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year of download Year of the sword album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a1b04e49f8c41f • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Day of the Sword - Discography (1995 - 2012) 1. Casualties (5:10) 2. In the Shadows (3:35) 3. Nothing is What it Seems (3:40) 4. Federal Mafia (3:38) 5. Blood Stained Emerald (3:31) 6. There's No Doubt (4:26) 7. After the Fire (Skrewdriver cover) (2:40) 8. When The Night Falls (Skrewdriver cover) (2:52) 9. Power from Profit (Skrewdriver cover) (3:21) 10. White Power (Skrewdriver cover) (1:39) password: 88nsm. Label: self released Size: 34 mb. 01. To The Bitter End 02. Death To The IRS 03. Power From Profit. Greetings From. The mercurial Lone Star State unit's first concert LP, Greetings From marks the Sword's third release in so many years, arriving on the heels of 2015's High Country and its stripped-down 2016 companion piece Low Country. Recorded during their fall tour in support of Opeth, the set list leans heavily on material from the swampy, psych-blasted High Country, with highlights arriving via the lumbering "Buzzards" and the sludgy "Mist & Shadows." and get nods as well -- 2012's excellent Apocryphon is the only release without a representative -- and a face-melting, nearly eight-minute rendition of ' "The Horned Goddess" makes for a fitting closer. Also of note is the inclusion of a ballsy reading of "John the Revelator," a classic blues number made famous in 1965 by Son House, which the band issued in 2016 as a single for Record Store Day. The Sword - Conquest Of Kingdoms (Digital Album) Over their 17-year career, The Sword have proven themselves to be one of the most prolific and revered bands in metal — not only by fans, but also by the media and their peers. Now, with the double release of Conquest of Kingdoms and Chronology 2006–2018 , The Sword have complied an extensive and essential collection that celebrates their legacy and impressive back catalog. Conquest of Kingdoms — an explosive collection of rarities and oddities — offers 25 tracks (the digital album is a truncated version of the vinyl format) including previously-unreleased tracks, B-sides, oddities and live recordings of fan favorites like “Freya,” “Iron Swan” and “Fire Lances of the Ancient Hyperzephyrians,” as well as cover versions of “Immigrant Song” (Led Zeppelin), “Nasty Dogs and Funky Kings” (ZZ Top), “She” (KISS), “Forever My Queen” (Pentagram) and more. Used Future. "Deadly Nightshade," the lead single from the Texas rockers' sixth studio long-player, finds the Sword almost revisiting the muscular, Black Sabbath-inspired blues-metal that figured so prominently on their 2006 debut Age of Winters. That molten slab of sonic might proves to be a bit of an outlier however, as the remainder of the excellent Used Future sees the band continue its transition from stoner metal stalwarts to tube-driven, classic rock-loving Deep Purple, Blue Öyster Cult, and Thin Lizzy enthusiasts. Recorded in Portland, Oregon and produced with considerable snap and sizzle by Tucker Martine (the Decemberists, My Morning Jacket), the 13-track set is a controlled blaze of tight, '70s hard rock riffage, fuzzed-out desert blues, and jammy progressive metal that occasionally probes the outer reaches of retro-rock in search of a new spark -- the LP was made available in a version featuring a USB drive containing the full album and visualizer, housed in an eight-track cassette shell. Looking backward for inspiration is hardly a crime, and the band's genuine affinity for the past is reflected throughout, with highlights arriving via the punchy, Hammer of the Gods-adoring "Twilight Sunrise," the highway-ready, Southern-fried title cut, and the ambidextrous "Sea of Green," the latter of which dumps everything from the band's vintage spice cabinet into the pot and cranks the burners to 11. Generously spackled with clever bits and imaginative but never flowery lyrics, Used Future is the most effective and compelling distillation of the Sword 2.0.'s sound to date.