDELSSOHN Scherzo from A Midsummer Night’s Dream Sergei PROKOFIEV Waltz Coda and Midnight from Cinderella, Op. 87 David CROWE How Birds Came Into the World John WILLIAMS Raiders March from Raiders of the Lost Ark Piotr Ilyich TCHAIKOVSKY Scene from Swan Lake Modest MUSSORGSKY / arr. Ravel Baba Yaga and The Great Gate of Kiev from Pictures at an Exhibition HOW TO USE THIS STUDY GUIDE This guide is designed as a curriculum enhancement resource primarily for music teachers, but is also available for use by classroom teachers, parents, and students. The main intent is to aid instructors in their own lesson preparation, so most of the language and information is geared towards the adult, and not the student. It is not expected that all the information given will be used or that all activities are applicable to all settings. Teachers and/or parents can choose the elements that best meet the specific needs of their individual situations. Our hope is that the information will be useful, spark ideas, and make connections. TABLE OF CONTENTS Sounds of Enchantment Overview – Page 4 Program Notes – Page 7 ROSSINI | Overture from William Tell Page 8 MENDELSSOHN | Scherzo from A Midsummer Night’s Dream Page 10 PROKOFIEV | Waltz Coda and Midnight from Cinderella, Op. 87 Page 13 CROWE | How Birds Came Into the World Page 17 WILLIAMS | Raiders March from Raiders of the Lost Ark Page 20 TCHAIKOVSKY | Scene from Swan Lake Page 22 MUSSORGSKY | Baba Yaga and The Great Gate of Kiev from Pictures at an Exhibition Page 24 Activities — Page 27 Student Section— Page 39 CREDITS This guide was originally created for the 2008-2009 Charlotte Symphony Education Concerts by Susan Miville, Chris Stonnell, Anne Stewart, and Jane Orrell.
    [Show full text]
  • 28Apr2004p2.Pdf
    144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No.
    [Show full text]
  • Program Listings” Christopher C
    WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSSEPTEMBER 2014 Ken Burns’s seven-part documentary weaves the stories of Theodore, Franklin, and Eleanor Roosevelt, three members of one of the most prominent and influential families in American politics. The series follows the family’s story for more than a century, from Theodore’s birth in 1858 to Eleanor’s death in 1962. Over the course of those years, Theodore would become the 26th president of the United States, and his beloved niece, Eleanor, would marry his fifth cousin, Franklin, who became the 32nd president. Together, they redefined the relationship Americans had with their government and with each other, and redefined, as well, the role of the United States within the wider world. THE ROOSEVELTS: AN INTIMatE HISTORY AIRS SUNDAY, SEPTEMBER 14 THROUGH SatURDAY, SEPTEMBER 20 at 8 P.M. ON WXXI-TV TUESDAY, SEPTEMBER 23 at 7 P.M. LITTLE THEatrE DEtaiLS INSIDE >> SATURDAY, SEPTEMBER 13, 10AM-2PM SEE INSIDE FRONT COVER FOR DEtaiLS! DEAR FRIENDS, EXECUTIVE StaFF SEPTEMBER 2014 No rm Silverstein, President VOLUME 5, ISSUE 9 Susan Rogers, Executive Vice President and General Manager This month marks the premiere of WXXI is a public non-commercial Je anne E. Fisher, Vice President, Radio broadcasting station owned the much-anticipated documentary Kent Hatfield, Vice President, Technology and Operations and operated by WXXI Public series on the Roosevelts by Ken Broadcasting Council, a not-for- El issa Orlando, Senior Vice President of TV and News Burns, America’s most acclaimed profit corporation chartered by the Board of Regents of New BOARD OF TRUSTEES OFFICERS filmmaker.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 86, 1966
    . .~v«M m t"£m w*) r BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY <$ HENRY LEE HIGGINSON 23 "^2^ " L^S^-*. ^f J SSs 1\ ^ V, EIGHTY-SIXTH SEASON 1966-1967 EXCELLAIT SURTOUT POUR LES FANFARES!" Although it is difficult to trace the origin of the French horn, it is generally accepted that it was developed in France during the 17th century • An outgrowth of the early primitive and the later sophisticated hunting horn, its value in the use of Fanfares was acclaimed during the reign of Louis XIII • It was also discovered that strange and wonderful musical effects could be had by inserting the hand in the bell • One of the first orchestral uses came in 1717 when Handel included the French horn in his score of the ''Water Music" • The modern instrument embodies a main tube measuring approximately 7 feet 4 inches in length, coiled in circles and finally expanding into a widely flared bell • As the French horn lends its importance to the value of the modern symphony orchestra, so too does the trained and reliable insurance office develop a modern and sensible insurance program for business and personal accounts • We would welcome an opportunity to analyze your need for complete protection. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 0BRI0N, RUSSELL & CO. 147 MILK STREET BOSTON. MASSACHUSETTS Insurance of Every Description Telephone 542-1250 EIGHTY-SIXTH SEASON, 1966-1967 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor Copyright, 1967, by Boston Symphony Orchestra, Inc.
    [Show full text]
  • Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy
    METAMORPHOSIS A PEDAGOCIAL PHENOMENOLOGY OF MUSIC, ETHICS AND PHILOSOPHY by Catalin Ursu Masters in Music Composition, Conducting and Music Education, Bucharest Conservatory of Music, Romania, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Faculty of Education © Catalin Ursu 2009 SIMON FRASER UNIVERSITY Fall, 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • South-East Europe International Relations Quarterly
    INTERNATIONAL RELATIONS QUARTERLY, Vol. 5. No.1. (Spring 2014/1) ROMA COMMUNITIES IN SOUTHEAST EUROPE JÓZSEF-GYÖRGY FEKETE (Abstract) The aim of this paper is to present the Roma1 people and their status in Southeast Europe; since they are the largest and most heterogeneous ethnic minority of the region. We are focusing on the Post-Yugoslav countries, Albania, Romania and Bulgaria. Hungary is not integrated organically to the studied countries, however for the easier comparison; we took the data of the Hungarian Gypsies into the analysis. The Roma people are not a homogeneous community, the religion, the language and the historical background both could differentiate them. Some ethnic groups who are attached the Gypsies also wish to distinguish themselves from the Romanies. The phenomenon of "preferred identity" can be observed within the Roma communities, which means that they do not identify themselves as Roma to avoid discrimination; and because of the assimilation (linguistic, religious and cultural) and "social progress" (especially in the more educated social layer). The socio-economic inequalities are increasing among both the Roms and the rest of the population; and within the Roma population as well. There are people in each country who live under or fall below the poverty line; however this process is much more intense and more drastic amongst the Roma population. This paper also aims to shed the light on the current situation of the Romani people living in the Balkans. For the sake of the objective we found important to present the history of the Roma in each country. We carried out a comprehensive analysis of the Hungarian and foreign literature, therefore, to the maximum extent possible, we tried to get to know previous studies of those researchers as widely as possible the, who live in the countries concerned.
    [Show full text]
  • THE GUIDE 98.7Wfmt the Member Magazine Wfmt.Com for WTTW and WFMT
    wttw11 wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT A CULTURAL AND CULINARY JOURNEY ACROSS AMERICA TUNE IN OR STREAM FRI DEC 20 9 PM December 2019 ALSO INSIDE WFMT will present a new special, Whole Notes: Music of Healing and Peace, in response to America’s gun violence epidemic and related to WTTW’s FIRSTHAND: Gun Violence initiative. From the President & CEO The Guide Dear Member, The Member Magazine for WTTW and WFMT Renowned chef, restaurateur, and author Marcus Samuelsson is passionate about Renée Crown Public Media Center the cuisine of America’s diverse immigrant cultures. This month, he returns with 5400 North Saint Louis Avenue Chicago, Illinois 60625 a new season of No Passport Required, where home cooks and professional chefs around the country share how important food can be in bringing us together around the table. Join us at 9:00 pm on December 20 for Marcus’s first stop, as he explores Main Switchboard (773) 583-5000 Seattle’s Filipino culinary traditions. And, in December, WTTW will be hosting a related Member and Viewer Services food tour event and creating digital content for you to feast on. The tour event and (773) 509-1111 x 6 stories will focus on a remarkably diverse half-mile stretch of a single Chicago street (Lawrence Avenue between Western and California) with a selection of restaurants Websites owned and run by immigrants, representing a variety of cuisines: Filipino, Vietnamese, wttw.com wfmt.com Bosnian and Serbian, Venezuelan, Korean, and Greek.
    [Show full text]
  • Roma Labelling: Policy and Academia Elena Marushiakova, Vesselin Popov
    4 66 • 2018 ARTICLES ROMA LABELLING: POLICY AND ACADEMIA ELENA MARUSHIAKOVA, VESSELIN POPOV https://doi.org/10.26363/SN.2018.4.02 ©Institute of Ethnology and Social Anthropology of SAS Professor Elena Marushiakova, PhD, School of History, University of St Andrews, St Katharine’s Lodge, The Scores 14, St Andrews, Fife KY16 9BA, Scotland, UK; e-mail: [email protected] Professor Vesselin Popov, PhD, School of History, University of St Andrews, St Katharine’s Lodge, The Scores 14, St Andrews, Fife KY16 9BA, Scotland, UK; e-mail: vp43@ st-andrews.ac.uk For centuries in different countries of Central, South-eastern and Eastern Europe groups of people have lived who are all called by their surrounding population with different appellations, which is usually translated into English as “Gypsies”. In the last quarter of a century, instead of these names, a new common designation has been established in the region’s public discourse, based on their self-appellation “Roma”. The processes of labelling and imposition of the new name on these communities did not stop in this region, and the label “Roma” is increasingly spreading in the remaining parts of Europe and even beyond. This process of imposing “from above” of a “politically correct” labelling, however, has led to, for some perhaps unexpectedly, to others predictably, an impact on the field. Some local communities labelled today “Roma” started to demonstrate publicly their reluctance to comply with the designation imposed on them from the “outside”. The proposed article will reveal the historical sources of labelling of these communities and main dimensions of these contradictory processes.
    [Show full text]
  • JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road  Ridgefield, Connecticut 06877 (203) 994-7244  [email protected]
    JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road Ridgefield, Connecticut 06877 (203) 994-7244 [email protected] List of Addendums First Addendum – Middle Ages Second Addendum – Modern and Modern Sub-Categories A. 20th Century B. 21st Century C. Modern and High Modern D. Postmodern and Contemporary E. Descrtiption of Categories (alphabetic) and Important Composers Third Addendum – Composers Fourth Addendum – Musical Terms and Concepts 1 First Addendum – Middle Ages A. The Early Medieval Music (500-1150). i. Early chant traditions Chant (or plainsong) is a monophonic sacred form which represents the earliest known music of the Christian Church. The simplest, syllabic chants, in which each syllable is set to one note, were probably intended to be sung by the choir or congregation, while the more florid, melismatic examples (which have many notes to each syllable) were probably performed by soloists. Plainchant melodies (which are sometimes referred to as a “drown,” are characterized by the following: A monophonic texture; For ease of singing, relatively conjunct melodic contour (meaning no large intervals between one note and the next) and a restricted range (no notes too high or too low); and Rhythms based strictly on the articulation of the word being sung (meaning no steady dancelike beats). Chant developed separately in several European centers, the most important being Rome, Hispania, Gaul, Milan and Ireland. Chant was developed to support the regional liturgies used when celebrating Mass. Each area developed its own chant and rules for celebration. In Spain and Portugal, Mozarabic chant was used, showing the influence of North Afgican music. The Mozarabic liturgy survived through Muslim rule, though this was an isolated strand and was later suppressed in an attempt to enforce conformity on the entire liturgy.
    [Show full text]
  • Composers for the Pipe Organ from the Renaissance to the 20Th Century
    Principal Composers for the Pipe Organ from the Renaissance to the 20th Century Including brief biographical and technical information, with selected references and musical examples Compiled for POPs for KIDs, the Children‘s Pipe Organ Project of the Wichita Chapter of the American Guild of Organists, by Carrol Hassman, FAGO, ChM, Internal Links to Information In this Document Arnolt Schlick César Franck Andrea & Giovanni Gabrieli Johannes Brahms Girolamo Frescobaldi Josef Rheinberger Jean Titelouze Alexandre Guilmant Jan Pieterszoon Sweelinck Charles-Marie Widor Dieterich Buxtehude Louis Vierne Johann Pachelbel Max Reger François Couperin Wilhelm Middelschulte Nicolas de Grigny Marcel Dupré George Fredrick Händel Paul Hindemith Johann Sebastian Bach Jean Langlais Louis-Nicolas Clérambault Jehan Alain John Stanley Olivier Messiaen Haydn, Mozart, & Beethoven Links to information on other 20th century composers for the organ Felix Mendelssohn Young performer links Fanny Mendelssohn Hensel Pipe Organ reference sites Camille Saint-Saëns Credits for Facts and Performances Cited Almost all details in the articles below were gleaned from Wikipedia (and some of their own listed sources). All but a very few of the musical and video examples are drawn from postings on YouTube. The section of J.S. Bach also owes credit to Corliss Arnold’s Organ Literature: a Comprehensive Survey, 3rd ed.1 However, the Italicized interpolations, and many of the texts, are my own. Feedback will be appreciated. — Carrol Hassman, FAGO, ChM, Wichita Chapter AGO Earliest History of the Organ as an Instrument See the Wikipedia article on the Pipe Organ in Antiquity: http://en.wikipedia.org/wiki/Pipe_Organ#Antiquity Earliest Notated Keyboard Music, Late Medieval Period Like early music for the lute, the earliest organ music is notated in Tablature, not in the musical staff notation we know today.
    [Show full text]