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1 Magic Castles Sky Sounds 2 Mac DeMarco Salad Days 3 GOAT Commune 4 The War on Drugs Lost In a Dream 5 Jack White Lazaretto 6 Chromeo White Women 7 First Aid Kit Stay Gold 8 Jeremy Messersmith Heart Murmurs 9 Ty Segall Manipulator 10 Wye Oak Shriek 11 Sturgill Simpson Metamodern Sounds in Country Music 12 Parquet Courts Sunbathing Animal 13 Basement Apartment Basement Apartment 14 Sharon Van Etten Are We There 15 Sifu Hotman Embrace the Sun 16 Ryan Adams Ryan Adams 17 St. Vincent St. Vincent 18 Dirty Mercury Sound of Mind 19 Sonny Knight & the Lakers I'm Still Here 20 The Muffs Whoop De Doo 21 Primus Primus & the Chocolate Factory with the Fungi Ensemble 22 Toki Wright & Big Cats! Pangaea 23 American Cream Nathan 24 Run the Jewels Run the Jewels 2 25 Sharon Jones & the Dap Kings Give the People What They Want 26 The Blind Shake Breakfast of Failures 27 Weezer Everything Will Be Alright in the End 28 Sylvan Esso Sylvan Esso 29 Les Claypool's Duo De Twang Four Foot Shack 30 Spoon They Want My Soul 31 Beck Morning Phase 32 The Pistol Whippin Party Penguins Way Back Home 33 Crankshaft & the Gear Grinders Boogie Melt 34 Bernie King and the Guilty Pleasures Pretty Little Gal 35 Atmosphere Southsiders 36 The Hold Steady Teeth Dreams 37 Jake Bugg Shangri‐La 38 Cage the Elephant Melophobia 39 Alvvays Alvvays 40 Tune‐Yards Nicky Nack 41 Woods With Light and With Love 42 clipping. CLPPNG 43 K. Raydio & O‐D One Drop 44 A Sunny Day in Glasgow Sea When Absent 45 San Fermin San Fermin 46 Trampled by Turtles Live at First Avenue 47 Black Diet Black Diet 48 TV on the Radio Seeds 49 Sage Francis Copper Gone 50 Tennis Ritual in Repeat 51 Kind Country Kind Country 52 Hospitality Trouble 53 Wampire Bazaar 54 Temples Sun Structures 55 Sondre Lerche Please 56 Bastard Bearded Irishmen Rise of the Bastard 57 Mason Jennings Always Been 58 Haley Bonar Last War 59 Is/Is Is/Is 60 Hail Mary Mallon Beastiary 61 7 Seconds Leave a Light On 62 Neil Young Live at the Cellar Door 63 Nostrildamus The Curse of Nostrildamus 64 Carrie Elkin & Danny Schmidt For Keeps 65 The Afghan Whigs Do to the Beast 66 Real Estate Atlas 67 Death From Above 1979 Physical World 68 Cunninlynguists Strange Journey Vol. 3 69 Big K.R.I.T. Cadillactica 70 Harbor and Home Dark Days 71 St. Paul and the Broken Bones Half the City 72 Against Me! Transgender Dysphoria Blues 73 Aphex Twin Syro 74 She & Him Classics 75 Broken Bells After the Disco 76 Southside Desire Southside Desire 77 Death III 78 The Swingin' Utters Fistful of Hollow 79 Little May Original 80 Dr. John Ske‐Dat‐De‐Dat & the Spirit of Satch 81 Pharoahe Monch PTSD 82 Bahamas Bahamas is Afie 83 Springtime Carnivore Springtime Carnivore 84 Cold War Kids Hold My Home 85 FM 359 Truth, Love and Liberty 86 Freeman Freeman 87 Caribou Our Love 88 Open Mike Eagle Dark Comedy.

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The Student Newspaper Of
THE STUDENT NEWSPAPER OF NORTH CAROLINA STATE UNIVERSITY SINCE 1920 -—--o.— THURSDAY MN 2003 TECH. A www.technicianonline.com Raleigh, North Carolina Wolfpack Club receives Students ‘hip-hop’ to speak largest gift in history out Curtis and ]acl<ie Dail, residents of founded in 1936 with the goal of providing Students will hold “Hip Raleigh, contributed $5.2 million to the scholarships for NCSU student athletes repre- Hop against War and As/thgUnited Statespwpaw N. C. State Wolfimck Club. senting the university. Racism” tonight at 8 p. m. at)?“gar withmartyrsofficZZ It has been calculated that nearly 8,000 NCSU tbquestedthe backmgyfiNATO Andrea DeLeo athletes have been awarded scholarship assis— Carie Windham aga “w toi:NATO StaffReporter tance. This is in many thanks to the 15,000 gen— Assistant News Editor spokbstpanhlves Br 3”r“in,a}CECent re- erous donors offering their contributions each port,N§(5receiiiad a 55150531 from In December 2002, Bobby Purcell, executive di- year. On Friday, Defense Secretary the United' _ ”efferated discus- rector of the NC. State Student Aid Associa- The Wolfpack Club members are made up of Donald H. Rumsfield signed de— sions between NATO leaders and US. tion, announced that NCSU had received the a variety of people united by a common goal. ployment orders that sent over Deputy Defense Secretary Paul Wol- largest announced gift in the history of NCSU They are alumni, fans, athletes, students, par- 50,000 troops to Iraq— doubling fowitz. Athletics. ents and many other people who are commit- US. forces in the region. The United States has requested the Curtis and Jackie Dail, residents of Raleigh, ted to the importance of the future of NCSU On Saturday, thousands of use of NATO’s AWACS surveillance contributed $5.2 million.
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Loopholes for the Affluent Bankrupt
Digital Commons at St. Mary's University Faculty Articles School of Law Faculty Scholarship 2020 Loopholes for the Affluent Bankrupt David R. Hague Follow this and additional works at: https://commons.stmarytx.edu/facarticles Part of the Bankruptcy Law Commons LOOPHOLES FOR THE AFFLUENT BANKRUPT DAVID R. HAGUEt [The] rich get richer [until] the poor get educated.' - Sage Francis INTRODUCTION Recent bankruptcy cases are exposing a problem. Affluent individuals filing for bankruptcy are treated more favorably under the Bankruptcy Code than those debtors with little to no means of financial sustenance or income. Did Congress intend this result? The legislative history is unclear. But one thing seems certain: The United States Bankruptcy Code contains a set of loopholes that appear to be designed for the well-to-do segment of society. Courts throughout the United States are either overlooking these provisions or simply condoning their utilization under the de- fensible conviction that the Bankruptcy Code permits it. In this Article, I argue that the Bankruptcy Code unfairly discriminates against individuals of lower-class economic status. Specifically, I identify two loopholes-one found in Chapter 7 and one located in Chapter 11-that are arguably intended to benefit those with high incomes and significant assets. Courts need to consider whether the use of these loopholes is permitted under the Code, and if so, how they should be addressed in individual bank- ruptcy cases. The Bankruptcy Code should create a level playing field for debtors-not an oasis for the affluent. Two scenarios demonstrate that the United States Bankruptcy Code favors those with higher incomes living lavish lifestyles.
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The Sword, March 2011
UNIVERSITY-SAINT PAUL r C -v ^ Cf ^ March 2011 | csp.edo/sword THE SWORD TABLE OF CONTENTS NEWS Remember GVP p.S Bystander Training Event p.4 The "Surreal and Absurd" p.4 Jamaica Mission Trip p.S Greetings students, faculty, and staff of Concordia University, St. Paul, ARTS Concordia Art Contest Winners p.6 I want to take this opportunity to say that the Sword is always look The Hold Steady Music Review p.6 ing for more writers. With a larger staff, the newspaper can continue to Limitless Movie Review p.7 become more and more efficient. I know a lot of people decide they don't want to because they think it is too much of a commitment. The amount of Hall Pass Movie Review p.7 time that someone puts in is determined by the individual. Global Food, Fashion and Award Celebration p.7 I am extending an invitation to anyone interested to come to our Rango Movie Review p.S meetings and check out what we are up to. If you have any questions at all, feel free to email me. Radio Head Music Review p.S Jumping around a bit, I also want to talk about a student fundraising group here on campus. The group is raising money to build a well for a com SPORTS munity that lacks access to clean water and is planning several awareness Womens' Basketball Update p.9 events on campus. The group is striving to involve the Concordia conmiu- nity as a whole. For more information Mens' Basketball Review p.9 on the group and upcoming events, go Track Review p.10 online and "Like" their Facebook group Lippincott Wins Awards p.10 page titled Compassion+Action.
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Sage Francis: on Li(F)E, Old Age, and Selling Indie Rap
Sage Francis: On Li(f)e, Old Age, and Selling Indie Rap Indie hip-hop and indie rock have always existed in seemingly parallel universes: on separate websites, in separate blogospheres, and on separate stages at the same festivals. Leave it to indie rap stalwart Sage Francis to help the two cross swords. On his fourth official solo album, entitled Li(f)e , Sage works with members of various rock groups, including Sparklehorse, Califone, Calexico, DeVotchKa, Death Cab for Cutie, and others, not to mention the fact that Iron & Wine/Modest Mouse associate Brian Deck produced the whole shebang. URB spoke to Sage about how the hell he pulled off this new LP, growing old in rap years, and how he plans to maintain his record label in an ever-weakening industry. URB: Bring me back a little. How’d you discover hip-hop? Sage Francis: Well, that was so long ago that I don’t remember, really. I have a story that I tell when people ask me that, that I think is true. It was just on the playground, tapes were floating around, I heard kids in the neighborhood playing stuff that I wasn’t familiar with—that I didn’t know was hip-hop at the time, but that’s what it was—and when eventually I decided I wanted to figure out what it was I was hearing, I was in my aunt’s house. I think it was a public service announcement came through on the television where a girl was rapping about not smoking cigarettes or something like that, and I had an adult present so I pointed it out, like, “This is what I want, I need to find this kind of music.” They didn’t really know what kind of music it was either, and my aunt kind of scowled her face and was like, “You like this?” And I was like “Yeah, this is what I like.
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Hip-Hop Mix Tape Seeks 'Multicultural' Audience
Lifestyle FRIDAY, MARCH 7, 2014 ‘Game of Thrones’ hip-hop mix tape seeks ‘multicultural’ audience atch the Throne,” meet “Game of Thrones”: HBO has of HBO overall. Last year, the audience for its third season was It was created by a team of producers at New York’s Launch commissioned rappers including Wale, Common 13.2 percent African-American, 9.2 percent Hispanic and 76.6 Point Records, who sampled music from the show’s score and “Wand Outkast’s Big Boi for a mix tape devoted to its white, according to Nielsen figures. Overall, HBO’s overall audi- snippets of dialogue. Other rappers involved include reggaeton hit fantasy series. On one “Catch the Throne” track, Wale raps ence last year was 16.8 percent black, 12.3 percent Hispanic and star Daddy Yankee and rapper Bodega Bamz. Unfortunately about bringing “that Khaleesi heat” and decapitating other MCs. 72.9 white. Maybe it’s because the cast is so overwhelmingly absent are Kanye West and Jay-Z, the pair behind “Watch the The unlikely seeming enterprise is all part of an effort to reach the white? Throne.” “muticultural” audience of “Game of Thrones,” HBO told The Wall HBO notes that African-Americans and Latinos are overrepre- The “Game of Thrones” foray into hip-hop isn’t the show’s first Street Journal. sented in its subscriber count relative to their numbers in the collaboration with popular musicians: Both “The Hold Steady” and “Our multicultural audiences are a very important part of our population at large, and says Nielsen’s numbers don’t account for Gary Lightbody, lead singer of Snow Patrol, have sung the song subscribers, and we don’t want to take them for granted,” platforms like HBO Go.
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Theorionreviews
Nov. 15,2006 STUPID AMERICANS BREAKDOWN I) BOWLING FOR COLUMBINE THEORIONREVIEWS CHILDREN OF NUGGETS: ORIGINAL ARTYFACTS. THE SECOND PSY(HADEll( ERA roll, "Children of Nuggets" if the relationship will survive really drives the nail home by the first kiss. that '80s Although the "Nuggets" series gives music reflected Hitch can set up tThe:e to thirdall thefour-discforgottenbox'80sset the Reagan/ Alex Hitchens (Will Smith) dates for others, |>ostpunk underground bands Thatcher acts as a dating guru in the his love life isn't hat took their cue from the politics of the movie "Hitch." everything that Os garage and psychedelic time and shows Hitchens, commonly known he would like ecords. Most of the bands that there was as "Hitch," works each day as his clients to epresented here never made some, although the cupid ofNew York, matching think it is. ^ commercial dent, at least fractured, up people on a referral basis. He struggles not when they were lumped resistance in the In the first meeting with his to win the together in the so-called underground. client, he initiates his plan, telling woman of his dreams. She's Paisley Underground. The result: "Children of the male client what he must do a reporter, and little does she I The Bangs took off on the Nuggets." If these bands are to woo the girl of his dreams. know, her life is becoming one Starring Saclia Baron (ohm. Kenneth Davitian and Inenell freels of the '80s girl-band the children, then the recent Hitchens has a certain big juicy story. ?0th (entury fox 1006 phenomenon (Bananarama back-to-basics push by the panache, which he accomplishes "Hitch" is fantastic because it (jjpmes to mind) after Hives, Strokes and White with smooth pickup lines, goes where no predecessors have.
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Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator
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Jared Paul: the Underground Voice of Providence,Local and National
Jared Paul: The Underground Voice of Providence By Melanie Rainone Jared Paul is a poetic and musical powerhouse that calls Providence home. As a nationally acclaimed spoken word poet and hip-hop artist, he draws his inspiration from social injustices and fuses his two art forms together to create something unique and powerful. Jared’s upbringing and early introduction to hip-hop took him on a journey that introduced him to poetry, community action, and national activism. He has become a radical and artistic voice of Providence, bringing the culture of poetry, working with the youth and community at large with a little rabble rousing thrown in. “Hip-hop is poetry. Hip-hop is the continuation of the oral tradition. It’s poetry put to music. The rhyme scheme, the meter, the metaphor, hip hop is the first music that was more about poetry than it was about music.” Jared grew up in the Manville neighborhood of Lincoln. “I grew up below the poverty line in terms of the state’s eyes, but both of my parents loved me a tremendous amount and I had a really great childhood. We always had all of the things that we needed and most of the things that we wanted.” Jared has fond memories of Manville, speaking of a strong community and many children his age with whom to play. “We had to see from a very young age the real time class divide.” It was in this environment that Jared found music.“My friend Joey gave me Public Enemy at the bus stop in 7th grade and it changed everything for me,” he explained.
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Freak Scene Favorites of 2010 – Compiled by Randy B
Freak Scene Favorites of 2010 – compiled by Randy B. I talk about weed and my cat and being lazy a lot. I don't think lyrics need to be deep just write whatever comes out of you. You don't need to find intense meaning in everything. Bethany Cosentino of Best Coast to Pitchfork Top 10 Burn on a solid foundation of sinewy Black Rebel Motorcycle Club – 1) Surfer Blood – Swim – Astro hooks and mileaminute bon mots Mama Taught Me Better – Beat The Coast: …there are no chamber sections, tumbling from Vinnie Kircher’s jittery Devil’s Tatoo no pocket harmonies, no integration of vocals. – The Onion AV Club Titus Andronicus – No Future Part 3: West African rhythms (ok, there's some Escape From No Future – The Monitor of that), just a desire to create a The Get Up Kids – Keith Case – 7) The Hold Steady – Rock relentlessly catchy, "classic indie" Simple Science Problems – Heaven Is Whenever: album in your own dorm room, and if Los Campesinos! – Romance Is One might suspect that The Hold that's what Surfer Blood set out to do, Boring – Romance Is Boring Steady’s rock repurposing would Astro Coast succeeds wildly. – Pitchfork Bettie Serveert – Deny All – eventually chafe, but they’re achieving Pharmacy of Love the opposite effect, again pulling off The Joy Formidable – The Last Drop 2) Arcade Fire – Month of May The with heroic sincerity the idea that – A Balloon Called Moaning Suburbs: The faster tunes, like "Ready heaven is lying on the floor listening to Jenny & Johnny – Straight Edge Of to Start" and "Month of May," are records—even if you’re well past 16. The Blade – I’m Having Fun Now leaner and meaner than you'd expect.
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The Hold Steady Entitlement Crew Free Download the Hold Steady Entitlement Crew Free Download
the hold steady entitlement crew free download The hold steady entitlement crew free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67ab2aa419a74414 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Entitlement Crew - The Hold Steady. http://KEXP.ORG presents The Hold Steady performing "Entitlement Crew" live in the KEXP studio. Recorded August 15, 2019. Host: Cheryl Waters Audio Engineer: Kevin Suggs Cameras: Jim Beckmann, Scott Holpainen, Luke Knecht & Celene Ramadan Editor: Scott Holpainen. Где звучала композиция. США 28. Установите бесплатное приложение Online Radio Box для вашего смартфона и слушайте любимые радиостанции онлайн, где бы вы ни находились! Теперь ваше любимое радио у вас в кармане, благодаря нашему удобному приложению. The hold steady entitlement crew free download. We are happy to announce the update for shows (with audiences) originally scheduled for 2020. We will begin with a return to First Avenue & 7th St Entry in Minneapolis this November 2021 to help them celebrate their (belated) 50th birthday.
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Adam Bradley, Book of Rhymes
MediaTropes eJournal Vol III, No 1 (2011): 151–153 ISSN 1913-6005 Adam Bradley. Book of Rhymes: The Poetics of Hip Hop. New York: Basic Civitas Books, 2009. 272 pages; paper $16.95. ISBN 978-0-4650-0347-1. “Rap is poetry” (xii). To any avid fan of the genre, it is a statement that seems obvious. The words could easily be the musings of a listener first introduced to the art form, not the focal point of an entire work of contemporary criticism. Yet in Book of Rhymes: The Poetics of Hip Hop, Adam Bradley’s primary focus is this very point, the recognition of traditional poetic elements within rap music. With the global cultural and economic phenomenon that hip hop has become, it is easy to forget that the style of music is barely thirty years old, that scholarly criticism of it has existed for only half of that time. When viewed within this relatively new arena of scholarship, the importance of Bradley’s text is clear. He attempts to lay the foundation for future work, to provide a formal language of lyrical and performative analysis. It is for this achievement that we must recognize Book of Rhymes as a landmark text, despite the somewhat surface treatment it applies to its subject. Bradley divides his work into two sections, beginning with the formal or structural elements of rap music, namely, “Rhythm, Rhyme and Wordplay,” and ending with the thematic or representational components, classified as “Style, Storytelling and Signifying.” The first section is the decisively stronger of the two, based around carefully chosen examples and meticulously broken down lyrics.
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Volume 8, Issue 3 (Spring, 2021)
The Interdisciplinary Research Journal Volume 8, Issue 3 (Spring, 2021) Issue Highlights: • #MeToo, Body, Desire & Society • A.I. and the Legal Dimension • Hip Hop and Gandhi • Gamestop, Reddit & Hedge Funds • Profiteering from Publication Error, Fraud & Misconduct ISSN 2053-9665 Exchanges: The Interdisciplinary Research Journal Volume 8, Issue 3 (Spring 2021) ISSN 2053-9665 Published by The Institute of Advanced Study, Zeeman Building University of Warwick, Coventry, Warwickshire, CV4 7AL, UK Editor-in-Chief Dr Gareth J Johnson ([email protected]) Exchanges is a scholar-led, peer-reviewed, diamond open access, interdisciplinary, online-only journal dedicated to the publication of high-quality work by researchers in all disciplines for a broad scholarly audience. No author fees or subscription charges are levied, and contributors retain their author rights. Since 2013, the title has attracted innovative research articles, critical essays and interviews from emerging domain experts and early career researchers globally. The title also publishes scholarly work by practitioner authors and independent scholars. A Managing Editor-in-Chief based at the University of Warwick oversees development, policy and production, while an international Editorial Board comprised of early career researchers provide advice and practically contribute to editorial work. Associate editors are recruited to participate in producing specific special themed issues. Exchanges usually publishes two issues annually, although additional special themed issues
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