Sage Francis Personal Journals Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Sage Francis Personal Journals Mp3, Flac, Wma Sage Francis Personal Journals mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Personal Journals Country: US Style: Conscious MP3 version RAR size: 1510 mb FLAC version RAR size: 1487 mb WMA version RAR size: 1711 mb Rating: 4.9 Votes: 825 Other Formats: MMF RA AAC XM MOD WMA AC3 Tracklist Hide Credits Crack Pipes 1 2:21 Producer – Sixtoo Different 2 3:16 Producer – Sixtoo Personal Journalist 3 2:49 Producer – Mayonnaise*Scratches – DJ Mek Inherited Scars 4 4:31 Producer – Mayonnaise* Climb Trees 5 3:53 Producer – Jel Broken Wings 6 3:55 Producer – Scott Matelic The Strange Famous Mullet Remover 7 2:35 Producer – Reanimator Scratches – DJ Signify, Mike 2600 Smoke And Mirrors 8 3:09 Producer – JelScratches – DJ Signify Message Sent 9 4:20 Producer – Alias Eviction Notice 10 3:27 Producer – Odd Nosdam Pitchers Of Silence 11 2:42 Producer – Sixtoo Specialist 12 4:09 Producer – Controller 7 13 Hopeless 1:08 14 Kill Ya' Momz 1:54 15 Black Sweatshirt 2:04 Cup Of Tea 16 2:10 Producer – Sixtoo My Name Is Strange 17 Double Bass [Upright Bass] – Matt ZimmermanDrums – Scott BeginFlute – Matt 3:17 CoolidgeGuitar – Jay Peters Keyboards [Keys] – Tara Music By – AOITurntables – Shalem B* Runaways 18 6:07 Producer – Joe Beats Companies, etc. Recorded At – Electric Garden Sound Studio Recorded At – The Anticon Headquarters Recorded At – Mexican Vampire Studio Recorded At – The Met Cafe, Providence Recorded At – Lupo's Heartbreak Hotel Copyright (c) – Anticon Distributed By – Revolver USA Pressed By – Failsafe Media Credits Design [Cover Art Design] – Sage Francis Layout – Odd Nosdam Mastered By – Jonathan Wyman Photography By – Kara Healy Recorded By, Mixed By – Chris Warren (tracks: 3, 7, 10, 12, 18), Mr. Dibbs (tracks: 14), Sage Francis (tracks: 1, 2, 4 to 6, 8, 9, 11, 16), Sixtoo (tracks: 15) Written-By, Arranged By – Sage Francis Notes 1, 2, 4 to 6, 8, 9, 11, and 16 recorded at the anticon headquarters. 3, 7, 10, 12, and 18 recorded at Electric Garden Studios. 13 recorded live at Lupo's Heartbreak Hotel in Providence, RI. 15 recorded at Mexican Vampire Studios. 17 recorded live at the Met Cafe in Providence, RI. © 2002 anticon. Distributed by Revolver USA. Barcode and Other Identifiers Barcode (Text): 6 55035 50212 0 Barcode (String): 655035502120 Matrix / Runout (Variant 1): 9902 C011904A E40225-05 A FAILSAFE Matrix / Runout (Variant 2): 9902 C011904A E40121-11 A Mastering SID Code (Variant 1): L383 Mould SID Code (Variant 1): IFPI6100 Other versions Category Artist Title (Format) Label Category Country Year abr0021 Sage Francis Personal Journals (2xLP, Album) Anticon abr0021 US 2002 Personal Journals (2xLP, Album, ABR-021 Sage Francis Anticon ABR-021 US 2002 TP) abr0021 Sage Francis Personal Journals (CD, Album) Anticon abr0021 US 2002 abr0021 Sage Francis Personal Journals (CD, Album) Anticon abr0021 UK & Europe 2002 Personal Journals (CDr, Album, abr0020 Sage Francis Anticon abr0020 US 2002 Promo) Related Music albums to Personal Journals by Sage Francis Electronic Howie B. - Mayonnaise feat. Crispin Hunt, Will O`Donovan Non Music Lou Rawls - A Personal Message From... Lou Rawls Electronic / Hip hop Various - Bully Records Ghetto Sampler Hip hop Isaiah - Murs 3:16 Presents: Isaiah Hip hop Non-Prophets - Hope Hip hop Sage Francis - Copper Gone Hip hop Sage Francis - The Makeshift Patriot EP Hip hop Sixtoo - The Psyche Intangible Electronic / Rock Black Mayonnaise - Off Shore Sludge Hip hop Sixtoo - Duration.
Recommended publications
  • The Student Newspaper Of
    THE STUDENT NEWSPAPER OF NORTH CAROLINA STATE UNIVERSITY SINCE 1920 -—--o.— THURSDAY MN 2003 TECH. A www.technicianonline.com Raleigh, North Carolina Wolfpack Club receives Students ‘hip-hop’ to speak largest gift in history out Curtis and ]acl<ie Dail, residents of founded in 1936 with the goal of providing Students will hold “Hip Raleigh, contributed $5.2 million to the scholarships for NCSU student athletes repre- Hop against War and As/thgUnited Statespwpaw N. C. State Wolfimck Club. senting the university. Racism” tonight at 8 p. m. at)?“gar withmartyrsofficZZ It has been calculated that nearly 8,000 NCSU tbquestedthe backmgyfiNATO Andrea DeLeo athletes have been awarded scholarship assis— Carie Windham aga “w toi:NATO StaffReporter tance. This is in many thanks to the 15,000 gen— Assistant News Editor spokbstpanhlves Br 3”r“in,a}CECent re- erous donors offering their contributions each port,N§(5receiiiad a 55150531 from In December 2002, Bobby Purcell, executive di- year. On Friday, Defense Secretary the United' _ ”efferated discus- rector of the NC. State Student Aid Associa- The Wolfpack Club members are made up of Donald H. Rumsfield signed de— sions between NATO leaders and US. tion, announced that NCSU had received the a variety of people united by a common goal. ployment orders that sent over Deputy Defense Secretary Paul Wol- largest announced gift in the history of NCSU They are alumni, fans, athletes, students, par- 50,000 troops to Iraq— doubling fowitz. Athletics. ents and many other people who are commit- US. forces in the region. The United States has requested the Curtis and Jackie Dail, residents of Raleigh, ted to the importance of the future of NCSU On Saturday, thousands of use of NATO’s AWACS surveillance contributed $5.2 million.
    [Show full text]
  • Loopholes for the Affluent Bankrupt
    Digital Commons at St. Mary's University Faculty Articles School of Law Faculty Scholarship 2020 Loopholes for the Affluent Bankrupt David R. Hague Follow this and additional works at: https://commons.stmarytx.edu/facarticles Part of the Bankruptcy Law Commons LOOPHOLES FOR THE AFFLUENT BANKRUPT DAVID R. HAGUEt [The] rich get richer [until] the poor get educated.' - Sage Francis INTRODUCTION Recent bankruptcy cases are exposing a problem. Affluent individuals filing for bankruptcy are treated more favorably under the Bankruptcy Code than those debtors with little to no means of financial sustenance or income. Did Congress intend this result? The legislative history is unclear. But one thing seems certain: The United States Bankruptcy Code contains a set of loopholes that appear to be designed for the well-to-do segment of society. Courts throughout the United States are either overlooking these provisions or simply condoning their utilization under the de- fensible conviction that the Bankruptcy Code permits it. In this Article, I argue that the Bankruptcy Code unfairly discriminates against individuals of lower-class economic status. Specifically, I identify two loopholes-one found in Chapter 7 and one located in Chapter 11-that are arguably intended to benefit those with high incomes and significant assets. Courts need to consider whether the use of these loopholes is permitted under the Code, and if so, how they should be addressed in individual bank- ruptcy cases. The Bankruptcy Code should create a level playing field for debtors-not an oasis for the affluent. Two scenarios demonstrate that the United States Bankruptcy Code favors those with higher incomes living lavish lifestyles.
    [Show full text]
  • Clamor Magazine Po Box 1225 Bowung Green Oh 43402 '
    Antibalas * Harry Potter * Bush Family & the 4 Holocaust * Black Hawk Down The Pay^r 06> .edia Empowerment 7 25274 " 96769? IK wait ing for computers to make life easier Eco-Tekorism in Court • Songs for Emma :r4-» May/June 2002 Get 1 Year for just $18 Save over 30% off the cover price. CLAMOR subscribers play an integral role in sustaining this volunteer-run magazine. If you like what you read (or have read) here in CLAMOR, please subscribe! CLAMOR subscribers not only receive a discount off the cover price, but they also receive their magazine before it hits the newsstands and they know that their subscription payment goes directly to supporting future issues of CLAMOR. subscribe online at www.clamormagazine.org or return this coupon! I 1 Consider me a supporter of independent media! O Enclosed is $18 for my subscription O Please charge my Visa/Mastercard for the above amount. exp. _ / (mo/yr) name address email (optional) Return this coupon tO: CLAMOR MAGAZINE PO BOX 1225 BOWUNG GREEN OH 43402 ' ttl ^ftnnro EDITORS Jen Angel Jason Kucsma Hello Everyone! PROOFREADERS This issue we're focusing on youth and culture. And while you may think that we are a bit Hal Hixson, Rich Booher. Amy Jo Brown, old to be considered "youth." we certainly do not feel like adults. Alright, we're only in our late Catherine Gary Phillips. Scott Komp, twenties. Even though Jen, for example, has a full time job. makes car payments, and is. in Puckett, Kristen Schmidt general, very responsible, she still does not feel like a grown-up.
    [Show full text]
  • Sage Francis: on Li(F)E, Old Age, and Selling Indie Rap
    Sage Francis: On Li(f)e, Old Age, and Selling Indie Rap Indie hip-hop and indie rock have always existed in seemingly parallel universes: on separate websites, in separate blogospheres, and on separate stages at the same festivals. Leave it to indie rap stalwart Sage Francis to help the two cross swords. On his fourth official solo album, entitled Li(f)e , Sage works with members of various rock groups, including Sparklehorse, Califone, Calexico, DeVotchKa, Death Cab for Cutie, and others, not to mention the fact that Iron & Wine/Modest Mouse associate Brian Deck produced the whole shebang. URB spoke to Sage about how the hell he pulled off this new LP, growing old in rap years, and how he plans to maintain his record label in an ever-weakening industry. URB: Bring me back a little. How’d you discover hip-hop? Sage Francis: Well, that was so long ago that I don’t remember, really. I have a story that I tell when people ask me that, that I think is true. It was just on the playground, tapes were floating around, I heard kids in the neighborhood playing stuff that I wasn’t familiar with—that I didn’t know was hip-hop at the time, but that’s what it was—and when eventually I decided I wanted to figure out what it was I was hearing, I was in my aunt’s house. I think it was a public service announcement came through on the television where a girl was rapping about not smoking cigarettes or something like that, and I had an adult present so I pointed it out, like, “This is what I want, I need to find this kind of music.” They didn’t really know what kind of music it was either, and my aunt kind of scowled her face and was like, “You like this?” And I was like “Yeah, this is what I like.
    [Show full text]
  • 1 Magic Castles Sky Sounds 2 Mac Demarco Salad Days 3 GOAT
    1 Magic Castles Sky Sounds 2 Mac DeMarco Salad Days 3 GOAT Commune 4 The War on Drugs Lost In a Dream 5 Jack White Lazaretto 6 Chromeo White Women 7 First Aid Kit Stay Gold 8 Jeremy Messersmith Heart Murmurs 9 Ty Segall Manipulator 10 Wye Oak Shriek 11 Sturgill Simpson Metamodern Sounds in Country Music 12 Parquet Courts Sunbathing Animal 13 Basement Apartment Basement Apartment 14 Sharon Van Etten Are We There 15 Sifu Hotman Embrace the Sun 16 Ryan Adams Ryan Adams 17 St. Vincent St. Vincent 18 Dirty Mercury Sound of Mind 19 Sonny Knight & the Lakers I'm Still Here 20 The Muffs Whoop De Doo 21 Primus Primus & the Chocolate Factory with the Fungi Ensemble 22 Toki Wright & Big Cats! Pangaea 23 American Cream Nathan 24 Run the Jewels Run the Jewels 2 25 Sharon Jones & the Dap Kings Give the People What They Want 26 The Blind Shake Breakfast of Failures 27 Weezer Everything Will Be Alright in the End 28 Sylvan Esso Sylvan Esso 29 Les Claypool's Duo De Twang Four Foot Shack 30 Spoon They Want My Soul 31 Beck Morning Phase 32 The Pistol Whippin Party Penguins Way Back Home 33 Crankshaft & the Gear Grinders Boogie Melt 34 Bernie King and the Guilty Pleasures Pretty Little Gal 35 Atmosphere Southsiders 36 The Hold Steady Teeth Dreams 37 Jake Bugg Shangri‐La 38 Cage the Elephant Melophobia 39 Alvvays Alvvays 40 Tune‐Yards Nicky Nack 41 Woods With Light and With Love 42 clipping. CLPPNG 43 K. Raydio & O‐D One Drop 44 A Sunny Day in Glasgow Sea When Absent 45 San Fermin San Fermin 46 Trampled by Turtles Live at First Avenue 47 Black Diet Black
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]
  • Jared Paul: the Underground Voice of Providence,Local and National
    Jared Paul: The Underground Voice of Providence By Melanie Rainone Jared Paul is a poetic and musical powerhouse that calls Providence home. As a nationally acclaimed spoken word poet and hip-hop artist, he draws his inspiration from social injustices and fuses his two art forms together to create something unique and powerful. Jared’s upbringing and early introduction to hip-hop took him on a journey that introduced him to poetry, community action, and national activism. He has become a radical and artistic voice of Providence, bringing the culture of poetry, working with the youth and community at large with a little rabble rousing thrown in. “Hip-hop is poetry. Hip-hop is the continuation of the oral tradition. It’s poetry put to music. The rhyme scheme, the meter, the metaphor, hip hop is the first music that was more about poetry than it was about music.” Jared grew up in the Manville neighborhood of Lincoln. “I grew up below the poverty line in terms of the state’s eyes, but both of my parents loved me a tremendous amount and I had a really great childhood. We always had all of the things that we needed and most of the things that we wanted.” Jared has fond memories of Manville, speaking of a strong community and many children his age with whom to play. “We had to see from a very young age the real time class divide.” It was in this environment that Jared found music.“My friend Joey gave me Public Enemy at the bus stop in 7th grade and it changed everything for me,” he explained.
    [Show full text]
  • Adam Bradley, Book of Rhymes
    MediaTropes eJournal Vol III, No 1 (2011): 151–153 ISSN 1913-6005 Adam Bradley. Book of Rhymes: The Poetics of Hip Hop. New York: Basic Civitas Books, 2009. 272 pages; paper $16.95. ISBN 978-0-4650-0347-1. “Rap is poetry” (xii). To any avid fan of the genre, it is a statement that seems obvious. The words could easily be the musings of a listener first introduced to the art form, not the focal point of an entire work of contemporary criticism. Yet in Book of Rhymes: The Poetics of Hip Hop, Adam Bradley’s primary focus is this very point, the recognition of traditional poetic elements within rap music. With the global cultural and economic phenomenon that hip hop has become, it is easy to forget that the style of music is barely thirty years old, that scholarly criticism of it has existed for only half of that time. When viewed within this relatively new arena of scholarship, the importance of Bradley’s text is clear. He attempts to lay the foundation for future work, to provide a formal language of lyrical and performative analysis. It is for this achievement that we must recognize Book of Rhymes as a landmark text, despite the somewhat surface treatment it applies to its subject. Bradley divides his work into two sections, beginning with the formal or structural elements of rap music, namely, “Rhythm, Rhyme and Wordplay,” and ending with the thematic or representational components, classified as “Style, Storytelling and Signifying.” The first section is the decisively stronger of the two, based around carefully chosen examples and meticulously broken down lyrics.
    [Show full text]
  • Volume 8, Issue 3 (Spring, 2021)
    The Interdisciplinary Research Journal Volume 8, Issue 3 (Spring, 2021) Issue Highlights: • #MeToo, Body, Desire & Society • A.I. and the Legal Dimension • Hip Hop and Gandhi • Gamestop, Reddit & Hedge Funds • Profiteering from Publication Error, Fraud & Misconduct ISSN 2053-9665 Exchanges: The Interdisciplinary Research Journal Volume 8, Issue 3 (Spring 2021) ISSN 2053-9665 Published by The Institute of Advanced Study, Zeeman Building University of Warwick, Coventry, Warwickshire, CV4 7AL, UK Editor-in-Chief Dr Gareth J Johnson ([email protected]) Exchanges is a scholar-led, peer-reviewed, diamond open access, interdisciplinary, online-only journal dedicated to the publication of high-quality work by researchers in all disciplines for a broad scholarly audience. No author fees or subscription charges are levied, and contributors retain their author rights. Since 2013, the title has attracted innovative research articles, critical essays and interviews from emerging domain experts and early career researchers globally. The title also publishes scholarly work by practitioner authors and independent scholars. A Managing Editor-in-Chief based at the University of Warwick oversees development, policy and production, while an international Editorial Board comprised of early career researchers provide advice and practically contribute to editorial work. Associate editors are recruited to participate in producing specific special themed issues. Exchanges usually publishes two issues annually, although additional special themed issues
    [Show full text]
  • The Politics of Independent Hip-Hop a Dissertation Submitted in Partial
    UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. I contend that independent hip-hop remains a complex contemporary subculture. My research design utilizes a mixed methods approach. First, I analyze the lyrics of independent hip-hop albums through a content analysis of twenty-five independent albums from 2000-2013. I uncover the dominant ideologies of independent hip-hop artists regarding race, class, gender, sexual orientation, and calls for social change.
    [Show full text]
  • Youtube Nightstick
    Iron Claw - Skullcrusher - 1970 - YouTube Damon -[1]- Song Of A Gypsy - YouTube Chromakey Dreamcoat - YouTube Nightstick - Dream of the Witches' Sabbath/Massacre of Innocence (Air Attack) - YouTube Nightstick - Four More Years - YouTube Orange Goblin - The Astral Project - YouTube Orange Goblin - Nuclear Guru - YouTube Skepticism - Sign of the Storm - YouTube Cavity - Chase - YouTube Supercollider - YouTube Satin Black - YouTube Today Is The Day - Willpower - 2 - My First Knife - YouTube Alex G - Gnaw - YouTube Stereo Total - Baby Revolution - YouTube Add N To (X) Metal Fingers In My Body - YouTube 'Samurai' by X priest X (Official) - YouTube Bachelorette - I Want to be Your Girlfriend (Bored to Death ending credits) - YouTube Bachelorette - Her Rotating Head (Official) - YouTube The Bug - 'Fuck a Bitch' ft. Death Grips - YouTube Stumble On Tapes - Girlpool - YouTube Joanna Gruesome - Talking To Yr Dick - YouTube Joanna Gruesome - Lemonade Grrl - YouTube BLACK DIRT OAK "Demon Directive" - YouTube Black Dirt Oak - From The Jaguar Priest - YouTube alternative tv how much longer - YouTube Earthless - Lost in the Cold Sun - YouTube Electric Moon - The Doomsday Machine (2011) [Full Album] - YouTube CWC Music Video Holding Out For a Hero - YouTube La Femme - Psycho Tropical Berlin (Full Album) - YouTube Reverend Alicia - YouTube The Phi Mu Washboard Band - Love Hurts - YouTube BJ SNOWDEN IN CANADA - YouTube j-walk - plastic face (prod. cat soup) - YouTube BABY KAELY "SNEAKERHEAD" AMAZING 9 YEAR OLD RAPPER - YouTube Bernard + Edith - Heartache
    [Show full text]
  • The History of Rock Music - the Nineties
    The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Hip-hop Music (These are excerpts from my book "A History of Rock and Dance Music") Hip-hop becomes mainstream, 1995-2000 Pre-Life Crisis (1995) by Nashville's rapper, multi-instrumentalist and producer Count Bass D (Dwight Farrell) was the first rap album to feature all live instruments. New Orleans's Master P (Percy Miller) was the leading entrepreneur of unadulterated gangsta-rap. He turned it into the hip-hop equivalent of a serial show, with releases being manufactured according to Master P's script at his studios by a crew of producers. His own albums Ice Cream Man (1996) and Ghetto D (1997) were the ultimate stereotypes of the genre. In 1998, his musical empire had six albums in the Top-100 charts. Atlanta's producer Jonathan "Lil Jon" Smith and his East Side Boyz coined a fusion of hip-hop and synth-pop called "crunk", from the title of their debut, Get Crunk Who U Wit (1996). The first star of East Coast's Latino rap was Christopher "Big Punisher" Rios, a second-generation Puertorican of New York who died of a heart attack shortly after climbing the charts with Capital Punishment (1998).
    [Show full text]