THE BEAT FEBRUARY 2015 ReviewBeat The in-crowd reunited in Los Angeles WWiJIM TURN UP THE RADIO! spire genius or at least accom• and historical perspective. *A' ''P 1 i ^ ^ J.i fJ [(. Rock, Pop And Roll modate it after perhaps years of He also provides illustrations In Los Angeles 1956-1972 pavement-tramping, curt brush- trawled from a cornucopia of Harvey Kubernik offs and rounds of unreturned photographs, picture sleeves, (Santa Monica) telephone calls in and around posters, radio playlists, ticket www.santamonicapress.com Hollywood, especially 'Record stubs, press cuttings and other Row', the city's Tin Pan Alley. memorabilia, which plunge the By Alan Clayson Further afield, others shook most casual book shop browser frustrated fists in the direction of into the heart of an account that THE DISPARATE likes of Kim the Big Orange, maybe only is as entertaining as it is educa• Fowley, Lou Adier, Russ Titel- hours away by rail, road or air, tional. man, Jack Nitzsche and Phil but it might as well have been Spector were part of a clique Mars, unless they uprooted 'Power' returned to the that surfaced principally from themselves as - say, Roger Sunshine State, most Los Angeles high schools in McGuinn and Joni Mitchell did conspicuously with the coming the late 1950s as a reaction from, respectively, and of The IVlonkees and Tamla-Motown's relocation to LA in 1968. against the caste of middle- the Canadian praines - to base aged musicians with first re• themselves there. fusal on virtually all record So, eventually, did many of the dates in city studios. prime movers of the 'British Inva• Of course, while assisting in sion' and their post-psychedelic the transformation of their home heirs after the 'power' returned turf into a pop Mecca, they and to the Sunshine State, most con• their cronies became an in- spicuously with the coming of crowd themselves, courted by The Monkees and Tamla-Mo- the next generation of young town's relocation to LA in 1968. hustlers from a residential hinter• An engrossing and well- land no different to outsiders researched story is told by from any other arcadia of desert Kubernik, whose long career has bloom and sun-dappled wood• been balanced between journal• land becoming rapidly lost in an ism and the record industry. In a encroaching urban sprawl. sturdy large-format - and surpris• Nevertheless, in the cases ingly cheap - hardback, he such as those of Frank Zappa, chooses to relate it via the edit• Scott Walker and Brian Wilson, it ing of many tape-recorded miles proved to be comparable to of interviews with key dramatis Gauguin's South Sea island or personae and associates, an• Byron's Italy in its potential to in• chored by his own commentary

BBOCE FOKTON & RISSEU HASTINGS

WITH SPECIfil GUESTS

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