DOCSLIB.ORG

14 September 2018 Page 1 of 11

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
14 September 2018 Page 1 of 11 Radio 3 Listings for 8 – 14 September 2018 Page 1 of 11 SATURDAY 08 SEPTEMBER 2018 05:29 AM https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68077 Johann Sebastian Bach (1685-1750) SAT 01:00 Through the Night (m000092z) 4 Schemelli Chorales(BWV.478, 484, 492 and 502) Elgar: Symphony No. 1 & Introduction and Allegro An invitation to dance Bernarda Fink (Mezzo Soprano), Marco Fink (Bass Baritone), BBC Symphony Orchestra Mozart, Barber and Shostakovich with the St Paul Chamber Domen Marincic (Gamba), Dalibor Miklavcic (Organ) Doric String Quartet Orchestra, Minnesota. Presented by Jonathan Swain. Edward Gardner 05:40 AM Chandos CHSA5181 (Hybrid SACD) 01:01 AM Carl Maria von Weber (1786-1826) https://www.chandos.net/products/catalogue/CHSA%205181 Caroline Shaw (b.1982) Aufforderung zum Tanz Entr'acte for String Orchestra Niklas Sivelöv (Piano) Tasmin Little: The Lark Ascending St Paul Chamber Orchestra, Joshua Weilerstein (Conductor) Including Vaughan Williams: The Lark Ascending, Elgar: Salut 05:49 AM d'amour, Op. 12 and Moeran: Violin Concerto 01:12 AM Franz Schubert (1797-1828), Anton Webern (Orchestrator) Tasmin Little (violin) Wolfgang Amadeus Mozart (1756-1791) 6 Deutsche for piano (D.820) BBC Philharmonic Violin Concerto no 3 in G, K.216 Luxembourg Philharmonic Orchestra, Justin Brown Sir Andrew Davis St Paul Chamber Orchestra, Joshua Weilerstein (Conductor), (Conductor) Chandos CHAN10796 Francisco Fullana (Violin) https://www.chandos.net/products/catalogue/CHAN%2010796 05:58 AM 01:36 AM Ludwig van Beethoven (1770-1827) Elgar: The Dream of Gerontius & Sea Pictures Samuel Barber (1910-1981) Quartet for strings (Op.18`6) in B flat major Sarah Connolly (mezzo soprano) Adagio for Strings Psophos Quartet David Soar (bass) St Paul Chamber Orchestra, Joshua Weilerstein (Conductor) Stuart Skelton (tenor) 06:23 AM BBC Symphony Chorus 01:45 AM Nicola Matteis (fl.1670-1713),Anonymous BBC Symphony Orchestra Dmitri Dmitriyevich Shostakovich (1906-1975) Passages in Imitation of the Trumpet; 5 Marches from Sir Andrew Davis Chamber symphony (Op.83a), arr. Barshai from string quartet Playford's New Tunes Chandos CHSA5140(2) (2 Hybrid SACDs) no.4 Pedro Memelsdorff (Recorder), Andreas Staier (Harpsichord) https://www.chandos.net/products/catalogue/CHAN%205140 St Paul Chamber Orchestra, Joshua Weilerstein (Conductor) 06:33 AM English Music for Strings 02:13 AM Wolfgang Amadeus Mozart (1756-1791) Includes Elgar: Introduction & Allegro for strings, Op. 47, Robert Schumann (1810-1856) Symphony in G minor No. 25 (K.183) Delius: Aquarelles and Bridge: Christmas Dance 'Sir Roger de Fantasiestucke, Op 12 Danish National Chamber Orchestra, Adám Fischer Coverley' Kevin Kenner (Piano) (Conductor) English Chamber Orchestra Benjamin Britten 02:38 AM Decca 4761641 Louis-Nicolas Clerambault (1676-1749) SAT 07:00 Breakfast (m00009zl) L'Isle de Delos (cantate profane) Saturday - Martin Handley 10.20am New Releases Isabelle Poulenard (Soprano), Ensemble Amalia Martin Handley presents Radio 3's classical breakfast show, featuring listener requests. Schubert: Symphony No. 5 and Brahms Serenade No. 2 03:01 AM Orchestre Révolutionnaire et Romantique Ilmari Hannikainen (1892-1955) Email [email protected] Sir John Eliot Gardiner Piano Concerto, Op 7 Soli Deo Gloria SDG729 Arto Satukangas (Piano), Helsinki Radio Symphony Orchestra, https://monteverdi.co.uk/shop/schubert-brahms Petri Sakari (Conductor) SAT 09:00 Record Review (m00009zn) Summer Record Review, Andrew McGregor with Kate Into the Fire: Live at Wigmore Hall 03:35 AM Kennedy Including Heggie: Camille Claudel - Into the Fire, Lekeu: Molto Constantin Regamey (1907-1982) adagio sempre cantante doloroso and Strauss: Morgen! Quintet for clarinet, bassoon, violin, cello and piano 9.00am Joyce DiDonato (mezzo) Miroslaw Pokrzywinski (Clarinet), Grzegorz Golab (Bassoon), Brentano Quartet New Warsaw Trio, Adam Zarzycki (Violin), Jerzy Saint-Saëns: Piano Concertos Nos. 2 & 5 & pieces for solo Erato 9029564219 Wolochowicz (Cello), Slawek Wroblewski (Piano) piano http://www.warnerclassics.com/shop/3252560,0190295642198/ Bertrand Chamayou (piano) didonato-joyce-into-the-fire 04:10 AM Orchestre National de France Gertrude van den Bergh (1793-1840) Emmanuel Krivine Bernstein: Symphony No. 2 'The Age of Anxiety' Rondeau (Op.3) Erato 9029563426 Krystian Zimerman (piano) Frans van Ruth (Piano) http://www.warnerclassics.com/shop/380332,0190295634261/b Berliner Philharmoniker ertrand-chamayou-saint-saens Simon Rattle 04:17 AM DG 4835539 Stanisław Moniuszko (1819-1872), Stanislaw Wiechowicz Dilys Elwyn-Edwards: Songs https://www.deutschegrammophon.com/gb/cat/4835539?sort=n (Arranger), Piotr Mazynski (Arranger) Elin Manahan Thomas (soprano) ewest_rec&SearchString=il+viaggio&per_page=50&flow_per_ 4 Choral Songs Jocelyn Freeman (piano) page=50&presentation=flow&UNBUYABLE=1 Polish Radio Choir, Marek Kluza (Director) Ty Cerdd TCR019 https://www.tycerdd.org/mae-hiraeth-yn-y-mor-cd Finzi: Cello Concerto, Op. 40 etc 04:26 AM Paul Watkins (cello) Ture Rangström (1884-1947) Mendelssohn: Complete String Quartets, Vol. 1: String Quartet BBC Symphony Orchestra Suite for violin and piano No 1, 'in modo antico' No.1, Op.12; String Quartet No.6, Op.80; String Quartet No.5, Sir Andrew Davis Tale Olsson (Violin), Mats Jansson (Piano) Op.44, No.3 Chandos CHSA5214 (Hybrid SACD) Doric String Quartet https://www.chandos.net/products/catalogue/CHSA%205214 04:34 AM Chandos CHAN20122(2) (2 CDs) Claude Debussy https://www.chandos.net/products/catalogue/CHAN%2020122 10.55am Reissues: Flora Willson on Birgit Nilsson centenary Premiere rapsodie arr. for clarinet and orchestra (orig. clarinet set and piano) JS Bach: Secular Cantatas, Vol. 10: Angenehmes Wiederau Kari Kriikku (Clarinet), Finnish Radio Symphony Orchestra, BWV 30ª; Cantata BWV204 'Ich bin in mir vergnügt' Flora Willson picks highlights from a new box set of live Jukka-Pekka Saraste (Conductor) Carolyn Sampson (soprano) recordings celebrating the centenary of legendary dramatic Robin Blaze (counter-tenor) soprano Birgit Nilsson. 04:43 AM Makoto Sakurada (tenor) Karol Szymanowski (1882-1937) Dominik Wörner (bass) Birgit Nilsson: The Great Live Recordings Prelude and fugue in C sharp minor Bach Collegium Japan Chorus Sony 88985392322 (31 CDs) Jerzy Godziszewski (Piano) Masaaki Suzuki http://www.birgitnilsson100.com/ BIS BIS2351 (Hybrid SACD) 04:51 AM http://bis.se/orchestras-ensembles/bach-collegium-japan/js- 11.45am BAL Proms Choice Bach's Brandenburg Concerto No. Francesco Durante (1684-1755) bach-secular-cantatas-vol-10-bwv-30a-204 5 in D BWV1050 as chosen by Sara Mohr-Pietsch on 23rd Concerto per quartetto for strings No 5 in A major December 2017 Concerto Koln 9.30am – Proms Composer: Kate Kennedy on Elgar Brandenburg Concertos Nos. 1-6 BWV1046-1051 (complete) 05:01 AM As the Proms draw to a close to the inevitable strains of Elgar's Malcolm Proud (harpsichord) Sebastian Bodinus (c.1700-1759) Pomp and Circumstance March No. 1, Kate Kennedy explores English Baroque Soloists Trio for oboe and 2 bassoons in G major beyond the crowd-pleasing facade of Edward Elgar to reveal a John Eliot Gardiner Hildebrand'sche Hoboïsten Compagnie private, complex and conflicted composer through five Soli Deo Gloria SDG707 (2 CDs) indispensable recordings of his music. https://monteverdi.co.uk/shop/bach-brandenburg-concertos 05:10 AM George Enescu (1881-1955) Elgar & Walton: Cello Concertos Konzertstuck in F for viola and piano (1906) Elgar: Cello Concerto in E minor, Op. 85; Walton: Cello SAT 12:15 New Generation Artists (m00009zq) Gyözö Máté (Viola), Balázs Szokolay (Piano) Concerto; Gustav Holst: Invocation; Imogen Holst: The Fall of Fatma Said and Aleksey Semenenko the Leaf Kate Molleson presents the final programme in her summer 05:19 AM Steven Isserlis (cello) series celebrating the talents of Radio 3's current New Frédéric Chopin (1810-1849) Philharmonia Orchestra Generation Artists. Polonaise for piano (Op.44) in F sharp minor Paavo Järvi Today the fresh voice of Fatma Said can be heard in sings songs W.S. Heo (Piano) Hyperion CDA68077 by Mozart, the elegant violin of Aleksey Semenenko plays Supported by bbc.co.uk/programmes/ Radio 3 Listings for 8 – 14 September 2018 Page 2 of 11 Beethoven's Spring Sonata and The Amatis Piano Trio dance in Music Arranger: Matthew Barley DISC 7 Winter from Piazzolla's Four Seasons. Artist Old Hat Jazz Band Title Bigiune de vieux chapeau Mozart: Das Veilchen K.476 SAT 15:00 Sound of Dance (m00009zt) Composer Oliver Mozart: Männer suchen stets zu naschen (Warnung) K.433 Marie Rambert, a ballet by Wayne Eagling Album The Sparrow Mozart: Der Zauberer K.472 Katie Derham explores the life and legacy of Marie Rambert, Label Old Hat Mozart: Abendempfindung K.523 one of the pioneers of modern British ballet, and talks to Number Track 3 Fatma Said (soprano), Malcolm Martineau (piano) choreographer Wayne Eagling about his new ballet based on her Duration 4.23 life. Performers Mike Soper: trumpet; Will Scott: saxophones, Beethoven: Sonata in F major Op.24 (Spring) clarinet; Ewan Bleach: baritone saxophone; Simon Marsh: alto Aleksey Semenenko (violin), Inna Firsova (piano) Born in Poland, Marie 'Mim' Rambert's career began in Paris, saxophone; Andrew Oliver: piano; James Kitchman: guitar; helping Diaghilev train his cast to dance the Rite of Spring. At Louis Thomas: double bass; Elizabeth Exell: drums; 2015 Piazzolla: Winter from The Four Seasons of Buenos Aires the outbreak of WW1 she came to London and formed her own Amatis Piano Trio dance school, which developed into
Load more

Recommended publications
  • Where to Study Jazz 2019
    STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life.
    [Show full text]
  • Barbora Kohoutková
    BARBORA KOHOUTKOVÁ Barbora Kohoutková started ballet training at a very early age. She was chosen at the age of 4 by a pre-ballet school of the National Theater in Prague and got accepted to the Prague Dance Conservatory when she was 10 years old. Barbora started her professional career at the age of 17 in Helsinki as a Principal Dancer with the Finnish National Ballet (1996-2002). Before becoming a guest principal dancer she worked with the Bavarian State Ballet – Munich (2002-2003), Boston Ballet (2003-2004) and Hamburg Ballet-John Neumeier (2004-2008). In her career she has danced the most important roles of almost the entire classical repertoire in its original form and in productions by Ben Stevenson, Natalia Makarova, Rudolf Nureyev, Vladimir Bourmeister, Sylvie Guillem, Wayne Eagling, Toer van Schayk, Bruce Marks, Frederick Ashton, Mikhail Fokine… Besides the classical repertoire she also performed in choreographies by George Balanchine, Jiri Kylian, John Cranko, John Neumeier, Jorma Uotinen, Sir Kenneth MacMillan, Heinz Spoerli, Mark Morris… As a guest artist she has been performing in Essen, Helsinki, Milano, Moscow, Munich, Prague, Rome, St. Petersburg, Tokyo (World Ballet Festival 2002 and 2004), … Sadly, due to injuries, she had to cut short her beautiful career at the early age of 28. After having undergone multiple surgeries and stoically enduring much physical suffering, Barbora had to retire from the stage and began a rewarding career as a Ballet Master and teacher, occasionally still performing as a guest Principal. During the season 2009- 2010 she worked as Ballet Master at the National Theater in Prague.
    [Show full text]
  • New National Theatre, Tokyo 2019/2020 Season
    PRESS RELEASE (FEB 2019) NEW NATIONAL THEATRE, TOKYO NEW NATIONAL THEATRE, TOKYO 2019/2020 SEASON BALLET & DANCE THE NATIONAL BALLET OF JAPAN New National Theatre, Tokyo (NNTT) announced the 2019/2020 Ballet & Dance Season, the final season under the Artistic Director, Noriko OHARA, which features 38 performances of 6 ballet works including 5 full-length narrative ballet, and 11 performances of 3 dance pieces. The Final Season for Noriko OHARA as Artistic Director of Ballet and Dance at the New National Theatre, Tokyo Noriko OHARA became the Ballet Mistress of the company in 1999, Assistant Director in 2010 before assumed office as the Artistic Director in September 2014. During these 20 years ever since the company was founded, she has nurtured and led the dancers for The National Ballet of Japan to become the leading company in Japan. This season's line-up sums up this company's best works thus far. The season will open in October with Kenneth MACMILLAN's "Romeo and Juliet", an exemplar of the dramatic ballet tradition. This will be followed by "Manon" in February and March. Both works will showcase the company's expressive richness and depth. Christmas season will feature Wayne EAGLING's "The Nutcracker and the Mouse King". Technically a very demanding piece, this dreamy fairy tale has real visual appeal which audiences of all ages will enjoy. Then, our "New Year Ballet" will feature what has been called "music for the eyes" in the form of George BALANCHINE's "Serenade", as well as pas de deux from "Raymonda" and "Le Corsaire".
    [Show full text]
  • Words Into Movement: the Ballet As Intersemiotic Translation Karen
    Words into Movement: The Ballet as Intersemiotic Translation 1 Karen Bennett Centre for Comparative Studies University of Lisbon In 1959, Roman Jakobson, in his famous article “On Linguistic Aspects of Translation”, extended the concept of translation from the merely verbal to include transfer between different sign systems. On the basis of this, most ballets, which generally derive their aesthetic structure and narrative content from some preceding text, may legitimately be considered as examples of intersemiotic translation. Indeed, many classical ballets are based upon not one but two prior texts - a musical score, which largely determines the form and emotional thrust of the choreography, 1 and a canonical or popular work of literature of which the score is itself a ‘translation’; hence there is a dual transfer involved. This is the case in the three versions of Romeo and Juliet that I wish to look at here, all of which are simultaneously based upon Prokofiev’s score and Shakespeare’s play. If we define ballet as translation into kinesthetic/visual medium of a work previously encoded in verbal or musical form, then the tools used in the discipline of Translation Study may be validly applied to these works. The objective of this paper, therefore, is to examine some of the constraints operating upon three different ballet versions of Romeo and Juliet, produced at different moments during the twentieth century, which I will do so with reference to the categories suggested by André Lefevere in his 1985 article “Why Waste our Time on Rewrites?” These are, in his order, 1 Published in Teatro e Tradução: Palcos de Encontro, Maria João Brilhante & Manuela Carvalho (Eds) Lisbon: Colibri, 2007 (pp.125-138).
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]
  • MP 11 Laureaci
    LAUREACI PROGRAMU STYPENDIALNEGO MŁODA POLSKA EDYCJA VIII, rok 2011 MUZYKA BEDNARSKA MARIANNA, l. 17 stypendium na zakup marimby Wykształcenie : II klasa liceum, ZPSM nr 4 im. K. Szymanowskiego w Warszawie Rekomendacje prof. Stanisław Skoczy ński – Uniwersytet Muzyczny F. Chopina w Warszawie prof. Marta Klimasara – Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart, Akademia Muzyczna w Poznaniu Henryk Mikołajczyk – solista-kolista Opery Narodowej w Warszawie, st. wykładowca z kwalifikacjami I st. Uniwersytetu Muzycznego F. Chopina, Wydział Instrumentalno-Pedagogiczny w Białymstoku, nauczyciel mianowany ZPSM nr 4 im. K. Szymanowskiego w Warszawie dr Stanisław Halat – ad. w Instytucie Muzyki UMCS, nauczyciel dyplomowany ZPSM nr 4 w Warszawie Rainer Roemer – profesor perkusji w Hochschule Für Musik und Darstellende Kunst Frankfurt, członek Ensemble Modern Frankfurt Momoko Kamiya – solistka marimby, wykładowca na Elisabeth University w Elisabeth City w Stanach Zjednoczonych Ameryki, Aichi Prefectural University, Okinawa Prefectural University, Kunitachi Music College, dr Ney Rosauro – prof. perkusji, University of Miami, Stany Zjednoczone Ameryki Dokonania nagrody: 2010 – I miejsce w Ogólnopolskich Przesłuchania Uczniów Klas Perkusji II Stopnia, Warszawa 2009 – „Tytuł Finalisty” Krajowego Konkursu Eurowizji dla Młodych Muzyków Młody Muzyk Roku 2009 2009 – zakwalifikowanie si ę do Półfinału Krajowego Konkursu Eurowizji dla Młodych Muzyków Młody Muzyk Roku 2009 , Warszawa 2009 – I miejsce w International Marimba Competition PERKUMANIA,
    [Show full text]
  • Rufus Reid a Top Jazz Bassist and Teacher Takes the Blindfold Test Live
    33rd Annual Where to Study Jazz 2011 Rufus Reid A Top Jazz Bassist and Teacher Takes The Blindfold Test Live JEN Artists Roundtable Don Braden, Stefon harris, Gerald Clayton and DJ Trentino Oberlin Conservatory’s serious Commitment to Jazz Education More Than 160 Schools listed! OCTOBER 2010 DOWNBEAT 65 stuDent music guiDe // WheRe to stuDy jazz 2011 Jazz School In Session Wayne State university The colleges and universities included in this comprehen- Features sive educational supplement can help guide you down the 84 Rufus Reid path to becoming a complete jazz musician. Jazz programs Bassist/Educator Takes The range widely in size and focus, and each has its own appeal, Blindfold Test Live at JEN By Frank Alkyer whether you seek a career as a professional player, educator, 98 Experiments & Experience producer or businessperson in the music industry. JEN Artists Roundtable with Great teachers and programs can be found all across the Don Braden, Stefon Harris, Gerald Clayton country and beyond, so it’s important to explore the full range and DJ Trentino of jazz education options out there. We’ve organized our list- By Frank Alkyer ings by region (East, Midwest, South, West and International) 112 Logan’s Legacy Oberlin Conservatory’s to help you find exactly what you’re looking for in your higher Expanded Jazz education. Check them out here, read more about them on- Offerings Testify to One Man’s Life Work line and take the time to visit as many campuses as you can By Aaron COhen before deciding where to apply. With school back in session for the season, DownBeat School LisTings encourages you to get started on your jazz education journey 68 East 100 south now, while there’s still plenty of time to research colleges and 114 Midwest 132 West universities with jazz programs available to you in 2011.
    [Show full text]
  • English National Ballet Emerging Dancer
    English National Ballet Emerging Dancer Sadler’s Wells, London Tuesday 7 May 2019 Performance at 7.30pm Tickets: £12- £30 Box office: 020 7845 9300 and ballet.org.uk/emerging Celebrating its tenth year, English National Ballet’s Emerging Dancer competition will be held at Sadler’s Wells on Tuesday 7 May 2019. Through this ‘highly anticipated annual event’ [Pointe Magazine], English National Ballet recognises the excellence of its artists. Selected by their peers, six of the company's most promising dancers perform in front of an eminent panel of expert judges, before one receives the 2019 Emerging Dancer Award. The recipients of the People's Choice Award, selected by members of the public, and the Corps de Ballet Award, acknowledging the work on and off-stage of a member of the Corps de Ballet, will also be revealed. Emerging Dancer is a key part of English National Ballet’s commitment to developing and nurturing talent within the Company and is generously supported by Graeme and Sue Sloan. Last year’s Emerging Dancer Award winner, Daniel McCormick has since performed the role of Nutcracker in the Christmas favourite, the Pas de Trois and Spanish dance in Swan Lake and Lescaut in Manon. The 2019 finalists are: Alice Bellini Bellini trained at La Scala Ballet School and Royal Ballet Upper School before joining English National Ballet as an Artist of the Company in 2017. One of her career highlights to date was dancing the pas de deux in Aszure Barton’s Fantastic Beings. Bellini was voted the 2018 People’s Choice Award winner at last year’s Emerging Dancer competition.
    [Show full text]
  • Omer Avital Ed Palermo René Urtreger Michael Brecker
    JANUARY 2015—ISSUE 153 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM special feature BEST 2014OF ICP ORCHESTRA not clowning around OMER ED RENÉ MICHAEL AVITAL PALERMO URTREGER BRECKER Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JANUARY 2015—ISSUE 153 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Omer Avital by brian charette Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Ed Palermo 7 by ken dryden [email protected] Advertising: On The Cover : ICP Orchestra 8 by clifford allen [email protected] Editorial: [email protected] Encore : René Urtreger 10 by ken waxman Calendar: [email protected] Lest We Forget : Michael Brecker 10 by alex henderson VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Smoke Sessions 11 by marcia hillman [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Tom Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Special Feature: Best Of 2014 28 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Miscellany Terrell Holmes, Robert Iannapollo, 43 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Event Calendar 44 Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman As a society, we are obsessed with the notion of “Best”.
    [Show full text]
  • 1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
    GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement.
    [Show full text]
  • Sustaining Afrocentric Spiritual Jazz in 21St Century Chicago
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21St Century Chicago Adam Zanolini The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1617 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SACRED FREEDOM: SUSTAINING AFROCENTRIC SPIRITUAL JAZZ IN 21ST CENTURY CHICAGO by ADAM ZANOLINI A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 ADAM ZANOLINI All Rights Reserved ii Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21st Century Chicago by Adam Zanolini This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. _________________ __________________________________________ DATE David Grubbs Chair of Examining Committee _________________ __________________________________________ DATE Norman Carey Executive Officer Supervisory Committee: _________________ __________________________________________ DATE Jeffrey Taylor _________________ __________________________________________ DATE Fred Moten _________________ __________________________________________ DATE Michele Wallace iii ABSTRACT Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21st Century Chicago by Adam Zanolini Advisor: Jeffrey Taylor This dissertation explores the historical and ideological headwaters of a certain form of Great Black Music that I call Afrocentric spiritual jazz in Chicago. However, that label is quickly expended as the work begins by examining the resistance of these Black musicians to any label.
    [Show full text]
  • July 24—31, 2016
    new orleans international piano Competition XTHIRTY-FOURXTH KEYBOARDV FESTIVALI SEVENTEENTH PIANO INSTITUTE JULY 24—31, 2016 Competition Jury Peter Collins Danny Driver Faina Lushtak Marianna Prjevalskaya Nelita True Daniel Weilbaecher, chair Presented by the P.O. BOX 750698 • NEW ORLEANS, LA 70175-0698 • masno.org CARA MCCooL WooLF, Executive Director DANIEL WEILBAECHER, Artistic Director HOSTED BY LOYOLA UNIVERSITY COLLEGE OF MUSIC STEINWAY & SONS the Official Piano of the New Orleans International Piano Competition — 2016 New Orleans International Piano Competition 11 steinway society 7-16_Layout 1 6/30/16 3:55 PM Page 1 S T E I N W A Y The Official Piano of the New Orleans International Piano Competition From piano competitions for scholarships to providing Special musical and social events throughout the year, The Steinway Society of New Orleans works to further musical appreciation and education. Musical patrons across Louisiana have come together in advancing the musical arts for all ages. As a member of the Steinway Society of New Orleans you join an exceptional circle of friends. For more information call 1-800-STEINWAY, and join with us as we support the Arts and Artists of our communities. S TEINWAY SOCIE TY New Or leans 1-800-SofTEINWAY Schedule of Events 4 T A Welcoming Messages 7–16 B LE MASNO History 17 O MASNO Board of Directors/Competition Committees 18 F C Guest Artists and Recital Programs 20–23 Danny Driver 20–21 on Marianna Prjevalskaya 22–23 TE Competition Prizes 25 N TS Competition Jurors 26–28 Peter Collins 26
    [Show full text]