Cinema and Media

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Letter from the President

Dear 2013 SCMS Conference‑goers, WELCOME—on behalf of the SCMS Board of Directors, the Host Committee, and our hard‑working Home Office staff and consultants—to SCMS 2013. YOU are the most essential part of the 53rd annual SCMS conference! We truly hope you enjoy yourselves in Chicago, “that wonderful town,” at the long and proudly unionized Drake Hotel. May you savor time with new and old colleagues, hear great papers, relish connections with participating presses, and spark current and future projects. May you also glean a personal appreciation of how much those of us on the Board, in the many SCMS committees, members of the 7 Caucuses, Graduate Student Organization, and 21 (and counting) Scholarly Interest Groups, Home Office staff, and consultants care about and share your professional needs and desires. We would love to have your insights; we very much welcome your help in furthering the study of cinema and media. Please feel free to contact me or any member of the Board at the conference, or after you return home, in person, through e‑mail or through our website if you have proposals or queries. Volunteers interested in serving on our standing and annual committees, in being conference session chairs next year (in Seattle!), or in otherwise helping are always valued. Please join the hundreds of attendees who come to cheer your junior and senior colleagues who will be recognized for scholarship, teaching, and service at the annual Awards Ceremony, Friday, March 8, 4:15–5:30 pm. Special kudos to Linda Williams, this year’s Distinguished Career Achievement Award recipient. The list of candidates for this award was impressive. That Linda has been selected is a real mark of her impact on the field; she has been a mentor to, model for, and “teacher” of so many of us in good part because, as a foundational player within feminist criticism and theory, genre studies, and film history, she has always encouraged people to think outside the box. Melodrama has consistently served her as anchor and bridge, from weepies to horror to porn to action film, and back again. Sincere congratulations and pro‑ found thanks for your heartfelt commitment, your superb scholarship, and your personal and professional smarts, Linda! SCMS now recognizes 11 award categories—too many to gloss individually here, although each winner and runner‑up merits the applause they will receive at the Awards Ceremony. In the interest of space (at a premium in our expanded con‑ ference program), I will nonetheless single out four top awards here. The Pedagogy Award: bravo to Constance Balides, for her work expanding and enhancing film and media studies at Tulane and her longstanding engagement with SCMS. The Kovács Book Award (and we wish this could be in person) goes posthumously to Miriam Hansen for her passionate re‑valorizations of Siegfried Kracauer, Walter Benjamin, and Theodor Adorno in Cinema and Experience. Miriam has consistently helped us to see more clearly, through what the Committee calls her “nuanced, original, swirling, profound, ferocious readings.” The Anne Friedberg Innovative Scholarship Award—honoring Anne’s conviction that “how the world is framed may be as important as what is contained within that frame”—goes this year to Nicholas Mirzeoff for his book, The Right to Look: A Counterhistory of Visuality. Nicholas measures the impact of oppositional visions in current colonial, de‑colonial, and globalizing projects, arguing that the right to look is at the heart of power, politics, and violent struggle. Last and not least, the Service Award, tendered by the Board in recognition of special service to the field: hurray for Heather Hendershot, outgoing editor of Cinema Journal. We salute Heather for her unflagging work, extraordinary teamwork, and remarkable vision. In her five years at the top of the CJ masthead, Heather has ensured that our journal has maintained its place as the gold standard publication in our field, and she finally brought color to our cover. She improved

2 the journal’s visibility on digital platforms and through “In Focus” topics. She also added genre/area experts to the CJ Board and brought in additional expert reviewers. Thanks, Heather! Other events you won’t want to miss include our annual gala reception which, as usual, follows the Awards Ceremony on Friday evening, from 5:30–7:30 pm. Don’t forget the Members’ Business Meeting, held earlier on Friday, from 11 am‑12 noon, where you will learn more about the Society’s current and future activities (lunch will be served). For those of you new to SCMS, and/or those of you interested in meeting people new to SCMS and in interacting on a more informal basis with the Board, there’s the New Members’ Meeting, held Thursday, March 7, from 11 am–12:45 pm. Please also see Program Chair and President‑Elect Barbara Klinger’s letter on the next page for more events of interest. As outgoing (June 30) President I would like quickly to gloss some key accomplishments of the Society this past year. Last fall we completed review of the strategic planning begun three years ago under Patrice Petro’s leadership and moved into a second phase of planning that will, in the next two or three years, include the hiring of an Executive Director. The first annual SCMS Undergraduate Film Conference will be held in April at Notre Dame University. Several presses for the first time now offer member discounts. We have increased the number of travel awards. We have garnered and made public membership reports on rank, institutional and national affiliations, degree conferral locations, and so on. International and institutional memberships continue to rise. As of January 2013, SCMS had 2800 members from 45 different countries, nearly ¼ from outside the U.S.! By the end of March, total membership will likely surpass 3000. Warm thanks to our outgoing Board members: Bambi Haggins, Heather Hendershot, Lindsay Hogan, and Yeidy Rivero. Their time and talents have made our Society better, no question. As outgoing Past‑President, Patrice Petro deserves special thanks from us all for her many years of extraordinary service to the Board—on a personal level, my deepest thanks, Patrice. Thanks to many others not on the Board for your terrific work and help on this conference and on other things‑SCMS. It’s such a pleasure to work with and get to know our members! Jane Dye, Debbie Rush, Leslie LeMond: all I can say is WOW! It’s fabulous to count you as colleagues and as friends. Bienvenus 2012‑2013 new Board members Sean Griffin, Haidee Wasson, Corey Creekmur (Secretary), and Will Brooker (CJ editor). Bienvenidas also Aviva Dove‑Viebahn and Vicki Sturtevant as non‑voting Board members. And välkommen to the 2013‑2014 Board two newly‑elected Board members, a new Graduate Student Representative, and a new President‑Elect. Profound thanks to all who ran for office: the Board is crucial to the health and well‑being of our Society. I very much look forward to seeing old friends and to making new ones at this conference—of all ranks and ages. Come say hey, anyone who’s so inclined: I’m not formal . . . feel free to call me Chris. Most of all, I hope that all of you enjoy yourselves and learn as much as I hope to. May your time at this conference and in Chicago bring each and every one of you much stimulation and many happy memories! Warmly, Chris

3 Letter from the Program Chair

Dear 2013 SCMS Conference Attendees, On behalf of the SCMS Board of Directors, the 2013 Conference Program Committee, and the Host Committee, I want to extend a warm welcome to everyone attending the Chicago conference for the SCMS’s 53rd annual meeting. We hope you find the conference, its setting in the Drake Hotel with Lake Michigan nearby, and the Windy City intellectually exciting and professionally rewarding. We are delighted that you are here. We received a record number of proposals this year. They reflect the robust and diverse areas of inquiry that continue to characterize the field today, while offering noticeable trends. These include an increased internationalism in topics and prospective presenters and more proposals devoted to the “M” in SCMS, including research on old and new media from numerous methodological perspectives. Other themes and developments await your discovery as you page through the Conference Program. In the midst of this plenitude, Program Committee members—Hector Amaya, Norma Coates, Susan Felleman, Terry Geller, Sean Griffin, Bambi Haggins, Brendan Kredell, Evan Lieberman, Cynthia Lucia, Miriam Petty, Miriam Posner, Joanna Rapf, Angelo Restivo, John David Rhodes, Merrill Schleier, Yeidy Rivero, Vicky Sturtevant, Haidee Wasson, Pamela Wojcik, and Michael Zryd—had both an especially challenging task of evaluating proposals and the opportunity to gain an expanded view of the rich directions of contemporary scholarship in film and media studies. I sincerely thank this committee’s mem‑ bers for the excellent, thoughtful quality of their work, the long hours they spent reading and assessing proposals, and their professionalism and collegiality. It was a pleasure to serve as Chair of the Program Committee with such a talented team of scholars. As many of you know, Hurricane Sandy disrupted this year’s programming process and timeline through its impact on our online proposal system. No one could have foreseen that a storm would disable both our primary server in New York City and our back‑up server in New Jersey. While all of the Program Committee’s work was saved, access to the system was impossible for a number of weeks. We are extremely grateful to the management of BMM Art & Computer, particu‑ larly Ben Ohtsu, co‑founder and director of technology, and David Rissenberg, director of research and development, for working around the clock to get our system back up and running, particularly when they were coping with the storm’s devastating impact on life in the Northeast. We also thank SCMS members for their patience with the delays in notifica‑ tion and posting of the preliminary program schedule that these circumstances caused. The SCMS officers and staff have been of immense help to me during my time as Program Chair. Thanks to President Chris Holmlund, Past President Patrice Petro, administrative coordinator Jane Dye, and conference manager Leslie LeMond, for their generosity in every respect in addressing my questions and offering support. Although their work is not always visible to our membership, the SCMS staff—Jane, Leslie, account and budget representative Debbie Rush, conference program coordinator Bruce Brasell, and web content manager Aviva Dove‑Viebahn—are absolutely central to the plan‑ ning and success of the conference. This year, they deserve our special thanks for responding with such thoroughness, poise, dedication, and “can‑do” attitude to the additional contingencies and complexities that arose in relation to the storm‑induced technological shutdown. I would like to give a shout‑out to Jane, Bruce, and Leslie whose roles in the

4 programming process were particularly affected. With her deep knowledge of the history and practices of the SCMS, incredible helpfulness, and consummate sense of professionalism in even the most stressful of situations, Jane is simply amazing. I consider it a genuine privilege to work with her. We have long been fortunate to have Bruce as the organizer and scheduler of the conference content and structure. Under imposing deadlines this year, he managed to achieve what appeared to be an impossible feat by pulling together hundreds of panels with the kind of expertise and attention to detail that is his trademark. Thank you, Bruce! In addition, Leslie LeMond and Del LeMond, the master of our program’s layout, had to finesse the conference program into its final shape under even tighter circumstances, assuming the diverse responsibilities at this stage of preparations with great skill and good humor. It truly does take a village (maybe even a metropolis) to organize a conference. For the 2013 conference, you will notice a few different features. Due to feedback from previous Host Committee screening coordinators and from members regarding the low attendance at many of the daily screenings over recent years, the board unanimously voted to scale back the screening portion of the conference program on a trial basis. Given the long history of almost continuously running screenings at the conference, this was not an easy decision to reach; we will reflect more on this issue in coming years. In place of our previous screening schedule, the 2013 Host Committee has planned two gala screenings and/or events that draw on the unique intellectual and artistic wealth of the Chicago area. These galas will take place on Thursday and Saturday evenings; you can find out more about them in the conference program. We grate‑ fully acknowledge and thank the host committee for the hard work they put into planning. Kudos to Jacqueline Stewart, co‑chair, Northwestern University; Gerald Butters, co‑chair, Aurora University; Camilla Fojas, Screening Coordinator, DePaul University; Sara Hall, University of Illinois at Chicago; Jennifer Bean, University of Washington; Harrison Sherrod, University of Chicago; Zoran Samardzija, Columbia College; and Jennifer Wild, University of Chicago. The second major change in programming this year involves the Scholarly Interest Groups and Caucuses. The confer‑ ence annually recognizes the importance of these organizations in diverse ways by, for example, asking them once again to sponsor panels and workshops and contributing funds to each group’s other conference activities. This year, for the first time, the SCMS is proud to honor these groups further by featuring and funding two high‑profile Conference Events that have been selected from a pool of SIG and Caucus proposals. The accepted events are “Remembering the Life and Legacy of Alexander Doty,” sponsored by the Queer Caucus; and “Public Media 2.0: A Conversation on the Future of Urban Documentary and Social Change,” sponsored jointly by the Urban Studies and Documentary Studies Scholarly Interest Groups. All SCMS members registered for the conference are invited to the Host Committee and SIG and Caucus events. They will be among the highlights of the conference and I hope that you will be able to attend. As you can see from the wonderfully instructive and designed guide to Chicago provided by the Host Committee, Chicago has a lot to offer conference attendees, from the bare necessities needed for a visit to information about fabulous restau‑ rants and museums. I hope you’ll strike a perfect balance between “conferencing” and urban pleasures while you’re here. Enjoy! Barbara Klinger SCMS President‑Elect and Program Committee Chair

5 Society for Cinema and Media Studies Board of Directors

Founded in 1959, SCMS is a professional organization of college and university educators, filmmakers, historians, critics, scholars, and others devoted to the study of the moving image. Activities of the Society include an annual conference, Cinema Journal, the SCMS website, awards for excellence in film and media studies, and various other initiatives related to media research, education, and policy. Officers Chris Holmlund z U niversity of TENNESSEE z President Patrice Petro z U niversity of Wisconsin‑MILWAUKEE z Barbara Klinger z I ndiana UNIVERSITY z President‑Elect Past‑President Corey Creekmur z U niversity of IOWA z Secretary Jim Castonguay z S acred Heart UNIVERSITY z Treasurer Board of Directors Sean Griffin z Southern Methodist University Will Brooker z K ingston UNIVERSITY z ex officio, Editor, Bambi Haggins z Arizona State University Cinema Journal Angelo Restivo z Georgia State University Aviva Dove‑Viebahn z A rizona State UNIVERSITY z Yeidy Rivero z University of Michigan, Ann Arbor ex officio, Web Content Manager Haidee Wasson z C oncordia University Victoria Sturtevant z U niversity of OKLAHOMA z Pamela Wojcik z University of Notre Dame ex officio, Director of Film and Media Studies Lindsay Hogan z University of Wisconsin‑Madison Jane Dye z U niversity of OKLAHOMA z ex officio, Administrative Coordinator

Conference Organization 2013 Program Committee Barbara Klinger z I ndiana UNIVERSITY z Chair Miriam Posner z E mory University Hector Amaya z University of Virginia Joanna Rapf z University of Oklahoma Norma Coates z University of Western Ontario Angelo Restivo z Georgia State University Susan Felleman z Southern Illinois University Yeidy Rivero z University of Michigan, Ann Arbor Terri Geller z G rinnell College John David Rhodes z University of Sussex Sean Griffin z Southern Methodist University Merrill Schleier z University of the Pacific Bambi Haggins z Arizona State University Victoria Sturtevant z University of Oklahoma Brendan Kredell z University of Calgary Haidee Wasson z C oncordia University Evan Lieberman z Cleveland State University Pamela Wojcik z University of Notre Dame Cynthia Lucia z R ider University Michael Zryd z Y ork University Miriam Petty z N orthwestern University 2013 Host Committee Gerald Butters z A urora UNIVERSITY z Co‑chair Sara Hall z University of Illinois at Chicago Jacqueline Stewart z N orthwestern UNIVERSITY z Zoran Samardzija z C olumbia College Co‑chair Harrison Sherrod z University of Chicago Jennifer Bean z University of Washington Jennifer Wild z University of Chicago Camilla Fojas z D ePaul UNIVERSITY z Conference Events Coordinator 6 2013 Conference Organizers Conference Manager: Leslie LeMond Program Schedule Coordinator: Bruce Brasell Administration, Registration, & Accounting: Jane Dye and Debbie Rush z University of Oklahoma Student Office Assistant:Madison Hobson z University of Oklahoma Website Content Management: Aviva Dove‑Viebahn z Arizona State University Website Technical Assistance: Sarah Denton z University of Oklahoma

Please Note There will be boards for conference updates, special events, personal messages, and employment/networking adjacent to Registration. Replacement conference programs are available at Registration for $20 (subject to availability). Unless otherwise noted, all meetings, panels, workshops, and events will take place at The Drake Hotel.

Lost and Found Lost and found items can be turned in at registration during the conference. Any items not claimed by the end of the conference will be left with The Drake Hotel front desk.

2013 Audio Visual Policy The following equipment will be standard in all panel/workshop rooms at the 2013 conference:

DVD Player (region 1 – standard for USA & Canada) LCD Projector (with sound) Wireless Internet Access (you will need to obtain a password at Registration)

We are NOT able to accommodate changes or requests for A/V equipment on‑site. Thank you for your cooperation.

Accessibility at The Drake Hotel

The majority of meeting space at The Drake Hotel is located on 2 levels—the lobby level and the mezzanine level. To access either of these levels, attendees will have to negotiate stairs. If not possible or comfortable, these areas are accessible by “back of the house” elevators. Anyone wishing to use these elevators, should contact security upon arrival at the hotel. Security will be able to escort guests to whatever destination is needed. Security’s extension at The Drake Hotel is 4541. If you experience problems while at the hotel, please email our conference manager at [email protected]. Thank you.

7 2013 Conference Sponsors

SCMS would like to extend special thanks for the generous support from our sponsors. Gold Northwestern University includes Office of the Provost Department of Radio, Television + Film Center for Screen Cultures Screen Cultures PhD Program Department of Communication Studies Rhetoric and Public Culture PhD Program Department of English

Silver The University of Chicago, Office of the Provost

University of Notre Dame, Department of Film, TV, and Theatre

Awards Ceremony & Reception Sponsors Columbia College Chicago, Film & Video Department

DePaul University, College of Communication

COLLEGE OF COMMUNICATION Indiana University, Department of Communication and Culture

University of Wisconsin‑Milwaukee, Film Studies Program

College of Letters and Science Film Studies Program

8 2013 Conference Sponsors

Special Event Sponsors

Richard and Ellen Sandor Family Foundation

University of Illinois at Chicago, College of Architecture, Design, & the Arts University of Illinois at Chicago, College of Liberal Arts & Sciences

Thanks to Our Donors Many thanks to those who generously donated to the Award, General, and Travel Funds: Award Fund Livia Monnet Varpu Rantala Michael Renov General Fund Deborah Alexander Priya Jaikumar Denise Omalley James Leo Cahill Mia Mask Vicki Sturtevant Ji Lee Ryoko Misono Mike Zryd Travel Fund Sarah Barrow Heather Hendershot Barbara Klinger Scott Balcerzak Lindsay Hogan Bernardo Lins Will Brooker Chris Holmlund Leslie LeMond Scott Curtis Jennifer Horne Gina Marchetti Jim Castonguay Dale Hudson Andrew McAlister Ryan DeRosa David Johnson Patrice Petro Aviva Dove‑Viebahn Mary Celeste Kearney Rikke Schubart Anna Froula Bill Kirkpatrick Charles Wolfe

9 Schedule of Events at a Glance

Wed, March 6 10:00 – 11:45 am Session A Fri, March 8 9:00 – 10:45 am Session J 12:00 – 1:45 pm Session B 11:00 am – 12:00 noon Members’ Business Meeting 2:00 – 3:45 pm Session C 12:15 – 2:00 pm Session K 4:00 – 5:45 pm Session D 2:15 – 4:00 pm Session L 6:00 – 8:00 pm Remembering the Life & Legacy of 4:15 – 5:30 pm Awards Ceremony Alexander Doty 5:30 – 7:30 pm Reception 6:00 – 9:00 pm Public Media 2.0 Sat, March 9 9:00 – 10:45 am Session M Thu, March 7 9:00 – 10:45 am Session E 11:00 – 12:45 pm Session N 11:00 am – 12:45 pm Orientation for New 1:00 – 2:45 pm Session O Members 3:00 – 4:45 pm Session P 11:00 am – 12:45 pm Session F 5:00 – 6:45 pm Session Q 1:00 – 2:45 pm Session G 8:00 – 11:00 pm SCMS Screen Test 3:00 – 4:45 pm Session H 8:00 pm With a Voice Like the 5:00 – 6:45 pm Session I Lake: New Experimental 5:30 – 7:00 pm Youth Film Festival— Media Work from Competition Chicago 7:00 – 10:00 pm Grrrls Night Out Dinner Sun, March 10 9:00 – 10:45 am Session R 8:00 pm Remix‑It‑Right: 11:00 am – 12:45 pm Session S Rediscoveries in the Phil Morton Archive 9:00 pm Chicago Symphonies: Nontheatrical Shorts from the Chicago Film Archives

Exhibit Hours* Registration Hours

Room: Gold Coast, Lobby Level Room: Drake, Lobby Level

Thursday, March 7 Wednesday, March 6 10:30 – 11:45 am 9:00 am – 5:00 pm 12:45 – 5:30 pm Thursday, March 7 Friday, March 8 8:00 am – 5:00 pm 9:30 – 11:00 am Friday, March 8 12:00 noon – 5:30 pm 8:00 am – 5:00 pm Saturday, March 9 Saturday, March 9 9:00 am – 11:45 noon 8:00 am – 5:00 pm 12:45 – 6:00 pm Sunday, March 10 *hours subject to change 8:30 am – 12:00 noon 10 SCMS Caucus & Scholarly Interest Group Meeting Schedule

Wed, March 6 10:00 – 11:45 am Comics Studies Scholarly Interest Group The Club International, Lobby Level

2:00 – 3:45 pm Central/East/South European Cinemas Florentine, Mezzanine Level (East) Scholarly Interest Group

4:00 – 5:45 pm Middle East Caucus The Club International, Lobby Level

6:00 – 7:45 pm Caucus on Class The Club International, Lobby Level

8:00 – 9:45 pm Women in Screen History Scholarly Interest Group The Club International, Lobby Level

Thu, March 7 3:00 – 4:45 pm Queer Caucus The Club International, Lobby Level

5:00 – 6:45 pm Media Industries Scholarly Interest Group The Club International, Lobby Level

7:00 – 8:45 pm Oscar Micheaux Society Scholarly Interest Group Erie, Mezzanine Level (West)

7:00 – 8:45 pm Television Studies Scholarly Interest Group Georgian, Mezzanine Level (East)

7:30 pm Video Game Studies Scholarly Interest Group Emporium Arcade Bar, Wicker Park, (Meeting & Reception) 1366 N. Milwaukee Avenue

Fri, March 8 9:00 – 10:45 am Contemporary Theory Scholarly Interest Group The Club International, Lobby Level

9:00 – 10:45 am Asian/Pacific American Caucus Florentine, Mezzanine Level (East)

12:15 – 2:00 pm Sound Studies Scholarly Interest Group The Club International, Lobby Level

12:15 – 2:00 pm Scholarly Interest Group Coordinating Committee Florentine, Mezzanine Level (East)

2:15 – 4:00 pm Media Literacy + Pedagogical Outreach The Club International, Lobby Level Scholarly Interest Group

2:15 – 4:00 pm Nontheatrical Film & Media Drake Bros, Lobby Level Scholarly Interest Group

Sat, March 9 9:00 – 10:45 am Animated Media Studies Scholarly Interest Group The Club International, Lobby Level

11:00 am – 12:45 pm Documentary Studies Scholarly Interest Group The Club International, Lobby Level

11:00 am – 12:45 pm Latino/a Caucus Florentine, Mezzanine Level (East)

1:00 – 2:45 pm CinemArts: Film & Art History Scholarly Interest Group The Club International, Lobby Level

1:00 – 2:45 pm Urban Studies Scholarly Interest Group Suite 450, Guest Room Floor 4

3:00 – 4:45 pm Experimental Film & Media The Club International, Lobby Level Scholarly Interest Group

3:00 – 4:45 pm Film & Media Festivals Scholarly Interest Group Florentine, Mezzanine Level (East)

5:00 – 6:45 pm French & Francophone Scholarly Interest Group The Club International, Lobby Level

7:00 – 8:15 pm Cinema Journal Editorial Board Meeting Venetian, Mezzanine Level (East)

7:00 – 8:45 pm Transnational Cinemas Scholarly Interest Group The Club International, Lobby Level

7:00 – 8:45 pm African/African American Caucus Erie, Mezzanine Level (West)

Sun, March 10 9:00 – 10:45 am Radio Studies Scholarly Interest Group The Club International, Lobby Level

11:00 am – 12:45 pm Women’s Caucus The Club International, Lobby Level

11 Special Thanks We would like to thank the following for their support and assistance with the 2013 conference. Patty Ahn Robert Hariman Laurie Shannon Vicki Aitchison Maile Heatherington Jean Shedd Jennifer Bean Julia Himberg Sharron M. Shepard Paul B. Bell, Jr. Judy Hoffman Bruce Sheridan Amy Beste Michael Kackman Mark Shiel Gilberto Blasini Kartemquin Films Lynn Spigel Gerald Butters Judith Kirshner Jacqueline Stewart Carolyn Bronstein Brendan Kredell Astrida Tantillo jonCates Barbara Klinger Jacqueline Taylor James Chandler Laura Koepele‑Tenges Anju Teal Stephen Charbonneau Del LeMond Jean‑Claude Teboul Sara Connell Daniel Linzer David Tolchinsky Amy Cornell Eileen Long Latrina West‑Shields Lisa Corrin Dibyen Majumdar Jennifer Wild Don Crafton Jennifer Malkowski Pam Wojcik Kathy Daniels Andrew Miller Michelle Yamada Nick Davis Megan Pulone Drake Hotel ‑ Amelia DiGregorio, Jean de St. Aubin Janice Radway Cheryl Slaughter, Erin Lestikow, Aviva Dove‑Viebahn Thomas F. Rosenbaum Anne Weldon, Deborah Lewis Camilla Fojas Zoran Samardzija Freeman ‑ Amanda Ewing Sara Hall Ellen & Richard Sandor PSAV ‑ Lauren Wild

SCMS Graduate Student Lounge & Hospitality Area with Computer/Internet/Printer Access

room: Marquette, Lobby Level Feel free to hang out in this area, hold informal meetings, chat with friends, work on your computer…. All registered attendees of SCMS 2013 may use these computers, free of charge, to access the internet. You may also use them with flash drives to print out necessary documents. Please limit the time you spend so that everyone can have access and limit your printing to 5 pages. Thank you. Terms and conditions: you agree to use these computers at your own risk. They are public terminals and SCMS cannot be held responsible for results of usage. 12 Thanks to Exhibitors & Advertisers We gratefully acknowledge the following exhibitors and advertisers for their support of this year’s conference. Exhibitors Bedford/St. Martin’s OSU Film Studies Program’s University of California Press Berghahn Books The Journal of Short Film University of Chicago Press Bloomsbury Academic Oxford University Press University of Illinois Press Columbia University Press Palgrave Macmillan University of Minnesota Press The Criterion Collection Pragda University of Texas Press Dartmouth College Press ProQuest University of Toronto Press DEFA Film Library at UMass Amherst Routledge University of Wisconsin Press Duke University Press Rutgers University Press University Press of Mississippi Indiana University Press Scarecrow Press Wayne State University Press Intellect Stanford University Press Wiley The MIT Press The SCMS Latino/a Caucus Women Make Movies NYU Press The University Press of Kentucky W.W. Norton, Inc. Advertisers Academy of Motion Picture Arts and NYU Press University of Nebraska Press Sciences NYU Steinhardt University of Notre Dame, Dept of Bedford/St. Martin’s Oxford University Press Film, TV, and Theatre Berghahn Routledge University of Oklahoma, Film & Bloomsbury Academic Rutgers University Press Media Studies Boston University SCMS Undergraduate Conference University of Pittsburgh, Film Studies Canadian Journal of Film Studies Stanford University Press Program Columbia University Press Tournees Festival/French American University of Texas Press Cornell University Press Cultural Exchange University of Toronto Press Duke University Press University of California Press University of Wisconsin‑Milwaukee Duke University Press Journals University of Chicago, Department of University of Wisconsin Press Indiana University Cinema Cinema and Media Studies University Press of Mississippi Indiana University Press University of Chicago Press Wayne State University Press Indiana University Journals University of Chicago Press Journals Wiley Intellect University of Illinois Press W.W. Norton, Inc Northwestern University University of Minnesota Press

SCMS Social Media Follow us on Twitter (@SCMStudies) and use #SCMS13 to post about your own experiences during the conference. Like us on Facebook: https://www.facebook.com/SCMStudies Also, check out cmstudies.org for rotating online content, including video interviews and guest bloggers, throughout the conference!

13 Thanks to our Institutional Members Baylor University, Film & Digital Media University of Minnesota, Department of Cultural Studies & Biola University, Cinema & Media Arts Comparative Literature Brown University, Department of Modern Culture & Media University of New Mexico, Department of Cinematic Arts Chapman University, Dodge College of Film & Media Arts University of North Carolina, Greensboro, Department of Indiana University, Department of Communication & Broadcasting & Cinema Culture University of North Texas, Department of Radio, Television Liverpool John Moores University & Film National Library of Sweden University of Notre Dame, Film, TV & Theatre Department Point Park University, Department of Cinema and Digital University of Oklahoma, Film and Media Studies Arts University of Oregon, Cinema Studies Pratt Institute, Humanities & Media Studies University of Southern California, School of Cinematic Southern Methodist University, Film and Media Arts Arts/Critical Studies University of Auckland, Department of Film, Television & University of Texas at Austin, Radio, Television & Film Media Studies University of Utah, Department of Film/Media Arts University of California Los Angeles, Film, Television and University of Wisconsin‑Madison, Communication Arts Digital Media University of Wisconsin‑Milwaukee, Film Studies Program University of Cape Town, Centre for Film & Media Studies Yale University, Film Study Center University of Chicago, Cinema and Media Studies York University, Department of Film University of Colorado Boulder, Film Studies Program University of Michigan, Ann Arbor, Department of Screen Arts & Culture

Become an Institutional Member! Benefits of SCMS Institutional Membership (membership year runs from September 1 ‑ August 31) Institutional members receive Cinema Journal, access to the members’ area of the website, e‑newsletters and announcements, and a profile page. They can also submit a proposal for the annual conference. In addition, institutional members will be able to have unlimited access to our career center enabling departments and programs to post and view job applications and to identify cinema/media scholars looking for full and/or part‑time employment. Institutional members will also be featured in the Programs/Schools area of the SCMS website, listed in our annual conference program and in future issues of Cinema Journal. In addition, institutional members are invited to provide us with logos and links to their homepage to showcase their programs and activities throughout the SCMS website. For more information, please visit http://www.cmstudies.org/?page=institut_membership

14 2013 Raffle benefitting the Travel Fund* $500 Visa gift card Tickets available at Conference Registration. 1 for $5 5 for $20 Winning name will be drawn Saturday, March 9 at 4:45 pm by the office staff and announced on SCMS’ Facebook and Twitter feeds as well as the SCMS website. *The Travel Fund assists graduate student and under/unemployed members with travel expenses associated with the annual SCMS Conference.

Wireless Internet Access — Standard in all meeting space at SCMS 2013 — This includes the Exhibit Area (Gold Coast, Lobby Level) and the SCMS Graduate Student Lounge & Hospitality Area (Marquette). You will need to obtain a password at conference registration.

. . . And More Good News! If you booked your room at The Drake Hotel under the SCMS room block (online or by phone), your guest room rate includes in‑room, high-speed internet access. Please ask The Drake front desk for details (how to log on and how this will be taken care of on your final bill). This applies only to those who booked through the hotel and under the SCMS room block. Thank you again for attending SCMS 2013!

Nominations for Distinguished Career Achievement & Pedagogy Awards All SCMS members—graduate students, part‑ and full‑time faculty, and independent scholars—are warmly encouraged to nominate scholars they consider to be deserving of the Distinguished Career Achievement and Pedagogy awards. A short nominating statement, submitted via an online form, is required by August 1 in each case. For further information, including additional criteria required for each award, please visit the Awards section of the SCMS website: http:cmstudies.org.

15 Meeting Space at a Glance*

Parkside Venetian

Florentine Superior Georgian

WEST EAST

Astor Ontario Tudor

Michigan ELEVATORS

Huron

Erie

Mezzanine Level

French Drake Bros Gold Coast EXHIBITS MEMBERS’ BUSINESS MEETING Drake CONFERENCE Marquette REGISTRATION

ELEVATORS Palm Court Walton

MAIN LOBBY FRONT Grand Ballroom DESK RECEPTION AWARDS CEREMONY The Club International MEETINGS

GRAD STUDENT LOUNGE / Lobby Level INTERNET ACCESS AREA

*If your panel/workshop is in one of the hotel suites, please follow signage to the room. Thank you. 16 Chicago

Host Committee Recommendations by Gerald R. Butters, Jr. Aurora University

Food This list includes restaurants in the vicinity of the Drake Hotel, as well as some suggestions and directions to other dining options in the city. Also included are entertainment opportunities, such as museums and theaters.

In the Hotel

Cape Cod Room Coq D’Or Palm Court 140 E. Walton Place 140 E. Walton Place 140 E. Walton Place (312) 787–2200 (312) 787–2200 (312) 787–2200 Seafood Lounge Traditional Tea and Light Average Entreé: $20–40 Traditional American Sandwiches Average Entreé: $15–30 Average Entreé: $10–20 Lavazza Coffee 140 E. Walton Place Drake Brothers (312) 640–2440 140 E. Walton Place Coffee, Sandwiches, Salads and (312) 787–2200 Gelato Traditional American, Breakfast, Average Entreé: $5–15 and Brunch Average Entreé: $20–40

A Nice Place for Lunch or Dinner Nearby

Cheesecake Factory XOCO Foodlife 875 N. Michigan Avenue 449 N. Clark Street 835 N. Michigan Avenue (John Hancock Center) (312) 334–3688 (Water Tower Place) (312) 337–1101 Breakfast, Lunch and Dinner (312) 225–3663 Casual American Average Entreé: $11 Upscale Food Court Average Entreé: $10–20 Average Entreé: $5–15 Frontera Grill Corner Bakery 445 N. Clark Street Purple Pig 1121 N. State Street (312) 661–1434 500 N. Michigan Avenue (312) 787–1969 Brunch, lunch and dinner (312) 464–1744 Bakery and Sandwiches Average Entreé: $16 Lunch and Dinner Average Entreé: $5–10 Average Entreé: $7

17 Host Committee Recommendations

Karyn’s Cooked M Burger Mity Nice Grill 738 N. Wells Street 835 N. Michigan Avenue 835 N. Michigan Avenue (312) 587–1050 (Water Tower Place) (Water Tower Place) Brunch, Lunch and Dinner (312) 867–1549 (312) 335–4745 Average Entreé: $12 Upscale Burger Joint Traditional American Average Entreé: $5–10 Average Entreé: $10–20 Lux Bar 20 E. Bellevue Place Farmhouse RL (312) 642–3400 228 W. Chicago Avenue 115 E. Chicago Avenue Eclectic American, Neighborhood (312) 280–4960 (312) 475–1100 Bar Food Tavern Traditional American, Classic Average Entreé: $10–20 Average Entreé: $10 City‑Club Menu Average Entreé: $25–45 OYSY 50 E. Grand Avenue 888 S. Michigan Avenue Sushi Average Entreé: $10–30

Fast Food and Pubs Nearby

Dublin’s Epic Burger Qdoba State and Maple 227 E. Ontario Street 20 E. Chicago Avenue (312) 266–6340 (In the old Post Office building) (312) 915–0953 Irish Tavern, Eclectic Pub Fare (312) 257–3260 Mexican Fast Food Average Entreé: $10–20 Burgers Average Entreé: $5–10 Average Entreé: $10–20 Flacos Tacos 46 E. Chicago Avenue (312) 226–8226 Fresh Mexican Food Average Entreé: $5–10

Rise and Shine—Breakfast (or Brunch) Nearby

Einstein Bagels West Egg Cafe Eggsperience 45 E. Pearson 620 N. Fairbanks Court 35 W. Ontario Street (312) 943–9888 (Between Ohio St. & Ontario St.) (312) 870–6773 Bakery and Sandwiches (312) 280–8366 Breakfast Average Entreé: $5–15 Breakfast Average Entreé: $10–20 Average Entreé: $10–20 Tempo, State & Chestnut (312) 943–4373 Toni Patisserie and Café 24 Hour Diner 65 E. Washington Street Average Entreé: $5–15 (312) 726–2020 Breakfast Original Pancake House Average Entreé: $5–15 22 E. Bellevue Place (312) 642–7917 Breakfast Average Entreé: $5–15 18 Host Committee Recommendations

Good Places in the Neighborhood (A Bit of a Walk or a Short Cab Ride)

Big Bowl McCormick & Schmick’s Saloon Steakhouse 8 E. Cedar 41 E. Chestnut Street 200 E. Chestnut Street (312) 640–8888 (312) 397–5000 (312) 208–5454 Pan‑Asian Steak and Seafood Average Entreé: $15–30 Average Entreé: $10–20 Average Entreé: $20–40 Steaks and Seafood Exit the Walton Street door and turn Exit the Walton Street door and turn Exit the Walton Street door and turn right. Walk 1.5 blocks straight ahead right. Continue to Wabash Avenue and left. Walk 1 block to Mies Van der Rohe to Rush Street and turn right. Walk 3 turn left. Walk 2 blocks to Chestnut Place and turn right. Walk 2 blocks to blocks north to Cedar Street and turn Street. The restaurant is on your right. Chestnut Street and turn left. Saloon is right. Big Bowl is on your left. on your left in the Seneca Hotel. Mike Ditka’s Carmine’s 9100 E. Chestnut Street Spiaggia 1043 N. Rush Street (312) 587–8989 980 N. Michigan Avenue (312) 988–7676 Average Entreé: $15–40 (312) 280–2750 Italian Steaks, Chops, Burgers, Sports Average Entreé: $20–40 Average Entreé: $30–50 Exit the Walton Street door and turn Italian Fine Dining Exit the Walton Street door and turn right. Turn left onto Michigan and go 2 Exit the Oak Street door and turn left. right. Walk straight ahead 1.5 blocks to blocks to Chestnut Street. Turn right on Walk to the corner and continue straight Rush Street and turn right. Go 2 blocks Chestnut. Ditka’s is on your right. across Michigan Avenue. Enter the first to Carmine’s, on your right. building on your left. Spiaggia is on the Morton’s (The Original) 2nd floor. Grill on the Alley 1024 N. Rush Street 909 N. Michigan Avenue (312) 640–0999 Signature Room (312) 255–9009 Seafood and Steaks 875 N. Michigan Avenue Average Entreé: $15–40 Average Entreé: $25–50 (312) 787–9596 American Steakhouse Exit the Walton Street door and turn New American, Eclectic, 95th Exit the Walton Street door and turn right. Walk 2 blocks to State Street and floor view of the city. right. Turn right on Michican Avenue, turn right. Walk 1.5 blocks to Morton’s Average Entreé: $20–40 Grill on the Alley is on your left. on your left (lower level). Exit the Walton Street door and turn right. Turn left onto Michigan Avenue Hugo’s Frog Bar Nomi and walk 2 blocks to Chestnut Street 1024 N. Rush Street 800 N. Michigan Avenue and turn left. Enter the John Hancock (312) 640–0999 (312) 239–4030 Center and go to the 95th floor. Average Entreé: $15–40 New French Seafood and Steaks Average Entreé: $60+ Tavern on Rush Exit the Walton Street door and turn Exit the Walton Street door and turn 1031 N. Rush Street right. Walk 1.5 blocks straight ahead right. Turn left on Michigan and walk (312) 2664–9600 to Rush Street and turn right. Go 1.5 4 blocks to Chicago Avenue. Turn right Steak and Seafood blocks, Hugo’s is on your left after Oak and continue to Park Hyatt Hotel. Nomi Average Entreé: $20–40 Street. is on the 7th floor. Exit the Walton Street door and turn right. Continue to Rush Street and turn Le Colonial Rosebud Steakhouse right. Walk 2 blocks and Tavern on Rush 937 N. Rush Street 192 E. Walton Place is on your right. (312) 255–0088 (312) 397–1000 French‑Vietnamese Italian Steakhouse Volare Average Entreé: $20–30 Average Entreé: $30–50 201 E. Grand Avenue Exit the Walton Street door and turn Exit the Walton Street door and turn (312) 410–9900 right. Walk 1.5 blocks straight ahead to left. Rosebud is on your left. Italian Rush Street and turn right. Le Colonial is Average Entreé: $10–20 on the right. Exit the Walton Street door and turn right. Walk 8 blocks to Ohio Street and turn left. Walk 3 blocks to Fairbanks and turn right. Walk 2 blocks to Grand Avenue. Volare is on the left. 19 Host Committee Recommendations

REAL Chicago Pizza

Coalfire Lou Malnatti’s Pizzeria Giordano’s 1321 W. Grand 439 N. Wells Street Rush & Superior (312) 226–2625 (312) 828–9800 (312) 951–0747 Exit the Walton Street door and turn Exit the Walton Street door and turn Exit the Walton Street door and turn right. Turn left onto Michigan Avenue. right. Turn left onto Michigan Avenue. right. Turn left onto Michigan Avenue Turn right onto Ontario Street. Turn left Turn right onto Ontario Street. Turn left and walk 5 blocks to Superior Street. onto State Street. Turn right onto Grand onto Wells Street, and Lou Malnatti’s is Turn right onto Superior and walk 1 Avenue and continue 1.7 miles. Coalfire on the left. block to Rush Street. Giordano’s is on is on the left. your right.

Worth a Cab Ride

Basil Leaf The Gage Wildfire 2465 N. Clark Street 24 S. Michigan Avenue 159 W. Erie Street (773) 348–7243 (312) 372–4243 (312) 787–9000 Italian New American, Gastropub Traditional American Steakhouse Average Entreé: $10–20 Average Entreé: $15–30 Average Entreé: $10–30 Café Ba‑Ba‑Reeba Gibson’s Lula Cafe 2024 N. Halsted Street 1028 N. Rush Street 2537 N. Kedzie Boulevard (773) 935–5000 (773) 266–8999 (773) 489–9554 Spanish and Tapas Steak and Seafood Breakfast, Brunch, Lunch and Average Entreé: $10–20 Average Entreé: $20–40 Dinner Average Entreé: $16 Coco Pazzo Café Russian Tea Time 636 N. Saint Clair Street 77 E. Adams Street Nightwood (312) 662–2777 (312) 360–0000 2119 S. Halsted Italian Tuscan Style Traditional Russian, High Tea (312) 526–3385 Average Entreé: $10–20 Average Entreé: $20–30 Brunch and Dinner Average Entreé: $20 Demera Ethiopian The Publican 4801 N. Broadway 837 W. Fulton Market Pho Xe Tang (Tang Noodle) (773) 334–8787 (312) 773–9555 4953–55 N. Broadway Traditional Ethiopian Brunch and Dinner (773) 878–2253 Average Entreé: $10–20 Average Entreé: $20 Breakfast, Lunch and Dinner Average Entreé: $10

Truly Chicago Joints

Gold Coast Dogs Lou Mitchell’s Manny’s 159 N. Wabash Avenue 565 W. Jackson Boulevard 1141 S. Jefferson Street (312) 917–1677 (312) 939–3111 (312) 939–2855 Hot Dogs American Coffee and Deli Average Entreé: $5–10 Average Entreé: $10–15 Average Entreé: $15–30 Billy Goat Tavern White Palace Grill Margie’s Candies 430 N. Michigan Avenue 1159 S. Canal Street 1960 N. Western Avenue (312) 222–1525 (312) 939–7167 (773) 348–0400 Dive Bar Diner Ice Cream and Desert 20 Average Entreé: $5–10 Average Entreé: $10–15 Average Entreé: Under $10 Host Committee Recommendations

Life’s Necessities

When something breaks, you forgot it at home, or you just need more information.

Walgreens CVS Bank of America ATM and 757 N. Michigan Avenue 1201 N. State Street Branch 1/4 mile south on Michigan Ave. 3/8 mile from Drake Hotel 940 N. Michigan Avenue L’Appetito Target Chase ATM and Branch (Fantastic Coffee!) State and Madison 875 N. Michigan Avenue 875 N. Michigan Avenue (Bottom Level Hancock Tower) Chicago Visitor’s Center 163 E. Pearson Street

Getting Around Town

Walking

Chicago is absolutely a walking city. Because it’s flat virtually throughout the city, one should bring a good pair of walking shoes to explore. In March, any type of weather is possible—both in terms of temperature and precipitation. Bring an umbrella and some shoes you might not mind getting wet. It is relatively safe around the Drake Hotel and in the Michigan Avenue area. It would not be advisable to walk in alleys or dark areas by oneself after midnight. Part of the beauty of the city is the ability to walk for days and see the sites.

Riding the “L”

If you are traveling in Chicago, one of the easiest ways to go is by train. The downtown of Chicago is dense and the traffic is usually heavy. Luckily, Chicago has one of the best train systems in the world. Their train system, nicknamed the “L,” has over 140 train stations and over 240 miles of track. Stations are located throughout the city and nearby suburbs, on elevated railways, in subways, or on the ground. A one‑way ride on the L is $2.25. You get 2 free transfers within a 2 hour period. If you are going to be traveling on the L more than one ride, consider getting a one, three, or seven day pass. These passes give you an unlimited amount of rides during the specified times. They can be purchased at main L stations or in many nearby grocery stores. Stay safe on the train. Keep all your possessions on your body and stay aware of your surroundings. Be sure that when you exit the train that you are at the right stop. It is advisable to travel in groups if you are going out late at night. Be aware, the only L lines that run all night are the Red and Blue. Enjoy the ride!

21 Host Committee Recommendations

Taxis

Hailing a cab and riding in Chicago is easy if you are in the vicinity of the Drake and most neighborhoods adjoining it. Here are some tips about taxis in Chicago: Chicago taxi cabs don’t have a uniform make or color, so just look for the light on the top of the cab. The Chicago Taxi flag‑down rates are: $2.25 first 1/9 mile, 20¢ each additional 1/9 mile, 20¢ for each 36 seconds of waiting time. $1.00 first additional passenger, 50¢ each additional passenger plus a 10– 15% tip and the toll fee if you go via the highways or to the airports. The cab should also have proof of registration and a photo ID posted for the passenger to see. Taxis in Chicago also generally don’t mind when you have more than four passengers. Drivers are required to take credit cards, though they occassionally do not specify that they do.

Nightlife

Clubs Chicago has the nightlife for everyone—from a quiet drink in a neighborhood pub or bar to a wild dance scene in a nightclub. The city is particularly known for its fine collection of jazz clubs. Le Bar Chicago Red Head Piano Bar Studio Paris 20 E. Chestnut 16 W. Ontario 59 W. Hubbard Martini Bar Live Jazz Dance Lounge Cuvee Ultra Lounge Rockit Bar and Grill The Underground 308 W. Erie 22 W. Hubbard 56 W. Illinois Wine Bar, Lounge Younger Crowd Lounge Enclave Sound Bar Vertigo Sky Lounge 220 W. Chicago Live 226 W. Ontario Street 2 W. Erie DJ Dance Dance City Views & Cocktails Excalibur Nightclub Green Mill Underground Wonder Bar 632 N. Dearborn 4802 N. Broadway 710 N. Clark 3‑floor Dance Jazz Club Jazz and Blues Green Door Tavern Jazz Showcase Chicago Buddy Guy’s Legends 678 N. Orleans 806 S. Plymouth 700 S. Wabash Live Music Live Music Jazz and Blues Violet Hour The Velvet Lounge House of Blues Back Porch Stage 1520 N. Damen 67 E. Cermak 329 N. Dearborn Cocktail Bar Jazz and Blues Live Music Terrace at Trump The Hideout Empty Bottle 401 N. Wabash, 16th floor 1354 W. Wabansia 1035 N. Western Downtown View Live Music, Bar Rock Music Skylark Schubas 2149 S. Halsted 3159 N. Southport Nightclub Live Music, Bar Nacional 27 Spy Bar 325 W. Huron 646 N. Franklin 22 Latin Live Music Host Committee Recommendations

GLBT

Chicago is the nation’s third largest city and boasts a large gay community. Like New York or Atlanta in their regions, Chicago serves as the Midwest’s cosmopolitan hub and attracts young and old alike—all looking to escape to the freedoms and opportunities of the big city. Gay life (and gay bars) in Chicago are mostly concentrated in two areas: Boystown (really “East Lakeview”) and Andersonville which is farther up the city’s north side. Bars and clubs have one of two licenses: most close at 2 am (3 am on Saturdays) and few stay open after‑hours until 4 am (5 am on Saturdays). If you’re up for a late night, you’ll find the after‑hours bars packed after the other bars close. Berlin Lizard’s Liquid Lounge Roscoe’s 954 W. Belmont Avenue 3058 W. Irving Park Road 3356 N. Halsted Street Big Chicks Marty’s Martini Bar Sidetrack 5024 N. Sheridan Road 1511 W. Balmoral Avenue 3349 N. Halsted Street Downtown Bar and Lounge Mary’s Attic T’s Bar and Restaraunt 440 N. State Street 5400 N. Clark Street 5025 N. Clark Street.

Theaters Chicago is recognized as one of the finest theater towns in the country. A number of productions that originated in Chicago the past few years have gone on to world‑wide fame and recognition. Theater companies are both large and small; some of the best experimental works take place with the fringe troupes. Chicago Shakespeare Theater Harris Theatre Steppenwolf Theater 800 E. Grand Avenue 205 E. Randolf Street 1650 N. Halsted Street (312) 595–5600 (312) 334–7777 (312) 276–1235 Chicago Theater Lookingglass Theater Victory Gardens Theater 175 N. State Street 821 N. Michigan 2433 N. Lincoln Street (312) 276–1235 (312) 337–0665 (773) 871–3000 Congress Theater Oriental Theater 2135 N. Milwaukee Avenue 24 W. Randolph Street (773) 276–1235 (312) 997–1700 Goodman Theater Second City 170 N. Dearborn Street 1816 N. Wells Street (312) 443–3800 (312) 337–3992

23 Host Committee Recommendations

Museums No trip to Chicago is complete without visiting its fine museums. First on your list should be the Field Museum of Natural History, located at Museum Campus just south of Grant Park. The Field Museum features “Sue,” the world’s largest, most complete, and best preserved T‑Rex. Museum Campus is also the site for the Adler Planetarium and the Shedd Aquarium. Also on your list of “must‑sees” is Chicago’s southside Museum of Science and Industry, which is the oldest science museum of its kind in the Western Hemisphere and one of the most visited museums in the world. And on Michigan Avenue, where Adams Street ends, is the Art Institute with its famous lions adorning the front entrance. Chicago is a city of ethnic diversity, further evidenced by its museums. We have the DuSable Museum of African‑American History, for example. Adler Planetarium Chicago History Museum Field Museum of Natural History 1300 S. Lake Shore Drive 1601 N. Clark Street 1400 S. Lake Shore Drive (312) 992–STAR (7827) (312) 642–4600 (312) 738–1503 Adler Planetarium and Astronomy The Chicago History Museum The Field Museum is probably Museum, founded in 1930, exhibits artifacts from the depth best known for the dinosaur is America’s first and oldest of their 22 million item collection displays, but it also has a rich planetarium. It now houses two and from the breadth of the city’s and deep dedication to the star‑gazing theaters, a unique history. From the Chicago Bulls “diversity and relationships in collection of antique instruments, to the Great Chicago Fire, the nature and among cultures.” It extensive exhibit space, and many museum covers it all and offers currently holds, conserves, and hands‑on exhibits. It also offers contexts and exhibits to make studies more than 20 million the most wonderful views of the Chicago’s history relevant to our objects, a collection which grew skyline in the entire city. lives today. from holdings recieved after the World’s Columbian Expedition of Art Institute of Chicago DuSable Museum of African 1893. 111 S. Michigan Avenue American History (312) 443–3600 740 E. 56th Street Museum of Contemporary Art The Art Institute consistently (773) 947–0600 220 E. Chicago Avenue ranks among Chicago’s DuSable is the nation’s oldest (312) 280–2660 most‑visited museums. From museum dedicated to the Chicago’s contemporary art center French Impressionist paintings exploration, documentation, explores, exhibits, and collects to African American masks to and celebration of the African art created since 1945. They’re the new wing for Modern Art, American Experience. dedicated to allowing the public the museum offers visitors a rich “to directly experience the work cultural experience. and ideas of living artists, and understand the historical, social, and cultural context of the art of our time.”

24 Host Committee Recommendations

Museum of Science and Industry The Shedd Aquarium Notebaert Nature Museum 57th & Lake Shore Drive 1200 S. Lake Shore Drive 2430 N. Cannon Drive (773) 684–1414 (312) 939–2438 (773) 755–5100 Since 1933, this enormous The Shedd is dedicated to The Nature Museum is devoted museum has been dedicated “engaging, inspiring, entertaining, to “inspiring people to learn to educating the public about and informing” the public about and care for nature and the science and technology. From about the life in our oceans and environment.”The museum works the coal mine exhibit with a waterways. They feature an in conjunction with the collections working elevator to the captured Oceanarium, WIld Reef exhibit, and scientists of the Chicago German World War II submarine, Amazon River exhibit, and Academy of Sciences to create the museum’s collections and they pride themselves on their exhibits, programs, and more. hands‑on exhibits seem almost dedication to conservation and the The museum also features a live endless. protection of wildlife habitats. butterfly exhibit.

Specialty Film Venues Music Box Theatre Facets Multimedia Gene Siskel Film Center 3733 North Southport Avenue 1517 W. Fullerton Ave. 164 N. State St. (773) 871–6607 (800) 331–6197 (312) 846–2600 Independently owned and Simply one of the most interesting For almost 40 years, the Film operated, the Music Box Theatre film facilities in the country. Its Center of the School of the is the premiere venue in Chicago educational center, theater and Art Institute of Chicago (SAIC) for independent and foreign films. DVD rentals make this one of the has presented world‑class A grand old picture palace. hallmarks of Chicago’s cinema independent, international, and scene. classic cinema. Renamed in honor of the late film critic in 2000, the Gene Siskel Film Center presents approximately 1,500 screenings and 100 guest artist appearances each year to over 65,000 film enthusiasts at its unique, sophisticated, modern facilities. Thank You for Attending!

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S Newberry Ave Newberry S S Instructions for Panel and Workshop Chairs

1. Please keep panel presentations to 20 minutes and workshop presentations to no more than 10 minutes. Panels with more than three presenters will need to reduce presentation times to fit the 105‑minute sessions. 2. When one panelist goes over time, other panelists or workshop participants are deprived of a fair opportunity to present their research/ comments. 3. Audience members are rightfully upset when there is no time to ask questions. 4. Papers should be no longer than 8 double‑spaced pages for a 20‑minute talk, and fewer pages if there are clips. If your panelists have more than this, ask them to cut down in advance. 5. We are finding that technology problems are cutting into panel time. Please have the panelists check their technology (DVDs, laptops, thumbdrives) in advance. 6. Please check that all visuals and sound function before your session begins. 7. Chairs should give their panelists signals for 5 minutes left, 2 minutes left, and “please wrap up” at the 20‑minute mark. 8. Chairs who are presenting papers should designate one of the panelists to time their paper when they are presenting. 9. Please end your panel or workshop promptly at 15 minutes before the hour to allow participants and audience members enough time to get to the next panel or workshop. 27 To All SCMS Members You’re Invited!

Orientation for new members Thursday, March 7, 11:00 am – 12:45 pm

Room: The Club International, Lobby Level If you are new to SCMS, please plan to attend this orientation session for new members. You will learn more about the Society, the conference, the journal, the website, and other benefits of membership. Members’ Business Meeting Friday, March 8,11:00 am – 12:00 noon

Room: French, Lobby Level All SCMS members are encouraged to attend the annual Members’ Business Meeting to learn more about SCMS and current strategic planning processes. Members will also meet the officers and Board members, and the leadership of the SCMS Caucuses and Scholarly Interest Groups. Awards Ceremony Friday, March 8, 4:15 – 5:30 pm

ROOM: Grand Ballroom, Lobby Level Please help us to acknowledge and honor this year’s awards recipients. Reception Friday, March 8, 5:30 – 7:30 pm

ROOM: Palm Court & Foyer, Lobby Level Celebrate this year’s awards recipients, outgoing SCMS Board members, and others who have served the Society this past year while catching up with old friends and meeting new acquaintances.

28 wednesday March 6, 2013 29 “‘As z “‘One

“Eccentric z and z

Indiana University

A Z Indiana University University of Antwerp

z z Concordia University

z University of Antwerp

Issues of Gender and Spectatorship Margaret Rossman Long as Their Wives Watch at Home . . .’: A Gendered Long as Their Wives Watch and Moroccan Film Reception Perspective on Turkish in the Diaspora” Less, Lonely Girl’: The Production, Performance, and Less, Lonely Girl’: The Production, Performance, in Female Fandom” Power of Tears Philippe Meers as a Heterosexual The L Word Identifications: Viewing Spectatorial Subject” Katerina Symes A3 : Chair: Kevin Smets Margaret Rossman Session Session z

March 6, 2013 March 6, “Making Visible “Countercultural z am

z “High Concept the

z z

University of Colorado, Boulder

Z Brown University ale University

University of Colorado, Boulder Y

University of Pittsburgh z z

Mediating Financial Capital and Immaterial Labor Janice Peck

The President’s Nightmares: The President’s Dreams, Technological Analyst, 1968, and the Future”

Chicago Way: Dan Rostenkowski, Ferris Bueller, Elliot Dan Rostenkowski, Ferris Bueller, Chicago Way: Ness” the Invisible Labor in Craft Discourse: The Body at the Invisible Labor in Craft Discourse: The Body in Steadicam” Work

“Schooling the Public Mind: Advocacy Documentary, “Schooling the Public Mind: Advocacy Documentary, the Ideological Struggle and Billionaire Philanthropy, for the Future of US Public Education” Katie Bird Andrew Lison Janice Peck J. D. Connor : Chair: A1

10:00 – 11:45 10:00 Wednesday Session Z A 10:00 – 11:45 am A4 Star Negotiations and A6 Merging, Flooding, and Dealing March 6, 2013 wednesday the Embodiment of : Gender and Ethnicity Chair: Fan Yang Z University of Maryland, Baltimore : County Chair: Vance Byrd Z Grinnell College Ben Harris z University of California, Los Angeles z Norma Rodriguez z Independent Scholar z “Avoiding “Flooding the World’s Movie Screens: Cinema His Roots: How Jose Ferrer Made a Career in International Corporation and the International Hollywood” Release of Jaws (1975)” z z Elena Damelio z Stony Brook University z “A Star Is Josh Heuman Texas A&M University “Negotiating (Not) Born: Vittorio Gassman, Masculinity, and the Contract: The Overall Deal as Organizational and Latin Lover Complex in Hollywood” Cultural Form (and, Who’s Running the Show?)” z Bruce Williams z William Paterson University z Kevin McDonald California State University, “Adopted Goddesses: Cult Celebrity in the New Northridge z “ Folie à deux: Netflix, Starz, and the German Cinema and Its Alternative” Deal that Changed Video‑On‑Demand” Fan Yang z University of Maryland, Baltimore County z “China’s Fake Apple Store: Branding, Space, and the Society of Control” A5 Fantasy and the Fantastic : Chair: Mauro Resmini Z Brown University Constructing Nonfiction Media Alexander Sergeant z King’s College London z A7 “Fantastic Fantasies: Theorizing a Spectatorship for : the Hollywood Fantasy Film Genre” Chair: Joshua Malitsky Z Indiana University z z Andrew Davis z Oklahoma State University z Andrew Young University of California, Los Angeles “Fantasies and Fairytales: Narrative Structures in “Cultural Proximity and Genocidal Narrativity: David Lynch’s Mulholland Drive” Reconsidering US Network News Coverage of the 1994 Rwanda Genocide through Statistical Analysis” Mauro Resmini z Brown University z “Death Every Night: Genre and Cinematic Ontology in The Prestige” Lindsay Palmer z University of California, Santa Barbara z “Becoming the Story: Death of the Digital War Correspondent” Quinn Miller z University of Oregon z “Hot, Messy: Trans Representation and Gender Policing in TV Watchdog Campaigns” Joshua Malitsky z Indiana University z “(Supra) National Geographical Imaginaries: The Birth and Growth of Yugoslavian Nonfiction Film, 1944–1951”

30 Session wednesday

Z March 6, 2013 A 10:00 – 11:45 am

Classical Hollywood War Stories A8 Reconsidered A11 Atrocity, Surveillance, and Ideology

: : Chair: Paul Young Z Vanderbilt University Chair: Rebecca Adelman Z University of Maryland, baltimore county Sara Ross z Sacred Heart University z “The Spectacle of Wings, 1927” Joey Jakob z Ryerson University z “Community Building After Abu Ghraib: American Satiric Televisual James Gilmore z University of California, Los Angeles z “The Magnificent Problem with the Ambersons: Catharsis” Evaluating Historiographic Discourse of a Hollywood David Murphy z York/ Ryerson Universities z “Is there Legend” Really No ‘I’ in Team? Call of Duty’s Neoliberal Fog of War” Megan Minarich z Vanderbilt University z “Sex Ed and Exploitation: Narrating Abortion in Jack Townley’s Jacquelyn Arcy z University of Minnesota z Guilty Parents (1934)” “(Re)Imagining Homeland: Surveilling Terrorist and Patriot Bodies in the Television Drama Homeland” Paul Young z Vanderbilt University z “Starring Mary Pickford as Unity: Stella Maris and the Early Classical Rebecca Adelman z University of Maryland, baltimore Paradigm” county z “Screening Wartime Atrocity in the Classroom”

The Aerial View and A10 Visual Media Latina/o Identity and A12 Spanish Media Consumption : Chair: Paula Amad Z University of Iowa : Chair: Roger Almendarez Z Northwestern Patrick Ellis z University of California, Berkeley z “Above the Joy Zone: The Aeroscope and the San University Francisco World’s Fair, 1915” Carlos Jimenez z University of California, Santa Barbara z “Tactical Domesticity: Media Space Paula Amad z University of Iowa z “Cin‑aereality: The Aerial Imaginary of Early Cinema” and Practices of Taquerias and Televisions around z z Santa Barbara” Tom Conley Kirkland House “Aerial z Cartographies” Veronica Zavala University of California, Santa Barbara z “The Role of Spanish Language Radio in the United States” Diana Norton z University of Texas at Austin z “Representations of Mexico, Hispanidad, and Cultural Imperialism in the First Mexican‑Spanish Cinematic Coproduction: Jalisco canta en Sevilla” Roger Almendarez z Northwestern University z “Multi‑Vision: A Comparative Study of Latinidad across Univision’s Media Platforms”

31 Session Z A 10:00 – 11:45 am A13 Film and the Representation A15 Theorizing Media March 6, 2013 wednesday of Women : : Chair: Brent Smith‑Casanueva Z Stony Brook Chair: Elizabeth Dixon Z University of Florida University Heidi Wilkins z University of Essex z “Gender Emily Fischer z University of Cincinnati z “The Golden Trouble: Performativity in Adam’s Rib” Ratio in Time‑based Media” Claudia Consolati z University of Pennsylvania z Brittany Farr z University of Southern California z “Female Holy Fools in Italian Cinema: Fellini’s La “Live from the Capitol: The Mediated ‘Burden of Strada” Liveness’ in The Hunger Games” Elizabeth Dixon z University of Florida z “A Woman’s Brent Smith‑Casanueva z Stony Brook University z Work: The Female Spy in Postwar Hitchcock” “Awareness and Awakening: McLuhan, Benjamin, and Critical Media Studies”

Looking Outward, Looking In A14 Reflexivity, Influence, The Historical Avant‑Garde Psychology, and Authorship A16 of the 1960s and 1970s

: : Chair: Brigitte Peucker Z Yale University Chair: Adam R. Ochonicky z University of Wisconsin‑Milwaukee Michael Rowin z University of Florida z “The Cinema of Duplicitous Self‑Reflexivity” Kenneth Berger z Brown University z “Anxiety, Power, and the Pacified Eye: Re‑Envisioning Ryan Lizardi z Penn State University z “Not ‘Just another Manhunt Story’: Re‑evaluating Hitchcock’s Anti‑Spectacular Film” Spellbound and Its Audience Psychoanalysis” Masaki Kondo z York University z “Exploring the Unstable Cinematic Essence from the Perspective of Timothy Holland z University of Southern California z “‘Crazy Clown Time’ and the Parties of David Lynch” Toshio Matsumoto’s Experimental Work” Jamie Wagner z University of Wisconsin‑Madison z Brigitte Peucker z Yale University z “Fassbinder’s Lola: Theatricality, Décor, Citation” “Gábor Bódy’s Four Bagatelles and the Reflexive Analysis of Cinematic Meaning”

32 Session wednesday

Z March 6, 2013 A 10:00 – 11:45 am

The Pleasures of the Series Film Music A17 From the Enjoyment of Repetition A19 Gender, Sexuality, and to Intertextual Pleasures Taste Formations

: : Chair: Michaela Wuensch z University of Chair: Norma Coates Z University of Western California, RiversidE Ontario Michaela Wuensch z University of California, Jack Curtis Dubowsky z Academy of Art University z Riverside z “Television and/as the Pleasure Principle” “Louisiana Story, Homoeroticism, Hollywood, and Thomas Van Parys z University of Leuven z Americana Music” “Narrative Pleasure and Frustration in Contemporary Landon Palmer z Indiana University, Bloomington z TV Series” “Pre‑existing Film Music as Traveling Text: The Case Heidi Peeters z University of Leuven z “Television of 2001: A Space Odyssey” Serials: A Multitude of Pleasures” Zhichun Lin z Ohio State University z “Presenting Her Sarah Sepulchre z University of Louvain z “The through Music: The Theme Music of the Chinese Film Pleasures of Text and Mix of Reality and Fiction in Version of Letter from an Unknown Woman” a Transmedia Storytelling Era: The ‘Fat Bob’s’ Blog Norma Coates z University of Western Ontario z “‘5% (Sons of Anarchy)” of It Is Good’: Leonard Bernstein, CBS Reports, and the Cultural Accreditation of Rock Music”

Unconsidered Nationalisms A18 Workshop : A20 Chair: Mario Ruiz Z Hofstra University Designing for Open Access Nicholas Baer z University of California, Berkeley z : “The Birth of a Jewish Nation: Early Cinema, Herzlian Chair: Eric Hoyt Z University of Wisconsin‑ Madison Zionism, and Monumental History” Workshop Participants Natalie Ryabchikova z University of Pittsburgh z James Steffen z Emory University “The First Attempt at the Nationalization of Soviet Daniel Chamberlain z Occidental College Cinema and Its Place in Soviet Film History” Craig Dietrich z University of Southern California Mario Ruiz z Hofstra University z “Revolutionary Mark Williams z Dartmouth College Nationalism in Early Egyptian Cinema” Caroline Frick z University of Texas at Austin

33 Session Z A 10:00 – 11:45 am A21 The Time and Place of A23 Contemporary March 6, 2013 wednesday South Asian Cinemas Franco‑American Face‑Offs Transatlantic Cinematic Encounters : Chair: Melissa Croteau Z California Baptist : University Chair: Margaret Flinn Z Ohio State University Kartik Nair z New York University z “Cut, Ban, Reduce Audrey Evrard z Drew University z “Schmucks, to a Flash: Censoring the American Horror Film in the Sticks, and Co.: French Comedy (Re)Made in Shadow of the Indian Emergency (1975–77)” America!” Neepa Majumdar z University of Pittsburgh z David Pettersen z University of Pittsburgh z “Cinema Stardom and Labor in India, 1939” “Exporting France, Importing America” Priya Jaikumar z University of Southern California z Margaret Flinn z Ohio State University z “Whose Film “Haveli: Affective Pasts in Filming India’s Iconic History?” Monument” Sponsors: Transnational Cinemas Scholarly Interest Group Melissa Croteau z California Baptist University z and French & Francophone “Bollywood and the Divine Gaze: Indian Cinema and Scholarly Interest Group the Hindu Concept of Darshan”

Sponsor: Asian/Pacific American Caucus Workshop A24 Behind the Velvet Rope Insider/Outsider Dilemmas for Orality and Storytelling Film Festival Researchers A22 : : Chair: Diane Burgess Z University of British Chair: Sheila Petty Z University of Regina Columbia Kester Dyer z Concordia University z “Storytelling and Testimony: Archiving Melancholia in Alanis Workshop Participants Obomsawin’s Kanehsatake: 270 Years of Resistance” Christian Jungen z University of Zurich Katherine Brewer Ball z New York University z “The Skadi Loist z University of Hamburg ‘Brainwashing’ of Patty Hearst and Sharon Hayes: Roya Rastegar z Bryn Mawr College Forging Alliances and Forgetting the Lines” Liz Czach z University of Alberta Yifen Beus z Brigham Young University, Hawaii z Diane Burgess z University of British Columbia “Deterritorializing Essentialism: Narrating Place and Sponsor: Film & Media Festivals Scholarly Interest Group Space in Filming the South Seas” Sheila Petty z University of Regina z “Spaces in‑Between: Zahra’s Mother Tongue as Performative ! Documentary” Meeting 10:00 – 11:45 am Room: The Club International, Lobby Level Comics Studies 34 Scholarly Interest Group wednesday March 6, 2013 35 “Hysteron “Kids in the z

“Nostalgia for “Comrade Couture: z z B

York University McGill University

Z Z York University

z York University of Cities Center Culture McGill University

z z z

Documentary Studies Scholarly Interest Group Berlin Documentary Films Katrina Sark Susan Ingram or: Proteron: Schadt and Ruttmann’s Berlin: Die Sinfonie Proteron: Schadt and Ruttmann’s der Großstadt (2002, 1927)” Babylon: Recent Berlin Documentary Films in Light of Babylon: Recent Berlin Documentary Films in Rapid Gentrification” Kiez: Hip Hop and the Reimagining of Urban Space in Kiez: Hip Hop and the Reimagining of Urban Space Neukölln Unlimited” through Their Past” Fashion‑East’as Working Christina Krenzle Co‑Chair: Susan Ingram Katrina Sark Spons B3 : Chair: Elke Grenzer Session Session

pm z

“Getting z

March 6, 2013 March 6, “Japanese “Local z z

z Bournemouth University

–1:45 Z University College London

z Queen’s University Belfast noon

Aberystwyth University Aberystwyth University

z z

British Film Censorship, Genre, and the BBFC Shaun Kimber

“The BBFC and Science‑Fiction Cinema of the 1950s” “The BBFC and Science‑Fiction Cinema of the Serious in the 1980s: The War Film, Explosive Serious in the 1980s: The War and the BBFC” Violence, Censorship, the BBFC, and the Pythonesque: The Censorship, the BBFC, and the Pythonesque: The Role of Comedy in the British The Life of Brian Controversy” Cinema and the British Censors: Genre, Controversy, Cinema and the British Censors: Genre, Controversy, and Cultural Translation” Kate Egan Emma Pett Owen Williams : Chair: B1

12:00 Wednesday Sian Barber Session Z B 12:00 noon – 1:45 pm B4 Persona Play B6 Video and Installation March 6, 2013 wednesday : : Chair: Karla Fuller Z Columbia College Chicago Chair: Tina Wasserman Z Tufts University Chad Trevitte z Bridgewater College z “ A Face in the Gabrielle Hezekiah z The University of the West Crowd: Andy Griffith and the Name of the Father” Indies z “Depth and Isolation: Configuring Dan Humphrey z Texas A&M University z “Pierre Perspective in Kaoru Katayama’s Ba‑ji‑toh‑fuh” Clémenti: The Sodomaniacal Angel” Erin McNeil z Savannah College of Art and Design z Robert Bird z University of Chicago z “Medium “Translation in the Work of Keren Cytter” Intimacy: The Correspondences of Aleksandr Markos Hadjioannou z Duke University z “ Bodysong: Medvedkin and Chris Marker” New Media Immersion and Responsive Identification” Karla Fuller z Columbia College Chicago z “Sidney Tina Wasserman z Tufts University z “Time Stands Poitier—An African American Icon and Postwar Still: Fixed Moving Images in the Video Work of Adad Transitional Figure” Hannah”

Sponsor: Oscar Micheaux Sociey Scholarly Interest Group

B7 Media Educates America : B5 Contemporary Latin American Chair: Alex Kupfer Z New York University Cinema Production Michelle Kelley z New York University z “‘Fun and Old Subjects, New Politics? Facts about America’: Films for Economic Education : and the Postwar Right” Chair: Leslie Marsh Z Georgia State University Brian Gregory z Columbia University z “Packaging Leslie Marsh z Georgia State University z Sound for Schools: Selling the Player‑Piano and the “Negotiating the Future: Reflecting on the Past in the Phonograph to American Education” Early Years of the Brazilian Retomada” Courtney White z University of Southern California z Salome Skvirsky z University of Illinois, Chicago z “Developing a Humane Cinema: Humane Education, “Bodily Services: On Parque vía and Jeanne Dielman” Censorship, and the American Film Industry, 1916–1934” Sarah Barrow z University of Lincoln z “Inescapable Pasts?: Political Violence and Peruvian Fiction Alex Kupfer z New York University z “The Celluloid Cinema” Campus: Nontheatrical Film Distribution and the z University of Wisconsin Bureau of Visual Instruction, Respondent: Tamara Falicov University of Kansas 1910–1935” Sponsor: Latino/a Caucus

36 Session wednesday

Z March 6, 2013 B 12:00 noon – 1:45 pm B8 Mystical, Magical, Spiritual B10 Landscapes and Other : Visual Imaginaries Chair: Ted Friedman Z Georgia State University : Simone Natale z University of Cologne z “The Chair: Henrik Gustafsson Z University of Bergen Spectacular Supernatural: Victorian Spiritualism and Sylvie Vitaglione z New York University z “Dance Modern Show Business” Film and the Dynamics of Landscape” Boaz Hagin z Tel Aviv University z “Judaism, Stephan Boman z University of California, Spiritualism, and Satellites: Israeli Film and Television Santa Barbara z “Muteness and Eloquence: in the Writings of Margot Klausner” Narrating American Landscape in Four Experimental Kyra Hunting z University of Wisconsin‑Madison z Documentaries” “Criminal Faith: Religious Difference in American Pamela Krayenbuhl z Northwestern University z Crime Procedural” “Cross‑ing Media: The Way to Calvary from Painting Ted Friedman z Georgia State University z “The to Film via Text” Magical Turn in American Media” Henrik Gustafsson z University of Bergen z “Van Gogh’s Suicide Note and the Remnants of Auschwitz: Landscape as Posthumous Witness in Resnais and Godard”

Digital Identities/ B9 Digital Innovations

: Multiculturalism and/ Chair: Heidi Rae Cooley Z University of South B11 Carolina in South Korea Juan F. Belmonte Avila z University of Murcia z : “Writing Code/Writing Sexuality: Sexuality through Chair: Hye Seung Chung Z Colorado State Code in Video Games” University Gerald Hartnett z Stony Brook University z “Candid Daniel Martin z Korea Advanced Institute of Science Cybercamera: Memory, Archive, and Virtuality & Technology z “South Korean Cinema and the in Samuel Beckett’s Works Featuring Technical Immigrant Experience in Deep Blue Night (1985) and Reproducibility” Western Avenue (1993)” Kate Reynolds z Bowling Green State University z Ji‑Hyun Ahn z University of Texas at Austin z “Heroines, Post‑feminism, and Video Games: Not All “Rearticulating Black Mixed‑Race in the Era of Choices Are Equal” Globalization: Hines Ward and the Struggle for Koreanness in Contemporary Korean Media” Heidi Rae Cooley z University of South Carolina z “Augusta App: An Interactive Book Supplement” Kyoung‑lae Kang z University of Rochester z “Between Two Deaths: Cinematic Memories of Comfort Women in Contemporary Korea” Hye Seung Chung z Colorado State University z “In Search of Self (in Others): Recent Trends in Korean Multicultural Films”

Sponsor: Asian/Pacific American Caucus 37 Session Z B 12:00 noon – 1:45 pm B12 World Archives B14 Authorship Across Media March 6, 2013 wednesday : : Chair: Brett Service Z University of Southern Chair: Caryn Murphy Z University of California Wisconsin‑Oshkosh Ramesh Kumar z New York University z “ The Artel Great z New York University z “The Mothership Film Archive as Cultural Commodity: EYEing the Connection: The Cultural Politics of Hollywood Shuffle Nederlands Filmmuseum “ and the Emergence of Black Transmedia Authorship” Juana Suarez z New York University z “Film Archives Leora Hadas z University of Nottingham z “Putting and the Construction of Cultural Histories in Latin the Vision Back in TV: Cross‑media Auteurship and America” the Legitimating of Television” Hend Alawadhi z University of Rochester z “On What George Carstocea z University of Southern California z Was, and What Remains: Palestinian Cinema and the “The Legacy Medium and Niche Comedy: TV Auteurs Archive” on the FX Network” Brett Service z University of Southern California z Caryn Murphy z University of Wisconsin‑ Oshkosh z “Digitizing Public TV: Copyright and the Corporation “DIY Television: HBO’s Girls and the Logics of Indie for Public Broadcasting’s American Archive” Production”

B13 American War Cinema B15 Science and Arcana Since Vietnam : Politics, Ideology, and Class Chair: Tracy Cox‑Stanton Z Savannah College of Art : and Design Chair: Patricia Keeton Z Ramapo College Caroline Bem z McGill University z “Archaic Number Peter Scheckner z Ramapo College z “Resurrecting Theory in Contemporary Narrative Cinema: The Case the ‘Good War’: Escaping the Shoals of Class of Death Proof” in Contemporary War Films through Historical Michael Metzger z Stanford University z “Beyond Representation” the Talking Head: Rethinking The Ascent of Man as an Patricia Keeton z Ramapo College z “Ideological Experiment in Art, Science, and Education” Negotiation in the Combat Film Genre” Kian Bergstrom z Roosevelt University/Columbia College Christina Smith z California State University, Chicago z “Exotic Cinema and the Mass Production Channel Islands z “Representations of Class from of Wonder: East of Borneo and Descartes” a ‘Grunt’s‑Eye View’ in Soldier‑filmed Iraq War Tracy Cox‑Stanton z Savannah College of Art and Documentaries” Design z “A Phonograph, a Sled, and a Jar of Susan Ryan z College of New Jersey z “Documentary Pickled Hands: Contemplating Cinema as a Cabinet of Film and the ‘Media Spectacle’ of the Iraq War” Curiosities”

Sponsor: Caucus on Class

38 Session wednesday

Z March 6, 2013 B 12:00 noon – 1:45 pm

Violent Girls and Tough Women Multi‑Modal Perspectives B16 B18 Media Industry Convergence from : Chair: Robin Means Coleman Z University of Character Creation to Genre Hybridity Michigan and New Viewing Technologies Cristina Stasia z University of Alberta z “‘Shut : the Hell Up and Pick Your Weapon’: Girls in Action Chair: Kitior Ngu Z University of Michigan Cinema” Drew Morton z Texas A&M University, Texarkana z Ilene Goldman z Independent Scholar z “The “There is Nothing Funny about a Clown in the Evolution of Snow White From Screen Darling to Moonlight: The Graphical Remediation of the Joker” Warrior Princess” Kelly Kessler z DePaul University z “Broadway in the Ian Murphy z University College Cork z “A Model of Box: Early Television’s Reliance on the Cultural Cachet Bisexual Performance: Jennifer Jason Leigh’s Method of the Musical” in Last Exit to Brooklyn” Bryan Sebok z Lewis and Clark College z “Media Robin Means Coleman z University of Michigan z Industry Convergence in Practice: The DVD Forum” “The ‘Enduring Black Woman’ vs. the ‘Final Girl’ in Kitior Ngu z University of Michigan z “New Horror Films” Possibilities, New Emergences?: Social TV and the Promise of Second Screen Apps”

Debugging the History of B17 Game Terminology I Speech, Music, and the Critical Studies of Marginal Concepts B19 Sound of Film and Media

: : Chair: David Thomas Z University of Colorado, Chair: Heather Warren‑Crow Z University of Denver Wisconsin‑Milwaukee David Thomas z University of Colorado, Denver z Nishant Shahani z Washington State University, “The Serious Problem of ‘Fun’ in Games” Pullman z “‘I Have a Voice’: Speech, Silence, and William Huber z University of Southern California z the Redemption of Empire” “D‑Day” Eric Dienstfrey z University of Wisconsin‑Madison z Audrey Larochelle z University of Montreal z “New Methods of Multichannel Surround Sound “Graphical Projection in Game Studies: A Hitchhiker’s Analysis and Contemporary Film Aesthetics” Guide” Brian Fauteux z University of Wisconsin‑Madison z Andrew (Andy) Keenan z University of Toronto z “Satellite Sounds and the Transnational Circulation “Cheating: A Critical Exploration of Rules and of Music” Subversive Play” Heather Warren‑Crow z University of z Sponsor: Video Game Studies Scholarly Interest Group Wisconsin‑Milwaukee “The Phonetics of Early Video Art”

39 Session Z B 12:00 noon – 1:45 pm B20 Aesthetics, Geopolitics, B22 Case Studies in March 6, 2013 wednesday and the World Transnational Cinema

: : Chair: Cesar Barros Z State University of New York, Chair: Christopher Gittings Z University of Western New Paltz Ontario Thomas Dorey z York University z “Seeing Iraq Swapnil Rai z University of Texas at Austin z “‘Made through Cross‑processed Eyes: David O. Russell’s in Bollywood’: Indian Popular Culture in Brazil’s Three Kings (1999)” Caminho das Indias” Kristi McKim z Hendrix College z “Screens, Skies, Shu Ching Chan z Taipei National University of the and Books: Cinematic Weather and Emma Bovary’s Arts z “The Chineseness of Café Lumière, Face/ Reading” Off, and Brokeback Mountain: Rethinking Cultural Mark Betz z King’s College London z “Recalling the Proximity and Intercultural Communication” Active Spectator” Katrin Pesch z University of California, San Diego z Cesar Barros z State University of New York, New Paltz z “Horizon and Environment in the Films of Ning Hao— “Anxiety, Aesthetics, and Politics in the New Latin An Eco‑critical and Transnational Approach” American Cinema” Christopher Gittings z University of Western Ontario z “Branding HBO Canada: Regulating Canadian Content and Transnational Flows in Less Than Kind and Call Me Fitz”

Workshop B21 Publishing on Digital Platforms : Workshop Chair: Christopher Hanson Z Syracuse University B23 Approaches to Teaching Co‑Chair: Joan Saab Z University of Rochester World Cinema Workshop Participants : z Kim Akass University of Hertfordshire Chair: William Costanzo Z SUNY, Westchester Norm Hirschy z Oxford University Press Community College Jennifer Porst z University of California, Los Angeles John David Rhodes z University of Sussex Workshop Participants Andrew Young z University of California, Los Angeles William Costanzo z SUNY, Westchester Community College Lisa Patti z Hobart and William Smith Colleges Grace Epstein z University of Cincinnati Diane Carson z St. Louis Community College, Meramec Monika Mehta z SUNY, University of Binghamton

Sponsors: Media Literacy + Pedagogical Outreach Scholarly Interest Group and Teaching Committee

40 Session wednesday

Z March 6, 2013 B 12:00 noon – 1:45 pm

Explorations in B24 Television Studies

: Chair: Michele Torre Z Southern Illinois University, Carbondale David Craig z University of Southern California z “Searching for Sorkin’s ‘Greater Fool’: The Critical Media Pedagogy of Aaron Sorkin’s The Newsroom” Michael Kackman z University of Texas at Austin z “The Aesthetics of Consensus: HBO’s The Newsroom and Nostalgia for the Vital Center” Ouidyane Elouardaoui z University of California, Santa Barbara z “The Social Effects of Imported TV Series on Arab Viewers (Case Study of Contemporary Turkish TV Soap Operas on Arab Television)” Michele Torre z Southern Illinois University, Carbondale z “Companions Wanted: The Doctor’s Women, The Grand Narrative, Gender, and Postmodern TV”

41 wednesday 42 March 6, 2013 Amanda Klein Jason Sperb Aleena Chia Chair: : C1 Session Melanie Kohnen Time ofTransmedia Storytelling” Time: TRON , Retro‑Blockbusters,andNostalgiainthe Civic SubjectivityinVirtual World Gaming” Citizens oftheUniverse™:CorporateGovernanceand Campaigns” Gender, andLegitimationinTransmedia Storytelling Harry PotterFranchise” Love withHermioneGranger:Affect,Genre,andthe Jason Sperb Transmedia Storytelling Affect intheAgeof

z z

z Indiana University Indiana University

z East CarolinaUniversity

New YorkUniversity Z

Indiana University Wednesday

z z “You AreAll

“Lost Track of C

z z “Affect, Flig in “Falling Laura Portwood‑Stacer Rachael Liberman Michele Rosenthal Chair: : C3 Nabil Echchaibi Muslim Home” “Evasive Tactics andMediaAmbivalenceinthe Platforms inEverydayLife” for UnderstandingResistancetoSocial Media “How We Talk aboutMediaRefusal:PopularFrames Ambivalence” from Email:LimitationofUseasaFormMedia Rivka Ribak Media Consumption” “Gendered PracticesintheDomesticRegulationof Z Laura Portwood‑Stacer Technologies inEverydayLife Ambivalent AttitudestowardMedia Negotiation Strategiesand Evasion, Refusal Freedom, Regulation, University

March 6,March 2013 2:00 –3:45 z

z University ofHaifa

z University ofColorado,Boulder z

University ofColorado,Boulder University ofHaifa z

New YorkUniversity

Z z

“Freedom New York

z and

z pm

z Session wednesday

Z March 6, 2013 C 2:00 – 3:45 pm C4 Character and Performance C6 Experimental Historiography : : Chair: Matthew Solomon Z University of Michigan Chair: Tom Kemper Z Crossroads School Ganga Rudraiah z Independent Scholar z “Singing Luci Mok z Harvard University z “Gould, Peterson, and Dancing like an ‘Aravaani’: Emerging Shankar: Performance and Virtuosity in Three Articulations of Transgender Performances in McLaren Animated Shorts” Contemporary Tamil Cinema” Jennie Goldstein z Stony Brook University z “With Kim Wilkins z University of Sydney z “Cast of a Projector Strapped to my Back: Trisha Brown’s Characters: The American Eccentrics and Pure Homemade (1966) as Screendance” Cinematic Characterization” Rachel Webb Jekanowski z Concordia University z Elizabeth Alsop z Western Kentucky University z “Confronting the Archive: Found Footage Filmmaking “The Imaginary Crowd: Neorealism and the Uses of and Archival Practice in La guerre d’un seul homme Coralità” (1982)” Tom Kemper z Crossroads School z “Technology and the 1960s Avant‑Garde”

Documentary Film Festivals C5 Activism, Education, and Archiving : C7 Art Historical Models Chair: Ger Zielinski Z Trent University and Methods

Ryan Bowles z University of California, Santa Barbara z : “‘How to Start a Human Rights Film Festival’: Training Chair: Andrea Gyenge Z University of Minnesota, and Resistance” Twin Cities Carole Roy z St. Francis Xavier University z Hannah Mowat z University of Cambridge z “Reviving “Documentary Film Festivals and Social Still Lives, Expanding Encounters: Reassessing Filmic Transformation” Embodiment through Aby Warburg” Aida Vallejo z University of the Basque Country Ryan Pierson z University of Pittsburgh z “ Artforum (UPV/EHU)/Autonomous University of Madrid (UAM) z Modernism, Phenomenology, and the Problem of “Documentary Film Festivals in Europe: A Historical Animation” Overview” Burke Hilsabeck z University of Michigan z Heather Barnes z University of North Carolina‑Chapel “Medium‑Specificity and the Slapstick Gag: Jerry Hill z “Preserving Film Festival Records” Lewis on Clement Greenberg” Sponsor: Film & Media Festivals Andrea Gyenge z University of Minnesota, Twin Cities z Scholarly Interest Group “Art History as Montage: Reading the Cinematic in Georges Didi‑Huberman”

Sponsor: CinemArts: Film & Art History Scholarly Interest Group

43 Session Z C 2:00 – 3:45 pm C8 Conceptualizing Nature C10 Early Soviet Cinema March 6, 2013 wednesday and Culture : : Chair: Maria Corrigan Z University of California, Chair: Elizabeth Walden Z Bryant University Santa Barbara Cortland Rankin z New York University z and Jennifer Zale z Indiana University z “Aleksandra Brady Fletcher z New York University z “From Khokhlova: A Product of Lev Kuleshov’s School of the Wilderness to the Garden and Back Again: Two Movement” Cinematic Histories of New York” Oksana Chefranova z New York University z “The Lisa Daily z George Mason University z “The Optics Eloquent Surface: Iconography, Materiality, and of Ethics: ‘De‑fetishizing’ the Ethical Commodity in Performativity of the Screen in Evgenii Bauer’s Silent Internet Advertising” Urban Melodrama” Claudia Springer z Framingham State University z Maria Corrigan z University of California, “The Radioactive West: Where the Western, Science Santa Barbara z “City of Overcoats: The Eccentric Fiction, and Eco‑films Meet” and the Grotesque in Early Leningrad Cinema” Elizabeth Walden z Bryant University z “ The Sponsor: Central/East/South European Cinemas Fantastic Mr. Fox: Animation and the Crucible of Scholarly Interest Group Nature”

Transnational Translations Forging Identity and C11 Gender and Genre in C9 Community in Virtual Worlds South Asian Cinema

: : Chair: Tim Anderson Z Old Dominion University Chair: Peter X. Feng Z University of Delaware Myles McNutt z University of Wisconsin‑Madison z Gohar Siddiqui z Syracuse University z “Composing Professional Identity Online: Bear “Dowry‑Deaths vs. Post‑feminism?: Transnational McCreary, Social Media, and the ‘Television Feminism through the Cross‑cultural Remake” Composer’” Meheli Sen z Rutgers University z “Ravishing Lee Knuttila z York University z “Understanding Reptiles: Gender, Genre and the Hindi ‘Snake Film’” YouTube Poop: Trolling Aesthetics for the LULZ” Jyotika Virdi z University of Windsor z “A Tim Anderson z Old Dominion University z “1,000 True National Cinema with Transnational Aspirations?: Fans Can’t Be Wrong: Online Conversations and Fan Considerations of ‘Bollywood’” Communities as a Means of Marketing and a Path Sponsors: Transnational Cinemas Scholarly Interest Group toward Middle‑Class Achievement” and Asian/Pacific American Caucus

44 Session wednesday

Z March 6, 2013 C 2:00 – 3:45 pm

Deep History I Authorial Expressions C12 Insight from Artifacts C14 Aesthetics and the Cinematic Art

: : Chair: James Deutsch Z Smithsonian Institution Chair: Rosemarie Scullion Z University of Iowa Giles Taylor z University of St Andrews z “Big Gozde Naiboglu z University of Manchester z Screens, Little Boxes: Cinerama, View‑Master, and “Post‑cinematic Germany: Temporality and Affect in the Aesthetics and Culture of Film Scale” Christian Petzold’s Jerichow (2009)” Heather Blackmore z University of Southern Zoran Samardzija z Columbia College Chicago z “The California z “Developing a Camera, Developing a Last Films of Theo Angelopoulos and the Fate of Culture: The Bell & Howell Filmo” ‘Art‑Cinema’ After the Euro Crisis” Benjamin Wiggins z University of Minnesota z Clayton Dillard z Oklahoma State University z “The “Entertaining Risk: A Brief History of Insurance in the Carnivalesque ‘Post‑Continuity’ of Neveldine/Taylor” Culture Industry” Rosemarie Scullion z University of Iowa z “Cashing Matthew Malsky z Clark University z “Early In: Monetism and Moral Economy in Jean‑Pierre and CinemaScope Sound Experiments” Luc Dardenne’s Lorna’s Silence (2007)”

C13 Class Formations and the Cinema C15 Pink Narcissus, Mildred Pierce, : & Kaboom Chair: Carleton Gholz Z Northeastern University Queer Media, Then and Now Suvadip Sinha z University of Toronto z “Comical : Control: Citizenship, Biopolitics, and Class in 1970s’ Chair: Ryan Powell Z King’s College London Hindi Romantic Dramas” Chris Tedjasukmana z Free University, Berlin z “Camp Sara Bernstein z University of California, Davis z Realism: Political Affect, Melodrama, and Todd “Where Have All ‘The Little Shop Girls’ Gone?: Haynes’ Mildred Pierce (2011)” Globalization, Undercover Bosses, and the Christine Evans z University of Kent z “Viva La Veda: Disappearance of an American Genre in the ‘New’ Love, Class, and Queerness in Mildred Pierce” Service Economy” Arnau Roig‑Mora z University of Illinois z “Is This Calvin Hui z Duke University z “Learning to Love How the World Ends?: Gregg Araki and the (New) Again” Queer Cinema in the 21st Century” Carleton Gholz z Northeastern University z Ryan Powell z King’s College London z “Authoring the “Theorizing the Filmic Assembly Line: Left Criticism in Homosexual in Pink Narcissus (1971)” the Reception of Blue Collar”

45 Session Z C 2:00 – 3:45 pm C16 Rebooting the Fairy Tale C18 The “New” Middle East? March 6, 2013 Implications for Cinema wednesday : Chair: Melissa Lenos Z Donnelly College and Media Studies David Andrews z Independent Scholar z “ Snow : White and the Huntsman: A Post‑feminist Reboot” Chair: Suzanne Gauch Z Temple University Melissa Lenos z Donnelly College z “Living in Suzanne Gauch z Temple University z “Hero Antiquity: Artifacts, Narrative, and the Procedural in Complex” NBC’s Grimm” Targol Mesbah z California Institute of Integral Kathleen Murray z University of Pittsburgh z Studies z “State Violence, Social Media, and “Curiosity, That Dangerous Desire to Know: The Traumatic Temporalities: Dusa’s Les Fleurs du Mal” Conjunction of the Investigating Woman and the Samirah Alkassim z Palestine Center z “Nation and Fairytale in Hanna” the Ramadan TV Serial” Susan Wood z University of Mississippi z “Why Snow Nezar Andary z Zayed University z “Engaging the White?: The Mayor in Fables and Once Upon a Time” Beginnings and Ends of the Arab Spring in Film and Media Cultures”

Sponsor: Middle East Caucus

Funny Chicks and Droll Dicks C17 Repression, Abjection, Subjection in Television Comedy Histories of Visual Technologies : C19 : Chair: Linda Mizejewski Z Ohio State University Chair: Constance Balides Z Tulane University Linda Mizejewski z Ohio State University z “A Poop Scott Curtis z Northwestern University z “The Song at the Beauty Pageant: Abjection and Femininity Efficiency of Images: Educational Effectiveness and on The Sarah Silverman Program” the Modernity of Motion Pictures” Rebecca Wanzo z Washington University z “A Tale Colin Williamson z University of Chicago z “An of Two Girls: Lena Dunham, Issa Rae, and Selling the Archaeology of ‘Seeing Vision’: Optical Devices and Abject Millennial Woman” the Investigation of Sleight‑of‑Hand Magic from Martha Nochimson z Independent Scholar z “ Doc Chronophotography to Cognitive (Neuro)Science” Martin: A Fractured Rom‑Com Tickles Julia Kristeva” Katie Day Good z Northwestern University z Victoria Sturtevant z University of Oklahoma z “The “Showing Slides and Talking Travel: Amateur Slide View from The Roof: Louie and the Unbearable Shows as Global Media” Lightness of Privilege” Constance Balides z Tulane University z “Didactic Visual Culture: Nineteenth Century Lantern Slides to Early Sociological Films”

Sponsor: Nontheatrical Film & Media Scholarly Interest Group

46 Session wednesday

Z March 6, 2013 C 2:00 – 3:45 pm

Earth‑Sensing Theories of Animation C20 Media Above and Below the Surface C22 : : Chair: Donna Kornhaber Z University of Texas at Chair: Nicole Starosielski Z New York University Austin Co‑Chair: Janet Walker Z University of California, Kerin Ogg z Wayne State University z “Freeze Frame, Santa Barbara Slow Motion, Long Take—or All of the Above?: Janet Walker z University of California, Cinematic Specificity and the Problematic Time of Santa Barbara z “Moving to Higher Ground?: Japan’s Limited Animation” Documentary Film and (Other) Scientific Sylvie Bissonnette z University of California, Audiovisualizations of Sea Level Rise” Berkeley z “Remediating Lightning Sketch Films: Lisa Parks z Univesity of California, Santa Barbara z From Early Animation to Recent Multimedia “Signal Territories: Studying US Broadcast Performances” Infrastructure Using Google Earth” Scott Bukatman z Stanford University z “Some Eva Hayward z University of New Mexico z Observations Pertaining to Cartoon Physics; or, the “Technologies of Migration: Conservation Science and Cartoon Cat in the Machine” Whale Media” Donna Kornhaber z University of Texas at Austin z Nicole Starosielski z New York University z “Moving Parts: Object Animation, Early Cinema, and “Sensing the Seafloor: Undersea Observatories and the Ontology of Film”

the Contours of Media Distribution” Sponsor: Animated Media Scholarly Interest Group

C21 Workshop Workshop Platform Studies C23 Teaching and Learning Debating the Future of a Field at a Distance : Taking the Film, TV, and New Chair: Caetlin Benson‑Allott Z Georgetown Media Classroom Online University : Workshop Participants Chair: Sharon Ross Z Columbia College chicago Ian Bogost z Georgia Institute of Technology Workshop Participants Jonathan Sterne z McGill University Kelly Kessler z DePaul University Steven Jones z Loyola University, Chicago Kelli Marshall z DePaul University Peter Krapp z University of California, Irvine Michael DeAngelis z DePaul University Sponsor: Video Game Studies Scholarly Interest Group Nicholas Southey z University of South Africa, Pretoria Elizabeth Gough‑Gordon z Rutgers University

47 Session Z C 2:00 – 3:45 pm ! C24 Indigenous Media Now Meeting March 6, 2013 wednesday : 2:00 – 3:45 pm Chair: Joanna Hearne Z University of Missouri Room: Florentine, Mezzanine Level (east) Pam Wilson z Reinhardt University z “Indigenous Digital Media: Claiming Cyberspace for a Re‑imagined Central/East/South European Cinemas Future” Scholarly Interest Group Angelica Lawson z University of Minnesota, Twin Cities z “Indigenous Activism and New Media: Urban Communities, Shared Production” Joanna Hearne z University of Missouri z “Indigenous Futures: Case Studies in Native Remediation” Joshua B. Nelson z University of Oklahoma z “How About a Drink: De‑Pathologizing Sex and Alcohol in American Indian Film”

48 wednesday March 6, 2013 49 “Ken “From z “Bond or “Racial z

z z

University of

Z acific D University of the P University of Chicago University of Colorado

University Transylvania z z

z z

Bond at 60 Lives of 007 Ernesto Acevedo‑Munoz Colorado Adam’s Boy Toys: Location and Production Design in Location and Production Boy Toys: Adam’s Early Bond Films” Dynamics of James Bond: The Superiority of White Dynamics of James Bond: The Superiority of White Masculinity in Die Another Day” Fleming’s Pussy Galore to Hollywood’s Pussy NoMore: Pussy Galore to Hollywood’s Fleming’s Finding Female Pleasure in Early James Bond” Bourne?: Daniel Craig and the Reinvention of 007” Bourne?: Daniel Craig and the Reinvention of Janet Robinson Colleen Glenn D3 : Chair: Merrill Schleier Young Eun Chae Young Session Session z

“‘The z

“‘It’s Not What “‘It’s z March 6, 2013 March 6,

pm University of Kansas

Z Z University of Kansas

Caldwell Community College

z z University of Pittsburgh University of South Carolina

z z

Television Studies Scholarly Interest Group Television Sorry to Interrupt Your Sorry to Interrupt Your Regularly Scheduled Plotting The Study of Contemporary Television Revenge Narrative in ABC’s Barbel Gobel‑Stolz

or: “Schrödinger’s Soap: The ‘Not So Alive’ Television Soap: The ‘Not So Alive’ Television “Schrödinger’s Mother in Revenge” You Look at that Matters, But What You See’: Reifying You Look at that Matters, But What You Class in Revenge” “‘There Might Be a Place for Kindness and Fairness, “‘There Might Be a Place for Kindness and Fairness, of but This is Definitely Not One of Them’: The Role Revenge” on ABC’s Genre, and Criticism Gender,

Outcome of Chaos Can Never Be Predicted. (Revenge 1.15)’—Classic Narrative Structures in Contemporary Complex Television” Ina Hark Dana Och Spons

: Chair: Barbel Gobel‑Stolz D1

– 5:45 4:00 Wednesday Michael Faucette Session Z D 4:00 – 5:45 pm D4 Trans‑Industrial Practices D5 Global Film Cultures March 6, 2013 International Festivals, wednesday : Chair: Linda Badley Z Middle Tennessee State Workshops, and New Waves University : Sharon Shahaf z Georgia State University z Chair: Anne Ciecko Z University of Massachusetts, “Understanding Global Television’s Formal Flows: Amherst From the First Hebrew Sitcom to the First Israeli Zeynep Yasar z Indiana University z “The Question Golden Globe” of ‘Indie‑ness’: Cultural Politics of the Istanbul Jeffrey Brassard z University of Alberta z “Moscow International Independent Film Festival” Goes Hollywood: Russian Television’s Adoption of Sara Saljoughi z University of Minnesota z “Inventing Western Industry Practices” ‘Our’ Avant‑Garde: The House is Black, The Golestan Lauhona Ganguly z American University z Film Workshop, and the Iranian New Wave” “Production Cultures and Cultural Re‑Productions in a Tze‑Lan Sang z Michigan State University z Global Television Industry: Rethinking Global Cultural “Globalization and Its Discontents through Chinese Economy with Indian Idol” Women’s Cinéma Vérité” Linda Badley z Middle Tennessee State University z Anne Ciecko z University of Massachusetts, Amherst z “The Indiewoodized Transnational Film: The New “Contemporary Armenian Film Culture(s) and Multiculturalism” Structures of Sensation and Taste: From Pomegranate Tableaux to Multidimensional Apricots”

Sponsor: Film & Media Festivals Scholarly Interest Group

D6 Spectatorship on the Internet : Tweet . . . Chair: Rachel Thibault Z University of Massachusetts, Amherst your experiences Nicholas Benson z Old Dominion University z during the conference “Changing the Grid: How Generation Is Imagined in TRON Fandom” Verena Kick z University of Washington z “Social Networks and Internet Cinephilia—The Case of Use hashtag Amélie” Dan Hassoun z University of Minnesota z “The Threat #SCMS13 of Inattention: Media Multitasking and the Active Audience” Rachel Thibault z University of Massachusetts, Amherst z “Women, Film Blogging, and the 50 Cinephilia of Interruptions” Session wednesday

Z March 6, 2013 D 4:00 – 5:45 pm

Permeable Boundaries Media Afterlives, D7 Documentation in the Visual Arts D9 Appropriations, and Flows

: : Chair: Vinicius Navarro Z Georgia Institute of Chair: David Gurney Z Texas A&M University, Corpus Technology Christi Daniel Pope z University of Massachusetts, Amherst z Samuel Tobin z Fitchburg State University z “The “On the Shores of Memory: Figuring Nonfiction in Afterlife of the American Video Arcade” Agnès Varda’s Les plages d’Agnès” Braxton Soderman z Miami University z “Streams David Harvey z University of Iowa z “Rethinking of Consumption: Similarities between Televisual and Voice in the Essay Film Form” Video Game Flow” Ulrike Hanstein z Bauhaus University, Weimar z Allison Rittmayer z University of Florida z “Chris “Here and Now, and Again: Performance Art and Marker and the Cinémathèque of History” Moving‑Image Documentation” David Gurney z Texas A&M University, Corpus Christi z Vinicius Navarro z Georgia Institute of Technology z “Speaking in GIFs: Appropriative Visual Culture in “Fiction/Nonfiction: ‘Hybrid’ Aesthetics and Digital Forums” Contemporary Cinema”

D10 Representing Spanish D8 Galleries/Museums in History National Identity : : Chair: Paul McEwan Z Muhlenberg College Chair: Ian Olney Z York College of Pennsylvania Laura LaPlaca z Northwestern University z “‘From Harry Karahalios z Duke University z “Examining the Louvre to You, From the Prado to You’: Frederick Spain’s Interstitial Location in Europe’s Periphery Kiesler’s Televisual Posturing” Through Dominic Harari’s and Teresa Pelegri’s Seres Alison Kozberg z University of Southern California z Queridos (2004)” “Abstraction, Politics, and Programming at Brockman Noelia Saenz z Independent Scholar z “Mediating Gallery Productions” Hispanidad: Negotiating Race, Place, and Cultural Nadia Bozak z Ontario College of Art and Design z Identity in The Mark of Zorro” “Surviving Images: Disseminating First Nations’ Ian Olney z York College of Pennsylvania z “Looking Wisdom across Time, Language, Media, and Culture” with Julia’s Eyes: Gender, Spectatorship, and Paul McEwan z Muhlenberg College z “American Contemporary Spanish Horror Cinema” Film Masters: The Birth of a Nation, the MOMA Film Library, and the Development of Film Culture”

Sponsor: CinemArts: Film & Art History Scholarly Interest Group

51 Session Z D 4:00 – 5:45 pm D11 Cinemas of Immigration D13 Silent Cinema and Time Travel March 6, 2013 wednesday and Diaspora : : Chair: Margaret Hennefeld Z Brown University Chair: Amy Tibbitts Z Beloit College Margaret Hennefeld z Brown University z Deane Williams z Monash University z “No “Dreaming of ‘Doing Time’: Women and Convicts in Going Back: Continuity and Change in Australian Vitagraph Trick Films” Documentary” Rielle Navitski z University of California, Berkeley z Gaoheng Zhang z University of Southern California z “The Afterlife of Imported Serials and Westerns in “‘Made in Italy’ by Chinese Immigrants: Media Brazil: Regional Film Distribution and Production in Representation of the Garment Industry Owned by the Twenties” Chinese Immigrants in Prato (Tuscany), Italy in Late Jennifer Bean z University of Washington z “Prints 2000s” in Motion: Toward a Global Theory of Silent Cinema’s Brooks Hefner z James Madison University z “ The Iron ‘Misuse Value’” Horse and Multiethnic Labor: Silent Western Epics Respondent: Jennifer Peterson z University of Colorado, and US Immigration Legislation” Boulder Amy Tibbitts z Beloit College z “Robinson in Spain: How Pedro Aguilera’s Film Naufragio Recasts the African Immigrant in Spain” D14 Crime Genres Crossing Borders : Chair: Robert Silberman Z University of Minnesota Deep History II z z D12 Insight from Artifacts Juan Tarancon University of Zaragoza “Darkness Within: The Rise of Film Noir in the Context of : Francoist Spain.” Chair: Mack Hagood Z Indiana University Robyn Citizen z New York University z “From Kyle Stine z University of Iowa z “Cybernetic Movie Brother to Outrage: Takeshi Kitano and Interracial Machines: Norbert Wiener’s Cinema Integraph and Masculinities in his Yakuza Films” Richard S. Morse’s Data Soundtracks” Juan Llamas Rodriguez z Concordia University z Sindhu Zagoren z University of North Carolina‑Chapel “What is Narcocinema?; or, the Politics of Genre Hill z “We Want the Airwaves: Early Radio and the Repurposing in Informal Film Distribution” Struggle for Airspace” Robert Silberman z University of Minnesota z “The Mack Hagood z Indiana University z “Nixon, Gangster Movie Goes Global: Jerusalema and the Mobster, Bigfoot: The Performative Audio Media Post‑Apartheid Dilemma” Forensics of Irv Teibel”

52 Session wednesday

Z March 6, 2013 D 4:00 – 5:45 pm

Philosophical Hermeneutics The Remediation of Race D15 D18 New Media, Selective Memory, : Chair: Steven Bailey Z York University and the Politics of Resistance Agustin Zarzosa z SUNY, Purchase College z “The : Island of Forgotten Pain” Chair: Alexander Cho Z University of Texas at Austin Edward Lamberti z King’s College London z “When Candice Haddad z University of Michigan z a Gigolo Loves a Woman: American Gigolo, Levinas, “Resistant (Hyper)Visuality: Narrating Nostalgia and the Ethics of Falling in Love” through Pro‑Palestinian Facebook Activity” Justin Horton z Georgia State University z Wendy Sung z University of Michigan z “When New “Disembodiment and Ecstatic Perception in The Tree Media and Racial Violence Collide: The Rodney King of Life” Beating Videotape and Civil Rights Television” Steven Bailey z York University z “Reframing Patty Ahn z University of Southern California z “Online Ricoeur: Multi‑sensory Cinema as ‘Committed Afterlives of the ‘Forgotten’ War: The Kim Sisters, Appropriation’ and Two Unusual Films Noir” Memory, and Cold War Performance” Alexander Cho z University of Texas at Austin z “On the Intimate Refrain: Mixed‑Race Asian Americans and Tumblr.com”

Workshop D16 Contemporary Latin American Cinema’s Breakthrough Paradigms for Sustainability D19 Visuality of Adaptation Innovation in Film Finance in Japanese Cinema and Distribution : Z : Chair: Michael Chan Yale University Chair: Tamara Falicov Z University of Kansas Norie Taniguchi z Waseda University z “Nikkatsu Co‑Chair: Carlos Gutierrez Z Cinema Tropical Muko¯jima’s Ukiyo and National Cinema” Sawako Ogawa z Kyoto University z “Cinematic Workshop Participants z Visuality of Albert Capellani and the ‘Japanization’ of Natalia Almada Filmmaker Les Misérables” Cristina Venegas z University of California, Miyoko Shimura z Waseda University z “Adaptation Santa Barbara during the Cold War Era: Sayonara (1957) by James Luisela Alvaray z DePaul University Michener” Carlos Gutierrez z Cinema Tropical Michael Chan z Yale University z “The Makioka Sponsor: Latino/a Caucus Sister or the Sisters Makioka: Adaptations of Sasameyuki and the Politics of Sisterhood”

Sponsor: Asian/Pacific American Caucus

53 Session Z D 4:00 – 5:45 pm D20 Workshop D22 “Post‑Feminists” and March 6, 2013 wednesday American Smart Film Franchise‑able Girls

: : Chair: Jeffrey Sconce Z Northwestern University Chair: Angharad Valdivia Z University of Illinois Sarah Projansky z University of Utah z “Defining the Workshop Participants Franchise‑able Girl” Thomas Dorey z York University Dara Murray z Rutgers University z “Empowered William Rothman z University of Miami Fatties?: An Examination of Self‑Branded, Murray Pomerance z Ryerson University Post‑feminist Users” Michael Hable z University of Miami Aviva Dove‑Viebahn z Arizona State University z Claire Perkins z Monash University “Blood in the Water: Desire, the Abject, and the Apocalyptic Sublime in Resident Evil: Afterlife” Angharad Valdivia z University of Illinois z “Post‑feminism Girl Groups Take a Transnational Tour: Workshop Popular Cinema Takes Up the Travel Narrative in an Intersectional World” D21 Transnational Cinema Studies Future Directions Sponsor: Women’s Caucus

: Chair: R. Barton Palmer Z Clemson University

Workshop Participants Warhol in Three Takes Kathleen Newman z University of Iowa D23 Natasa Durovicova z University of Iowa : Christina Klein z Boston College Chair: Kay Dickinson Z Concordia University Ahmet Gurata z Bilkent University Glyn Davis z University of Edinburgh z “ Bike Boy and Iain Smith z University of Roehampton Warhol’s Sexploitation Cycle”

Sponsor: Central/East/South European Cinemas Mandy Merck z Royal Holloway, University of London z Scholarly Interest Group and Transnational “Susan Sontag’s Screen Tests” Cinemas Scholarly Interest Group Gary Needham z Nottingham Trent University z “Bufferin Commercial, Bad Filmmaking, and Business Art”

Respondent: Ara Osterweil z McGill University

54 Session wednesday

Z March 6, 2013 D 4:00 – 5:45 pm D24 Engaging the Avatar ! Meeting : 4:00 – 5:45 pm Chair: Harrison Gish Z University of California, Room: Los Angeles The Club International, Lobby Level Co‑Chair: Jessica Aldred Z University of Montreal Middle East Caucus Harrison Gish z University of California, Los Angeles z “Avatar Interactivity: Modifying and Manipulating Play” Brian Greenspan z Carleton University z “Mass ! Meeting Effects: Believable Avatars and Networked Engagement” 6:00 – 7:45 pm Jessica Aldred z University of Montreal z “LEGO Room: The Club International, Lobby Level My Avatar: Abstraction, Convergence, and the Caucus on Class Contemporary Movie‑Game Character” Reem Hilu z Northwestern University z “Embodying the Avatar: Transformative Play in Urban Games”

Sponsor: Video Game Studies Scholarly Interest Group

55 wednesday 56 March 6, 2013 reception toallowthoseinattendancesharestoriesandreminisceaboutDoty’s lifeandtheimpactofhiswork. inspired Doty’s workandthathaveresonatedwithqueerfansscholarsfordecades.Theeventwillbefollowedbya the field of queer media studies more generally. Their presentations will include clips of films and television shows that highlight the ways in whichDoty’s scholarship and mentorship played a key rolein the development of their ownwork and each address the particular ways in which Doty’s work influenced them professionally and personally. Each presenter will to come.Incelebratinghislifeandwork,theeventfeaturespresentationsfromluminariesinqueermediastudieswhowill founding memberofthe SCMS QueerCaucus,whoseuntimelypassingwillbemournedbymanygenerationsofscholars active participantsandleadersinthefieldofqueermediastudies.ThiseventhonorsDotyasahighlyrespectedscholar intellectual rigorand fearless vision has inspiredandmotivatedcountlessscholars,activists,filmmakersto become Alexander M.Dotydevotedhislifetorevolutionizingthewaywethinkaboutsexualityandmedia.Hiscombinationof Remembering the Life &LegacyofAlexanderDoty Remembering theLife rdinatCoo ors: Julia Himberg Z Wednesday, March 6,Wednesday, March 2013

Arizona State University Sponsored bySCMSandtheQueerCaucus Caucus/SIG Special Event m: Roo ! Meeting Jennifer Malkowski Women inScreenHistory m: Roo Scholarly InterestGroup The Club Internati onal, Lobb m, Lobb Grand Ballroo 6:00 –8:00 8:00 –9:45

Patty Ahn Z pm

pm Smith College y Level y Level Z

University OfSouthernCalifornia

and wednesday March 6, 2013 57

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University of Calgary

Z venue Brendan Kredell

pm Z

Kings College London

Z 6:00 – 9:00 tlantic University Mark Shiel Public Media 2.0 Florida A

pecial Event SIG Special Caucus/ Z A 220 E. Chicago Art, Museum of Contemporary Wednesday, March 6, 2013 MarchWednesday, 6, on: cati Please refer to the Chicago Vincity Map on page 26 for location. Vincity Please refer to the Chicago Lo academic community and the broader Chicago community as well. academic community and the broader Chicago the University of Chicago, Department of Cinema and Media Studies the University of Chicago, Department of A Conversation on the Future of Urban Documentary and Social Change Future of Urban Documentary and Social A Conversation on the The event will be open to the public, and aims to attract an audience from the The event will be open to the public, and with additional support from the Caucus on Class and Women’s Caucus, and from Caucus, Class and Women’s with additional support from the Caucus on Stephen Charbonneau Sponsored by SCMS, Urban Studies and Documentary Studies Scholarly Interest Groups Sponsored by SCMS, Urban Studies and Documentary ors: Coordinat “Public Media 2.0” will consist of two staged conversations and a roundtable discussion about the past, present, and roundtable discussion about the past, present, consist of two staged conversations and a “Public Media 2.0” will urban media. future of socially‑conscious both (Kartemquin) and Allan Siegel (Newsreel), with a staged discussion between Gordon Quinn The evening will begin present 1960s that continue to be influential in the in founding documentary collectives in the of whom played key roles and present of urban their conversation will reflect on the past College London), Moderated by Mark Shiel (King’s day. works documentary shorts and excerpts from longer and will be accompanied by a selection of social issue documentary produced by Kartemquin and Newsreel. (Hoop Dreams, The Interrupters) and Michelle Citron (Columbia College In the second staged conversation, Steve James of making documentary media in the urban context today and how Chicago) will discuss the possibilities and challenges by B. Ruby Rich (University of California, Santa Cruz), this conversation such media might evolve in the future. Moderated and excerpts. will also be followed by a selection of short works discussion moderated by Brendan Kredell (University of Calgary). This will The evening will conclude with a roundtable with an opportunity to ask participants and moderators and will provide audience members feature all of the program’s questions. ranging, we expect to address the legacy of seminal radical documentary While the conversation is expected to be wide ways in which our notions of the potential of documentary media have media collectives in contemporary practice, the and the specificity of the urban environment as a subject and as a filming shifted with changes in the media landscape, and conceptual, “Public Media 2.0” will speak to the interests of a location. Simultaneously historical, geographical, vexed question of democratic mobilization in a multi‑media environment. diverse cross‑section of audiences and to the thursday 58 March 7, 2013 Mirasol Enriquez Stephen Babish Chair: : E1 Session Kimberly Owczarski Michael Kmet Creative LaborintheFilmandTelevision Industry” “Script ClearanceandResearch:Unacknowledged Ketchup inaSalsaBottle” “Fox(y) LatinasandChasingPapi(2003):Trying toSell Postindustrial ImageProduction” “Logan’s Run,theTexas FilmCommission,and Corporate AuthorshipinFranchiseFilmProduction” “‘More thanMeetstheEye’:Transformers and University Kimberly Owczarski The IndustryNegotiates

z University ofCalifornia,Los Angeles z

Northwestern University University ofCalifornia,Riverside z

Texas ChristianUniversity Z

Texas Christian Thursday E

z z Christina Gerhardt Respondent: Spons Chair: : E3 Marco Abel Gerd Gemunden Lucrecia MartelandChristophHochhäusler” National andtheRegional:LocatingCinemaof Apichatpong Weerasethakul” Berlin SchoolandtheCinemaofThaiDirector the NewEurope” The ‘BerlinSchool,’theRomanianNewWave, and Desires intheAgeofTransnational Neoliberalism: Z or: Marvin D’Lugo Scholarly InterestGroup Central/East/South EuropeanCinemas Marco Abel Romania, Argentina,andThailand Global Contexts The BerlinSchoolin

9:00 –10:45 March 7,March 2013 z

University ofNebraska z

z Dartmouth College

University ofHawaii Z

University ofNebraska z

Clark University

z “Political “The

z “The

am Session Z E 9:00 – 10:45 am

Educational Films from Documentary E4 Empire to Privatization E5 Ethnography, Ethics, and Subcultures Tracking Mobile Cinemas in Colonial : British Malaya and Ghana Chair: Laura Gutierrez Z University of Arizona : Jessica Fowler z University of California, Los Angeles z Chair: Nadine Chan Z University of Southern “‘A Curious and True and Dramatic Film’: John California Steinbeck’s The Forgotten Village (1941)” March

Nadine Chan z University of Southern California z Katherine Steinbach z University of Iowa z thursday “‘They Must Be Made Problem‑Conscious’: “Deconstructing the Family Myth: The Family 7, 2013 Educational Film and the Rural Cinema Caravan in Documentary and the Evolution of Postwar Home 1930s British Malaya” Movies” Jennifer Blaylock z University of California, Berkeley z Diane Waldman z University of Denver z “The Persistent Instructor: Forty‑five years of Kofi the “Documentary Filmmakers and Unsympathetic Good Farmer in Ghana” Subjects: The Case of Le Mur” Peter Bloom z University of California, Santa Barbara z Laura Gutierrez z University of Arizona z “Living in “The Transnational Politics of Privatizing Media: The Cities of the Dead: Natalia Almada’s Documentaries” Story of Malaysian TV3 in Ghana” Sponsor: Documentary Studies Scholarly Interest Group Respondent: Priya Jaikumar z University of Southern California

Sponsor: Nontheatrical Film & Media Scholarly Interest Group Serious Diversions E6 Gay Games, Grindr, LOLcats, SYTYCD

: Chair: Karen Backstein Z Sterling Publishing Allison Page z University of Minnesota z “Circulating Remember . . . Cuteness: Affect, Capital, and Cute Animal Videos” to purchase raffle tickets Evan Brody z University of Southern California z 1 for $5 “They’re on My Team: Reading Transgressive Bodies 5 for $20 through Contemporary LGBT Sports Documentaries” z z benefitting the Travel Fund Evangelos Tziallas Concordia University “Grindr and the New Medical Gaze: Neoliberalism, Gay Male $500 Visa gift card Dividuality, and Databanks” Karen Backstein z Sterling Publishing z “So You Tickets available at Conference Registration Think You *Know* Dance: Culture, Entertainment, and Athletics in So You Think You Can Dance”

59 Session Z E 9:00 – 10:45 am

Installing the Nation Sounds and Silences E7 Art, Memory, Performance E9 : : Chair: Charles Kronengold Z Stanford University Chair: Dorit Naaman Z Queen’s University Chelsey Crawford z Oklahoma State University z Aleksandra Kaminska z York University z “Sound Off: Absolute Cinematic Silence and the “Hypermediation in the Ruins of Socialism; or, Unconscious” Concrete Legacies in an Age of Fiction” Manuel Garin z University of Pompeu Fabra z Amanda Graham z University of Rochester z “Roof “Silent Film Gameplay: Keaton, Mario, and the Rules, Revised: Babette Mangolte’s Roof and Fire Misadventures of Visual Freedom” Piece and Anahita Razmi’s Roof Piece Tehran” Charles Kronengold z Stanford University z Rijuta Mehta z Brown University z “Photo Finish: “Puzzling Interfacing, Musical Thinking, and thursday March 7, 2013 Bodily Remains and Statements of Horror in Partition Multisensory Experience”

Photography” Sponsor: Sound Studies Scholarly Interest Group Dorit Naaman z Queen’s University z “Inside/out: Projecting Memories of Home on the House”

Disney’s Song of the South E10 Revisited Adapting US Television for Italy : E8 Reflections on Language, Culture, Chair: Patricia Oman Z Hastings College Distribution, and Formats Joanna Rapf z University of Oklahoma z “A New : Z ‘Laughing Place’: One Writer’s Perspective on Song of Chair: Chiara Bucaria University of Bologna the South” Luca Barra z Catholic University of the Sacred Heart z Erin Heath z University of Illinois, Urbana‑Champaign z “Distorted Laughter: The Broadcaster’s Mediations of “The Interplay of Live Action and Animated Racial US Sitcoms on Italian TV” Drag in Song of the South” Chiara Bucaria z University of Bologna z “Genetically Holly Kent z University of Illinois, Springfield z “‘You Modified Television?: Evidence from New Modes of Spoil Everything!’: Fashion and Constructions of TV Translation in Italy” Class, Race, and Gender in Song of the South” Chiara Ferrari z California State University, Chico z Patricia Oman z Hastings College z “The Regional “Reformatting Is Older Than You Think: ‘Original Form of Disney: Song of the South and Joel Chandler Adaptations’ in Early Italian TV” Harris’s Uncle Remus Stories” Michela Ardizzoni z University of Colorado z Sponsor: Animated Media Scholarly Interest Group “Slithering the News: Gender and the Adaptation of News Parody in Italy”

Sponsor: Television Studies Scholarly Interest Group

60 Session Z E 9:00 – 10:45 am

(In)Visible Violence in Women’s Work E11 Japanese Cinema E13 Authorship and Context Embodiment and Experience : : Chair: Belinda Smaill Z Monash University Chair: Namhee Han Z The University of Chicago Jennifer Smyth z University of Warwick z “Resistant Namhee Han z The University of Chicago z “Sacred Women and Contested Frames”

Inscription, Violent Empire: Technology of the Brandon Colvin z University of Wisconsin‑Madison z March Emperor’s Body in Emperor Meiji and the Great “Explaining Varda’s Lions Love: A European Director thursday Russo‑Japanese War (1957)” Responds to an American Cultural Marketplace” 7, 2013 Kim Icreverzi z University of California, Irvine z Shih‑Shan Chen z Simon Fraser University z “Hamano Sachi’s Complaint: Repetition and Aporia in “Validating Female Authorship in Chinese Cinema: the Reimagining of Women’s Cinema” The Case of Li Yu” Respondent: Naoki Yamamoto z Yale University Belinda Smaill z Monash University z “Regimes of Value: Rethinking the Female Director in Transnational Cinema Contexts”

Race Relations and Race E12 Consciousness Shock, Authorship, and Industry : E14 Chair: Priscilla Layne Z University of North : Carolina‑Chapel Hill Chair: Graig Alan Uhlin Z New York University Dayna Chatman z University of Southern California z Maureen Rogers z University of Wisconsin‑Madison z “‘Something New’: (Re‑)Framing the Black Female “From the Underground to the Grindhouse: Andy Subject within Discourses of Post‑feminism” Warhol’s Lonesome Cowboys (1968) and the US Sexploitation Market” Derek Kane‑Meddock z New York University z “‘You’re Married to Me . . . and Here’s the Ring’: Sean Cashbaugh z University of Texas at Austin z Displacing Miscegenation in The Defiant Ones (1958, “From Vaudeville to Punk Pranks: Performance and Stanley Kramer)” Authorship in the Work of Harmony Korine” Timeka Williams z University of Michigan z “‘We Nathan Koob z University of Michigan z “Free Love Them and They Love Us’: Reimagining American Association: Robert Rodriguez and Artistry through Race Relations through Cinematic Black History Industry” Narratives” Graig Alan Uhlin z New York University z “Trace and Priscilla Layne z University of North Carolina‑Chapel Testimony: Memory and Truth in the Films of David Hill z “‘Schwarz ist in’: Racial Fetishism, Sexuality, Fincher” and Black Masculinity in Lothar Lambert’s 1 Berlin Harlem”

Sponsors: African/African American Caucus and Oscar Micheaux Society Scholarly Interest Group

61 Session Z E 9:00 – 10:45 am

Affect/Identification/ Public Interactions with E15 Phenomenology E17 Cyber Connectivity

: : Chair: Jane Stadler Z University of Queensland Chair: Brandon Arroyo Z Concordia University Aaron Pellerin z Wayne State University z “Beyond Zach Melzer z Concordia University z “For a History Epistephilia: I Am a Sex Addict and Documentary of Networked Societies’ Cultures: Between Screens Affect” of Limestone and a Bowl of Light” Monique Bourdage z University of Michigan z Brandon Arroyo z Concordia University z “The “Playboy’s Penthouse and Phenomenology: Experience Internet as Public Utility: Localizing the World‑Wide and Liveness in Hef’s TV Party” Web” z University of California, z Old Dominion University z thursday Scott R. Selisker Jamie Henthorn March 7, 2013 Santa Barbara z “Between the Motion and the Act: “Rewriting Neighborhoods: Zombies, Run! and The Phenomenology of Automatism and Cinematic Suburban Space” Horror” Sharif Mowlabocus z University of Sussex z “‘Hide Jane Stadler z University of Queensland z “Affectless Your Kids, Hide Your Wife’: A Critical Response to the Empathy and The Killer Inside Me” ‘Privatizing’ of Registered Sex Offender Data in the USA”

Workshop E16 Scholarly Social Media The Action Genre, Urban Space, Successes, Failures, and E18 and Technologies of Vision

Future (#SCMS2013Social) : : Chair: Lorrie Palmer Z Indiana University Chair: Elizabeth Ellcessor Z Indiana University Catherine Zimmer z Pace University z “Geosurveillance in Political Action‑Thrillers: Workshop Participants Targeting and the Global Subject” Gina Giotta z California State University, Northridge Russell Meeuf z University of Idaho z “Thai Action Dan Leopard z Saint Mary’s College of California z Spectacle: Vulnerable Bodies and Visual Technologies Jamie Poster Irvine Valley College in Chocolate (2008)” Andrew Miller z Sacred Heart University Matthias Stork z University of California, Los Angeles z Leah Shafer z Hobart and William Smith Colleges “Tech‑Wars: Mapping the Aesthetics of Post‑Cinematic City Space in Action Films and Video Games” Lorrie Palmer z Indiana University z “Cranking it up in the City: Hypermediation in Digital Action Cinema”

Sponsor: Urban Studies Scholarly Interest Group

62 Session Z E 9:00 – 10:45 am

Cinema as Timepiece Digital Histories E19 Perspectives on The Clock E21 : : Chair: James Hodge Z Duke University Chair: Catherine Russell Z Concordia University Carolina Larrain z University of Chile z “The Impact Erika Balsom z Carleton University z “Around The of Digital Technologies on Cinemas of the South, a Clock: Museum and Market” Case Study of Chilean New Digital Cinema”

Nora Alter z Temple University z “Different Histories Brent Strang z Stony Brook University z “In the March of Cinema: Godard and Marclay” Sandbox with Machinima’s Message: Tetradic thursday Analysis and Intermedial Visual Literacy” Eli Horwatt z York University z “On The Clock, 7, 2013 Iconographic Seriality, and Film History” James Hodge z Duke University z “Ken Jacobs’ Catherine Russell z Concordia University z “Archival Digital Cinema and the Phenomenology of History” Cinephilia in The Clock”

Sponsor: CinemArts: Film & Art History Scholarly Interest Group E22 Moviegoing Around the World : Chair: Nora Gortcheva Z University of Maine Queering Media Spaces Maria A Velez‑Serna z University of Glasgow z “Film E20 Distribution in Scotland in the 1910s: A Case Study in : Artificial Scarcity as Institutional Strategy” Chair: Rosana Blanco‑Cano Z Trinity University Lies Van de Vijver z Ghent University z “Researching Joselyn Leimbach z Indiana University z “Queer Pasts Haunt Queer Presents (and the Present Taunts Film Exhibition, Programming, and Moviegoing in Back): Queer Temporality and ‘Lesbian’ Camp in Ghent: A Case of Multimethod Research Approach” D.E.B.S.” Nora Gortcheva z University of Maine z “Between the Storefront Cinemas and Movie Palaces: Locating Eva Romero z University of Arizona z “Queering Paraguayan Film: Cuchillo de Palo (2010) and Semana Cinema in Wilhelmine Berlin (1909–1913)” Capital (2010)” Mark Hain z Indiana University z “Visualizing the Great American Songbook: Queer Archiving, Class, and Memory” Rosana Blanco‑Cano z Trinity University z “New Discursive Spaces in Mexican Television?: Depictions of Alternative Sexualities in Las Aparicio (2010)”

63 Session Z E 9:00 – 10:45 am

Workshop Spaces of Childhood 1 E23 Gender, Networking, Social E24 Animated Spaces Media, and Collegiality : : Chair: Jennifer Fleeger Z The Catholic University of Chair: Anna Froula Z East Carolina University America Cary Elza z Northwestern University z “A Spielraum Workshop Participants of Her Own: Childhood, Gender, and Play‑Spaces in Kirsten Strayer z University of Pittsburgh Early Disney Animation” Dana Och z University of Pittsburgh Eric Herhuth z University of Wisconsin‑Milwaukee z Karen Petruska z Northeastern University “The Place of Childhood in Pixar’s Digital Space: Amanda Klein z East Carolina University 1995–2008” thursday March 7, 2013 Erika Johnson‑Lewis z St. Petersburg College Jennifer Fleeger z The Catholic University of America z Sponsor: Women’s Caucus “‘Say Click’: Dora the Explorer and the Digital Child”

Respondent: Susan Ohmer z University of Notre Dame

Sponsor: Animated Media Scholarly Interest Group

64 thursday March 7, 2013 65 “Play z z “Belief

“Terrence z F

Drexel Uiversity

Z Macquarie University

Texas Christian University Drexel Uiversity University of Pennsylvania z

z z z y Level

Terrence Malick Terrence Critical Perspectives on Forty of Filmmaking Years Gregory Wolmart pm in this World: Bazinian Cinephilia and Malick’s The Cinephilia and Malick’s Bazinian in this World: of Life” Tree This Movie Loud: Sound and Silence in Terrence This Movie Loud: Sound and Silence in Terrence Malick Films” Malick: The Legacies of America’s Pre‑eminent Film Malick: The Legacies of America’s Auteur” “Terrence Malick and the Question of Cinematic “Terrence Value” Timothy Corrigan Timothy Robert Sinnerbrink Joan McGettigan F3 : Chair: Gregory Wolmart Session Session – 12:45 am “The pm 11:00 z

“Flexible z onal, Lobb b Internati The Clu

“The Light Room: z

March 7, 2013 March 7, Thursday, March 7, 2013 Thursday, March 7, University of California,

Z Z – 12:45 King’s College London University of California, Trinity University

Austin University of Texas at

Orientation for New Members for Orientation z z

z “A Cook’s Tour of the World: Location of the World: Tour “A Cook’s z

am z

Daniel Steinhart The Art and Practice of Location The Art and Practice of Location Shooting in Film and Television Los Angeles

through the Window: Cinematography on Location in through the Window: Cinematography on Location the Films of Otto Preminger”

Shooting in Hollywood’s Postwar ‘Runaway’ Shooting in Hollywood’s Productions”

Aesthetics: Location Shooting and the Steadicam in New Hollywood Cinema” Life and Death of American Regionalism on Route 66” Los Angeles Joshua Gleich Patrick Keating Lawrence Webb Daniel Steinhart : Chair: F1

11:00 Thursday Session Z F 11:00 am – 12:45 pm

The Commons, Cosmopolitanism, Contemporary Latin American F4 and Contemporary F6 Women Filmmakers

Visual Cultures : : Chair: Cynthia Tompkins Z Arizona State University Chair: Aniruddha Maitra Z Brown University Paul Schroeder Rodríguez z Northeastern Illinois Co‑Chair: Avery Slater Z Cornell University University z “Little Red Riding Hood Meets Freud in Aniruddha Maitra z Brown University z Lucrecia Martel’s Salta Trilogy” “Cosmopolitics and Gender in the Commons” Carolina Rocha z Southern Illinois University z Avery Slater z Cornell University z “Apocalyptic “Coming of Age through a Woman’s Eyes: El último Commons” verano de la boyita (2009)” z St. Edwards’s University z thursday z z Georgia Seminet March 7, 2013 Michelle Cho Brown University “K‑pop, YouTube and ‘Pop Cosmopolitanism’ in the Digital Age” “Redefining the Symbolic: Patriarchy, Desire, and Coming‑of‑Age as a Bisexual in Joven y alocada Respondent: Paige Sarlin z SUNY, University at Buffalo (Young and Wild, 2012)” Cynthia Tompkins z Arizona State University z “Time‑movement and Atemporality in Albertina Carri’s La rabia (2008)” War and Science Fiction Sponsors: Latino/a Caucus and Women’s Caucus F5 in Contemporary Film and Video Games

: Z Chair: Tanine Allison Emory University Critical Perspectives on Werner Tanine Allison z Emory University z “The ‘Good F7 Herzog’s Documentaries War’ . . . Now with Aliens!: Remediating War in the Science Fiction Blockbuster” : Chair: Verena Kick Z University of Washington Gerry Canavan z Marquette University z “‘I’d Co‑Chair: Jasmin Krakenberg Z University of Rather Be in Afghanistan’: Antimonies of Battle: Los Washington Angeles” Laurie Johnson z University of Illinois z “ Forgotten Nathan Blake z Northeastern University z “Attack of Dreams: Werner Herzog’s Documentary and the Lost the Drones: Science Fiction Terror and Combat in Call Past of Romanticism” of Duty: Black Ops 2” Diego Zavala z Monterrey Institute of Technology and Matthew Payne z University of Alabama z “The Ludic Higher Education z “Voice, Testimony, and Reflexivity P/remediation of American Empire—From Homefront in Werner Herzog´s Documentary Films” to Spec Ops: The Line” Patrick Reagan z Yale University z “Telling the Truth: Sponsor: Video Game Studies Scholarly Interest Group How Herzog Rescues the Real” James Paasche z Indiana University z “Doing (Documentary) Time: Werner Herzog and Errol Morris on Death Row”

Sponsor: Documentary Studies Scholarly Interest Group 66 Session Z F 11:00 am – 12:45 pm F8 Medicine and Movies F10 Style and Rhetoric in the Movies : : Chair: Janelle Blankenship Z University of Chair: Gilberto Perez Z Sarah Lawrence College Western Ontario Gilberto Perez z Sarah Lawrence College z “Moving Diane Friedman z Marian University z “ Crisis (1950): with Characters” A Neurosurgical Analysis” Victor Perkins z University of Warwick z “Pace as an

Javier O’Neil‑Ortiz z University of Pittsburgh z Aspect of Rhetoric” March thursday “Screening the Animal: Early Medical Films and the Diane Stevenson z Independent Scholar z “The Ontology of Life” Rhetoric and Politics of Genre” 7, 2013 z z Benjamin Strassfeld University of Michigan “Viral George Wilson z University of Southern California z Media: Film Exhibition, Social Hygiene, and the “Imagined Seeing and the Rhetoric of Narrative Film” Influenza Scare of 1918” Janelle Blankenship z University of Western Ontario z “Images of Contagion: Walter Ruttmann’s Syphilis Screamer Feind im Blut (Enemy in the Blood, 1931)” New/Media/Archaeologies F11 Extensions and Interventions in Media Archaeology

: Z The 3Cs of 3D Chair: Laine Nooney Stony Brook University F9 Hugo, Computers, Cameras, and Rory Solomon z Parsons the New School for Design z the Configurations of 3D Viewing “Software Stratigraphy: Media Archaeology of/as the Stack” : Shannon Mattern z The New School z “Echoes and Chair: Aylish Wood Z University of Kent Entanglements: A Sonic Archaeology of the City” William Brown z Roehampton University z Laine Nooney z Stony Brook University z “Materialist “Scorsese’s Dream of Saving Cinema: Cinephilia, Methods for Mystery House(s): A Feminist Media Spectatorship, and 3D in Hugo” Archaeology of Early Video Games” Jenna Ng z University of Cambridge z “Dream of the Jacob Gaboury z New York University z “An Perfect Machine: 3D, Fantasy, and Cybernetics in Archeology of Uncomputable Numbers: Queer Media Martin Scorsese’s Hugo” History” Lisa Purse z University of Reading z “Depth Interrupted: Narrative and the Play of Parallax in Hugo” Aylish Wood z University of Kent z “Intangible Spaces in the 3D Filmmaking of Hugo”

67 Session Z F 11:00 am – 12:45 pm

Recycling the Archive Cinematic Reception in an F12 Film History in the Digital Age F14 International Context

: : Chair: Joshua Yumibe Z Michigan State University Chair: Hideaki Fujiki Z Nagoya University Oliver Gaycken z University of Maryland z Adan Avalos z Red Sea Institute of Cinematic Arts z “‘Computer, Define Dancing’: Media Fantasies of the “Perpetual State of Crisis: Popular Attraction in Moving‑Image Encyclopedia” Mexican Cinema” Paul Flaig z Cornell University z “Supposing that the Jinying Li z Oregon State University z “Fansubs and Archive Is a Woman: Gustav Deutsch’s Film ist . . . a Imagined Global Communities: From Subcultural girl and a gun and Bill Morrison’s The Film of Her” Communication to Distributive Globalization” Joshua Yumibe z Michigan State University z z Nagoya University z thursday Hideaki Fujiki “Making March 7, 2013 “Cross‑Medial Afterlives: The Film Archive in Citizenship in Japan and Beyond: Post‑3/11 Contemporary Fiction” Documentary Film and Audiences” Devin Orgeron z North Carolina State University z “Cinematic Memes and Codes of Referential Resignification” F15 Security Media : Chair: Lindsay Thomas Z University of California, Rebooting and Franchising F13 Santa Barbara : Anjali Nath z University of Southern California z Chair: Joe Tompkins Z University of Minnesota “Blacked Out and Uploaded: On the Freedom of Karen Petruska z Northeastern University z “ Mary Information Act and the Digital Life of Redaction” Hartman, Mary Hartman, the Television Reboot, and Rahul Mukherjee z University of California, Syndication as Innovation” Santa Barbara z “Masking Uncertainties, Rayna Denison z University of East Anglia z “From Securitizing Futures: Mediated Representations of the Manga to the Movies: Popular Japanese Cinema and Kudankulam Crisis” Multimedia Franchising” Lindsay Thomas z University of California, Colleen Montgomery z University of Texas at Austin z Santa Barbara z “Speculative Security: Climate “Pixarticulation: Vocal Performance in the Toy Story Modeling and the Empirical Capture of the Future” and Monsters Inc. Franchises” Kirsten Ostherr z Rice University z “Biosecurity + Joe Tompkins z University of Minnesota z Mobile Sensors = (Health) Surveillance Networks?” “‘Reimagining’ Halloween: The Horror Movie Reboot as Critical Industrial Practice”

68 Session Z F 11:00 am – 12:45 pm

Workshop Engaging Television F16 Neurodiversity F18 Convergences between Film and Media Studies Experimental Film and TV on the Spectrum : : Chair: Miguel Fernandez Labayen Z Charles III Chair: Anne Ciecko Z University of Massachusetts, University of Madrid Amherst Justus Nieland z Michigan State University z March

“Midcentury Linguists of Television: Eames, Kepes, thursday Workshop Participants VanDerBeek” Marsha Kinder z University of Southern California 7, 2013 Juan Suarez z University of Murcia z “Flesh and TV: Tasha Oren z University of Wisconsin‑Milwaukee Marie Menken’s Wrestling (1964)” Alice Maurice z University of Toronto Marc Siegel z Goethe University z “Ludwig Gerald Sim z Florida Atlantic University Schönherr’s TV Art” Chris Dzialo z University of Southern California Miguel Fernandez Labayen z Charles III University of Madrid z “Many Times, Different Looks: The Televisual Experiences of Iván Zulueta”

Sponsor: Experimental Film & Media Perpetual Motion Machines Scholarly Interest Group F17 On and Around “Le Phare”

: Chair: Kenneth White Z Stanford University Kenneth White z Stanford University z “On the Technology and Agency Matter of Snow” F19 in Silent Cinema David Ross z Independent Scholar z “Le Phare” : Soyoung Yoon z SUNY, Purchase College z “Venus Chair: Sarah Keller Z Colby College Vectors: Carolee Schneemann and the Mechanics of z z Fluids” Katharina Loew University of Oregon “A Spiritual Machine: The German Debate about Cinema, Art, and Respondent: Thomas Elsaesser z University of Amsterdam Technology (1907–1914)” Eszter Polonyi z Columbia University z “‘The Tragedy is Anatomical’: Microscopes and Faces in Epstein and Balázs” Christophe Wall‑Romana z University of Minnesota z “Epstein’s Automobile Closet in The Three‑Sided Mirror (1928)” Sarah Keller z Colby College z “Technology Inside/ Out”

69 Session Z F 11:00 am – 12:45 pm

After Buffy Norman Corwin and F20 W(h)ither the Potentials? F22 Transmedia Authorship

: : Chair: Rhys Thomas Z University of East Anglia Chair: Neil Verma Z University of Chicago Co‑Chair: Sophie Halliday Z University of East Anglia Jacob Smith z Northwestern University z “Norman Sophie Halliday z University of East Anglia z “ Brave Corwin’s Radio Realism” New World: The Multiple Roles of Fringe’s Olivia Mary Ann Watson z Eastern Michigan University z Dunham” “Norman Corwin and the Big Screen: Artistic Maria Boyd z Georgia State University z “‘Our Men Differences” Are Soldiers. Our Women Are Leaders’: Rearticulating Shawn VanCour z University of South Carolina z Gender Norms as Seen on MTV’s Teen Wolf”

thursday “Corwin on Television: A Transmedia Approach to March 7, 2013 Rhys Thomas z University of East Anglia z “Girl Talk: Style Historiography” Psychotherapy and the Gendered Lacanian Imperative Alexander Russo z The Catholic University of America z of Terminator: The Sarah Connor Chronicles” “Sonic Legacy: Exploring the ‘Corwinesque’ in Roxanne Samer z University of Southern California z Radiolab” “Dollhouse and Echo(e)s of Future Queerness” Sponsor: Radio Studies Scholarly Interest Group

F21 What’s Hidden in the Home Workshop Violence and Oppression F23 Librarian‑Faculty Collaborations in Domestic Cinema for Teaching Research Methods : in Cinema and Media Studies Chair: Sharon Willis Z University of Rochester : Debra White‑Stanley z Keene State College z Chair: Elizabeth Peterson Z University of Oregon “Remaking Military Relationships: Airbrushing Domestic Violence in Brothers (2004 and 2009) and Workshop Participants Army Wives (2007–2012)” Matt Bailey z Carleton College Daniel Colleran z College of Staten Island, CUNY z Lindsay Hansen z California State University, “The Violence of Domesticity in Lynne Ramsay’s We Northridge Need to Talk About Kevin” Mary Schaffer z California State University, Sharon Willis z University of Rochester z “ The Help’s Northridge Fantasmatic Ethnography” Carla Manzoni z University of Minnesota, Twin Cities

70 Session Z F 11:00 am – 12:45 pm

Spaces of Childhood 2 F24 Live Action Films

: Chair: Pamela Wojcik Z University of Notre Dame John Bruns z College of Charleston z “De‑Arrangements: Space and the Spielberg Screen‑Child” March

Kai‑man Chang z Tulane University z “New Portraits thursday of Sadness: Child Poverty and Abandonment in 7, 2013 Taiwan Cinema” Steve Elworth z Independent Scholar z “Suzy, Sammy, Hank, Benjamin, and Francoise: Music and the Portrayal of the Space of Childhood and Gender in Wes Anderson’s Moonrise Kingdom” Pamela Wojcik z University of Notre Dame z “Shirley Temple as Streetwalker: Urban Space and Childhood in Depression Era Films”

71 thursday 72 March 7, 2013 Sean Feiner John Vanderhoef Spons Felan Parker Chair: : G1 Session Christine Kim and CanoninClassicGamingCulture” Design: GamesStudiesandtheDigitalGameCanon” Santa Barbara Games: ArtorSpectacle?” University or: Santa Barbara Video GameStudiesScholarly InterestGroup John Vanderhoef Digital GameCultures Canon Formationin

z z z

“Blockbuster ExhibitionsofDigital

University at Buffalo

z York University Ontario CollegeofArtandDesign

z “Retrogame Roadshow:Collecting

University ofCalifornia, Z

University ofCalifornia, z Petg Games” “Prestige

z Thursday “Disciplined G Spons Chantal Duchet Chair: : G3 Michael Cowan ‑Chair: Co Lucie Cesalkova Yvonne Zimmermann the Late1930s” Involvement withAdvertisingand Sponsored Filmin “Reaching (andTeaching) theMasses:HansRichter’s 3 the StatisticalImage” Ruttmann’s HygieneFilms:SponsoredFilmmakingand Hackenschmied” Film, Art,andBusinessintheWork ofAlexander Advertising HasaHigherObjectivethanGreed:

Z z or:

“Vertov andAdvertising” Scholarly InterestGroup Nontheatrical Film&Media Yvonne Zimmermann Michael Cowan Culture intheInterwarYears Rethinking ExperimentalFilm Avant‑Garde andAdvertising

March 7,March 2013 1:00 –2:45 z z z

Univerity ofSorbonneNouvelleP McGill University Masaryk University z

New YorkUniversity Z

McGill University Z

New YorkUniversity z , Brno “Walter

z z “Film pm aris Session Z G 1:00 – 2:45 pm

Cinematic Spaces Filming Local Sites G4 Insides, Outside, In‑Between G6 and Global Cities : Investigating the Politics and Chair: James Younger Z Trinity College Aesthetics of the Location Shoot Lisa Giancola z Meriden Connecticut Board of : Education z “ Go South, Young Man: The Mexican Chair: Noelle Griffis Z Indiana University Outdoor Room in Western Films” z University of California, Los Angeles z Dennis Lo March

Bastian Heinsohn z Bucknell University z “Text and “Taipei is My Home: Location (Pre)production as thursday Cinematic Space: The Linguistic Landscape in Thomas Critical Ethnography in Taipei’s City Films” 7, 2013 Arslan’s Berlin Trilogy” Noelle Griffis z Indiana University z “Set in ‘the James Younger z Trinity College z “Edward Yang: Ghetto’: Hollywood Filmmaking in New York’s Beyond the Postmodern Horizon” African‑American Neighborhoods in the Late 1960s” Linda Hutcheson z University of Stirling z “The Tug of the Real: Glasgow, Advance Party, and the Challenges of Location Shooting” Malini Guha z Carleton University z “Global Kolkata G5 Actor/Director Myths as Location in Contemporary Bengali Cinema” : Sponsors: Oscar Micheaux Sociey Scholarly Interest Group Chair: Will Scheibel Z Indiana University and Urban Studies Scholarly Interest Group Murray Pomerance z Ryerson University z “Hitchcock’s Moooving Pictures” Will Scheibel z Indiana University z “Nicholas Ray, an Actor’s Director: Male Movie Stars and the Performance of Authorship” G7 Where the Minor was Mainstream Steven Rybin z Georgia Gwinnett College z “Beyond The Sponsored, Amateur, Educational, the Voice: Patterns of Performance in Terrence and Experimental Cinemas of Chicago Malick’s Films” : Susan White z University of Arizona z “The Chair: Andy Uhrich Z Indiana University Most Beautiful Monster: Viggo Mortensen’s Andy Uhrich z Indiana University z “Shakespeare as Metamorphoses in Cronenberg’s Late Films” Home Movies, Chicago as the Globe: David Bradley’s Macbeth (1947) and Julius Caesar (1950)” Charles Tepperman z University of Calgary z “Behind the Scenes at Central Cinematographers: A Brief History of Amateur Movie Clubs in Chicago” Michelle Puetz z School of the Art Institute of Chicago z “Activism and Experimentation in the Films of JoAnn Elam”

Respondent: Judy Hoffman z University of Chicago

Sponsor: Nontheatrical Film & Media Scholarly Interest Group 73 Session Z G 1:00 – 2:45 pm

Television, Memory, and Spies, Gangsters, and G8 Contested Histories G10 Black Marketeers The Self‑Representation of : Chair: Nabil Echchaibi Z University of Colorado, East Germany in its Cinema Boulder : Abigail Loxham z University of Queensland z Chair: Benita Blessing Z University of Vienna, “Remediation and Recuperation of Memory in the Austria Spanish TV series Cuéntame cómo pasó (Tell Me How Ralf Schenk z DEFA‑Stiftung z “Spies and Secret It Was)” Agents in DEFA Films” Aniko Imre z University of Southern California z Benita Blessing z University of Vienna, Austria z “Television Memories of Socialism.” “Capitalist Horse Thieves Defeated at the Socialist thursday March 7, 2013 Zala Volcic z University of Queensland z “Memories Circus: East German Children’s Sabotage Films in the of the Former Yugoslavia on the Serbian Reality Show Cold War” The Palace” Sebastian Heiduschke z Oregon State University z Respondent: Michela Ardizzoni z University of Colorado, “Covert Operation: Spies and Espionage in Two East Boulder German DEFA Disco Films” Thomas Maulucci z American International College z Sponsor: Central/East/South European Cinemas Scholarly Interest Group “The DEFA ‘Embassy Films’—Presenting the GDR to the World”

Sponsor: Central/East/South European Cinemas Scholarly Interest Group G9 Cinema’s Militarization : Chair: John Trafton Z University of St Andrews Peters Mersereau z University of Toronto z “Cinema of Military Attractions: Nonfiction Film and Explore . . . Propaganda in Imperial Germany, 1900–1918” the SCMS Exhibit Area Sue Collins z Michigan Technological University z Gold Coast, Lobby Level “‘Send Your Soldier to the Show with Smileage’: Film, Cultural Policy, and the Politics of Authority During WWI” Mary Samuelson z University of California, Los Angeles z “Preparing for Battle: The Consent see page 10 for Exhibit Hours Decree and Hollywood’s War Effort” Shota Ogawa z University of Rochester z “A Transnational Mirage: Koreans in Occupied Japan”

74 Session Z G 1:00 – 2:45 pm

Chinese Cinema Spectators G11 Narrative, Culture, and Politics G13 Sound and Talk

: : Chair: Leger Grindon Z Middlebury College Chair: CarrieLynn Reinhard Z Dominican University Chunfeng Lin z University of Illinois, Leo Rubinkowski z University of Wisconsin‑Madison z Urbana‑Champaign z “Noise in Chinese Neorealist “‘When You Know the Words to Sing . . .’: Sing‑Along Cinema: A Temporary Reverse Hierarchy (TRH) Model Exhibition and Participatory Audiences” March

and Political Statements” Annie Dell’ Aria z The Graduate Center, CUNY z “Doug thursday Funing Tang z University of Miami z “To Remember Aitken’s Song 1: Cinema‑in‑the‑Round” 7, 2013 Differently: History of Betrayal in Chinese Language Carter Moulton z University of Wisconsin‑Milwaukee z Film” “Reading Accents: Subtitles and Spectatorship in Wing Shan Ho z University of North Carolina at Multiplex Cinema” z Greensboro “Li Yu’s Lost in Beijing: A Social CarrieLynn Reinhard z Dominican University z Critique to the Development Dilemma and a Tactical “Answering the Whats, Hows, and Whys of Film Response of China’s Censorship” Spectatorship: An Empirical Investigation and Leger Grindon z Middlebury College z “Narrative Comparison of Film Reception” Complexity and Dramatic Conflicts in Yi‑Yi (2000)” Sponsor: Sound Studies Scholarly Interest Group

G12 Documenting the Nonfiction TV Black Experience G14 Sports, News, and Reality TV Non‑narrative Cinema and African American History, Culture, and Identity : Chair: Kirsten Pike Z Northwestern University, Qatar : Travis Vogan z University of Iowa z “Participation and Chair: Novotny Lawrence Z Southern Illinois Privatization in the Multiplatform Television Sports University Documentary: Sport in America: Our Defining Stories” Travis Boyce z University of Northern Colorado z Leigh Goldstein z Northwestern University z “The “Fear Factor: When Black Equality is Framed as ‘Woman’s Touch’ Comes to Television News” Militant” Madeleine Esch z Salve Regina University z “Picking David Rossiaky z Southern Illinois University z Through History: Artifactual Entertainment and “Sundown Nation: Living in the Aftermath of the Archeological Recuperation” American Holocaust” Kirsten Pike z Northwestern University, Qatar z “‘A Gerald Butters z Aurora University z “Gay Black Dolla Makes Me Holla’: Here Comes Honey Boo Boo, Men: Documenting the Historical Experience” Duck Dynasty, and the Gendered Politics of Redneck Respondent: Eric Pierson z University of San Diego Reality TV” Sponsor: African/African American Caucus

75 Session Z G 1:00 – 2:45 pm

Philosophies and/of Art Cinema What Cinema Will Be? G15 G17 Film Caught between the Television : Chair: Angelo Restivo Z Georgia State University Revolution and the Digital Revolution Eliot Bessette z University of California, Berkeley z : “What Kind of Thinker is Ingmar Bergman?” Chair: Philippe Gauthier Z University of Montreal/ University of Lausanne Jeremy Powell z Brown University z “Elemental Destructions: Reading Van Sant’s Gerry with Irigaray” Philippe Gauthier z University of Montreal/University of Lausanne z “Recurrent Phenomena in Film Studies: Martin Blumenthal‑Barby z Rice University z “The From Television to Digital Media” Secular Gaze: Michael Haneke’s The White Ribbon” John Belton z Rutgers University z “Psychology of Seth Watter z Brown University z “Smoking a the Televisual and Digital Image” thursday

March 7, 2013 Cigarette, Flipping a Coin: Of Cinema and Gesture” Dudley Andrew z Yale University z “ Qu’est‑ce que la télévision?: Bazin on the Small Screen” John Caughie z University of Glasgow z “A Smuggler’s Tale: Constructive Dissonance between Post‑cinematic Experiences Film and Television Studies and the Engagement with G16 Theorizing the Aesthetics the Digital” of Relocation Respondent: Martin Lefebvre z Concordia University

: Chair: Francesco Casetti Z Yale University Co‑Chair: Jihoon Kim Z Nanyang Technological University Negotiating the Global and Francesco Casetti z Yale University z “The G18 Relocation of Cinema and Its Effects on Film History” the Local in Transnational Vinzenz Hediger z Goethe University, Frankfurt z Film Historiography “Reframing the Ontology of Cinema: Topology, : Genealogy, Aesthetics” Chair: Ramona Curry Z University of Illinois, Jihoon Kim z Nanyang Technological University z Urbana‑Champaign “Discipline and Embodiment: Mobile Screen Media Naida Garcia‑Crespo z University of Illinois, Spectatorship and the Dialectics of Relocation” Urbana‑Champaign z “National Sentiments, Nanna Verhoeff z Utrecht University z “Layers: A Transnational Realities: The Canonization of Rafael Cartographic and Archaeological Approach to the Colorado in Puerto Rican Film Historiography” Post‑cinematic Moving Image” Marina Dahlquist z Stockholm University z “Cultural Negotiations through Visual Instruction: The Rockefeller Approach” Kim Fahlstedt z Stockholm University z “The 1912 Film that Revolutionized Trans‑Pacific Commerce” Ramona Curry z University of Illinois, Urbana‑Champaign z “Lost in Trans‑nation: The Trans‑Pacific Acting Career of Olive Young/Yang Ailin 76 (1903–1940)” Session Z G 1:00 – 2:45 pm

Gender and Genre in Workshop G19 1950s Film Noir G21 Comics Philosophy and Practice : Chair: Mark Osteen Z Loyola University, Maryland : Co‑Chair: Robert Miklitsch Z Ohio University Chair: Blair Davis Z DePaul University Julie Grossman z Le Moyne College z “Ida Lupino and Workshop Participants Filmakers’ Noir: Gender Trauma in 1950s America” Scott Bukatman z Stanford University March Robert Miklitsch z Ohio University z “Technicolor thursday Greg Smith z Georgia State University

Noir: Monroe, Niagara, and the Red Woman” 7, 2013 Drew Morton z Texas A&M University, Texarkana Mark Osteen z Loyola University, Maryland z “A Little Ivan Brunetti z Columbia College Chicago Larceny: Labor, Leisure, and Loyalty in the 1950s Noir Heist Film” Sponsor: Comics Studies Scholarly Interest Group

Respondent: Therese Grisham z Columbia College Chicago

Cinemas of the Person G22 Action, Reenactment, Subjectivity Working Girls G20 Gender, Labor, and the : Making of Media Culture Chair: Noa Steimatsky Z University of Chicago Ivone Margulies z Hunter College, City University of New : York z “‘An Incidental Indian’: Reenactment and Chair: Hannah Hamad Z King’s College London z z Agency in Serras da Desordem” Jonathan Cohn University of California, Los Angeles z z “Female Labor and Digital Media: Pattie Maes, Noa Steimatsky University of Chicago “Pass/Fail: Post‑feminism, and the Birth of Social Networking Screen Test, Apparatus, Subject” Technologies” John David Rhodes z University of Sussex z “Acting Like a Lesbian: Barbara Hammer and Film as Action” Julie Wilson z Allegheny College z and Emily Chivers Yochim z Allegheny College z Respondent: Michael Lawrence z University of Sussex “Pinning Happiness: Affect, Social Media, and Women’s Work” Hannah Hamad z King’s College London z “Musical Moments of Women’s Work and Affective Labor on Contemporary British Television” Bambi Haggins z Arizona State University z “Academic in Wonderland: An Outsider’s Insider View of Writing, Television, and Comedy”

Sponsor: Caucus on Class

77 Session Z G 1:00 – 2:45 pm

Workshop I’m Drawn to Female Characters G23 Marlon Riggs’s Tongues Untied G24 Feminism and the Films at 25 of Todd Haynes

: : Chair: David Gerstner Z Graduate Center/College of Chair: Amelie Hastie Z Amherst College Staten Island, CUNY Julia Leyda z Sophia University z “Playing with Dolls: Co‑Chair: Dwight McBride Z Northwestern University Girls, Fans, and Narrative in Velvet Goldmine” z z Workshop Participants Noah Tsika Colgate University “Spanking Lucille for Feminism: Todd Haynes and the Fictionalized Cornelius Moore z California Newsreel Biopic” E. Patrick Johnson z Northwestern University Rebecca Gordon z Reed College z “Todd Haynes and thursday March 7, 2013 Racquel Gates z College of Staten Island, CUNY the Actor’s Body: The Figure of Julianne Moore” Rhea Combs z Smithsonian National African American Museum of History and Culture Theresa L. Geller z Grinnell College z “The Hardest, the Most Difficult Film: Todd Haynes’ Safe as Feminist Vivian Kleiman z Independent Filmmaker Film Praxis” Sponsors: African/African American Caucus and Queer Caucus Sponsor: Queer Caucus

78 thursday March 7, 2013 79 “‘From ashion/ z “Now

“Indie, z

University of Liverpool

Z H London College of F

“The Neglected ‘Fashion z

University of Liverpool z

z Northeastern University Edge Hill University

z z

Documentary Studies Scholarly Interest Group Indie Doc Documentary Film in the Age of Contemporary American Independent Cinema Tzioumakis Yannis or: Industry Documentary’: From Mainstream Sideline to Industry Documentary’: From Mainstream Sideline Indie Staple” Streaming on a Device near You: Instantly Viewing Instantly Viewing Streaming on a Device near You: Indie Documentary on Hulu” the Margins to the Mainstream’: Documentary Film the Margins to the Mainstream’: Documentary and American ‘Independent’, ‘Indie’ and ‘Indiewood’ Filmmaking” University of the Arts Alternative, and Radical Media: Independent Documentary in an Era of Digital Activism” Claire Molloy Sarah Sinwell Spons H3 : Chair: Tzioumakis Yannis Pamela Church Gibson Session Session z z

, Hannover

“Angel of z

March 7, 2013 March 7, pm , Hannover Leibniz University

Z Z Sophia University

z Columbia College Chicago University State ayne

W Leibniz University z

z z

Julia Leyda Post‑cinematic Affect Theorizing Digital Movies Now Shane Denson

“Crazy Cameras, Discorrelated Images, and the “Crazy Cameras, Discorrelated Images, and the Affect” Post‑perceptual Mediation of Post‑cinematic Fire: Post‑Continuity in Tony Scott’s Domino (2005)” Scott’s Fire: Post‑Continuity in Tony “Martin Scorsese and Hugo (2011): Our Reluctant Contemporaries”

Shane Denson Steven Shaviro pondent: Res Therese Grisham : Chair: H1

– 4:45 3:00 Thursday Session Z H 3:00 – 4:45 pm

Intersection Cinema’s Extra‑Senses H4 Situating Media, Tourism, H6 (Jean Epstein’s ‘Bis’ Movies) and Festival Studies : : Chair: James Cahill Z University of Toronto Chair: Robert Peaslee Z Texas Tech University Ian Balfour z York University z “Allegories of Spirit: Regina Arnold z Stanford University z “Hardly Seeing Through the Senses in Some ‘Poe‑Pictures’ Strictly Utopia: Race, Space, and the American Rock (Epstein, Svankmajer, Corman)” Festival” Rene Bruckner z University of Southern California z Kevin Esch z Independent Scholar z “The Small State “Rarebit Surrealism: Winsor McCay’s Gastro‑Dream of Large Festivals; or, How a Former Red Sox Pitcher Machine” Nearly Ruined the Rhode Island International Film James Cahill z University of Toronto z “The Birth of thursday March 7, 2013 Festival” Kino Mouth” Robert Peaslee z Texas Tech University z “Media Genevieve Yue z Macalester College z “Magnetic Conduction: Exploring Power at the Intersection of Disorientation: Navigating Ben Russell’s Trypps” Media, Tourism, and Festival Studies” Sponsor: Experimental Film & Media Respondent: Curtis Coats z Millsaps College Scholarly Interest Group Sponsor: Film & Media Festivals Scholarly Interest Group

Beyond Cinemascope H7 Alternative Histories of H5 The Unretiring Overachiever Immersion and Materiality Steven Soderbergh’s Final Films : : Chair: Caitlin McGrath Z University of Chicago Chair: R. Colin Tait Z University of Texas at Austin Co‑Chair: Tami Williams Z University of Wisconsin‑Milwaukee Aaron Baker z Arizona State University z “ Contagion, Fractal Narrative, and Global Cinema” Tami Williams z University of Wisconsin‑Milwaukee z “Beyond the Screen: Symbolist Theater’s Immersive Andrew deWaard z University of California, Aesthetic and the Birth of a French Art Cinema” Los Angeles z “The Art of the Pitch, the Craft of the Sell: Steven Soderbergh’s Economic Auteurism” Caitlin McGrath z University of Chicago z “Screening the Future: Display and the Expansion of the Mark Gallagher z University of Nottingham z “Soderbergh’s New Body Cinema: Magic Mike and Cinematic at the 1939 New York World’s Fair” Haywire” Ariel Rogers z University of Southern Maine z “Screen, Frame, Space: Spilt Screen and Immersion in R. Colin Tait z The University of Texas at Austin z “The Performance of Labor and Downward Mobility in Cinerama” Steven Soderbergh’s Post‑Recession Films: 2009– Matt Hauske z University of Chicago z “Immersion at 2012” Hand: Tourism, Toys, and the Postwar Western”

Respondent: Thomas Schatz z University of Texas at Austin

80 Session Z H 3:00 – 4:45 pm

Envisioning Palestine Reflecting on the Past, H8 Spatialization, Temporality, H10 Intervening in the Present and the Post‑Colonial Latin American Cinema in : the New Millennium Chair: Terri Ginsberg Z International Council for : Middle East Studies Chair: Yeidy Rivero Z University of Michigan Colleen Jankovic z University of Pittsburgh z z DePaul University z Luisela Alvaray “The March

“Housing Cinema, Inhabiting Palestine: Logistics of Persistence of History in Contemporary Venezuelan thursday Perception in Occupied Palestine” Cinema” 7, 2013 Linda Mokdad z University of Iowa z “Contested Cristina Venegas z University of California, Cartographies: Mapping the Palestinian‑Israeli Santa Barbara z “Resonance of the Present” Conflict on Film” Shelley Dyrda z University of Wisconsin‑Milwaukee z Terri Ginsberg z International Council for Middle East “Claudia Llosa: Bringing Complexity and Diversity to Studies z “The Temporalization of Cinematic Labor in Peruvian Cinema” ‘Occupied Palestine’” Gilberto Blasini z University of Wisconsin‑Milwaukee z Sponsors: Middle East Caucus, Caucus on Class, and “The Slaying of Cuban Cinema” Contemporary Theory Scholarly Interest Group Sponsor: Latino/a Caucus

H9 The More‑Than‑Representational Not Too Far of Being‑In‑The‑World H11 The Provincial Wave in the : Cinemas of Bombay Chair: Alanna Thain Z McGill University : German Duarte z Ruhr University z “Between Logos Chair: Suzanne L. Schulz Z University of Texas at and Doxa: A Non‑representational Survey of Digital Austin Narrative Spaces” Kathryn Hardy z University of Pennsylvania z “Global Caylin Smith z University of Amsterdam z “Extending Bihar: Single‑Screen Cinema in the Age of the the Archival Life of Film: Engaging with Digital Multiplex” Cultural Heritage at EYE Film Institute Netherlands” Suzanne L. Schulz z University of Texas at Austin z Alessandra Luciano z University of Amsterdam z “Taxing Encounters: The Everyday State and “‘Body as Interface’: Or How to Understand the Entertainment Tax in Uttar Pradesh” Immaterial Medium‑Specificity of Our Networked Respondent: Lalitha Gopalan z University of Texas at Austin Society” Justin Battin z University of Sunderland z “Mobile Media Technologies and the Reconstitution of One’s Being‑In‑The‑World”

81 Session Z H 3:00 – 4:45 pm

Branding Black Eco‑Criticism and the Image H12 Consumption and Politics in H14 Visual Culture through a “Post‑Racial” America Green Lens, Part I

: : Chair: John Jackson Z University of Pennsylvania Chair: Hunter Vaughan Z Oakland University Roopali Mukherjee z Queens College, CUNY z “Black Hunter Vaughan z Oakland University z “500,000 Market: Consumer Culture and the Racial Subject” Kilowatts of Stardust: An Eco‑critical Approach to Sarah Banet‑Weiser z University of Southern Production, Representation, and Discourse in Singin’ California z “Branding Race, Branding Lives: in the Rain” Trayvon, Inc.” Kiu‑wai Chu z University of Hong Kong z “Beyond Aymar Christian z Northwestern University z “Can Human World: Eco‑cosmospolitanism in Global Art thursday March 7, 2013 the Web Correct Television’s Race Problem?” Cinema” z z Khadijah White z University of Pennsylvania z “Tea Pat Brereton Dublin City University “Environmental Party Branding through Race and Identity” Ethics and Film” Heather Houser z University of Texas at Austin z Sponsor: African/African American Caucus “Aerial Aesthetics in Environmental Visualizations”

The Problematics of H13 Post‑feminist Girlhood Built Environments H15 and Bad Affects : : Chair: Amanda Rossie Z Ohio State University Chair: Jennifer Fay Z Vanderbilt University Tisha Dejmanee z University of Southern California z Charles Wolfe z University of California, “Nursing at the Screen: Post‑feminist Daughters and z Demonized Mothers on Toddlers and Tiaras” Santa Barbara “Out of the Box: Keaton’s Comedy z z and Pacific Ready‑Cut Homes” Tyler Bickford Columbia University “The Best of z z Both Worlds: Hannah Montana, ‘Having It All’, and Jennifer Fay Vanderbilt University “Buster Post‑feminist Tween Domesticity” Keaton’s Climate Change” Louise Hornby z University of California, Los Angeles z Kate Harper z Arizona State University z “From Page to Screen: Contemporary Literary Girl Heroes “Projecting the Weather” Negotiate a Post‑feminist World” Nicole Seymour z University of Louisville z “Horseplay: Acting Out in Wildboyz” Amanda Rossie z Ohio State University z “The Voice of ‘Our’ Generation?: Representations of Post‑feminist Girlhood in HBO’s Girls”

82 Session Z H 3:00 – 4:45 pm

Transitional Soundtracks Ordering Space in Cinema H16 The Vicissitudes of Hollywood H18 Perspective from Art Film Music, 1927–1933 History to Architecture

: : Chair: Katherine Spring Z Wilfrid Laurier University Chair: Yuriko Furuhata Z McGill University Lea Jacobs z University of Wisconsin‑Madison z Mary Ann Doane z University of California, Berkeley z “Words and Music: Dialogue Underscoring in the “Tightrope or Center?: Theorizing Perspective in Art March

Early Musical” History and Film Studies” thursday z Kutztown University z z McGill University z

Michael Slowik “From Yuriko Furuhata “From Space to 7, 2013 Presentational Aesthetics to Narrative Absorption: Environment: A Historical Convergence of Expanded Film Music in Warner Bros. Part‑Talkies, 1927–1929” Cinema, Architecture, and the Security Industry” Jeff Smith z University of Wisconsin‑Madison z “What Tess Takahashi z York University z “Mobile Exactly Is a Partial Cue?: Jurisdictional Conflict in Perspective in dOCUMENTA 13: Gallery, City, Warner Bros. Films of the Early Sound Era” Network”

Katherine Spring z Wilfrid Laurier University z and Respondent: Marc Steinberg z Concordia University Maggie Clark z Wilfrid Laurier University z Sponsor: CinemArts: Film & Art History “Trading on Songs: The Emergence of the Musical Scholarly Interest Group Genre in the Trade Press”

Sponsor: Sound Studies Scholarly Interest Group

Porn Comes Home H19 Sex Media and the Creation Glitch of Home Entertainment H17 Matter, Power, Aesthetics : : Chair: Joshua Kitching Z Rice University Chair: Carol Vernallis Z Stanford University Peter Alilunas z University of Michigan z “Pizza, Allan Cameron z University of Auckland z “Facing the Motels, and Porn: The Prehistory of Home Video, Glitch: Abstraction, Abjection, and the Digital Face” 1970–1976” Carol Vernallis z Stanford University z “Transmedia Andrew Owens z Northwestern University z “Gay, Glitches: YouTube to the New Digital Cinema” Straight, and Everything in Between: Fluid Porn Desire Laura Marks z Simon Fraser University z “Arab in Playgirl” Glitch” Joshua Kitching z Rice University z “‘Video Porn Respondent: Arild Fetveit z University of Copenhagen for Fun and Profit’: The Pornographic Legacies of the Video Underground, 1969–76”

Respondent: Eric Schaefer z Emerson College

83 Session Z H 3:00 – 4:45 pm

The Wars at Home Transformative Works of Branded H20 Militarism, Melodrama, and H22 Entertainment for the Digital Age Homeland Security in US Media : Culture Before and After 9/11 Chair: Denise Mann Z University of California, : Los Angeles Z Chair: Patrice Petro University of Maura Edmond z University of Melbourne z “Here We Wisconsin‑Milwaukee Go Again: Making (and Remaking) Music Videos After Andrew Martin z University of Wisconsin‑Milwaukee z YouTube” “Future War Stories: Homeland Security in the 1990s” Denise Mann z University of California, Los Angeles z James Castonguay z Sacred Heart University z “Take This Lollipop: Social Experiment or Calling Card “Domestic (In)Security: Paranoia and Polysemy in in the Competitive World of Interactive Advertising” thursday March 7, 2013 Showtime’s Homeland” Serra Tinic z University of Alberta z “From Branded Tony Grajeda z University of Central Florida z “From Entertainment to Content Partnerships: Art vs. the Frontlines to the Homefront: Female Soldiers, Commerce in Post‑Network Television” Gendered Trauma, and the Melodrama of (Post)War” M.J. Clarke z University of California, Los Angeles z “Branded Worlds, Contracting Galaxies: The Life and Death of Star Wars Galaxies”

Sponsor: Media Industries Scholarly Interest Group Beyond the Reruns H21 Defining the Field of Television Studies

: Chair: Amanda Lotz Z University of Michigan Workshop Jason Mittell z Middlebury College z “Mapping a H23 Spreadable Media Pluralistic Field: What Does Television Studies Really Creating Meaning and Value Look Like?” in a Networked Culture z z Vicki Mayer Tulane University “What’s in a : Name?: Approaches to the Object in TV and New Chair: Henry Jenkins Z University of Southern Media Studies” California Matt Hills z Aberystwyth University z “TV Aesthetics in Transition: ‘Bad’ TV Dramas and Discourses of Workshop Participants Failure” Whitney Phillips z New York University Ethan Tussey z Georgia State University Respondent: Jonathan Gray z University of z University of Southern California Wisconsin‑Madison Kevin Driscoll Sam Ford z Peppercomm Sponsor: Television Studies Scholarly Interest Group Sponsor: Media Literacy + Pedagogical Outreach Scholarly Interest Group

84 Session Z H 3:00 – 4:45 pm

Workshop ! Meeting H24 From Chicago to L.A. Research Paradigms for 3:00 – 4:45 pm Cinematic Cities Room: The Club International, Lobby Level

: Queer Caucus Chair: Mark Shiel Z King’s College London Co‑Chair: Brendan Kredell Z University of Calgary March thursday Workshop Participants

Richard Lloyd z Vanderbilt University 7, 2013 Judy Hoffman z University of Chicago Jon Lewis z Oregon State University Stanley Corkin z University of Cincinnati Josh Glick z Yale University

Sponsor: Urban Studies Scholarly Interest Group

85 thursday 86 March 7, 2013 Respondent: Christopher Goetz Chair: : I1 Session Kyle Rentschler Kristopher Fallon Design” Realities: ExpressingOntologiesthroughBoardGame War” “(Un)verisimilitude: DisguisingRealitywithGamesin a Fantasy” “From PlungerstoFlippers:TheDiscursiveHistoryof Berkeley Ian Bogost Christopher Goetz Commercial GamesinCulturalContext Beyond ScreenConvergence Technology

z z

z New YorkUniversity

University ofCalifornia,Berkeley z University ofCalifornia,Berkeley

The GeorgiaInstituteof Z

University ofCalifornia, Thursday

I z “Processed

z z Maureen Ryan ‑Chair: Co Alyxandra Vesey Melissa Click Chair: : I3 Sarah Murray and CreativeLaborinBestFriendsForever” “Doing itOurselves:Gender, DigitalCommunication, Monsters: LadyGaga,SocialMedia,andFanCulture” Digital LifestyleMedia” “Comparison istheThiefofJoy:NegativeAffectsin Food Television” “The NetizensofNiche:Web‑Savvy Women Make Z Maureen Ryan Sarah Murray and OnlineCommunities Women MediaProducers Initiate, Grow, Maintain Wisconsin‑Madison

March 7,March 2013 5:00 –6:45 z z z

University ofWisconsin‑Madison University ofMissouri z Northwestern University

University ofWisconsin‑Madison Z Z

University of Northwestern University

z “Making

z pm

z Session Z I 5:00 – 6:45 pm

Linked Modes of the Self Movie History and I4 Celebrity and Surveillance I6 Commercial Paratexts

: : Chair: Margot Bouman Z The New School Chair: Adrienne L. McLean Z University of Texas at Joan Flores‑Villalobos z New York University z Dallas “@chavezcandanga and the Imagined Community of Matthew Ogonoski z Concordia University z “Minute Venezuela” Movies and the Divergence of Commercial Film from March

Margot Bouman z The New School z “Seeing is Commercial Advertising in Early Cinema” thursday Feeling: Hawk Cam and the Production of Wildlife” z z Beth Corzo‑Duchardt Northwestern University 7, 2013 Karen Fang z University of Houston z “Surveillance “‘The Evil Effects of Lurid Posters Are Also to Be and Hong Kong’s King of Comedy: Michael Hui” Noted Here’: The American Movie Poster in the Age of Uplift” Respondent: Moya Luckett z New York University Kit Hughes z University of Wisconsin‑Madison z “‘Plenty of Sales and Cash Ahead’: International Harvester Training Films, the Franchise Imaginary, and the Aesthetics of Consent” Typology and Anatomy of Adrienne L. McLean z University of Texas at Dallas z I5 Chinese Blockbusters “Living in the House of Westmore: Hollywood’s Beauty Experts, 1925–1965” : Chair: Li Yang Z Lafayette College Li Yang z Lafayette College z “Narrating the First Chinese Blockbusters: A Comparative Study of Hero (2002) and The Emperor and the Assassin (1998)” Vocal Projections John Hamm z University of Washington z “From I7 The Disembodied Voice Fearless to Kung Fu Panda: The Presence and in Documentary Absence of the Nation in Martial Arts Blockbusters” : Yongzhen Shu z Montclair State University z “ City of Chair: Maria Pramaggiore Z North Carolina State Life and Death and the Chinese Blockbusters” University Nicole Talmacs z University of Sydney z “White Shilyh Warren z University of Texas at Dallas z Collar Workers and Chinese Blockbusters: Women as “Documentary Attunement and Earthly Crisis” Indicators of Social Change in Go La La Go! and What Maria Pramaggiore z North Carolina State Women Want” University z “‘You’re Gonna Miss Me’: The Disembodied Voice in Rock Documentary” Jean Walton z University of Rhode Island z “Animating Voices, Onscreen and Off, in Kathleen Shannon’s Working Mothers”

Respondent: Jason Middleton z University of Rochester

87 Session Z I 5:00 – 6:45 pm

Irreducibly Dixie French and Francophone Cinema I8 Intersections of Race, Gender, and I10 at the Margins of France Class in the Televised American South : : Chair: Niels Niessen Z University of Minnesota Z Chair: Phoebe Bronstein University of Oregon Joseph Mai z Clemson University z “Bodies in Time: Co‑Chair: Chelsea Bullock Z University of Oregon Robert Guédiguian’s Actors” z z Justin Rawlins Indiana University “The Waking Delphine Monserrat z University of Pittsburgh z Nightmare of Post‑apocalyptic Oppression and “Quand la mer monte: At, About, and From the Post‑Southern Context in The Walking Dead” Margins” z z Chelsea Bullock University of Oregon “ Here Niels Niessen z University of Minnesota z “The Comes Honey Boo Boo: An Intimate Portrait of

thursday French‑Walloon ‘Cinéma du Nord’: A Transnational March 7, 2013 Gender, Race, Class, and Power in the US South” Regional Cinema” Phoebe Bronstein z University of Oregon z “Dixie’s Respondent: Michael Cramer z Yale University Post‑race Dames: Intersections of Nostalgia, Gender, and Post‑race on Vampire Diaries and Hart of Dixie” Sponsor: French & Francophone Scholarly Interest Group Joshua Graham z University of Bath z “Country Queens and the Construction of Gender through Southern Language on RuPaul’s Drag Race” Mediating Oil I11 Petroleum in North American Narrative Cinema The Screen and Embodiment : I9 Chair: Ila Tyagi Z Columbia University : Chair: Vanessa Chang Z Stanford University Katrina G. Boyd z University of Oklahoma z “‘Four Co‑Chair: Lindsey Felt Z Stanford University Pictures in One’: Conflicting Discourses in Boom Town and Tulsa” Stephen Groening z George Mason University z “Reclined Spectatorship” Chuck Jackson z University of Houston, Downtown z “Gas Pumps, Visible Flows, and the Things of Brooke Belisle z University of California, Berkeley z Emergency in 1960s US Horror Film” “Touching the Stars: Screening Space through iPhone and iPad Apps” Kerry McArthur z University of Calgary z “Masculinity, Machismo, and the Oil Sands of Vanessa Chang z Stanford University z Northern Alberta: 21st‑Century Representations of “Audiovisualizations: Musical Screens and the Sound Canada’s Oil Fields Worker in FUBAR II” Image” Ila Tyagi z Columbia University z “Oil, Sweat, and Lindsey Felt z Stanford University z “The Screen Fears: Imaging the Body in American Petrocinema” Touches Back: Touch Screens and the Haptic Turn”

Sponsor: Contemporary Theory Scholarly Interest Group

88 Session Z I 5:00 – 6:45 pm I12 Transmissions, Triangulations, I14 Science Meets Fiction and Displacements : Between Film History and Art History Chair: Mark Winokur Z University of Colorado, : Boulder Chair: Joel Burges Z University of Rochester Rebecca Burditt z University of Rochester z “The Joel Burges z University of Rochester z “Resuming Commercial Spaces of Outer Space: Cross‑Media Exchanges in Postwar Science Fiction”

Méliès in Scorsese and Kentridge” March Rachel Haidu z University of Rochester z Eliot Chayt z University of Texas at Austin z “Five thursday Versions of the Future in Sixties Science‑Fiction Film “Triangulation and Transmission in the Works of Black 7, 2013 Audio Film Collective, James Coleman, and Steve and Television” McQueen” Annie Manion z University of Southern California z Ara Merijian z New York University z “Cinema, Paint, “Peeling Back the Skin: Anxiety and Post‑Trauma in and Pissing: Pasolini and Warhol between Film and Horror‑Science Fiction” Fixed Image” Chris Dzialo z University of Southern California z Leora Maltz‑Leca z Rhode Island School of Design z “Diagnostic Media: From Margaret to Medical “‘Captive of the City’: William Kentridge’s Localism” Dramas”

Sponsor: CinemArts: Film & Art History Scholarly Interest Group I15 The Event of Boredom : The LEGO Studies Panel Chair: Eugenie Brinkema Z Massachusetts I13 Institute of Technology : z z Chair: Mark J.P. Wolf Z Concordia University Tina Kendall Anglia Ruskin University “Boredom in Wisconsin extremis” z z Mark J.P. Wolf z Concordia University Wisconsin z Karl Schoonover University of Warwick “Adapting the Death Star into LEGO: The Case of “Embroidered Time: Slow Gays, World Cinema, and LEGO Set #10188” Classical Film Theory” z z Sheila Murphy z University of Michigan z “Minifig: Scott Richmond Wayne State University “Vulgar Abstraction, Visualization, Narrativation, or the LEGO Boredom: On Detachment, Time, and Some Boring Grand‑Brand Narrative” Films by Andy Warhol and Christopher Nolan” z Robert Buerkle z Chapman University z “Playset Eugenie Brinkema Massachusetts Institute of Logic: The Paratextual Design of the LEGO Video Technology z “An Oasis of Boredom in a Desert of Games” Horror: Language and Time in Pontypool” Christopher Hanson z Syracuse University z Sponsor: Contemporary Theory Scholarly Interest Group “Brick by Brick: Modularity and Programmability in Mindstorms and Gaming”

89 Session Z I 5:00 – 6:45 pm

Workshop Cinema ad infinitum I16 Video Studies I18 Hollis Frampton, Theoretically Rewinding the Past and : Demanding a Future Chair: Michael Walsh Z University of Hartford : Maureen Turim z University of Florida z “Conceptual Chair: Daniel Herbert Z University of Michigan Tensions with the Sensual in the Films of Hollis Frampton” Workshop Participants Michael Zryd z York University z “Hollis Frampton, Lucas Hilderbrand z University of California, Irvine George Kubler, and the Shape of Time” Charles Acland z Concordia University Michael Walsh z University of Hartford z “Zero Peter Alilunas z University of Michigan and Infinity: Hollis Frampton and the First Durational thursday March 7, 2013 Chuck Tryon z Fayetteville State University Cinema” Hannah Spaulding z Northwestern University Scott Nygren z University of Florida z “Vision as an Affirmative Ruin: Still Learning from Hollis Frampton’s Project”

Sponsor: Experimental Film & Media I17 Becoming Genres Scholarly Interest Group : Chair: Steven Cohan Z Syracuse University Alan Pike z Emory University z “‘First Time in Prison?’: The Big House (1930) and the Prison Film Eco‑criticism and the Image Genre” I19 Visual Culture through a Steven Cohan z Syracuse University z “Another Green Lens, Part II Hollywood Picture?: A Star Is Born (1937) and the Generic Continuity of the Backstudio Film” : Chair: Mario Trono Z Mount Royal University Desiree Garcia z Arizona State University z Christopher Pavsek z Simon Fraser University z “Everything Old Is New Again: The Sing‑Along “John Smith’s The Kiss: Nature De‑Natured” Musical Film” Mario Trono z Mount Royal University z “The Seth Friedman z DePauw University z “Retrospective Ecological Blindspot in Ari Folman’s Waltz With Issues: The Contemporary Hollywood Misdirection Bashir” Film and the Limitations of the Discursive Approach to Genre” Michelle Yates z Columbia College Chicago z “‘Stay the Course’: Consumerism, Environmentalism, and WALL‑E’s Edenic Recovery Narrative” James Wicks z Point Loma Nazarene University z “Love in the Time of Industrialization: Nature in Li Hanxiang’s The Winter”

90 Session Z I 5:00 – 6:45 pm

Revisiting Adult Narratives Off Beat I20 Children and Adolescents I22 Music/Film Mismatches in Hispanic Cinema : : Chair: Krin Gabbard Z Stony Brook University Chair: Jorge Perez Z University of Kansas Caryl Flinn z University of Michigan z “Christopher Veronica Garibotto z University of Kansas z “Visual Plummer Learns to Sing” Resemblance: Iconicity and the Use of a Child’s Kathryn Kalinak z Rhode Island College z “How the March Perspective in Post‑2000 Argentine Film” West Was Off‑Beat: Howard Hawks, Dimitri Tiomkin, thursday z Mount Holyoke College z and the Score for The Big Sky”

Justin Crumbaugh 7, 2013 “Spectacle and Spectralization of the Spain’s Dead Krin Gabbard z Stony Brook University z “‘What Is and Disappeared: The Fraught Temporality of Miracle This Music?’: Jimmy Knepper with Charles Mingus of Marcelino (Vajda 1955)” and Tom Cruise” z University of Kansas z Jorge Perez “Queer Children Respondent: Kay Dickinson z Concordia University in Spanish Cinema: Revamping Familiar Narratives” Margaret Frohlich z Dickinson College z “What of Unnatural Bodies?: The Discourse of Nature in Lucía Puenzo’s XXY and El niño pez” Workshop I23 Success and Survival in the 21st Century Career Strategies for Under‑ I21 Workshop or Unrepresented Graduate How to DV (Properly) Students and Early Career Faculty The Art and Science of Playing Digital in Film and Media Studies and Digitized Video to Audiences : : Chair: Theresa L. Geller Z Grinnell College Z Chair: Dan Streible New York University/Orphan Co‑Chair: Jeffrey Masko Z Pennsylvania State University Film Symposium Workshop Participants Workshop Participants Bambi Haggins z Arizona State University Jeff Martin z Independent Media Arts Preservation Sarah Projansky z University of Utah Stefan Elnabli z Northwestern University Library Julie Russo z Brown University Skip Elsheimer z A/V Geeks Maria San Filippo z Wellesley College/Harvard College Rebecca Gordon z Fulbright Fellow, Nicaragua

Sponsors: Middle East Caucus, Women’s Caucus, Caucus on Class, Queer Caucus, and Media Literacy + Pedagogical Outreach Scholarly Interest Group

91 Session Z I 5:00 – 6:45 pm

On Colonial Imaginaries and ! Meeting I24 Cinematic Modernities Modes, Movements, Theories 5:00 – 6:45 pm Room: The Club International, Lobby Level : Chair: Matthew Croombs Z Carleton University Media Industries Bruno Cornellier z Columbia University z “Race and Scholarly Interest Group Racialization beyond the Native/White Divide in the Cinema of Settler States” Matthew Croombs z Carleton University z “The Subject in Shreds: Colonialism and the Question of Torture in Modern French Cinema” thursday March 7, 2013 Scott Birdwise z York University z “A Nanook of Long Beach: Jean‑Pierre Gorin’s My Crasy Life (1992) as Poststructuralist Ethnographic Film” Kass Banning z University of Toronto z “Western Myth, Black Archaeology: The Nine Muses as Migrant Modernity”

Thursday, March 7, 2013 5:30 – 7:00 pm Youth Film Festival—Competition Location: DePaul university, Downtown campus CDM LL105 Theatre—in the basement of 14 E. Jackson Boulevard Please refer to the Chicago Vincity Map on page 26 for location. The Youth Film Festival—Competition is in collaboration with the Chicago‑based Digital Youth Network. Entries will be screened at this special event. Sponsored by Media Literacy + Pedagogical Outreach Scholarly Interest Group

92 thursday March 7, 2013 93 ast) pm 7:00 – 8:45 rgian, mezzanine Level (E orgian, mezzanine Studies Television ge

venue Scholarly Interest Group Scholarly Interest Room: pm ! Meeting pm Street o . Ontari 7:30 rcade Bar Emporium Arcade Bar 7:00 – 10:00 REZA, 432 W on: cati Video Game Studies Game Studies Video Lo on: cati Scholarly Interest Group Lo $25/grad and adjunct, $35.00/prof ilwaukee A 1366 N. Milwaukee Wicker Park, Sponsored in part by the Women’s Caucus Sponsored in part by the Women’s Thursday, March 7, 2013 Thursday, March 7, pm Grrrls Night Out Dinner ! Meeting & Reception Please refer to the Chicago Vincity Map on page 26 for location. Please refer to the Chicago Vincity 7:00 – 8:45 must be purchased in advance at http://gno‑2013.eventbrite.com Tickets rie, mezzanine Level (west) Erie, mezzanine Scholarly Interest Group Scholarly Interest Room: Oscar Micheaux Society Society Oscar Micheaux A chance to meet and mingle with SCMS grrrlfriends new and old, cis and trans, children welcome. mingle with SCMS grrrlfriends new and A chance to meet and ! Meeting Vegetarian and gluten free options available; valet parking; handicap access; buffet‑style appetizers and open‑bar to begin and gluten free options available; Vegetarian available but not included. at 7:00, dinner served at 8:00. Alcoholic beverages thursday 94 March 7, 2013 Video, NewMedia,andAnimation. “personal videodatabank”isavailablethroughthePhilMortonMemorialResearchArchiveinSAIC’s DepartmentofFilm, performance artist, C.B. radioperformer, MobileVideo Van designeranduser, andvideotapemaker. Histhirty‑year Phil Morton(1945–2003)wasanelectronicvisualizationartist,analogcomputerbuilder, real‑timevideographic Media, andAnimation,thisprograminterweavesMorton’s originalswiththeirremixes.Multipleformats. the PhilMortonMemorialArchiveandChairofSchoolArtInstituteChicago’s DepartmentofFilm,Video, New that encourages making, sharing, re‑editing and distributing media art. Introduced and organized by jonCates, Founder of Phil Morton.Morton’s genre‑defyingworkanticipatedremix;healsodevelopedCOPY‑IT‑RIGHT, analternativetocopyright An internationalroster of contemporaryvideoand new mediaartistsremixand reimagine worksbyChicagovideo pioneer Sponsored byNontheatrical Film&Mediaand UrbanStudiesScholarlyInterest Groups Tickets andrefreshmentsforSCMSmembersattendingthiseventweregenerously The first115SCMSattendeestopresentnamebadgesatthedoorwillbeadmitted. Directions: (south onMichigantoWashington, thentakearight).Oritis$6cabrideaway. Presented aspartoftheConversationsatEdge(www.saic.edu/cate) 1972–2013, multiplecountries,formats,ca60min+discussion underwritten bytheRichardandEllenSandorFamilyFoundation. Take theRedline toWashington. It isa15minutewalkfromtheDrakeHotel series attheGeneSiskelFilmCenter(siskelfilmcenter.org). Lo Nontheatrical Shortsfromthe ChicagoFilmArchives Please refertotheChicagoVincity Maponpage26forlocation. cation: Lo reservations cation: Thursday, March 7, March Thursday, 2013 Thursday, March 7, March Thursday, 2013 Cinema B Rediscoveries inthePhilMortonArchive Chicago Symphonies Gene SiskelFilmCenter,164N.tate Street Remix‑It‑Right Martin Johnson([email protected]) Seating isextremelylimited. realis, 1550N.Milwaukeeorealis, A (Please note:thereisnoelevator) 9:00 8:00 pm pm r venue, 4thFloo Friday March 8, 2013 95 z z

“The

J “Hangin’ out in

Austin University of Texas at

Z University of Nottingham

z University of Southern California University of Wisconsin‑Madison

z z Old Dominion University

Media Franchising Shared Brands, Licensed Labor, and Industrial Identities Morgan Blue Media Industries Scholarly Interest Group or: “Legitimating Media Work: Creativity, Disavowal, and Creativity, “Legitimating Media Work: Identity in Franchise Formations” Just Wants to Be Quality: HBO, Lena Dunham, “Girls Just Wants and Girls’ Contested Production Identities” Invisible Labor of Promotion” Mickey’s Joint: The Cultural Geography of Licensing Joint: The Mickey’s Shows and Cultivating Investment in Licensable Trade IP” Session Session Catherine Johnson Avi Santo Avi Taylor Nygaard Taylor J3 : Chair: Derek Johnson Spons z

am University of Nottingham

z Sheffield Hallam University March 8, 2013 March 8,

Z University of London

University of Southern California Z

z z University of California, Irvine

Mark Gallagher East Asian Noir Shin Chi‑Yun

“‘Being Outside, But Yet Belonging’: The Paradox of “‘Being Outside, But Yet Life in Postwar Korean Film Noir”

, or, ‘What’s a Man Gonna Do?’” ‘What’s , or, Yojimbo “Kurosawa’s “Post‑Extremity in Chinese Film Noir: Tsai Ming‑liang, “Post‑Extremity in Chinese Film Noir: Tsai Politics of Emptiness” and the Invisible Horror, Erin Huang Hyun Seon Park pondent: Res

: Chair: Dolores Martinez J1

– 10:45 9:00 Friday Session Z J 9:00 – 10:45 am

American Cinema The Medium as Process J4 across Borders J6 Experimental Cinema and the Appropriation, Localization History of Technology and Transculturation : : Chair: Joana Pimenta Z Harvard University Chair: Jose Capino Z University of Illinois, Mihaela Mihailova z Yale University z “Avant‑garde Urbana‑Champaign Science: The Electronic Abstractions of Mary Ellen Savas Arslan z BahçeS¸ ehir University z “From Extreme Bute” to Exorbitant: Popular (Trans)National Adaptations” Mal Ahern z Yale University z “The Indexical, Traced: Austin Fisher z University of Bedfordshire z Robert Breer’s Rotoscope and the Line between “Terrorismo all’americana: Transatlantic Flow and the Animation and Live‑Action” Politics of Violence in the Italian Poliziesco” Lindsey Lodhie z Harvard University z “‘Circles of Jose Capino z University of Illinois, Urbana‑Champaign z Confusion’: Hollis Frampton’s Phenakistoscope” “Maternal Melodrama and the Marcos Dictatorship” Joana Pimenta z Harvard University z “Viewing Film Iain Smith z University of Roehampton z “Cowboys through a ‘Visual Jukebox’: Moving Image and the and Indians: Transnational Borrowings in the Indian Politics of ‘Information’” ‘Curry’ Western from Sholay (1975) to Wanted: Dead Sponsors: Experimental Film & Media or Alive (1983)” Scholarly Interest Group and Animated Media Sponsor: Transnational Cinemas Scholarly Interest Group Scholarly Interest Group Friday March 8, 2013

Television and Serial Limits Communism, Hollywood, J5 J7 and the 1930s : Chair: Kathryn VanArendonk Z Stanford University : Z Kathryn VanArendonk z Stanford University z Chair: Catherine Jurca California Institute of “Bottle Episodes, Breaking Bad, and Television Form” Technology z z Karen Hornick z New York University z “ Louie and Steven Ross University of Southern California Girls: Testing the Limits of the Television Serial “Reds and Nazis in 1930s Hollywood” Comedy” Thomas Doherty z Brandeis University z “ Professor Sean O’Sullivan z Ohio State University z “Ingmar Mamlock (1938) Comes to America” Bergman, Showrunner” Anna Siomopoulos z Bentley University z “‘I Should Hate to See Our Country Endangered by My Respondent: Matt Hills z Aberystwyth University Underwear’: The Politics of Gender in Ninotchka (1939) and Comrade X (1940)” Chuck Maland z University of Tennessee z “ The Great Dictator (1940): Popular Front Satire or Premature Anti‑Fascism?”

96 Session Z J 9:00 – 10:45 am

The Cultural Politics of Transnationalism in J8 Celebrity Couples J10 Contemporary Spanish Cinema Media, Power, and Identity National Identities in Global Cinematographic Scenarios : Chair: Shelley Cobb Z University of Southampton : Co‑Chair: Neil Ewen Z University of Portsmouth Chair: Elena Oliete Z University of Zaragoza Neil Ewen z University of Portsmouth z “In a Galaxy Co‑Chair: Beatriz Oria Z University of Zaragoza Far, Far Away?: The Beckhams as a Globalized Couple, Carmen Indurain z Public University of Navarra z 2007–the Present” “From Airbag to Fugitivas: Hollywood’s Influence on Margaret Schwartz z Fordham University z “Diana’s the Spanish Road Movie” Rings: Fetishizing the Royal Couple” Beatriz Oria z University of Zaragoza z “The David Zeglen z Norwegian University of Science and Transnational Dimension of ‘Bromance’ in Spanish Technology z “It’s the Thought That Counts: North Cinema” Korea’s Glocalization of the Celebrity Couple and the Izas Indacoechea z University of Chicago z “Beyond Mediated Politics of Reform” the Fatherland: The Transnational Character of Aita Shelley Cobb z University of Southampton z “Ellen (Spain, 2010)” and Portia’s Post‑feminist Wedding: Everyone’s Elena Oliete z University of Zaragoza z “Recovering a March 8, 2013

Favorite Lesbian Marriage” Local Past in a Global Present: Spanish Transnational Friday Heritage Cinema”

Sponsor: Latino/a Caucus

Theorizing Digital J9 Transformations

: Chair: Kirsten Moana Thompson Z Victoria University Drew Ayers z Northeastern University z “Seeing and Being Through Time and Space: Performance Capture, Please . . . Remote Surgery, and Technologies of Presence” Join us Friday at 4:15 pm for the Anastasia Saverino z New York University z “Liveness Ever After: Popular Music and the Awards Ceremony Aesthetics of Referentiality” Geoffrey Alan Rhodes z Rochester Institute of Grand Ballroom, Lobby Level Technology z “AR Talks about AR: Apparatus and the Cinema of Attractions in Augmented Reality” Kirsten Moana Thompson z Victoria University z “Ephemeral Exhibition and Immersive Space: Disney’s ‘World of Color’”

Sponsor: Animated Media Scholarly Interest Group 97 Session Z J 9:00 – 10:45 am J11 Industrious Cinema J12 African American : Representation and the Cinema Chair: Sara Sullivan Z University of Iowa : Jeremy Mathers z York University z “‘Hidden Chair: Charlene Regester Z University of North Power’: Atomic Energy Documentaries at the National Carolina‑Chapel Hill Film Board of Canada” Charles Williamson z Ohio State University z “ Hattie Paul Monticone z University of Texas at Austin z of Hollywood: Film Stardom, Corporeality, and Eugenic “Of Limited Use?: The Role of Motion Pictures in Thought in Fan Magazine Fiction” the National Electric Light Association’s Campaign Jennifer DeClue z University of Southern California z Against Public Ownership” “Images of Loving: Visualizing ‘Miscegenating’ Bodies Luci Marzola z University of Southern California z and Anti‑Miscegenation Laws in the Documentary “The Birth of the Dream Factory: Industrializing Film The Loving Story” Discourse in Early Hollywood” Sharon Joseph z Southern Illinois University z Sara Sullivan z University of Iowa z “‘Introducing “Forgotten Legacy: Siegmund Lubin and African Carbon Steel!’: Corporate Fantasies of Steel American Representations in Early Silent Film” Production in Animated Educational Films” Charlene Regester z University of North Carolina‑Chapel Sponsor: Caucus on Class Hill z “Black Male Psychosis and White Male Diagnosis: Home of the Brave (1949) and A Soldier’s Story (1984)”

Sponsors: African/African American Caucus and Friday

March 8, 2013 Oscar Micheaux Society

J13 Wars on Film : Poke . . . Chair: Robert Burgoyne Z University of St Andrews Kristin Harper z New York University z “AlI Is Fair Like SCMS on Facebook in Love and War: The New Woman Goes to War in American Military Films of the 1910s” Wyatt Phillips z New York University z “Current Events, Historical Fiction, and Inter‑/Intra‑medial https://www.facebook.com/SCMStudies Generic Pressures in Early American ‘War Films’” Jordan Schonig z University of Pittsburgh z “Mythicizing Revenge, Masking Atrocity: Cinematic Fantasy as Therapy in Inglourious Basterds” Katarzyna Paszkiewicz z University of Barcelona z “‘There’s Lots of Eyes on Us’: Re‑visioning of Gender and Genre in Kathryn Bigelow’s The Hurt Locker 98 (2008)” Session Z J 9:00 – 10:45 am J14 So Bad It’s Good J17 The Press and the Past : : Chair: Richard McCulloch Z University of East Chair: Richard Abel Z University of Michigan Anglia Amy Borden z Portland State University z “Get Me Co‑Chair: James MacDowell Z University of Warwick G.P. Lathrop: Thomas Edison and Modern Consumer James MacDowell z University of Warwick z “Value, Culture” Intention, and the Aesthetics of ‘So Bad it’s Good’” Eric Schaefer z Emerson College z “Selling the Dark: Nessa Johnston z University of Glasgow z “‘Fuck You Locating the Origins of Film Noir in Pressbooks” and Your Gun, Ye Prick’: Fatal Deviation (1998) and Kaveh Askari z Western Washington University z Sonic Taste Frameworks” “Griffith in a Minor Key: Early Art Cinema Looking Phil Oppenheim z Georgia State University z “Grave Backward” Expectations: Vampira and the Cult Film Crypt/ Richard Abel z University of Michigan z “‘What Gatekeeping Tradition” Cinema Was’ in the Newspapers, 1914–1915” Richard McCulloch z University of East Anglia z “‘When Camp Goes Mainstream?’: Eurovision Audiences, Ironic Appreciation, and the Production of Comedy” March 8, 2013

Workshop Friday J18 Surface Tension The Stakes and Fates of Close Analysis Topics in Film Studies J15 : : Chair: Elena Gorfinkel Z University of Chair: Tiel Lundy Z University of Colorado, Boulder Wisconsin‑Milwaukee André Kunigami z Cornell University z “The Co‑Chair: Karl Schoonover Z University of Warwick Over‑visible Body: Reality Effect and Materiality in Japanese Film” Workshop Participants z z Victor Perkins z University of Warwick Evan Lieberman Cleveland State University z “Speaking Space: Spatial Dynamics as a System for Lesley Stern University of California, San Diego Mise‑en‑Scène Analysis” Jean Ma z Stanford University Mary Ann Doane z University of California, Berkeley Man Fung Yip z University of Oklahoma z “Martial Arts Cinema and Minor Transnationalism: Toward an Sponsor: Contemporary Theory Scholarly Interest Group Alternative Understanding of Global Film Flows and Networks” Tiel Lundy z University of Colorado, Boulder z “Sartorial Sadism and the Cinematic Boss From Hell”

99 Session Z J 9:00 – 10:45 am

Sound in Video Games Gender Trouble across the Dial J19 and Interactive Media J21 Disrupting Conventions of Women’s Mediated Representation in Radio : and Television, 1930–1960 Chair: Lori Landay Z Berklee College of Music Chris Russell z Northwestern University z “The Atari : VCS and the Making of Digital Sound” Chair: Jennifer Wang Z Independent Scholar z z Costantino Oliva z University of Malta z Jennifer Wang Independent Scholar “‘Recipe for “Soundmarks in Digital Games Soundscapes” Laughs’: Comedy While Cleaning in Housekeeping Radio Programs” Lori Landay z Berklee College of Music z “Sound, Embodiment, and the Experience of Interactivity in Kathryn Fuller‑Seeley z Georgia State University z Video Games and Virtual Environments” “‘What Are You Laughing At, Mary?’: Transgressive z Women and Gender Performance on the Jack Benny Respondent: Benjamin Aslinger Bentley University Radio Program” Sponsors: Video Game Studies Scholarly Interest Group Catherine Martin z Boston University z “Adventure’s and Sound Studies Scholarly Interest Group Fun, but Wouldn’t You Rather Get Married?: Gender Roles and the Office Wife in Radio Detective Dramas” Joanne Morreale z Northeastern University z “Dreams and Disruption: The Fifties Sitcom” What is the Philosophy of Film? Sponsors: Women’s Caucus and Radio Studies J20 Scholarly Interest Group Friday : March 8, 2013 Chair: Daniel Morgan Z University of Pittsburgh Felicity Colman z Manchester Metropolitan University z “Philosophy of Film and Technology” Colin Gardner z University of California, The Films of Robert Gardner Santa Barbara z “Philosophy of Film and Form” J22 : Gregory Flaxman z University of North Carolina‑Chapel Chair: Rebecca Meyers Z Emerson College Hill z “The Spiritual Automaton; or, Why We Should Kathryn Ramey z Emerson College z “Robert Gardner Learn to Stop Worrying and Love the Passivity of the and Experimental Filmmaking: A Legacy” Cinema” Charles Warren z Boston University/Harvard Lisa Trahair z University of New South Wales z University z “ Dead Birds as an Essay Film” “Dogville and the Philosophical Thought Experiment” Richard Allen z New York University z “Robert Gardner’s Forest of Bliss” William Rothman z University of Miami z “The Power of Words and Silences in Robert Gardner’s Films and Prose Writings”

100 Session Z J 9:00 – 10:45 am

Workshop Seriously?! J23 Digital Humanities and J24 Genre, Reception, and the Film and Media Studies Politics of Cultural Value Staging an Encounter : : Chair: Ken Feil Z Emerson College Chair: Miriam Posner Z University of California, Michael DeAngelis z DePaul University z “Sex Los Angeles as a Serious Issue: The Marketing of Graphic Co‑Chair: Jason Mittell Z Middlebury College Representation in the 1960s” z z Workshop Participants Ken Feil Emerson College “Distanciation, Camp, and Hip‑Value: Rowan and Martin’s Laugh‑In and the Hannah Goodwin z University of California, ‘Permissive’ Makeover of Mainstream Taste” Santa Barbara Jenna Weinman z University of California, Irvine z Jasmijn Van Gorp z Utrecht University “Balls and Chains: Domesticating the Midcentury and Jason Rhody z National Endowment for the Millennial Rom‑Com” Humanities z Eric Faden z Bucknell University Steven Carr Indiana University–Purdue University, Fort Wayne z “Complicated Dictator: The Untold Story of Sponsor: Media Literacy + Pedagogical Outreach the Concentration Camp Scenes from Chaplin’s 1940 Scholarly Interest Group Hollywood Anti‑Fascist Comedy that Audiences Never March 8, 2013 Friday Saw”

! Meeting 9:00 – 10:45 am Room: The Club International, Lobby Level Contemporary Theory Scholarly Interest Group

! Meeting 9:00 – 10:45 am Room: Florentine, Mezzanine Level (east) Asian/Pacific American Caucus

101 102 Friday March 8, 2013 Spons Respondent: Amy Ongiri Chair: : K1 Session Tamao Nakahara Eliza RodriguezyGibson University Cultural Politics,andTelevision” Perez PradoandtheVisual BordersofBlackness” Betty andSpork” and theSingleGirl:Working GirlPerformancesinUgly ors: California, Irvine Caucus onClass and Latino/aCaucus Catherine Benamou Tamao Nakahara PerformingClass,Race,andGender Traces ofthe

z z

Sponsored bytheUniversityofNotreDame,DepartmentFilm,TV, andTheatre University ofFlorida “Fashioning Citizenships:Latin@Camp, z

Members’ Business Meeting Members’ Business Independent Scholar z (Im)migrant Body

Z Loyola Marymount

Independent Scholar z

z University of Friday, March 8, March Friday, 2013 “Mambomania!: K

Refreshments willbeprovided. z “Sweat Friday 11:00 m: Roo French, Lobb am –12:00 Spons Catherine Fisk Chair: : K3 Eric Hoyt Ellen Seiter Shawna Kidman y Level Residuals andSeparatedRights,1935–1955” as AuthorsandOwners:TheWriters’Guild’s Creationof Comic Books’CopyrightedCharacters” “Authorship underWork‑For‑Hire: TheDisputeover “Pennies fromGoogle” Theatrical ExhibitionofOldMovies” Reissue Problem:Labor’s 1940sCampaignagainstthe Z noon or: Media Industries Scholarly InterestGroup Ellen Seiter Worth FightingFor Royalties andResiduals California

March 8,March 2013 z 12:15 –2:00

z University ofWisconsin‑Madison

z University ofSouthern California

z University ofCalifornia

University ofSouthernCalifornia Z

University ofSouthern

z “Union Labor Labor “Union

z “The

z pm

z Session Z K 12:15 – 2:00 pm

Inter/national Film Festivals Historicizing the Sixties K4 Targeting Contemporary K6 Avant‑Garde Asian Cinema Underground Bonds and Movements

: : Chair: Boel Ulfsdotter Z University of Skövde Chair: Alison Hoffman‑Han Z Oakland University Boel Ulfsdotter z University of Skövde z “East Kristen Alfaro z Concordia University z “Experimental Asian Popular Film at the European Film Festivals Distribution and the Experimental Film Spaces of 2000–2010” 1960s New York City” Tit Leung Cheung z Lingnan University z “The Film Ara Osterweil z McGill University z “Experimental Festival of Independent and Underground in China: Cinema: A Minor History of Friendship” The Case of the Documentary Film Festival China J. Carlos Kase z University of North Carolina (DOChina)” Wilmington z “Historicizing the Psychedelic Ran Ma z Osaka City University z “Festival Film in Movement within the Legacy of the Avant‑Garde” Post‑underground Mode and the New Auteurism of Alison Hoffman‑Han z Oakland University z “Our Chinese Independent Cinema” Bodies, Our Cameras: Women’s Experimental Film Sponsors: Film & Media Festivals Practices in the 1960s & 70s” Scholarly Interest Group and Asian/Pacific Respondent: Michael Zryd z York University March 8, 2013

American Caucus Friday Sponsor: Experimental Film & Media Scholarly Interest Group

Rethinking Crime K5 Affect and Aesthetics

: Chair: Tanya Horeck Z Anglia Ruskin University Win . . . Tanya Horeck z Anglia Ruskin University z “Capturing Crime: Emotion, Affect, and Violence in Dear Zachary: A $500 Visa gift card A Letter to a Son about his Father” Raffle tickets available at Claire Henry z University of Melbourne z “Affective Reconsiderations of Rape and Revenge in Katalin Conference Registration. Varga and Twilight Portrait” — benefitting the Travel Fund — Lisa Coulthard z University of British Columbia z “Decriminalizing Crime: Vengeance and the Affective 1 for $5 or 5 for $20 Logic of Tarantino’s Film Violence” Good Luck. Yvonne Tasker z University of East Anglia z “Crime Television and the Action Aesthetic: From Starsky and Hutch to NCIS”

103 Session Z K 12:15 – 2:00 pm

Collective Memory and Original Women‑centric Series K7 Political Documentary K9 and Cable Network (Re)Branding

: : Chair: Justin Vaccaro Z University of California, Chair: Lara Bradshaw Z University of Southern Berkeley California Co‑Chair: David Gray Z University of California, Co‑Chair: Lauren DeCarvalho Z Pennsylvania State Santa Barbara University Rossella Carbotti z University of California, Berkeley z Ashley Elaine York z University of Alberta z “When We Made Documentaries: Contested “Designing Popularity, Containing Feminism: A (Re) Memories and Controinchieste in Italy” Branding Strategy Case Study of TNT’s The Closer” Justin Vaccaro z University of California, Berkeley z Lara Bradshaw z University of Southern California z “‘It’s a Fantasy, a Dream. What Can We Dream Up?’: “Showtime’s Women: Disease and Consumerism” Historiography, the Collective, and Media Praxis in La Lauren DeCarvalho z Pennsylvania State University z Commune (Paris 1871)” “Sex (and Survival) and the City: HBO’s Girls as David Gray z University of California, Santa Barbara z Post‑feminist/Post‑recession Text” “Memorial Spaces in Recent Chilean Documentaries” Lisa Swain z Biola University z “The Problem That Ben Stork z University of Minnesota z “History Won’t Go Away: Betty Friedan Revisited in the Lessons: On the Image‑Document as Pedagogical Masculine World of AMC” Object in The Autobiography of Nicolae Ceausescu”

Sponsor: Documentary Studies Scholarly Interest Group Friday March 8, 2013 Cuban Youth Cinema K10 An Industry in Transition

Cinema in Relation : K8 Film and Other Media Chair: Ruth Goldberg Z SUNY, Empire State College Co‑Chair: Laura‑Zoe Humphreys Z Johns Hopkins : University Chair: Claudia Pummer Z University of Hawaii, Manoa Laura‑Zoe Humphreys z Johns Hopkins University z “Ambivalent Allegories: The Politics of Meaning in Areum Jeong z University of California, Los Angeles z “How the Pyonsa Stole the Show” Films by Cuban Youth” z z Susan Lord z Queen’s University z and Yun Peng University of Hawaii, Manoa “Cinema’s z z Bright Shadow in Love in a Fallen City” Zaira Zarza Queen’s University “Intimate z z Spaces and Migrant Imaginaries: Sandra Gomez, Justin Remes Oakland University “Structuring Susana Barriga, Heidi Hassan” Time: Michael Snow’s So Is This and the Textual Film” z z z z Ruth Goldberg SUNY, Empire State College Claudia Pummer University of Hawaii, Manoa “Changing Tides: New Currents in Cuban Independent “Medium‑specificity and ‑supplementation in Filmmaking” Straub‑Huillet’s Cézanne (1989)” Laimir Fano z University of Wisconsin‑Milwaukee z “Ode to the Pineapple: Rethinking ‘Fiestas’ and Carnival in Cuban Youth Cinema” 104 Session Z K 12:15 – 2:00 pm K11 Transseriality K13 Workshop : The Fate of Film Footage Chair: Daniela Wentz Z University Weimar Bastard Films and the Co‑Chair: Andreas Jahn‑Sudmann Z University of Politics of Provenance Göttingen : Dominik Maeder z University of Siegen z Chair: Skip Elsheimer Z A/V Geeks “Transgeneric Seriality and the Making of Advertising in Mad Men and Germany’s Next Top Model” Workshop Participants z z Melissa Dollman z Harvard University Andreas Jahn‑Sudmann University of Göttingen z “Agon and Transseriality: Skyscrapers, TV Series, and Oliver Gaycken University of Maryland the Dynamics of Serial Outbidding (Überbietung)” Nora Gully z Kartemquin Films Devin Orgeron z North Carolina State University Daniela Wentz z University Weimar z “The Rumor of Transseriality” Sponsor: Nontheatrical Film & Media Scholarly Interest Group Herbert Schwaab z University of Regensburg z “The Everyday, the Sitcom, and Pre‑digital Forms of Transseriality” March 8, 2013 K14 Sounding the Radio Archive Friday : K12 On the Contemporary Color Line Chair: Ian Whittington Z McGill University African American Film, Katherine McLeod z University of Toronto z Photography, and Criticism “Acoustic Archives: Listening to the CBC Radio : Archives of Anthology” Chair: Robert Jackson Z University of Tulsa Melissa Dinsman z University of Notre Dame z Sarah Gleeson‑White z University of Sydney z “The “Clogged Networks: The Theoretical and Practical Unadapted: African American Film as Counterarchive” Difficulties of Radio Archivization” Leigh Duck z University of Mississippi z “The Archival Ian Whittington z McGill University z “Tracing the Image and the Black Urban ‘We’: From 12 Million Voice: Una Marson and the Ethics of the Radio Black Voices to Faubourg Tremé: The Untold Story of Archive” Black New Orleans” Respondent: Debra Rae Cohen z University of South Robert Jackson z University of Tulsa z “Criticism of Carolina Anatomy: James Baldwin’s The Devil Finds Work and Sponsor: Radio Studies Scholarly Interest Group the Contest for Human Form” Deborah Barker z University of Mississippi z “Mug Shots and the Black Criminal Body in Madea Goes to Jail”

Sponsor: African/African American Caucus

105 Session Z K 12:15 – 2:00 pm

Cinema and Public Space Media Activism and K15 Questions Concerning K19 Social Movements Moviegoing in the Digital Age : : Chair: Chris Robé Z Florida Atlantic University Z Chair: Thomas Forget University of North Carolina Chuck Kleinhans z JUMP CUT z “The Dialectics of Charlotte Labor Media Activism: JoAnn Elam’s Everyday People Thomas Forget z University of North Carolina and Monopoly Capitalism” z Charlotte “Scales of Distraction: Vernacular Steven Doles z Syracuse University z “Film Criticism Practices of Projection and the Generation of Public in the Struggle against the Ku Klux Klan: The Burning Space” Cross (1947) and the Black Press” z z James Macgillivray University of Michigan Chris Robé z Florida Atlantic University z and “Death Throws: Cinematic Space and Projection” Todd Wolfson z Rutgers University z “Rewiring Jonathan Bell z Rhode Island School of Design z the Apparatus: Psychoanalytic Film Theory, Media “Cinema Underground: Designing the Next Movie Activism, and Working‑Class Subjectivities” House Typology” Steve Macek z North Central College z “The Politics Mark Thorsby z Lone Star College z “The Event Layer: of Film Censorship in Interwar Chicago” Articulating the Transformation of Cinematic Space” Sponsors: Caucus on Class and Oscar Micheaux Society Scholarly Interest Group Friday March 8, 2013 Behind the Silver Screen K18 Directors in Hollywood

: Chair: Virginia Wexman Z Independent Scholar Charlie Keil z University of Toronto z “Cecil B. DeMille: Managing the Directorial Role in Early Hollywood” Mary Beth Haralovich z University of Arizona z “Insiders and Outsiders: Two Directors in Postwar Hollywood” Thomas Schatz z University of Texas at Austin z “1989: Three Films, Three Industrial Models for Directors” Virginia Wexman z Independent Scholar z “One Man, One Film: The Directors Guild of America and the Cultural Construction of the Artist”

106 Session Z K 12:15 – 2:00 pm

Early Cinema Careers Doing Things with Home Movies K20 Entrepreneurs, Exhibitors, K21 : and Filmmakers Chair: Caroline Frick Z University of Texas at Austin : Jacqueline Stewart z Northwestern University z Chair: Joel Frykholm Z Stockholm University “Too Much of a Rare Thing?: African American Home Cara Caddoo z City University of New York, Graduate Movies and the Politics of Diversity” Center z “The Church, the Hall, and the School: Film Susan Courtney z University of South Carolina z Exhibition and Black Institutional Life during the Great “Split Screen Nation: Mapping the USA with Urbanization, 1897–1910” Chevrolet, Greyhound, and the Barstow Family of Joel Frykholm z Stockholm University z “Career Wethersfield, CT” History, Industry History, and the ‘Show Business Snowden Becker z The Center for Home Movies z Quality’: George Kleine and the American Film “Home (Movie) Schooling: Teaching with, about, and Industry, 1893–1915” through Amateur Film” z z Liz Clarke Wilfrid Laurier University “The Hidden Respondent: Dan Streible z New York University/Orphan Trail: Gene Gauntier and Early Cinema History” Film Symposium Ned Thanhouser z Thanhouser Company Film Sponsor: Nontheatrical Film & Media Preservation, Inc. z “From Stage to Screen: Edwin

Scholarly Interest Group March 8, 2013 Thanhouser’s Rise to Fame and Fortune in Early Friday Cinema”

Respondent: Charles Musser z Yale University

Sponsor: Oscar Micheaux Sociey Scholarly Interest Group Revisiting the Movement‑Image K22 Deleuze’s Cinema 1 after 30 Years

: Chair: Luka Arsenjuk Z University of Maryland Co‑Chair: Nico Baumbach Z Columbia University Nico Baumbach z Columbia University z “False Movements; or, What Counts as Cinema for Deleuze?” Luka Arsenjuk z University of Maryland z “Deleuze’s Eisenstein” Abraham Geil z Duke University z “The Heteronomy of Affect”

Respondent: Gregory Flaxman z University of North Carolina‑ Chapel Hill

Sponsor: Contemporary Theory Scholarly Interest Group

107 Session Z K 12:15 – 2:00 pm

Workshop ! Meeting K23 Pervasive Animation 12:15 – 2:00 pm : Room: The Club International, Lobby Level Chair: Suzanne Buchan Z University for the Creative Arts Sound Studies Scholarly Interest Group Workshop Participants Joon Yang Kim z Tokyo Zokei University Tom Gunning z University of Chicago Thomas Lamarre z McGill University ! Mark Bartlett z University of the Creative Arts Meeting

Sponsor: Animated Media Scholarly Interest Group 12:15 – 2:00 pm Room: Florentine, Mezzanine Level (east) Scholarly Interest Group Coordinating Committee Workshop K24 Teaching Women and Film in 2013

: Chair: Paula J. Massood Z Brooklyn College, CUNY Friday Co‑Chair: Antje Ascheid Z University of Georgia March 8, 2013

Workshop Participants Lucy Fischer z University of Pittsburgh Mia Mask z Vassar College Alexandra Keller z Smith College Michele Schreiber z Emory University Antje Ascheid z University of Georgia

Sponsors: Women’s Caucus and Women in Screen History Scholarly Interest Group

108 Friday March 8, 2013 109 z

“From “Platform “Mobile z z z

L Concordia University

Z University of California, Berkeley Concordia University Concordia University New York University

z z z z

Platform Worlds Marc Steinberg “The Digital Effects Emblem: Allegory and Images in Melancholia and Take Computer‑generated Shelter” World‑Style to Everyday‑Style; or, How Some Genres to Everyday‑Style; or, World‑Style Cross Platforms Better Than Others” Consciousness” Devices: The Political Economy of Digital Distraction” L3 : Chair: Charles Acland Kristen Whissel JungBong Choi Marc Steinberg Session Session “Digital “Donald z “Breaking z

“Puny Diegesis:

pm University of Toledo March 8, 2013 March 8,

Z Auburn University Concordia University

University of Michigan z z

Concordia University z

Comics Studies Scholarly Interest Group Making the Marvel Universe and the Marvel Transmedia Comics Brand Matt Yockey

or: Brand: Marvel Comics, Media Convergence, and the Brand: Marvel Comics, Media Convergence, and Resurgence of Event Storytelling”

Glover 4 Spiderman?: Race, ‘Brand Cohesion,’ and Glover 4 Spiderman?: Race, ‘Brand Cohesion,’ Hierarchies in the Marvel Universes” Marvel and the Bias of Media” Corporate Authorship and Transmedia Dialogism in Corporate Authorship and Transmedia ” The Incredible Hulk Hulk and Marvel’s Universal’s Dru Jeffries Deron Overpeck Spons Chair: Kathryn Frank : L1

2:15 – 4:00 2:15 Friday Kalervo Sinervo Session Z L 2:15 – 4:00 pm L4 Live Sound in Film and Television L6 The Cinema of Warhol : + Frampton @ 50 Chair: Benjamin Wright Z University of Southern Pulling the Icy Leg of Duchamp California : Co‑Chair: Randolph Jordan Z Simon Fraser University Chair: Ken Eisenstein Z University of Chicago/Mount Benjamin Wright z University of Southern California z Holyoke College “We’ll Fix it in Post: The Professional and Creative Co‑Chair: Melissa Ragona Z Carnegie Mellon Constraints of Production Sound Mixing” University Vanessa Ament‑Gjenvick z Georgia State University z Ken Eisenstein z University of Chicago/Mount Holyoke “Mad About You: Production Sound Challenges in College z “AAC DE HILL LMNORSY: Marcel, Hollis, the Television Situation Comedy with Live Studio and Andy Anagrammatized” Audience” Melissa Ragona z Carnegie Mellon University z Randolph Jordan z Simon Fraser University z “Legacy of The Green Box: Language Systems in “Hearing the Cinematic City: Location Film Sound and Warhol and Frampton” Soundscape Research in Acoustic Ecology” Lisa Zaher z University of Chicago z “Given: 1. The Michael Baker z University of British Columbia z Waterfall, 2. The Illuminating Gas: The Duchamp “The Sound of Rockumentary: Location Recording and Souvenir, Strobed and in Stereo” Documentary Sound Practice” Respondent: Bruce Jenkins z School of the Art Institute of Chicago Friday March 8, 2013 Mapping Transitions L5 The History and Geography of Urban In Suspense Change in Cinema after WWII L7 Theorizing the Categorical : Hesitation in Cinema Z Chair: Sabine Haenni Cornell University : Jon Lewis z Oregon State University z “Mapping the Chair: Diane Lewis Z Meiji Gakuin University Hollywood Transition, 1947–1962” Co‑Chair: Laura Lee Z Florida State University Martha Shearer z King’s College London z “‘Don’t You Laura Lee z Florida State University z “Suspended Realize a Big City Like this Changes All the Time?’: Worlds: Miike Takashi’s Yatterman and Film The Hollywood Musical and the Rise of Cold War Aesthetics” New York” Katie B. Kohn z Harvard University z “Life, Mark Shiel z King’s College London z “Some Interminable: The Evolution and Aesthetics of Unnatural Stillness: Los Angeles and Hollywood in ‘Suspended Animation’ in Media and Out” Transition in The Christian Licorice Store (1971) and Diane Lewis z Meiji Gakuin University z “Playing in Play It As It Lays (1972)” Earnest: Interpreting the Performing Body in Two Sabine Haenni z Cornell University z “Urban Examples by Haneke” Transition in an Age of Globalization: The French and Phil Kaffen z New York University z “The Ethics of American Crime Film Waves of the 1970s” Suspension: Rethinking Image Politics”

110 Sponsor: Urban Studies Scholarly Interest Group Sponsor: Contemporary Theory Scholarly Interest Group Session Z L 2:15 – 4:00 pm

Color TV 50 Years Later L8 Standardizing and L10 The Afterlife of Oberhausen Regulating Color Vision : : Chair: Nora Alter Z Temple University Chair: Susan Murray Z New York University Lutz Koepnick z Washington University z “Un‑Framing Jonathan Sterne z McGill University z “Perceptual the Cinematic: The Other Faces of Contemporary Technics and American Color Television” German Art Cinema” Dylan Mulvin z McGill University z “Scenes from an Richard Langston z University of North Carolina‑Chapel Imaginary Country: Test Images and American Color Hill z “Theorizing Disaster on the Small Screen: Television Standards” Returns and Departures in Alexander Kluge’s Marxist Susan Murray z New York University z “NBC’s Color Essay Films” Corps: Color Harmony and Fidelity in Postwar Color Jaimey Fisher z University of California, Davis z “A Television Production” Cinematic Archeology of Historical Transformations: Harun Farocki’s Collaborations with Christian Petzold” Respondent: Mara Mills z New York University John Davidson z Ohio State University z “Balázs, Bazin, Bitomsky, and the Exile of Reality in Cinema” March 8, 2013 Friday New Perspective on the L9 Cinema of Idrissa Ouédraogo Archeologies of Intermediality : L11 in Prewar Japanese Cinema Chair: Jude Akudinobi Z University of California, Santa Barbara : Chair: Michael Raine Z University of Western Jude Akudinobi z University of California, Ontario Santa Barbara z “Embattled Dreams: Origins, Place, and Identity in Le Cri du coeur” Keiko Sasagawa z Kansai University z “Silent Films with Popular Music: The Intermediality of Kouta Karim Traore z University of Georgia z “ Yaaba: A Story of a Knowledge Transfer” Films, 1896–1929” Michael Raine z University of Western Ontario z “A Lucia Nagib z University of Leeds z “Ouédraogo and Physical Realism” Revolution in Film Accompaniment: Record Playback z z Systems in Japanese Silent Cinemas” Aboubakar Sanogo Carleton University z z “The Documentary Work of Idrissa Ouedraogo” Chie Niita Waseda University “Japanese Cinema and the Radio” Sponsor: African/African American Caucus Johan Nordström z Waseda University z “Songs that Bind: Connections between the Early Japanese Sound Cinema and the Record Industry”

Sponsors: Asian/Pacific American Caucus and Sound Studies Scholarly Interest Group

111 Session Z L 2:15 – 4:00 pm

Hispanic and Latina/o Genre Studies L12 Performance in US Film L14 Variations on the Musical and Television : Ethnicity, Gender, and Sexuality Chair: Frances Smith Z University of Warwick : Paulina Suarez z New York University z “Stage, Chair: Victoria Kearley Z University of Southampton Backstage, Everyday Life: Scenes of Transition in the Lori Hall‑Araujo z Indiana University z “Ripe for Cabaret Picture” Imitation” Sean Griffin z Southern Methodist University z “‘And Victoria Kearley z University of Southampton z Then I Wrote . . .’: Enshrining the American Songbook “The Latino ‘Star as Performer’: Benicio del Toro” in the Postwar Musical Biopic” z z Sara Hinojos z University of California, Santa Barbara z Amanda McQueen University of Wisconsin‑Madison “Chico and the Man: Gender, Language Politics, and “Songs and Shadows: The Question of the Classical 1970s Television” Film Noir Musical, 1941–1958” z z Joshua Hatley z University of Warwick z “Javier Frances Smith University of Warwick “‘(I’ve Had) Bardem: From Macho Ibérico to Latin Stereotype and the Time of My Life’: The Afterlife of Dirty Dancing Ethnic Other” (Ardolino, 1987) in the Contemporary Romantic Comedy” Sponsor: Latino/a Caucus Friday March 8, 2013 Frequencies and Fields in Women Directors and the L15 Cinematic Perception L13 Transnational Imaginary of World Cinema : Chair: Ute Holl Z University of Basel : Alice Christensen z Princeton University z Chair: Meta Mazaj Z University of Pennsylvania “Cinematic Perception in Nerven (Reinert, 1919): Shekhar Deshpande z Arcadia University z Continuity, Discontinuity, Reconstruction” “Strategic Transnationalism in Women’s Anthology Verena Mund z University of Minnesota z “The Films” Blinking Bulb and the Starry Sky: Stress and Patricia White z Swarthmore College z “Colonial Modernism at the Switchboard” Imaginaries: White Womanhood and World Cinema Ute Holl z University of Basel z “Postcolonial Authorship” Resonances” Meta Mazaj z University of Pennsylvania z “Balkan Rembert Hueser z University of Minnesota z “Dot dot Women Directors in World Cinema: Jasmila Žbanic´’s dot: Dr. No and Cybernetics” On the Path (2010) and Aida Begic´’s Children of Sarajevo (2012)” Nick Davis z Northwestern University z “Thighs Wide Shut: Enigmas of Sexual and Economic Consent in Julia Leigh’s Sleeping Beauty (2011)”

112 Sponsor: Transnational Cinemas Scholarly Interest Group Session Z L 2:15 – 4:00 pm

Workshop The Cinema as Geography L16 Graduate Education in Film L19 New Considerations for a Theory and Media Studies of Moving Image Exhibition New Challenges, New Models : : Chair: Jennifer Wild Z University of Chicago Chair: Masha Salazkina Z Concordia University Co‑Chair: Eivind Røssaak Z National Library of Norway Dimitrios Latsis z University of Iowa z “Film Workshop Participants Diplomacy: Natural Landscape, the New Deal, and Neepa Majumdar z University of Pittsburgh Artistic Self‑Image of the US Abroad” Dana Polan z New York University Eivind Røssaak z National Library of Norway z Jennifer Holt z University of California, Santa Barbara “Exhibiting New Media” Shelley Stamp z University of California, Santa Cruz z z z Jon Inge Faldalen University of Oslo Masha Salazkina Concordia University “Imagenesis: Toward a Geography of Shadows and Reflections on Fixed and Fluid Surfaces” Jennifer Wild z University of Chicago z “A Psychogeography of the Avant‑Garde: Paris and Cinema in Four Places” Perspectives on Contemporary March 8, 2013 L18 Documentary Friday

: Chair: Doron Galili Z Oberlin College Jane Gaines z Columbia University z “The Reality Celebrity and the Unknowableness of the Unknown: What Documentary L20 Monetization of Intimacy Has in Common with Historical Research” : Michael Renov z University of Southern California z Chair: Suzanne Leonard Z Simmons College “The Power of the Close‑up: Testimony and Empathy Alice Leppert z Ursinus College z “Famous for the in the Documentary Film” Fame‑Work: Keeping Up With the Kardashians and Charles Musser z Yale University z “The Paradise the Production of Branded Celebrity” Lost Project and the Courtroom Documentary” Jorie Lagerwey z University College Dublin z Josh Glick z Yale University z “Mapping Place and “The Real Housewives’ Ramona Singer: Crazy, Experience in the Web‑Native Documentary” Offensive, and Feminist?” Sponsor: Documentary Studies Scholarly Interest Group Jennifer Clark z Fordham University z “#pregnantproblems: Nicole ‘Snooki’ Polizzi and the Emotional Labor of Reality TV Celebrity” Diane Negra z University College Dublin z and Suzanne Leonard z Simmons College z “After Ever After: Bethenny Frankel, Self‑Branding, and the ‘New Intimacy of Work’”

113 Session Z L 2:15 – 4:00 pm

Queer Asian Affairs Workshop L21 Ghosts, Aswang, Ethnic Others, L23 Theorizing Industry Practices and Shadow Intimacies in : Southeast Asian Transmedia Chair: Jimmy Draper Z University of Michigan : Chair: Arnika Fuhrmann Z Cornell University Workshop Participants Co‑Chair: Hoang Nguyen Z Bryn Mawr College Tim Havens z University of Iowa z Bliss Cua Lim z University of California, Irvine and Kyoto Amanda Lotz University of Michigan University z “Queer Aswang Transmedia” Serra Tinic z University of Alberta Jimmy Draper z University of Michigan Fiona Lee z City University of New York z “Queering Nation Time: Ghostly Sightings in The Last Kevin Sanson z University of California, Communist” Santa Barbara Arnika Fuhrmann z Cornell University z “Under Sponsor: Media Industries Scholarly Interest Group Permanent Exception: Thai Buddhist‑Muslim Coexistence, Interreligious Intimacies, and the Filmic Archive” Hoang Nguyen z Bryn Mawr College z “Addicted to Love: Homosexual Vices in Contemporary Vietnamese Debugging the History of Cinema” L24 Game Terminology II Critical Studies of Key Concepts Sponsors: Asian/Pacific American Caucus and Friday

March 8, 2013 Queer Caucus : Chair: Henry Lowood Z Stanford University Raiford Guins z Stony Brook University z “Console” Henry Lowood z Stanford University z “Game Engine” Dialogues with Rancière L22 David Myers z Loyola University, New Orleans z : “Simulation” Chair: Codruta Morari Z Wellesley College Peter Krapp z University of California, Irvine z Codruta Morari z Wellesley College z “Democracy “Control” and Cinephilia: Rancière’s Resistance to the Ontology Sponsor: Video Game Studies Scholarly Interest Group of Cinema” Scott Durham z Northwestern University z “From Dissensus to Movements of World: The Politics of Cinema in Rancière and Deleuze” Roy Grundmann z Boston University z “Adorno, Rancière, and Cinematic Spectatorship: Is Spectatorial Emancipation a Relevant Concept?”

Respondent: Johannes von Moltke z University of Michigan

Sponsor: Contemporary Theory Scholarly Interest Group 114 Session Z L 2:15 – 4:00 pm ! Meeting 2:15 – 4:00 pm Room: The Club International, Lobby Level Media Literacy + Pedagogical Outreach Scholarly Interest Group

! Meeting 2:15 – 4:00 pm Room: Drake Bros, Lobby Level Nontheatrical Film & Media Scholarly Interest Group March 8, 2013 Friday

115 116 Friday March 8, 2013 Anne McKnight Honorable Mention Fred Turner Doron Galili Honorable Mention Brian Jacobson Josh Glick 3rd Place Andrew deWaard 2nd Place Eric Herhuth 1st Place of WALL‑E andPixarComputer‑Animation” “Life, Love,andProgramming:TheCulturePolitics Modern Mediascape,1878‑1939” Electricity: TheEmergenceofTelevision andthe Mise‑en‑synergy” Rock asConglomerateSatire,BrandIntegration,and America” (PublicCulture,2012) of Man’andthePoliticsAttention inColdWar Los Angeles and EarlyCinema” “Studios BeforetheSystem:Architecture,Technology, in JapaneseSex Films” (CameraObscura,2012) “The Wages ofAffluence: TheHigh‑RiseHousewife Incorporation ofBlackLosAngeles” THE KATHERINE SINGERKOVÁCS ESSAY AWARD Z

Z Z Z

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Stanford University ale University University ofWisconsin‑Milwaukee University ofChicago “Beyond Text of Product:Reading30 DISSERTATION AWARD Z Z

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Charles R.Acland Honorable Mention Tasha Oren Chiara Ferrari Honorable Mention Priya Jaikumar Devin Orgeron Routledge, 2011) Tasha Orenand SharonShahaf,eds.(NewYork: Early ItalianTelevision,” inGlobalTelevision. Formats “‘National Mike’:GlobalHostandFormatsin Sharon Shahaf State University Haidee Wasson Marsha GordonOrgeron Borders (NewYork: Routledge,2012) Television Formats:UnderstandingTelevision Across York University Useful Cinema(Durham:DukeUniversityPress,2011) Oxford UniversityPress,2011) Educational FilmintheUnitedStates(NewYork: (Basingstoke: BFIPalgraveMacmillan,2011) Film. LeeGrievesonandColinMacCabe,eds. as SpatialObjectsofFilmHistory,” inEmpireand “An ‘AccurateImagination’:Place,Map,andArchive pm y Level BEST ESSAY INANEDITEDCOLLECTION

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BEST EDITEDCOLLECTION Z SCMS President University ofWisconsin‑Milwaukee

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California State University North CarolinaState University University ofSouthernCalifornia Z Z Learning withtheLightsOff: and DanStreible Z

Georgia State University Concordia University Concordia University Z

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Z Z y Level Department and Culture Program DISTINGUISHED CAREER ACHIEVEMENT AWARD DISTINGUISHED CAREER pm Northwestern University, Department of English Department Northwestern University, The University of Chicago, Office of the Provost Columbia College Chicago, Film & Video of Communication College DePaul University, of Communication Department Indiana University, University of Wisconsin‑Milwaukee, Film Studies (Durham: Duke University Press, 2011) Optimism (Durham: Duke University Technology (Durham: Duke (Durham: Duke of Visuality to Look: A Counterhistory 2011) University Press, S Innovative Friedberg The Anne Constance Balides Linda Williams Honorable Mention Honorable Lauren Berlant Nicholas Mirzoeff Heather Hendershot yer, Lobb

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BEST FIRST BOOK FIRST BEST AWARD Chicago University of Z

Z Television + Film Television Cultures Program Communication Studies Culture PhD Program Singer K The Katherine Northwestern University, Center for Screen Center Northwestern University, Cultures PhD Screen Northwestern University, Department of Northwestern University, Rhetoric and Public Northwestern University, Northwestern University, Office of the Provost Office Northwestern University, of Radio, Department Northwestern University, Color: Early Film, Mass Culture, Modernism (New Color: Early Film, Mass Press, 2012) Brunswick: Rutgers University (Volumes 1‑3) (Durham: History of Iranian Cinema (Volumes Duke University Press, 2011) Mind: Imagination, Aesthetics, and American Radio Aesthetics, and Mind: Imagination, 2012) of Chicago Press, Drama (Chicago: University Cinema and Experience: Siegfried Kracauer, Walter Walter Siegfried Kracauer, Cinema and Experience: Adorno (Berkeley: W. Benjamin, and Theodor Press, 2011) University of California This year’s Awards Ceremony & Reception were generously sponsored by Ceremony Awards This year’s Thank You . . . Honorable Mention Hamid Naficy Miriam Bratu Hansen Joshua Yumibe Honorable Mention Honorable Neil Verma 118 saturday March 9, 2013 Tim Havens Spons Respondent: Chuck Tryon Chair: : M1 Session Jade Miller Courtney BrannonDonoghue Digital Delivery” are Complicated:NetflixKids,Personalization,and Distribution fromFormaltoInformalChannels” “How MoviesTravel withintheBrazilianMarket:Film Technologies andPowerinaVideo Industry” Video Tape toVideo Streaming:ChangingDistribution New Zealand’s Bro’Town” Television Trade asCulturalJourney:TheCaseof or: University Media IndustriesScholarly Interest Group Alisa Perren Courtney BrannonDonoghue Distribution Cultures Reconsidering Contemporary

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University ofIowa Marymount anhattan C ollege F ayetteville State University z

Georgia State University z

Oakland University “Minority Saturday M

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z Edmond Chang Jennifer Malkowski Spons TreaAndrea Russworm Chair: : M3 Alenda Chang and theLimitsofQueerness” Chooses, APlayerObeys’:Bioshock,Transhumanism, Amherst Disaster inthatgamecompany’s Journey” “Game Over?:Duration,Distance,andEnvironmental Looking inL.A.Noire” to Watch ThemAlltheTime’: Games,Cinema,and Z or: Video GameStudiesScholarly InterestGroup Jennifer Malkowski Time inContemporaryVideo Games Playing theFuture Playing thePast,

March 9,March 2013 9:00 –10:45 z

“Gaming theRacialPastintoFuture” z z

University ofCalifornia,Berkeley University ofW z

z Smith College

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Youth Media Histories “Hot‑Jazz in Stone” M4 “Fast Forward through the M6 The Urban Landscapes and Rear View Mirror” Soundscapes of Film Noir

: : Chair: Karen Lury Z University of Glasgow Chair: Richard Ness Z Western Illinois University Ryan Shand z University of Glasgow z “Children Michael Dwyer z Arcadia University z “It Takes the as Amateur Filmmakers: Reconciling Generations Village: The Neighborhood outside Hitchcock’s Rear through Documentary Practice” Window” David Moore z Media Education Lab z “The Future Jans Wager z Utah Valley University z “From Paris of Youth Media: Exploring the Motivations and to Ishpeming: Miles Davis, Duke Ellington, and the Aspirations of Youth Media Organizations in the Landscape of Noir” United States” Richard Ness z Western Illinois University z “Killer Renee Hobbs z University of Rhode Island z “Exploring Riffs: Music as Cultural Identifier in Contemporary Youth Media History: A Case Study of Cinekyd Circa Neo‑Noir” 1976–1982” Michele Schreiber z Emory University z “David Karen Lury z University of Glasgow z “ Wullie a Mad Fincher¹s San Francisco as Neo‑Noirscape” ‘Wee Film’: Community Arts or Simply ‘Crap Art’?” Sponsor: Urban Studies Scholarly Interest Group

M5 Dangerous Subjectivities World Documentary, Personal Filmmaking and M7 Festivals, and Auteurs the World Outside : : Chair: Zhen Zhang Z New York University Chair: John Powers Z University of z Yale University z Wisconsin‑Madison Cecile Lagesse “Chinese March 9, 2013 z z Documentary and International Film Festivals: The saturday John Powers University of Wisconsin‑Madison Reception of Director Zhao Liang’s Work” “Looking Outward: Historical Narrative and z z Subjectivity in Recent Avant‑Garde Film and Video” Erin Alpert University of Pittsburgh “Sergei z z Loznitsa: Russian Documentary Auteur” Akiva Gottlieb University of Michigan “‘Are You z z Saying Narcissistic and Vain in the Pejorative Sense?’: Raisa Sidenova Yale University “Global Vanity as Form in the First‑Person Experimental Documentary: New Genre and New Auteurs” Cinema of Caveh Zahedi” Respondent: Aida Vallejo z University of the Basque Country Irina Leimbacher z Keene State College z “Lying in the (UPV/EHU)/Autonomous University of Madrid (UAM) First‑Personal(Al): The Case of Bontoc Eulogy” Sponsor: Film & Media Festivals Nikki Pinney z Indiana University z “Pathological Scholarly Interest Group Personification: The Camera as a Tool for Subjectivity in the Films of Gaspar Noé”

119 Session Z M 9:00 – 10:45 am

New Narratives in World Cinema Counter‑histories of M8 Omnibus, Network, M10 Spanish Cinema Modular, and Beyond Experiments, Ethnographies, : Cinephilia Chair: Jiwon Ahn Z Keene State College : Teresa Podlesney z Keene State College z “The Chair: Steven Marsh Z University of Illinois, Chicago ‘Network Narrative’ as Slow Cinema: Bela Tarr’s Bryan Cameron z New York University z “Touch, Sátántangó” Terror, and the Ineffable: The Tranquil Genius of Martin Roberts z New York University z “A Day in the Gonzalo Suárez” Life: Global Narrativity and Social Media” Anna Cox z Willamette University z “The Rhizomatic Jiwon Ahn z Keene State College z “Homesick Ethnographies of the 1960s Barcelona and Basque Cosmopolitans: 311 A Sense of Home and the Global Schools” Omnibus Film” Eduardo Ledesma z University of Illinois, Respondent: Allan Cameron z University of Auckland Urbana‑Champaign z “Obsolescence and the Second Coming of Super‑8: Fotonovela (2004) and Daniela Cugliandolo’s other Experimental Films” Steven Marsh z University of Illinois, Chicago z “Subjectivity, Spectrality, and the Critique of Extra‑Terrestrial Mediations Representation in Recent Spanish Non‑fiction Film” M9 GPS, Spy Planes, and Cyberspace Sponsor: Latino/a Caucus

: Chair: Germaine Halegoua Z University of Kansas Lan Le z University of California, Santa Barbara z “Tele‑Vision Before TV: Scanner Technologies and the Origins of Images‑at‑a‑Distance” The Power of the M11 Precarious Aesthetic Abigail Hinsman z University of California, Santa Barbara z “Undetected Media: Intelligence : Imaginings and the U–2 Spy Plane” Chair: Susanne Østby Sæther Z University of Oslo Z Megan Ankerson z University of Michigan z “24‑hour Co‑Chair: Kari Andén‑Papadopoulos Stockholm Internet Spectaculars: Realtime Authorship, Visual University saturday March 9, 2013 Infrastructure, and the Archival Promise of 24 Hours Arild Fetveit z University of Copenhagen z “Theorizing in Cyberspace (1996) and Life In a Day (2011)” the Power of the Precarious Aesthetic” Germaine Halegoua z University of Kansas z “From Susanne Østby Sæther z University of Oslo z Tactical Maneuvers to Geospatial Empowerment: “Precarious Art: The Cases of Slater Bradley and Seth Historical and Evolving Imaginations of GPS” Price” Kari Andén‑Papadopoulos z Stockholm University z “The Un/Reality of Citizen Camera Witnessing”

Respondent: Patricia Pisters z University of Amsterdam

120 Session Z M 9:00 – 10:45 am M12 Mediating Black Embodiment M14 21st Century Genre Revisions : : Chair: Miriam Petty Z Northwestern University Chair: Kathleen McHugh Z University of California, Samantha Sheppard z University of California, Los Angeles Los Angeles z “Any Given Body at Any Given Time: Ivan Ross z University of Chicago z “Rom‑Com Coming Black Embodiment and Performances of Triumph and of Age: Adolescent Intimacy and Generic Participation Defeat in Oliver Stone’s Any Given Sunday” in Adventureland and Skateland” Brandeise Monk‑Payton z Brown University z “‘I Go April Miller z University of Northern Colorado z With My Gut’: Navigating Black Feminism in Scandal” “Gendering Corporate Contagion, Governmental A.C. Hawley z University of Iowa z “A Cake for Every Collapse, and Real‑to‑Reel Recessionary Horrors in Month: The Construction of the Black Woman and Contagion and Drag Me To Hell” Class in The Real Housewives of Atlanta” Despina Kakoudaki z American University z “Family Miriam Petty z Northwestern University z “(M)Other Melodrama in the 21st Century” Love: Race, Custody, and Gender in Rainbow on the Kathleen McHugh z University of California, River and One Mile From Heaven” Los Angeles z “Work and Working through the End of the World” Sponsor: African/African American Caucus

Gendered Madness M15 New Cinematic Maps M13 Insanity and the Cinema Regional American Cinema : : Chair: Paul Reinsch Z Chapman University Chair: Heather Addison Z Western Michigan University Paul Reinsch z Chapman University z “ Song(s) of the Co‑Chair: Elaine Roth Z Indiana University, South Bend South: Country Music in/and Exploitation Cinema” March 9, 2013 Heather Addison z Western Michigan University z Daniel Herbert z University of Michigan z “Michigan saturday “Trapped in the ‘Booby Hatch’: Amiable Lunacy and and Home Video Culture” Blithe Brutality in Harvey (1950)” Philip Hallman z University of Michigan z “Mapping Leslie Abramson z Loyola University, Chicago z “At the Motor City’s Cinemas” Sea: Insanity and Law in The Caine Mutiny (1954)” David Lerner z University of Southern California z Nina Martin z Connecticut College z “Traveling the “The Garage Archive and the Cocktail Napkin Mind’s Twisted Corridors: Cinematography, Space, Document: Locating Gone with the Pope and and Silent House (2011)” Collaborating with the Past” Elaine Roth z Indiana University, South Bend z “More Momophobia: Incapacitated Mothers in Twenty‑First Century Cinema”

121 Session Z M 9:00 – 10:45 am

Elinor Glyn, Josephine Medium Beyond M16 Baker, and Lois Weber M18 Medium Specificity Sexuality, Authorship, and : Celebrity in Early Movie Culture Chair: Zachary Campbell Z Northwestern : University Chair: Hilary Hallett Z Columbia University John Rhym z University of Pittsburgh z “Timeliness Hilary Hallett z Columbia University z “The Elinor and Temporality in Ogawa Shinsuke’s Red Glyn Brand: Sex, Race, and Female Authority in Early Persimmons” Hollywood” Gordon Sullivan z University of Pittsburgh z “‘Are Terri Francis z Yale University z “Baker’s Burlesque: We Worth Saving?’: Trauma and Digital Disaster The Ironies and Erotics of Josephine Baker’s Cinema” Celebrity” Alessandra Raengo z Georgia State University z “‘I Shelley Stamp z University of California, Santa Cruz z See the Bones Inside’: Race, Medium‑being, and the “‘A Woman’s Picture in a Woman’s Way to a Woman’s Physiology of the Photographic Image” Taste’: Feminine Propriety, Marital Sexuality, and Zachary Campbell z Northwestern University z Female Authorship in Lois Weber’s Hollywood” “Video and the Labor of Medium Specificity” Respondent: Patrice Petro z University of Wisconsin‑Milwaukee

Sponsor: Women’s Caucus M19 How to Have Sex in a Crisis : Chair: Dean Allbritton Z Colby College Workshop Patrick Keilty z University of Toronto z “Online M17 Strategies for the Pornography and DIY Culture” Academic Job Market Dean Allbritton z Colby College z “Stimulus : Packages: Sex, Spain, and the Economy of the Erotic” Chair: Ashley Elaine York Z University of Alberta Bryan Wuest z University of California, Los Angeles z “Bears on Film: Documentation and Definition of Gay Workshop Participants Bear Culture” saturday March 9, 2013 Maruta Vitols z Emerson College Gabriela Alvarez z Stony Brook University z “Sex in Scott Richmond z Wayne State University the Time of Crisis: The Failed Quest for Redemption Homay King z Bryn Mawr College through Love and Nostalgia in Raging Sun, Raging Aaron Baker z Arizona State University Sky”

Sponsor: Queer Caucus

122 Session Z M 9:00 – 10:45 am

Exhibition/Reception Histories Materialities of Touch in Media M20 M22 Skin, Plastic, Fur : Chair: Nate Brennan Z New York University : Annie Fee z University of Washington z “The Chair: Nicholas Baer Z University of California, Rejection of the International Film Avant‑Garde by Berkeley French Audiences : 1918–1922” Klemens Gruber z University of Vienna z Kathleen Lotze z University of Antwerp z “Writing “Transatlantic Transformations of Tactility: Media Film Texts (Back) into Cinema History?: Reflections on Practices from Weimar to Chicago” Approaches to Film and Cinema History with Focus on Alexandra Seibel z Independent Scholar z and the Field of ‘New Cinema History’” Antonia Lant z New York University z “Cutting the Javier Ramirez z Indiana University z “Mexican Skin of the Film: Benjamin, Dr. Doyen, and Valie” Cinema en el otro lado: A Case Study of the Exhibition Antonia Lant z New York University z and of Angelitos Negros in San Antonio, Texas” Jana Herwig z FWF/University of Vienna z “Fur, Nate Brennan z New York University z “The Local Film, and the iPad: Tactile Virtuosities of the Screen” Film Sector: Audiences, Exhibitors and Critics in New Fabian Ziegler z University of Vienna z “Early York City, One Week in July, 1934” Plastics—Tactile Transparency in Art and Media”

Controlling the Infant Prodigy Workshop M21 Debates on the Form and M23 Critical Approaches to Studying Content of Early Television the Radio Industries

: : Chair: Deborah Jaramillo Z Boston University Chair: Eleanor Patterson Z University of Co‑Chair: Miranda Banks Z Emerson College Wisconsin‑Madison

z Boston University z “Public vs. March 9, 2013

Deborah Jaramillo saturday Private: The Fight to Control Early Television Content” Workshop Participants z z Brian Fauteux z University of Wisconsin‑Madison Miranda Banks Emerson College “Television z through the Eyes of ‘The Screen Writer’” Jason Loviglio University of Maryland, Baltimore County Dawn Fratini z University of California, Los Angeles z Jeremy Morris z University of Wisconsin‑Madison “The Challenge of Television from the Standpoint of Elena Razlogova z Concordia University Hollywood’s Engineers” Alexander Russo z The Catholic University of America Jennifer Porst z University of California, Los Angeles z “The Sound Track Ban: The American Federation Sponsor: Radio Studies Scholarly Interest Group of Musicians’ Role in Excluding Feature Films from Television before 1955”

Sponsor: Television Studies Scholarly Interest Group

123 Session Z M 9:00 – 10:45 am

The 1950s and Beyond ! Meeting M24 New Approaches to the “Golden Age” of Japanese Cinema 9:00 – 10:45 am Room: The Club International, Lobby Level : Chair: Alexander Jacoby Z Oxford Brookes Animated Media Studies University Scholarly Interest Group Rea Amit z Yale University z “The Golden Age of Japanese Cinema: Nationhood and Aesthetics” Lauri Kitsnik z University of Cambridge z “A Record of Repeated Gestures: Leitmotifs in Shindo Kaneto’s Films” Alexander Jacoby z Oxford Brookes University z “Backward Glances, Moving On: Revising Ozu in Koreeda Hirokazu’s Still Walking” saturday March 9, 2013

124 saturday March 9, 2013 125 “Editing z z

“‘If You z

N Austin University of Texas at

Z University of Calgary

z University Texas State Austin University of Texas at Austin University Of Texas at

z z z

Women’s Caucus Women’s Visualizing Girlhood, Girlhood, Visualizing Girling Visibility of Aesthetics The Visual Post‑feminist Girls’ Media Mary Kearney or: “Dressing the Part: The ‘Post‑feminist Masquerade’ in “Dressing the Part: The ‘Post‑feminist Masquerade’ of Girlhood” Aesthetics Disney Channel’s “Sparkle, Glitter, Shine: The Post‑feminist Luminosity Shine: “Sparkle, Glitter, of Contemporary US Girls’ Film and Television” for Emotion: The Visual Aesthetics of Young Women’s Women’s Aesthetics of Young for Emotion: The Visual Fan Videos” Had a Chance to Change Your Fate, Would You?’: You?’: Fate, Would Had a Chance to Change Your Aesthetics of Post‑feminist Unbraiding the Visual Brave” and Girlhood in Tangled Catherine Burwell Spons N3 : Chair: Mary Kearney Katie Kapurch Morgan Blue Session Session pm “‘It’s the “Between: z

March 9, 2013 March 9, “Networked Media z University of Chicago

Brown University Z Z

z – 12:45 University of Chicago

Northwestern University z Oberlin College

am z z

Wendy Chun Wendy Networked Media Patrick Jagoda

Network!’: Broadcasting, Cellular, and the Politics of Network!’: Broadcasting, Cellular, Networks” Fantasies and the Project of Networking the World”

Network Aesthetics and Networked Games” Patrick Jagoda Max Dawson pondent: Res

: Chair: Doron Galili N1

11:00 Saturday Session Z N 11:00 am – 12:45 pm

Radio in Transition, Forty Years after the Draft N4 Past and Present N6 Reexamining Conscription and American Media : Chair: Cynthia Meyers Z College of Mount Saint : Vincent Chair: Scott Balcerzak Z Northern Illinois Kyle Barnett z Bellarmine University z “Rethinking University Radio’s Rise through the Phonograph’s Fall” Scott Balcerzak z Northern Illinois University z Cynthia Meyers z College of Mount Saint Vincent z “‘It’s Going to Be a Merry Aar, Folks!’: Queered “Radio with Pictures: How the Ad Industry in the Brotherhood and Comedic Conscription with Abbott 1940s Debated the Transition from Radio to TV” and Costello” z z Andrew Bottomley z University of Kyle Stevens University of Pittsburgh “Down the Wisconsin‑Madison z “The Liveness of Internet Radio: Loop‑Hole: Catch–22 (1970), Surrealism, and the Streaming, Sociability, and the Experience of Radio in Draft” the Convergence Era” John Nelson z United States Military Academy z “America’s Open Space: Draft, Resistance, and the Respondent: Kathy Fuller‑Seeley z Georgia State Vietnam War in Cinematic Retrospect” University Robin Andersen z Fordham University z “Acts Sponsor: Radio Studies Scholarly Interest Group of Valor?: Comparing the Draft to Media‑Driven Recruitment”

N5 Fear of Feeling Horror, Spectatorship, Embodiment Teenagers at the : N7 Movies, 1920–1950 Chair: Adam Charles Hart Z University of Chicago Three Case Studies Co‑Chair: Veronica Fitzpatrick Z University of : Pittsburgh Z z z Chair: Lisa Rabin George Mason University Catherine Clepper Northwestern University “The z z Film that Rumbles: The Tingler, Percepto, and the Christina Petersen Eckerd College “The Paradox of Fear” Pleasures of Panning: 1920s College Newspaper Film saturday March 9, 2013 Criticism and the Sophisticated Youth Spectator” Andrea Wood z Winona State University z “Desiring Laura Isabel Serna z University of Southern Dead Girls: Abject Erotics and Female Zombies in z Horror Cinema” California “Social Science and the Racialization z z of Mexican Youth Film Viewing in Los Angeles in the Adam Charles Hart University of Chicago “For 1920s and 30s” Your Eyes Only: Horror’s Sensation Address” z z z z Lisa Rabin George Mason University Veronica Fitzpatrick University of Pittsburgh “Working‑Class Teenagers and the Social Content “Towards a Feminist Phenomenology of Almodóvar’s Film: The Human Relations Film Series at Benjamin Skin” Franklin High School, East Harlem, New York City, 1936–1955”

126 Respondent: Eric Smoodin z University of California, Davis Session Z N 11:00 am – 12:45 pm

Post‑socialist China; Transnational Approaches N8 Post‑colonial Hong Kong N10 to Nordic Cinema Reconstructing Collective : Consciousness or Restaging Chair: Laura Horak Z Stockholm University Public Failure? Ursula Lindqvist z Harvard University z “The New : Nordic Avant‑Garde” Chair: Victor Fan Z McGill University Wendy Pearson z University of Western Ontario z Victor Fan z McGill University z “Contemporary “Memories of Cultural Dismemberment: Nils Gaup, Hong Kong Cinema: Restaging the Desire for and Mons Somby, and the Re‑Membering of Sámi History” Resentment toward ‘National’ Integration” Arne Lunde z University of California, Los Angeles z Frederik Green z San Francisco State University z “The Scandinavian Colonies of Silent Era Hollywood” “The Sky is the Limit: Feng Xiaoning’s Leitmotif Laura Horak z Stockholm University z “Swedish Cinema and the Popularization of State Myths” Silent Film and the World Audience” Wei Yang z University of the South z “Projecting Beijing, Projecting Power: Space and Ideology in China‑US Co‑produced Films” Yanhong Zhu z Washington and Lee University z “Beyond Flesh and Blood: Body Politics and National Landscapes of Silent‑Era Ideology in Contemporary Chinese Spy Films” N11 US Production

: Chair: Paul Moore Z Ryerson University Paul Moore z Ryerson University z “Living Pictures of YouTube’s Clip Culture an American Fireman: Early Cinema’s Work with Local N9 Fire Brigades” : Jeremy Groskopf z Georgia State University z Chair: Sudeep Sharma Z University of California, “Engines and Anchors: The National and the Local in

Los Angeles March 9, 2013 Atlanta’s Buy‑A‑Bale of Cotton in 1914” saturday Stephen Monteiro z American University of Paris z Jessica Whitehead z York University z “Striving to “‘Just Clips’: Online Image Culture and the Meaning Become Part of the Movies: The Historical Process of of the Fragment” Fandom as a Participatory Practice” Laurel Westrup z Emerson College z “Recycling Clips Martin Johnson z University of North Carolina‑Chapel and Corporate Strategies on YouTube” Hill z “‘Steubenville Adopts a Baby’: The Hollywood Andrew Myers z University of Southern California z Turn in the Local Film” “Piracy vs. Passion on YouTube: Classification and Monetization of User‑Uploaded Movie Clips through Content ID and ‘Eyeballs on Every Video’” Sudeep Sharma z University of California, Los Angeles z “All the News That Is Fit to Clip: YouTube, Television News, and the Lost Mass Audience”

127 Session Z N 11:00 am – 12:45 pm N12 New Perspectives on N14 Auteurs and Film Language Film Censorship : : Chair: Elizabeth Reich Z Wayne State University Chair: Laura Wittern‑Keller Z SUNY, University at Chris Carter z University of Oklahoma z “Punishing Albany Rhetoric: Audience Address in Michael Haneke’s Stephen Vaughn z University of Wisconsin‑Madison z Funny Games” “Literacy, Celebrity, and Cinema in America, James Mairata z Macquarie University z 1890–1930” “Understanding How Steven Spielberg’s Unique Clayton Koppes z Oberlin College z “The Origins Strategies for Narrative Construction Have of Movie Censorship: A Transnational Perspective, Contributed to the Popularity of his Cinema” 1900–1930” Elizabeth Reich z Wayne State University z Kathryn Brownell z Boston University z “Reparative Times: Temporality in Spike Lee’s “Propaganda, Entertainment, or Partisan Tool?: World Cinema” War II and the Rise of a Mass‑mediated Politics”

Cityscape as Character Spectatorship and N15 Remapping the Metropolis N13 American Film History within Globalism

: : Chair: E. Ann Kaplan z Stony Brook University Chair: Reena Dube Z Indiana University of Pennsylvania Marsha Gordon Orgeron z North Carolina State University z “Going to the Show: 1930s Moviegoing Stanley Corkin z University of Cincinnati z “Corner in Cleveland, Ohio” Boys and Stoop Boys: Education, Knowledge, and the Neoliberal City in Season Four of The Wire” Amanda Fleming z Indiana University z “In Search of the Urban Child Spectator: ‘Children and Movies’ and Temenuga Trifonova z York University z “The the Myth of the ‘Children’s Film’” Franchise City Film” Joseph Bender z Harvard University z “Insurgent History in the Paris Suburbs: 93 la belle rebelle and saturday March 9, 2013 Rue des cités” Reena Dube z Indiana University of Pennsylvania z “Disembedded Gaze of Embedded Stories: The Global Cityscape in Mumbai Dairies and Kahaani”

Sponsor: Urban Studies Scholarly Interest Group

128 Session Z N 11:00 am – 12:45 pm

Acting Like Stars Animated Movement and N16 Craft, Image, Genre N17 Cinema’s Techné

: : Chair: Tamar Jeffers McDonald Z University of Chair: Alla Gadassik Z Northwestern University Kent Tom Gunning z University of Chicago z “On the Tamar Jeffers McDonald z University of Kent z Cusp of Modernism: Bergson’s Critique of the “Doris Day Performing Performing” Cinématographe and the Paradox of Mechanical John Mercer z Birmingham School of Media z “Acting Motion” and Behaving Like a Man: Rock Hudson’s Performance Alla Gadassik z Northwestern University z “The Style” Animated Line: Performing and Generating Movement Cynthia Baron z Bowling Green State University z in Early Animation” “Denzel Washington: Industry Policy’s Role in the Andrew Johnston z Amherst College z “The Line’s Career of a Black Matinee Idol” Moving Origins: Abstraction and Technological Christine Holmlund z University of Tennessee z “John Change” Cusack: Playing with Type” Gregory Zinman z Georgia Institute of Technology z Sponsor: Oscar Micheaux Sociey “Eradicating the Psychic Space between Eye and Ear: Scholarly Interest Group How Synthetic Film Sound Moves” Sponsors: Animated Media Scholarly Interest Group and CinemArts: Film & Art History Scholarly Interest Group March 9, 2013 Follow . . . saturday SCMS during the conference and throughout the year

@SCMStudies

129 Session Z N 11:00 am – 12:45 pm

Feminist Experimental Video Authenticity and Social N18 Identity, Appropriation, N20 Identities in 1950s/1960s and Interpretation American Television

: : Chair: Julia Lesage Z JUMP CUT Chair: Jon Kraszewski Z Seton Hall University Lucy Fischer z University of Pittsburgh z “Afterlife Gwendolyn Audrey Foster z University of Nebraska, and Afterimage: Maya Deren in Transfigured Time” Lincoln z “Life with Betty White: Performing Laura Stamm z University of Pittsburgh z “From Maya the Authentic Proto‑feminist in Pioneering Early Deren to Lady Gaga: The Role of the Female Artist in Television” Postmodern Visual Culture” Jon Kraszewski z Seton Hall University z Julia Lesage z JUMP CUT z “Layered Identity in the “Authenticity on Route 66: Redefining the Work of Midi Onodera” Relationship between Dominant Cultures, Counter Cultures, and the Road” Michelle Citron z Columbia College Chicago z “How Should We Tell Identity Stories?: A Case for Wheeler Winston Dixon z University of Nebraska, Non‑Linear Story‑Telling” Lincoln z “ Dragnet and the Origins of the 1950s Television Detective Procedural” Sponsors: Women in Screen History Scholarly Interest Group and Experimental Film Christopher Sharrett z Seton Hall University z “Jack & Media Scholarly Interest Group Webb in the 60s: The Vital Center and the Rhetoric of Hate”

Sponsor: Television Studies Scholarly Interest Group

Beyond Black‑and‑White N19 Cold War Television and Asian‑Pacific American Performers N21 Workshop : “To Preserve Disorder” Chair: Meenasarani Murugan Z Northwestern Moving Image Archiving and University Preservation in Chicago

Benjamin Han z New York University z “The : ‘Exceptional’ Real Estate: Hawai’i, Television, and Chair: Jacqueline Stewart Z Northwestern saturday March 9, 2013 Mixed‑Race” University Meenasarani Murugan z Northwestern University z Workshop Participants “‘More to Love’: ‘60s Exoticism and Television Teen z Idols” Sara Chapman Media Burn Independent Video Archive Melissa Phruksachart z CUNY Graduate Center z Tom Colley z Video Databank “‘Cherry Blossoms in Bryant Park’: Race, Gender, and Carolyn Faber z Kartemquin Films Cold War Culture in My Three Sons” Nancy Watrous z Chicago Film Archives Respondent: Darrell Hamamoto z University of California, Davis

Sponsor: Asian/Pacific American Caucus 130 Session Z N 11:00 am – 12:45 pm

Re‑Opening the “Closet” Workshop N22 New Case Studies and Applications N24 Increasing Visibility in for Film and Media Studies the Writing Process

: : Chair: R. Bruce Brasell Z Independent Scholar Chair: Lindsay Hogan Z University of Matthew Tinkcom z Georgetown University z “Three Wisconsin‑Madison Decades of the HIV Closet: Confession, Disclosure, and Self‑Fashioning in Still Around: 30 Years of AIDS, Workshop Participants 15 Years of Hope” Kyle Conway z University of North Dakota Laurie Ouellette z University of Minnesota David Lugowski z Manhattanville College z “Monsters and Mulattos, Prisoners and Princes: The Heather Hendershot z Massachusetts Institute of Closeted Characters of James Whale” Technology z z Sean Griffin z Southern Methodist University R. Bruce Brasell Independent Scholar z “Documentary Confessionals, the Southern Expatriate Rebekah Willett University of Wisconsin‑Madison Road Film, and the Closet” Sponsor: Graduate Student Organization Daniel Cutrara z Arizona State University z “Hollywood’s New Closet: The Religious Believer Screened Out” ! Sponsor: Queer Caucus Meeting 11:00 am – 12:45 pm Room: The Club International, Lobby Level Documentary Studies Cinematic Emotions, Scholarly Interest Group N23 Feelings, and Moods Cognitivism Meets Phenomenology March 9, 2013 : ! saturday Chair: Julian Hanich Z University of Groningen Meeting Carl Plantinga z Calvin College z “Mood and Narrative Cinema as ‘Mind Recorder’” 11:00 am – 12:45 pm Room: Florentine, Mezzanine Level (East) Jens Eder z University of Mannheim z “Films and Feelings of Being” Latino/a Caucus Julian Hanich z University of Groningen z “Alone in the Dark?: Cinematic Emotions and the Movie Theater’s Collective Experience”

Respondent: Vivian Sobchack z University of California, Los Angeles

131 132 saturday March 9, 2013 ‑Chair: Co Sangeet Kumar David Z.Morris Chair: : O1 Session Stephanie Schulte Peter Schaefer Producing thePublicthroughPersonalTechnology” “Occupying aNodeofOurOwn:Protectingand the World WideWeb” and ItsDiscontents:TheParticular astheUniversalon Neutrality, 1960–1985” “Material andDiscursiveFormsofNetwork and theHegemonyofCrowdsourcedSpace” App isNottheTerritory: PersonalGPSApplications Peter Schaefer Sangeet Kumar Functions ofInformationNetworks Power, Control,andtheNormative Relocating theCenters College

z z z

Marymount anhattan C ollege Denison University University ofSouthFlorida z

University ofArkansas Z Z

Marymount anhattan Denison University

z Saturday O Te Network “The

z z “The

z Kjetil Rodje Respondent: Anne Jerslev Chair: : O3 Asbjørn Grønstad ‘Noise’ inDavidLynch’s LadyBlueShanghai(2010)” Gehr andtheBoundariesofDiscernibility” the FalseinHarmonyKorine’s Trash Humpers” Z

Laura Marks Asbjørn Grønstad The OpacityoftheImage

March 9,March 2013 z 1:00 –2:45

z Simon FraserUniversity

University ofCopenhagen z

University ofBergen z

Simon FraserUniversity Z

University ofBergen

Vrain of “Variations

z z “Visual “Ernie pm Session Z O 1:00 – 2:45 pm

Ethnographic Approaches Black Cinema Aesthetics O4 in Film Festival Studies O6 Revisited

: : Chair: Helle Kannik Haastrup Z Roskilde University Chair: Michael Gillespie Z Ohio University Sarah Dillard z Indiana University z “Everyday is a Allyson Field z University of California, Los Angeles z Festival: Towards an Ethnographic Understanding of “To Journey Imperfectly: Black Cinema Aesthetics and the Toronto International Film Festival Organization” the Filmic Language of Sankofa” Jennifer Hessler z University of California, Lokeilani Kaimana z University of Texas at Austin z Santa Barbara z “ Next and the Ethos of Authenticity: “Daughters of the Dust’s Repeating Islands” An Ethnographic Look at Sundance’s Low Budget Keith Harris z University of California z “Is Black Film Filmmakers” Dead?” z z Helle Kannik Haastrup Roskilde University “The Akil Houston z Ohio University z “Unrequited Love: Cannes Film Festival as a Media Event: Palme d’Or, Hip‑Hop Culture and 1970s Black Cinema” Art Film, and the Red Carpet” Sponsors: African/African American Caucus and Respondent: Ragan Rhyne z Independent Scholar Oscar Micheaux Society Sponsor: Film & Media Festivals Scholarly Interest Group Scholarly Interest Group

O7 History Films O5 Dimensional Tensions Figuring, Framing, and Outing History Collage Animation and : Experiential Effects Chair: Rebecca Bell‑Metereau Z Texas State : University Chair: Jaimie Baron Z University of Alberta Sam B. Girgus z Vanderbilt University z “Clint March 9, 2013 Michele Pierson z King’s College London z “Janie Eastwood and History: Return of the Stranger in Flags saturday Geiser’s Actors: Two ‘Nervous Films’” of Our Fathers and Letters from Iwo Jima” Lora Mjolsness z University of California, Irvine z Deann Armstrong z Vanderbilt University z “Filming “Yuri Norstein’s Collage Animations: Technique and Shakespeare, Filming History” Subversion” Rebecca Bell‑Metereau z Texas State University z Jaimie Baron z University of Alberta z “Found “Framing the Gays in History: J. Edgar” Dimensions: Contemporary Experimental Collage Respondent: Cynthia Lucia z Rider University Animation, Archival Materials, and Spatiotemporal Effects” Frédéric Clément z University of Montréal z “Taking ‘Collage’ Literally in 3D Videogame Space: From Papercraft to Sticker Aesthetics in Nintendo’s Paper Mario Series”

Sponsor: Animated Media Scholarly Interest Group 133 Session Z O 1:00 – 2:45 pm

Epistolary Film Media and Cultural Memory in O8 The Letter’s Circulation in Cinema O10 Contemporary Latin America

: : Chair: Rebecca Sheehan Z California State Chair: Ricardo Vivancos Z George Mason University University, Fullerton Katherine Pereira z George Mason University z “The Ilinca Iurascu z University of British Columbia z Commemoration of Human Rights Violations in El “Media Operatics: Max Ophuls’ The Company is in Parque Monumento Trujillo through the Use of Digital Love and the Spectacle of Communication” Media” James Fiumara z University of Colorado, Denver z Eleana Velasco z George Mason University z “Graphology and Graphite: Hypergraphia and the “Ecuador’s Documentary Films: Uncovering the Past Sensual Aesthetics of the Quay Brothers’ In Absentia” and Finding Identity in the Era of Globalization” Elixabete Ansa‑Goicoechea z University of British Roberto Ponce‑Cordero z University of Pittsburgh z Columbia z “The Evidence of Film Letters: An “Detectives Creating Truth: On the Filmic Attempts to Epistolary Dialogue between Kiarostami and Erice” Make Sense of Gender Violence in Ciudad Juárez” Rebecca Sheehan z California State University, Carla Manzoni z University of Minnesota, Twin Fullerton z “Chantal Akerman’s Ars Combinatoria: Cities z “Kinetic Collages of Resistance: Alternative The Still Image and the Ethics of the Epistolary” Audiovisual Tales of Memory and Agency in Argentina from 1930 to Today”

Science, Life, and O9 Ontologies of Cinema

: Chair: Weihong Bao Z University of California, Berkeley Weihong Bao z University of California, Berkeley z “‘A Vibrating Art in the Air’: Cinema, Ether, and SCMS 2014 . . . Propaganda Film Theory in China during the Second Join us next year in World War” Seattle, Washington. saturday March 9, 2013 Inga Pollmann z University of North Carolina‑Chapel Hill z “‘Learning How to Swim’—Environment, March 19–23 Stimmung, and Medium in European Postwar Film Sheraton Seattle Hotel Theory” Angela Dalle‑Vacche z Georgia Institute of Technology z “Bazin and Resnais: Medium Specificity and Science” Grant Wiedenfeld z Yale University z “Living Signs: A Peircean Ontology of iCinema”

134 Session Z O 1:00 – 2:45 pm

Holocaust Cinema and Dis/abling Media O12 Post‑Memory O14 Disability and Negotiations of Between Trauma and Pedagogy Bodies, Technologies, and Texts

: : Chair: Sara Hall Z University of Illinois at Chicago Chair: Francesca Smith Z University of Southern California Brad Prager z University of Missouri z “Experiencing the Aftereffects: Documenting Memorial Trauma in Bill Kirkpatrick z Denison University z “Voices Made KZ (2006)” for Print: Disabled Voices on the Radio” Jennifer Kapczynski z Washington University z “Past Elizabeth Ellcessor z Indiana University z “Cultural Lessons, from Marianne and Juliane (1981) to And Accessibility and Transmedia Participation in Along Come Tourists (2007)” Switched at Birth” Michael Richardson z Ithaca College z “Horror as Julie Elman z New York University z “Diagnostic Pedagogy: Uwe Boll’s Auschwitz (2011)” Media: WebMD, WiiFit, and Neoliberal Cyberchondria” Sponsor: Central/East/South European Cinemas Scholarly Interest Group Francesca Smith z University of Southern California z “‘There’s No Need to Walk’: Navigating the Intersection of Ability, Obesity, and Technology in WALL·E’s Future”

Locating “Transnational O13 Hollywood” : The Actor’s Voice Chair: Ken Provencher Z University of Southern O15 California : Chair: Katherine Kinney Z University of California, Ken Provencher z University of Southern California z Riverside “My Life, a Sony Product: Japanese Investments in

z University of Wisconsin‑Milwaukee z March 9, 2013 Hollywood, 1985–1995” Kelly Kirshtner saturday “Actor/Microphone: Acoustic Presence in Sound Jeffrey Middents z American University z Collection Practices” “Permanent Residents?: Contemporary Hollywood and the International Auteur” Yiman Wang z University of California, Santa Cruz z “Speaking in a ‘Forked Tongue’: Anna May Wong’s Michelle Robinson z University of North Linguistic Cosmopolitanism” Carolina‑Chapel Hill z “Transnational Vertigo: Frames of Reference for a Vernacular of Late Modernity” Katherine Kinney z University of California, Riverside z “The Resonance of Brando’s Voice” Stefano Ciammaroni z Manchester Metropolitan z University of Nevada, Reno z University z “Any Which Way They Could: How an Katherine Fusco Italian Cultural Left Made Clint Eastwood a Fellow “Voices from Beyond the Grave: Virtual Tupac’s Live Traveler” Performance at Coachella”

Sponsor: Transnational Cinemas Scholarly Interest Group

135 Session Z O 1:00 – 2:45 pm

Rereading the Bromance Cable Services, Reality TV, O16 Homosociality and O18 Branding, and Niche Marketing Friendship in the Media : : Chair: Jane Feuer Z University of Pittsburgh Z Chair: Michael Rennett University of Texas at Moya Luckett z New York University z “Interrogating Austin Normality: Knowledge, Femininity, and the Co‑Chair: Amy Woodworth Z Rowan University Extraordinary‑Ordinary Self on TLC” z z Amy Woodworth Rowan University “Where Mimi White z Northwestern University z “HGTV: You Bromance Fears to Tread?: The Boundaries of Male Know You Want to Look” Love and Friendship in Hump Day” Jane Feuer z University of Pittsburgh z “The Bravo Tania Modleski z University of Southern California z Media Reality Series: ‘Quality’ and Branding” “Mimetic Desire in I Love You, Man” Brenda Weber z Indiana University z “Oprah‑topia: Ron Becker z Miami University z “‘Yeah, We’re Going Neoliberalism, Globalization, and Identity on the on a Mandate, Man’: Homosocial Intimacy, Patriarchy, Oprah Winfrey Network” and Heteronormativity” Sponsor: Television Studies Scholarly Interest Group Michael Rennett z University of Texas at Austin z “Bros, BFFs, and the New Romantic Foil: Homosocial Relationships in Emerging‑Adult‑Crisis Texts” O19 Primordigital Cinema : Beyond the Theatrical/ Chair: Selmin Kara Z Ontario College of Art and O17 Non‑theatrical Divide Design University Jonathan Freedman z University of Michigan z : “Tarantino and Scorsese: Inglourious Basterds, Hugo, Chair: Gregory Waller Z Indiana University and the Reinvention of Wonder” Gregory Waller z Indiana University z “Under the Richard Grusin z Center for 21st Century Studies z Auspices of: Sponsorship and Church Screenings” “Post‑cinematic Atavism” Lee Grieveson z University College London z “What Selmin Kara z Ontario College of Art and Design Did Liberal States Want from Film?” saturday University z March 9, 2013 “Beasts of the Digital Wild: Cinema and Haidee Wasson z Concordia University z the Question of Origins” “Mechanical Soldiers and Courageous Screens: How z the American Military Made Cinema Useful During Respondent: Steven Shaviro Wayne State University World War II” Barbara Klinger z Indiana University z “From Theaters to the Airwaves: Classic Hollywood Films and Transmedia in the 1940s”

Sponsor: Nontheatrical Film & Media Scholarly Interest Group

136 Session Z O 1:00 – 2:45 pm

Girls for Sale Micropolitics of Production O20 The (Sexual) Commodification O22 Communities of Girl Stars in US Cinema : : Chair: John Caldwell Z University of California, Chair: Maria San Filippo Z Five College Women’s Los Angeles Studies Research Center Eva Redvall z University of Copenhagen z “Training for Rahul Hamid z New York University, Gallatin z Quality Television: The Micropolitics of Teaching the “Graham Greene, Shirley Temple, and the Night and Production of Television Drama from an Industry and a Day Scandal” Film School Perspective” Maria San Filippo z Five College Women’s Studies Kevin Sanson z University of California, Research Center z “Girlhood, Interrupted: Hayley Santa Barbara z “It’s a Different Kind of Place: Mills, Jodie Foster, and (Post‑)Disney Delinquency” Global‑Local Production Cultures in an Entrepreneurial Vernon Shetley z Wellesley College z “The Olsen City” Twins, No Country for Old Men, and the Culture of Petr Szczepanik z Masaryk University z “Political Internship” History of Film Crew as a Temporary Total Institution”

Respondent: Diane Negra z University College, Dublin Ritesh Mehta z University of Southern California z “Filmmaking as Practice: ‘Modes’ of ‘Doing of Work’ and Factors influencing ‘Work Getting Done’ on a Student Film Production”

Respondent: Patrick Vonderau z Stockholm University

Workshop Sponsor: Media Industries Scholarly Interest Group O21 Historiography and French & Francophone Cinema

: Chair: Kelley Conway Z University of Wisconsin‑Madison March 9, 2013 Workshop Participants saturday Richard Neupert z University of Georgia Eric Smoodin z University of California, Davis William Higbee z University of Exeter Florence Martin z Goucher College Kelley Conway z University of Wisconsin‑Madison

Sponsor: French & Francophone Scholarly Interest Group

137 Session Z O 1:00 – 2:45 pm

Workshop ! Meeting O23 Cinema and Media Studies in Higher Education 1:00 – 2:45 pm Perspectives from Administrators Room: The Club International, Lobby Level

: CinemArts: Film & Art History Chair: Ted Hovet Z Western Kentucky University Scholarly Interest Group Co‑Chair: Charles Wolfe Z University of California, Santa Barbara Workshop Participants ! Michele Hilmes z University of Wisconsin‑Madison Meeting R. Barton Palmer z Clemson University 1:00 – 2:45 pm Murat Akser z Kadir Has University Room: Suite 450, Guest Room Floor 4 Deniz Bayrakdar z Kadir Has University Mary Desjardins z Dartmouth College Urban Studies Scholarly Interest Group Sponsors: Media Literacy + Pedagogical Outreach Scholarly Interest Group and Media Industries Scholarly Interest Group

New Paradigms in O24 Audiovisual Authorship

: Chair: Cecilia Sayad Z University of Kent Giorgio Bertellini z University of Michigan z “The Demiurgic Film Auteur: Emir Kusturica and Utopian Nation‑Rebuilding” Marina Hassapopoulou z University of Florida z saturday March 9, 2013 “Collaborative Ethos and Individualism in Interactive Film Authorship” Cecilia Sayad z University of Kent z “Shifting Approaches: How Performance Revives the Author”

138 saturday March 9, 2013 139 z

“No z adua

“A New Deal

z P

University of P

Z Mary Pickford Foundation University of New York, State

University of Southern California

University of Miami z

z z z “Can (Should) This Marriage Be Saved?:

Women in Screen History Women Scholarly Interest Group Modeling Marriage Star Couples and the Politics of Sex and Scandal in Hollywood Romance Giuliana Muscio or: “A Fine Romance: The ‘Infelicitous’ Marriage and “A Fine Romance: The ‘Infelicitous’ Marriage Performance of Mabel Normand” for Marriage: Carole Lombard, Clark Gable, and the for Marriage: Carole Lombard, Clark Gable, and Cultural Front” Brockport Path to Follow: The Marriage of Mary Pickford and Path to Follow: The Marriage of Mary Pickford Douglas Fairbanks” Stardom, Domestic Ideology, and Consumption in the Stardom, Domestic Ideology, 1950s” Christina Lane Sumiko Higashi Vicki Callahan Vicki Spons P3 : Chair: Cari Beauchamp Session Session “Change z z

“From the z

pm March 9, 2013 March 9, Nottingham of University of California, University of Stirling

Z Whitman College

Z z University “Wizards of ‘Oz’: Spyros Skouras,

University of California, Chapman University z

z z

Barbara Santa Media Industries Scholarly Interest Group Philip Drake Historical Media Industries Research, and Methodology, New Directions in “Historical Media Industries” Research Ross Melnick

or: Barbara Santa and Continuity in Hollywood’s Production of Stardom: and Continuity in Hollywood’s Problems of Periodization in Industrial Historiography”

Point of the Law: the De Haviland [sic] Decision and Contract Negotiations in Hollywood, Past and Talent Present”

“Triangulating Gossip: Industrial Research Methods, “Triangulating and the Hegemony of Photoplay” Scarcity, Murray Silverstone, and Fox’s Colonization of Murray Silverstone, and Fox’s Australian and New Zealand Film Exhibition and Distribution, 1930–1982” Co‑Chair: Anne Helen Petersen Ross Melnick Spons Paul McDonald Paul : Chair: P1

– 4:45 3:00 Saturday Emily Carman Session Z P 3:00 – 4:45 pm

Breaking the Chains of Experiments in First P4 Intergenerational Trauma in P6 Person Cinema

Israeli and Palestinian Cinemas : : Chair: Shira Segal Z University of Colorado, Boulder Chair: Raya Morag Z Hebrew University William Verrone z University of North Alabama z Raya Morag z Hebrew University z “A Taxonomy “The Blurred Self: ‘Fictional’ Representation in of Conflict Cinema: Israeli and Palestinian Intifada Avant‑Garde Film” Documentaries and Intergenerational Post‑Trauma” Laura Ivins‑Hulley z Indiana University z Sandra Meiri z Open University of Israel z “The Power “Constructing the Body, Constructing the Self: of Transference: Stalags and the Aftermath of Sexual Animated Self‑Portraits” Violence during the Holocaust” Shira Segal z University of Colorado, Boulder z Odeya Kohen Raz z Sapir Academic College z “Arnon “First Person Fe/Male: Gendered Divisions in Diary Goldfinger’s The Flat (2011): Ethics and Aesthetics in Filmmaking” Third Generation Holocaust Cinema” Sarah Barkin z Syracuse University z “The Politics Miri Talmon z Tel Aviv University/Nazareth Academic of Subjectivity in Israeli and Palestinian First Person Institute z “In the Name of the Father: Trauma, Documentaries” Terror, and the Paternal Lineage in Israeli Cinema and Television”

Institutional Histories of P7 Documentary Cinema The Shock of the Few : P5 Popular Comedians Working the Edge Chair: Kristen Fallica Z University of Pittsburgh : Kristen Fallica z University of Pittsburgh z Chair: Steven Woodward Z Bishop’s University “Cinematic Consciousness‑Raising: ‘Healthcaring’ and Rob King z Columbia University z “The Comic Sources Feminist Documentary at Women Make Movies” of Louie: Between the Abject and the Absurd” Ruth Goldman z State University of New York, Buffalo z Sean Springer z Stony Brook University z “Andrew “DIY Documentary Democracy: Buffalo’s Squeaky ‘Dice’ Clay and the Legitimization of American Wheel Media Arts Center” saturday March 9, 2013 Stand‑up Comedy” Shayne Pepper z Northeastern Illinois University z Dimitrios Pavlounis z University of Michigan z “AIDS Activism and Public Policy in PBS and HBO “Encountering the Selves: Sacha Baron Cohen, the Documentaries” Breakdown of Performance, and the Critical Potential Allison Whitney z Texas Tech University z “Space of Cringe” Transit Simulation: Space History Museums and Steven Woodward z Bishop’s University z “Ashes to OMNIMAX Documentary”

Ashes: The End (and Means) of Sacha Baron Cohen’s Sponsor: Documentary Studies Scholarly Interest Group The Dictator”

140 Session Z P 3:00 – 4:45 pm

Neoliberalism, Film Grammar, Realist Re/Turns P8 and Anxieties of Influence P10 Contemporary German and Austrian Film : Chair: Chris Dumas Z Independent Scholar : Co‑Chair: Amy Rust Z University of South Florida Chair: Claudia Breger Z Indiana University Z Jonathan Haynes z University of California, Berkeley z Co‑Chair: Tanja Nusser University of Cincinnati “The Ideological Effects of the Basic Jerry Lewis Tanja Nusser z University of Cincinnati z “What is the Apparatus” Real?: Angela Schanelec’s Marseille” Norman Gendelman z University of California, Todd Herzog z University of Cincinnati z “The Berkeley z “The West under Ice: The Politics of Cinematic Heisenberg Uncertainty Principle: Crime, Melancholy in The Great Silence and McCabe and Physics, and Austrian Neo‑Neo‑Realism” Mrs. Miller” Claudia Breger z Indiana University z “Realism(s) in Chris Dumas z Independent Scholar z “Déjà vu: De Narrative Play: Christian Petzold’s Barbara (2012)”

Palma, Hitchcock, and the Trauma of the ‘Already Respondent: Sara Hall z University of Illinois at chicago Seen’” Amy Rust z University of South Florida z “ Super 8: Nostalgia for the Light”

Cinema P11 Sound, Music, and Voice Connected Viewing and : P9 Chair: Kate McQuiston Z University of Hawaii, Content Mobility Manoa : Babak Tabarraee z University of British Columbia z “A Chair: Phil Oppenheim Z Georgia State University Pragmatic Approach to the Metaphor of Silence in the Jennifer Holt z University of California, Santa Barbara z Oeuvre of Abbas Kiarostami” March 9, 2013 “Regulating Connected Viewing: Media Pipelines and Paula Musegades z Brandeis University z “I Don’t saturday Cloud Policy” Think We’re in the Nineteenth Century Anymore: Ethan Tussey z Georgia State University z “Channeling Copland’s Establishment of Atmosphere in Golden Attention: Second Screen Apps and the Connected Age Hollywood Films” Television Audience” Nilo Couret z University of Iowa z “The City Listened: Greg Steirer z University of Pennsylvania z “Clouded Ethnography, Vernacular Speech, and Niní Marshall’s Visions: Digital Rights Management, the Electronic Vocal Stardom” Sell‑through Market, and UltraViolet” Kate McQuiston z University of Hawaii, Manoa z Patrick Vonderau z Stockholm University z “Beyond “Germanic Yearnings and Musical Dreams: Rehearing Piracy: Online Distribution in Sweden” Stanley Kubrick”

Sponsor: Media Industries Scholarly Interest Group Sponsor: Sound Studies Scholarly Interest Group

141 Session Z P 3:00 – 4:45 pm

Remixing Hip‑Hop Film The Ruin P12 and Visual Culture P14 History, Memory, and Spectacle

: : Chair: Michele Prettyman‑Beverly Z Middle Chair: Joy Fuqua Z Queens College/City University of Georgia College New York Lauren Cramer z Georgia State University z “‘What Aubrey Anable z University of Toronto z “ Kool‑Aid Does Keepin’ It Real Look Like?’: Examining the Visual Man in Second Life: The Pleasures of Digital Ruins” Language of Hip‑Hop Album Covers” Mél Hogan z University of Colorado z “Archive/ Charles Linscott z Ohio University z “DJ Spooky’s Navigating Digital Ruins” Hip‑Hop Time Machine” Annie Sullivan z Northwestern University z Michele Prettyman‑Beverly z Middle Georgia “Detritus‑Detroit: The Politics of Cinematic Ruin College z “Beautiful, Dark, and Twisted: Kanye Gazing in the Motor(less) City” West, Genius, and Madness in Hip‑Hop Film and Joy Fuqua z Queens College/City University of New York z Visual Culture” “Everyday Is a Battle to Make a Buck: Scrappers, Pickers, and the Spectacular Value of Ruin”

P13 Visualizing Adolescent Girlhood across Media and History P15 Performing Fandom : : Chair: Diana Anselmo‑Sequeira Z University of Chair: Darlene Hampton Z University of Notre Dame California, Irvine Josh Jackson z University of Wisconsin‑Madison z Diana Anselmo‑Sequeira z University of California “YouTube Memes as Home Movies: Performing Irvine z “The Mirror of Myself: Early American Familial Identity and Connection through Participatory Film and the Imaginary Identities of Fan‑Girls and Culture” Girl‑Stars” A.C. Deger z Stony Brook University z “I Don’t Know Mary Trent z University of Wisconsin‑Parkside z What My Feelings Are Doing: Emoting and Engaging “Joseph Cornell’s ‘Crystal Cage Project’: A Girlish by Repurposing Content via the Animated Gif” Approach to Visual Ephemera in 1940s America” Darlene Hampton z University of Notre Dame z saturday March 9, 2013 Kristen Galvin z University of California, Irvine z “Bound Princes and Slash Perverts: Performing “Jem: Girlhood, MTV, and Technological Dissonance in Harry Potter Fandom” Transformation in the 1980s” Timothy Shary z Independent Scholar z “This One is Mine: Adolescent Motherhood in American Movies Since Roe v. Wade”

Sponsor: Women in Screen History Scholarly Interest Group

142 Session Z P 3:00 – 4:45 pm P16 Workshop P18 Economies of Media Industries Between the Queer and : the Mainstream Chair: Brett Gary Z New York University Queer Television Studies Today Josh Shepperd z University of Wisconsin‑Madison z : “The Emergence of the Non‑Monetary Economy of Chair: Julia Himberg Z Arizona State University Public Broadcasting at the Allerton House Seminars, Co‑Chair: Lynne Joyrich Z Brown University 1949–1950” Colin Burnett z Washington University z “Rethinking Workshop Participants z the Culture‑Style Conundrum in Film Studies: Lynne Joyrich Brown University Marketplace, Language, Artistry” Amy Villarejo z Cornell University James Lastra z University of Chicago z “The F. Hollis Griffin z Denison University Economies of Modern Sound Design” Joseph Wlodarz z University of Western Ontario Douglas Gomery z University of Maryland/Library of Julia Himberg z Arizona State University American Broadcasting z “Economies of Scale in Sponsors: Queer Caucus and Television Studies Mass Media: The Case of Radio Broadcasting” Scholarly Interest Group

New Directions in Reality TV Media Authorship P19 P17 Without the Auteur : Chair: Hunter Hargraves Z Brown University : June Deery z Rensselaer Polytechnic Institute z Chair: Jonathan Gray Z University of “Classed, Gendered, and Dysfunctional Consumption Wisconsin‑Madison on Reality Television” z z Brian Ekdale University of Iowa “Telling Hunter Hargraves z Brown University z “The

Whose Stories?: Reexamining Author Agency in March 9, 2013 Addictive Gaze in Reality Television” saturday Self‑representational Media in the Slums of Nairobi” Laurie Ouellette z University of Minnesota z “It’s Olufunmilayo Arewa z University of California, Not TV, It’s Birth Control: Reality Television and the Irvine z “Making Music: Copyright Law and Creative ‘Problem’ of Teen Pregnancy” Processes” James Hay z University of Illinois z “Remediating John Caldwell z University of California, Los Angeles z the Citizen Soldier: Reality Television and Everyday “Below‑the‑Line Authorship: Symbolic Payroll Militarization” Cultures” Kristina Busse z Independent Scholar z “The Resurrection of the Author: Ethos and Identity Politics”

143 Session Z P 3:00 – 4:45 pm

‘Cinematicity’ in Media History Capitalist Modernity and Cinema P20 P22 Some Considerations through : Chair: Jeffrey Geiger Z University of Essex the Lens of Hindi Cinema Karin Littau z University of Essex z “‘The : Movie‑Minded’ Reader: Charlotte Perkins Gilman and Chair: Jyotsna Kapur Z Southern Illinois University, the Cinematic Imagination” Carbondale Martine Beugnet z Paris Diderot University z Jyotsna Kapur z Southern Illinois University, “Miniature Pleasures: On Watching Films on an Carbondale z “For Some Dreams a Lifetime Is Not iPhone” Enough: Bollywood, Rasa, and Time” Kriss Ravetto‑Biagioli z University of California, Aarti Wani z Symbiosis COLLEGE z “The City and Its Davis z “Anonymous and the Cinematic Meme” Song: Love and Modernity in the Cinema of the 1950s” Leon Gurevitch z Victoria University, Wellington z “Cinema, Video, Game: The Expansion of the Alka Kurian z Syracuse University z “ Dhobi Ghat Cinematic after the Game Engine” (Mumbai Diaries): Death and the Recognition of the Contingent” Anustup Basu z University of Illinois, Urbana‑Champaign z “Feudal Family Limited: Globalization, Hindi Cinema, and the Curious Workshop Vanishings of Finance Capital” P21 Non‑Theatrical Representations of Urban Spaces

: Z Chair: Martin Johnson University of North Workshop Carolina‑Chapel Hill P23 Writing and Teaching Workshop Participants American Film History Cara Caddoo z Graduate Center, CUNY The Narrative and the Allyson Field z University of California, Los Angeles Encyclopedic Approaches Doug Cunningham z Westminster College : Marsha Gordon Orgeron z North Carolina State Chair: Cynthia Lucia Z Rider University saturday

March 9, 2013 University Workshop Participants Joshua Gleich z University of Texas at Austin Roy Grundmann z Boston University Sponsors: Nontheatrical Film & Media Thomas Doherty z Brandeis University Scholarly Interest Group and Urban Studies z Scholarly Interest Group Paula J. Massood Brooklyn College, CUNY David Lugowski z Manhattanville College Alex Lykidis z Montclair State University

Sponsor: Media Literacy + Pedagogical Outreach Scholarly Interest Group

144 Session Z P 3:00 – 4:45 pm

At Home in the ! Meeting P24 Post‑industrial City? 3:00 – 4:45 pm : Room: The Club International, Lobby Level Chair: Erica Stein Z University of Arizona Amy Corbin z Muhlenberg College z “Encounters and Experimental Film & Media Embeddedness: The Urban Cinema of Ramin Bahrani” Scholarly Interest Group Brendan Kredell z University of Calgary z “‘First World Problems’: Retrenchment and Revanchism in the American Urban Cinema” ! Erica Stein z University of Arizona z “Gangster Meeting Vacation: Heterotopia, Tourism, and Violence In Bruges” 3:00 – 4:45 pm Room: Hye Jean Chung z Massachusetts Institute of Florentine, Mezzanine level (east) Technology z “Dismembered Bodies and Disjointed Film & Media Festivals Spaces in The Yellow Sea” Scholarly Interest Group Sponsor: Urban Studies Scholarly Interest Group March 9, 2013 Browse . . . saturday The SCMS Exhibit Area closes at 6 pm.

Be sure and stop by for some great deals!

145 146 saturday March 9, 2013 Jeremy Morris Chair: : Q1 Session Kathleen Kuehn Ergin Bulut Mel Stanfill and theFutureWorker” “Home/Work orHopeLabor?:SocialMediaPedagogy Precarious ExperienceofVideo GameTesters” “Immaterial LaboralongthePleasure/PainAxis: the Vanishing DistinctionbetweenPlayandWork” “Between CommodityandConsent:Implicationsof Commodity Communities” “Anti‑Market Research:NewMediaMetricsand University Kathleen Kuehn Communities Hope LaborandCommodity Using theUser

z z

University ofIllinois,rbana‑Champaign University ofIllinois,rbana‑Champaign z z

University ofWisconsin‑Madison Christopher NewportUniversity Z

Christopher Newport Saturday Q

z z

z z Tanner Higgin Chair: : Q3 Eric Freedman Jedd Hakimi Irene Chien “Culture Engines:TheNewIndustriesofPlay” Modernism inFilmandVideo Games” Urban Dystopia:TheLegacyofArchitectural Techno‑Primitive inthatgamecompany’s Journey” GameDesk Z Eric Freedman From SpacetoRace Gaming theLandscape Charlotte

March 9,March 2013

z z 5:00 –6:45 “KillerofSheepVideogames” z

University ofCalifornia,Berkeley z University ofPittsburgh

University ofCalifornia,Riverside/ Queens UniversityofCharlotte Z

Queens Universityof

z “Visualizing

z z “The pm Session Z Q 5:00 – 6:45 pm

Film Festivals and Space New Approaches to Q4 Cinema, City, Nation Q6 the Politics of the 1960s : American Avant‑Garde Chair: Lindiwe Dovey Z University of London : Gabriele Mueller z York University z “Redefining Chair: Josh Guilford Z Brown University the Autorenfilm?: The German Film Festival Co‑Chair: David Fresko Z Stanford University Ludwigshafen—a National Auteur Film Festival in the Josh Guilford z Brown University z “Ron Rice, Age of Transnational and Industrial Filmmaking” Vagabond” Murat Akser z Kadir Has University z “The Battle of David Fresko z Stanford University z “Hollis the Festival Cities: Political Economy of Turkish Film Frampton’s Machine of the (In)Visible” Festivals” Erica Levin z University of California, Berkeley z Lesley‑Ann Dickson z University of Glasgow z “Wired‑News and the Kinetic Image in Carolee “Transformed and Embodied Spaces: A Qualitative Schneemann’s Snows” Look at Cross‑venue Experience during Glasgow Film Respondent: Juan Suarez z University of Murcia Festival” Sponsor: Experimental Film & Media Lindiwe Dovey z University of London z “From Town to Township and Back: The Durban International Film Scholarly Interest Group Festival”

Sponsor: Film & Media Festivals Scholarly Interest Group

Enacting Performance/ Q7 Performing Enactment Weighing Delight and Dole Regarding Documentary Gestures Q5 Television, Scale, Method : Chair: Patrik Sjöberg Z Karlstad University : Patrik Sjöberg z Karlstad University z “Documenting March 9, 2013

Chair: Nicholas Salvato Z Cornell University saturday the Scene: Considering Film, Video, and Photographic F. Hollis Griffin z Denison University z “Scaling Documentation of Art Happenings, Live Art, and the Masses: Constructing Plenitude on the Reality Performance Art” Television Contest” Alanna Thain z McGill University z “Making the Nicholas Salvato z Cornell University z “Scaling Seen: The Screendance of Thierry de Mey” Twenty‑First‑Century Televisuality; or, Thirtysomething at Twentysomething” Alice Bardan z University of Southern California z “Re‑enactment and Trauma in Antonio Tibaldi’s Alexander Thimons z Northwestern University z Documentary (S)Comparse (2012)” “Bold Journeys: Embodied Narration and Global Space in 1950s Travel Television” Amy Villarejo z Cornell University z “Flat Screens, Flat Ontologies”

147 Session Z Q 5:00 – 6:45 pm

Living Statues and Other Immigration, Race, Gender, Q8 Sculptural Subjects in Film Q10 and (Post)National Belonging

: in the Italian Cinema Chair: Susan Felleman Z University of South : Carolina Chair: Shelleen Greene Z University of Co‑Chair: Steven Jacobs Z Ghent University Wisconsin‑Milwaukee Steven Jacobs z Ghent University z “Moving Rosetta Giuliani Caponetto z Auburn University z Statues: Sculptures Filmed by Dreyer and Alekan” “In Black and White: Italian Cinema and Its Tribute to Alyson Hrynyk z University of Chicago z “Mediating Colonial Black Venuses” Sculpture: Marie Menken’s Visual Variations on Shelleen Greene z University of Wisconsin‑Milwaukee z Noguchi” “Displacing the Postcolony: Cinematic and Televisual Raymond Watkins z Colgate University z “Robert Mediation of the Italian Postcolonial Condition in La Bresson and the Surrealist Automaton” ragazza dalla pelle di luna (1972)” Susan Felleman z University of South Carolina z “Art respondent: Nina Cartier z Northwestern University for the Apocalypse: Sculpture by Elisabeth Frink in Joseph Losey’s The Damned”

Sponsor: CinemArts: Film & Art History Scholarly Interest Group Q11 Japanese Celebrity Cultures : Chair: Colleen Laird Z University of Oregon Junji Yoshida z Old Dominion University z “The Q9 Media and the State Works of Samurai Legend in the Age of Mechanical : Reproduction: Restoring the Voice of Silent Humor in Chair: Isabel Huacuja Alonso Z University of Texas Horo Zanmai” at Austin Kyoko Omori z Hamilton College z “In Occupied Michael Duchemin z Chinese American Museum z Japan, A Radio Star is Born: The Role of the Allied “New Deal Cowboy: Gene Autry and Public Powers in the Creation of an Anti‑governmental Diplomacy” Political Satire Program” Han Sang Kim z Seoul National University z Colleen Laird z University of Oregon z “AKB48’s Tears saturday March 9, 2013 “Spectatorship of Division: Early Cold War Film of Surprise: Teen Idol as Fetish and the Consumption Propaganda in South Korea and South Vietnam” of Star Image” Xianwei Wu z University of Iowa z “Revolution in Forrest Greenwood z The College of St. Scholastica z Motion: How Chinese Animation Survived the Cultural “A Spectral Pop Star Takes the Stage: Hatsune Revolution” Miku and the Materialization of the Ephemeral in Contemporary Otaku Culture” Isabel Huacuja Alonso z University of Texas at Austin z “Censoring Film Music in All‑India Radio and the Case of a Failed Auditory Utopia”

148 Session Z Q 5:00 – 6:45 pm

Whiteness Revisited After the Battle Q12 Myth, History, and Representation Q13 (Mis)Representations of War and Uprising : Chair: Aga Skrodzka Z Clemson University : Adam Locks z University of Chichester z “White Chair: Jonna Eagle Z University of Hawaii, Manoa Might: The Articulation of Whiteness in Professional Sarah Hamblin z Loyola University, New Orleans z Bodybuilding” “Photographing Political Failure: Chris Marker’s Aga Skrodzka z Clemson University z “Fairytale of Overnight” White Femininity in Joe Wright’s Hanna (2011)” Jeffrey Masko z Pennsylvania State University z Jun Okada z State University of New York, Geneseo z “So You Say You Want a Revolution?: “Whiteness and the Other Europe in Attenberg Counter‑Revolutionary Messaging in Cinematic Media (Tsangari, 2010)” Coverage of the Occupy Movement” Hannah Goodwin z University of California, Vasiliki Strataki z National and Kapodistrian University Santa Barbara z “‘More Power for Viennese Blood’: of Athens z “Greek Youth in Revolt: Athens in the The Resurgence of White Supremacist Rhetoric in Aftermath of December 2008 as Represented in the Austria’s Political Media” Films Wasted Youth (2010) and Kolopaida (2010)” z University of Hawaii, Manoa z Sponsor: Central/East/South European Cinemas Jonna Eagle Scholarly Interest Group “Occupying Pearl Harbor: Media, Affect, and Embodiment at the Valor in the Pacific National Monument”

Sponsor: Caucus on Class

Q14 Reconciling Film and

Philosophy through the March 9, 2013 saturday Visit . . . Cinema of Terrence Malick cmstudies.org to vote : Chair: Lee Carruthers Z University of Calgary for the outstanding candidates Marc Furstenau z Carleton University z “Film, running for the Form, and Intention: Terrence Malick’s Philosophical SCMS Board of Directors. Cinema” Daniel Morgan z University of Pittsburgh z “Style, Irony, and History in Malick’s Recent Films” Lee Carruthers z University of Calgary z “Methods of Election ends March 31. Montage in Terrence Malick’s The Tree of Life” Respondent: Richard Neer z University of Chicago

149 Session Z Q 5:00 – 6:45 pm

Hybrid Media and Culture Defining Territory Q15 in the Global South Q17 Media Studies, Media Futures, Media Objects : Chair: Chad Beck Z Randolph College : Z Chad Beck z Randolph College z “Sexology, Recipes, Chair: Derek Kompare Southern Methodist and Other Light Entertainment for Women: Hybridizing University the Morning Show on Mexico’s TV Azteca” Graeme Turner z University of Queensland z “Towards Shelley Bradfield z Central College z “‘Society’s’ a Theory of the Media for the Digital Age” Emerging Femininities: Neoliberal, Post‑feminist, and Atle Kjosen z University of Western Ontario z “Are Hybrid Identities on Television in South Africa” Standards a priori Media?: The Case of the Container Assem Nasr z Indiana University–Purdue University, Fort Box” Wayne z “Reliable Sources: Oral Cultures and News Elissa Nelson z University of California, Media in Lebanon” Santa Barbara z “Digital Divergences: How Changes Juan Pinon z New York University z “Forging a Hybrid in Distribution Methods Shape the Cultural and Televisual Latinidad: The Rise of the Network Cities Economic Value of Entertainment” Media Production System” Derek Kompare z Southern Methodist University z “Elusive Media Objects and the Future of Media Studies”

Conservatism and the Media Q16 Channeling Stereo Histories : Q18 The Shaping of Innovation in Chair: Allison Perlman Z University of California, Film and Television Sound Irvine Heather Hendershot z Massachusetts Institute of : Technology z “ Firing Line and the Black Revolution” Chair: Helen Hanson Z University of Exeter z z Allison Perlman z University of California, Irvine z Helen Hanson University of Exeter “Invention, “Matters of Taste and Race: Conservative Innovation, and Compromise: The Shaping of Broadcasters and the Struggle over Public Television” Multi‑Channel and Multi‑Speaker Film Sound in Hollywood’s Studio Era” Gillian Frank z Stony Brook University z “‘Messages saturday March 9, 2013 of Freakiness, Hustling, and Social Disorder’: Race, Jay Beck z Carleton College z “Theorizing Stereo: Conservatism, and Moral Rearmament in the The Growth, Decline, and Rebirth of Multi‑Channel Post‑Civil Rights 1970s” Film Sound” z z Cynthia Chris z College of Staten Island, CUNY z “After Katherine Quanz Wilfrid Laurier University Indecency? After Broadcasting?” “Canadian Films’ Slow Transition to Multi‑Channel Sound” James Lyons z University of Exeter z “‘You Don’t Need Stereo TV for Laverne and Shirley’: The Development of American Stereo TV Broadcasting”

Sponsor: Sound Studies Scholarly Interest Group 150 Session Z Q 5:00 – 6:45 pm

Beyond the West Economies of Illusion Q19 New Perspectives on Q21 The Psychic and Material Value International Westerns of Special and Visual Effects

: : Chair: Chelsea Wessels Z University of St Andrews Chair: Hugh Manon Z Clark University Mike Phillips z Graduate Center, CUNY z “West by Julie Turnock z University of Illinois, Northeast: Are There Brazilian Westerns?” Urbana‑Champaign z “‘Like Looking Out a Window’: Ali Sengul z University of Texas at Austin z “Westerns High Frame Rate Filmmaking, History, and Aesthetics” Come to Kurdish East: Cinema, Sovereignty and the Hugh Manon z Clark University z “CGI’s Evil Twin: Production of Nation‑space in Turkey” The Double‑Deceptive Lure of Analog Special Effects” Chelsea Wessels z University of St Andrews z Caetlin Benson‑Allott z Georgetown University z “An(Other) West: The Limits of National Identity in “The Psycho‑Mechanics of Stunt Work; or, Creating The Proposition” Radical Kinesthesis In‑Camera”

Sponsor: Transnational Cinemas Scholarly Interest Group Respondent: Stephen Prince z Virginia Tech University

The Critic in Film Studies Gender Locutions and Transitions Q20 and Popular Discourse Q22 Film, Television, Performance

: : Chair: Jacquelyn Cain Z York University Chair: Sarah Banet‑Weiser Z University of Southern California Charles Burnetts z University of Western Ontario z “Critical Distaste and Critical Distance: Sentimentality Sarah Kessler z University of California, Irvine z “I’m in Schindler’s List” Your Puppet: Nina Conti’s Her Master’s Voice” Jacquelyn Cain z York University z “History Turns Corella Di Fede z University of California, Irvine z March 9, 2013 to Discourse: Authorship in the Early Criticism of “Refiguring Metamorphosis in RuPaul’s Drag U and saturday Andrew Sarris and Jonas Mekas” Game of Thrones” Jason Kelly Roberts z Northwestern University z Homay King z Bryn Mawr College z “Tenuous Frames: “From ‘Debilitating Illusion’ to Cinephilic Community: Ming Wong’s Persona Performa” Jonathan Rosenbaum, Home Video, and Film Culture” Respondent: Patricia White z Swarthmore College Respondent: Greg Taylor z SUNY, Purchase College

151 Session Z Q 5:00 – 6:45 pm

Workshop ! Meeting Q23 Between Theory and Practice Working in Both Media Studies 5:00 – 6:45 pm and Production in the Academy Room: The Club International, Lobby Level

: French & Francophone Chair: Amanda Keeler Z Bucknell University Scholarly Interest Group Co‑Chair: Jennifer Lynn Jones Z Indiana University, Bloomington Workshop Participants ! Robert Clift z Independent Scholar Meeting Laura Ivins‑Hulley z Indiana University 7:00 – 8:15 pm Brian Goldfarb z University of California, San Diego Room: Venetian, Mezzanine Level (East) Alexandra Juhasz z Pitzer College Cinema Journal Sponsor: Media Literacy + Pedagogical Outreach Scholarly Interest Group Editorial Board Meeting

! Meeting Workshop Q24 Queer About Comics 7:00 – 8:45 pm On Working at the Intersections of Room: The Club International, Lobby Level Queer Theory and Comics Studies Transnational Cinemas : Scholarly Interest Group Chair: Corey Creekmur Z University of Iowa

Workshop Participants Michael Harrison z Monmouth College ! Ramzi Fawaz z George Washington University Meeting Kathryn Frank z University of Michigan saturday 7:00 – 8:45 pm March 9, 2013 Juliette Arico z University of Buffalo Room: Erie, Mezzanine Level (West) Sponsors: Queer Caucus and Comics Studies Scholarly Interest Group African/African American Caucus

152 saturday March 9, 2013 153

venue pm pm oria Street 8:00 8:00 – 11:00 8:00 – 11:00 400 S. Pe is at Chicago 400, University of Illinois at Gallery SCMS Test Screen ilwaukee A N. Milwaukee 1084 The Nightingale Theatre, Saturday, March 9, 2013 Saturday, March 9, Saturday, March 9, 2013 Saturday, March 9, on: cati New Experimental Media Work from Chicago New Experimental Media Work Lo on: cati Take the Blue Line to the UIC‑Halsted stop; or a quick cab ride away. Take Lo With a Voice Like the Lake Please refer to the Chicago Vincity Map on page 26 for location. Vincity Please refer to the Chicago Admission is free and on a first‑come, first‑served basis. Admission is free and on a first‑come, first‑served basis. Admission is free and on a first‑come, first‑served at a Multiple‑Projection Event Experience Live the Warholian Sponsored by Experimental Film & Media Scholarly Interest Group ons: Directi Sponsored by University of Illinois at Chicago, College of Architecture, Design & the Arts, Sponsored by University of Illinois at Chicago, University of Illinois at Chicago, College of Liberal Arts & Sciences and Northwestern University University of Illinois at Chicago, College of Featuring “Screen Tests” of attendees shot by legendary Chicago filmmaker Judy Hoffman shot by legendary Chicago filmmaker of attendees Featuring “Screen Tests” Program curated by Christy LeMaster, founding director of the Nightingale Theatre and Michelle Puetz. founding director of the Program curated by Christy LeMaster, This screening and social gathering showcases a broad spectrum of new experimental film and media work created in This screening and social gathering showcases electric energy and diverse community of experimental makers working Chicago over the last few years. Reflecting the vibrant media arts this program provides a peek into Chicago’s the city, with film, video, animation and new media in Jesse Luedtke, Daniel Lambert, Kent Felker, Lori Darst, Theodore Clark, Helena Mary Carré, Lilli include Artists scene. Jon Satrom, among others. McLean, Monica Panzarino, Steve Reinke, and most vital and adventurous venues for viewing new experimental Hosted by the Nightingale Theatre, one of Chicago’s screening. work, the program will be followed by a discussion with several of the artists featured in the Fifteen minutes of fame. Live the Warholian experience at a multiple‑projection event at Gallery 400 on the University of at a multiple‑projection event at Gallery experience Live the Warholian Fifteen minutes of fame. moving diverse samples that showcase Chicago’s Local film and video institutions will screen Illinois at Chicago campus. Theatre, South Side Data Bank, Chicago Filmmakers, The Nightingale Chicago Film Archives, Video image landscape, including an art installation. And star a DJ, food, a cash bar, Archive, Fire Escape Films, and more. Enjoy free Projections, Media Burn documents our “auditions” for the ages. Hoffman, as legendary Chicago filmmaker Judy Hoffman in your own “screen test” has worked with Jean Rouch, Albert Maysels, and Media Studies at the University of Chicago, Senior Lecturer in Cinema of Kartemquin Films. Are you the next Candy Darling or Joe Dallesandro? among many others, and was a founding member sunday March 10, 2013 154 Benjamin Aslinger Lyn Goeringer Chair: : R1 Session Nina Huntemann Ian Peters Tangible GamingExperience” in Miniature:Videogame Feelies,Diegesis,andthe Sunglasses, Batarangs,andDarkLordsoftheSith Kurt: CelebrityLikenessesandLudicMusic” Games” Fair Use:LikenessLicensingLitigationinSportsVideo and Peer‑to‑Peer MusicalExperience” “Beyond GuitarHero:SoundShapes,SonicInclusivity Nina Huntemann in GameEnvironments Meaning andMultiplicity

Georgia State University z

Oberlin Conservatory ofMusic z

z Suffolk University

Bentley University Z

Suffolk University

Prl Sensitive “Peril Sunday z R

z “Foul Playv. “Unlocking

z Naja McFadden David Bering‑Porter Joshua Coonrod Chair: : R3 Stefano Baschiera Z Torture RoominCurrentGenreCinema” Domesticity: Re‑TheorizingtheTrope oftheHidden and ItsOnlinePresencefrom2008to2012” “The RebrandingofaHorrorIcon:HammerStudios Psychopharmacology ofUndeadness” “Zombie DrugsandOtherExcessiveSubjects:The Sunburnt Country” “Australian NewHorror:TheDarkSideofthe March 10,March 2013 University David Bering‑Porter National/Global Anxieties Media Industries,Mayhem,and Contemporary Horror

9:00 –10:45 z z

z University ofMelbourne Indiana University

z Queen’s University

Michigan State University Z

Michigan State

z , Belfast “Disturbed

z am z Session Z R 9:00 – 10:45 am R4 Star Icons and Character Typage R6 Video’s Experimental Spaces : : Chair: Nandana Bose Z University of North Carolina Chair: Beth Capper Z Brown University Wilmington Barbara Filser z Karlsruhe University of Arts and Sonja Simonyi z New York University z “The Heyduck Design z “From TV‑Studio to ‘Videospace’: Exploring Rides Again: Hungarian Outlaw Culture and Ferenc the Electronic Image in the New Television of the Kardos’ Unruly Heyduck (1974)” Early 1970s” Kara Fagan z University of Iowa z “Bewildered Synne Bull z Oslo National Academy of the Arts z Bumpkins and Rustic Sages: The Rube as a Figure of “Heaven Can Wait: The Revolving Restaurant as a Sentimental Nostalgia and Comic Derision” Cinéma Trouvé” Marko Rojnic z ELTE University z “The Patalas’ Peter Collopy z University of Pennsylvania z “Another Typology of Female Stars in American Cinema” Media Ecology: Environmentalism and Experimental Nandana Bose z University of North Carolina Video” Wilmington z “‘The Female Khan’ in New Bollywood Beth Capper z Brown University z “‘Ultimate Cinema: Multiplex Audiences, Cinephilia, and the Participation Video’: Shirley Clarke’s Tee Pee Video Stardom of Vidya Balan” Space Troupe”

R5 Reports of My Death Have R7 Documentary and New Realisms Been Greatly Exaggerated : Television Archives and Chair: Laura Heins z University of Virginia Public Memory Laura Heins z University of Virginia z “Werner Herzog : as Ethnographer: Wodaabe: Herdsmen of the Sun” Z Chair: Mabel Rosenheck Northwestern Tara Coleman z Rutgers University z “The Poetics of University Memory in the Documentary Films of Jia Zhangke” z z Lauren Bratslavsky University of Oregon “The Sara Levavy z Stanford University z “Films for the Afterthought in the Archive: Tracing the Inclusion of Altitudes: Aerial Speed in the Interwar Newsreel” Television in the Wisconsin Historical Society and Wisconsin Center for Film and Theater Research” Kate Newbold z Northwestern University z “Sounding TV History: Boundaries of the Archive, Memory, and Personal Media Histories in the Case of Phil Gries’s Archival Television Audio” Mabel Rosenheck z Northwestern University z

“Television’s Geographic Archives from Route 66 to March 10, 2013 Mayberry RFD” sunday

Respondent: Mark Williams z Dartmouth College

Sponsor: Television Studies Scholarly Interest Group 155 Session Z R 9:00 – 10:45 am

Expanded Industry US Television, Food, R8 Historiography R10 and the Body

: : Chair: Derek Long Z University of Wisconsin‑Madison Chair: Alicia Kozma Z University of Illinois, Susan Ohmer z University of Notre Dame z “Animation Urbana‑Champaign and Cultural Geography: Disney and Standard Oil Julie Nakama z University of Pittsburgh z “‘Eat like Remap the US” the Locals’: The Body in Ethnographic Television as Blair Davis z DePaul University z “Movie Comics: a Site of Cultural Encounter in the Travel Channel’s Adapting Cinema into Comic Books in the Studio Bizarre Foods with Andrew Zimmern” System Era” Hojin Song z University of Iowa z “No Such Thing As Casey Riffel z University of Southern California z “‘No American Food?: The Process of Culinary Othering in Comedy is Complete Without a Lion’: William Selig’s the Next Food Network Star” Hybrid Movie Studio and Zoo” Alicia Kozma z University of Illinois, z Derek Long z University of Wisconsin‑Madison z “The Urbana‑Champaign “Managing Through Our Influence of the Vitaphone Short on the Industrial Mouths: The Food Network as the Production and Logics of Early Warner Bros. Animation” Management of Taste”

Preservation and Loss R11 Fandom in Chinese R9 Considering Cinema in a Digital World Film and Media Past and Present : Chair: Christopher Lucas Z Trinity University : Chair: Yomi Braester Z University of Washington Meghan Chandler z University of California, Irvine z “In Living Color: Celluloid Acetate as a Preservation Xiqing Zheng z University of Washington z “A Case of Technology in Home Moviemaking and the Taxidermic Online Identity Creation: Otaku in Mainland China” Sciences” Yukei Tse z Goldsmiths, University of London z Elizabeth Affuso z Pitzer College z “Mount Analogue: “Cultural Implications of Transnational Consumption Tacita Dean’s FILM” of Foreign TV via Online File Sharing: The Consumption of Foreign TV in Taiwan as an Example” Christopher Lucas z Trinity University z “The End of Cinematography” Munib Rezaie z Georgia State University z “The New Chinese Mainstream: Dayyan Eng and Ning Hao’s Appeal for Young Urban Moviegoers in the People’s Republic of China” Yomi Braester z University of Washington z “Cinephilia in Early Post‑Maoist China: ‘Film Criticism of the Masses’” sunday March 10, 2013 156 Session Z R 9:00 – 10:45 am

Beyond the Shtetl Women’s Voices R12 Yiddish Cinema and the R13 Showrunners, Directors, and Subjects Jewish Diaspora : : Chair: Laura Beadling Z University of Chair: J. Marek Haltof Z Northern Michigan Wisconsin‑Platteville University Mary E. Durden z University of Wisconsin‑Madison z Jonah Corne z University of Manitoba z “States of “Scandal‑ous Representation: Post‑racial Ideologies Statelessness: Between Palestinian and Yiddish in ShondaLand and Beyond” Cinema” Kim Akass z University of Hertfordshire z “The Mika Turim‑Nygren z University of Illinois, Chicago z Gendered Politics of a Global Recession: A News “Tevye: Language, Sound, and the Resonance of Media Analysis” Ritual in the Late Yiddish Cinema” Cybelle H. McFadden z University of North Carolina Catherine Jurca z California Institute of Technology z Greensboro z “Maïwenn’s Faux Reflexivity: Fake “Making Room for Jews in Make Way for Tomorrow Documentary and the Female Director” (1937)” Laura Beadling z University of Wisconsin‑Platteville z J. Marek Haltof z Northern Michigan University z “Indigenous Feminist Filmmakers: Shelley Niro, “Remapping Polish‑Jewish Relations in Jan Jakub Georgina Lightning, and Filmic Representations of Kolski’s Cinema: Postmemory and the Holocaust” Gendered Engagement with Historical Trauma”

Sponsor: Central/East/South European Cinemas Scholarly Interest Group

R14 Transnational Historiography : Chair: Peter Limbrick Z University of California, Santa Cruz Jose Miguel Palacios z New York University z See . . . “Towards a History of Experimental Cinema in Latin the SCMS website for America” James Genova z Ohio State University, Marion z news and information “Cinema, Revolution, and Development: The Solidarity of African and Latin American Filmmakers, 1965–1975” Katherine Morrow z University of Washington z cmstudies.org “China Inside and Out: The 1958 Karlovy‑Vary International Film Festival”

Peter Limbrick z University of California, Santa Cruz z March 10, 2013 sunday “Modernism, Film Culture, and Moroccan Short Film and Documentary”

157 Session Z R 9:00 – 10:45 am R15 Theories of Screen and Subject R17 Representations of Ghosts in : Media and Popular Culture 1 Chair: Kenneth Rogers Z York University Intermedial Representations Franklin Cason z Temple University z “A Pragmatist : Inquiry into Black Cinema Studies” Chair: Simone Natale Z University of Cologne Steven Pustay z Georgia State University z “The Road Esther Peeren z University of Amsterdam z “The to Awe: Subjectivity and Death in the Digital Age” Medium: Conduit to Heaven, Figure of Fun, or New Detective?” James Boyda z University of Southern California z “The Return of Pamela: October Country (2010) and Margarida Medeiros z New University of Lisbon z the Re‑Privatization of the Autobiographical Self” “Spirits of Contemporary Times: How Art Is Stating Another World” Kenneth Rogers z York University z “Diagramatic Cinema: New‑Wave Methodology in Screen and Nora Gilbert z University of North Texas z “Dickens’ Media Studies” Ghosts and Capra’s Angels: Peeping Toms of the Highest Order” Bernard Geoghegan z Humboldt University z “The Ghost in the (Calculating) Machine: On Automata and Astonishment”

Ambiguity in Characterization respondent: Jeffrey Sconce z Northwestern University R16 and Performance Revisiting 1960s Auteur Cinema

: Z Chair: Aaron Taylor University of Lethbridge Hollywood and European Cinema Margrethe Vaage z Norwegian University of Science and R18 Contrasts and Connections Technology z “Hitchcockian Suspense and Moral Evaluation” : Chair: Melvyn Stokes Z University College, London Johannes Riis z University of Copenhagen z “Ingmar Co‑Chair: Alain Cohen Z University of California, Bergman and an Acting Style Suitable for his San Diego Chamber Film Aesthetic” Raphaelle Costa de Beauregard z University of Aaron Taylor z University of Lethbridge z “Blind Spots Toulouse II z “Dreaming in Early Cinema: Screening and Mind Games: Performance, Motivation, and Silent Females in the Works of Evgenii Bauer and Emotion in the Films of Stanley Kubrick” Jean Renoir” Respondent: Erik Hedling z Lund University Gilles Menegaldo z University of Poitiers z “Jacques Tourneur: The French Touch in Hollywood” Melvyn Stokes z University College, London z “Chaplin in the US and France, 1945–52: A Study in Political and Cultural Contrasts” Alain Cohen z University of California, San Diego z “Holocaust and Shoah: Film Examples of Dislocation

sunday in the US and Europe” March 10, 2013 158 Sponsor: French & Francophone Scholarly Interest Group Session Z R 9:00 – 10:45 am

Technological Nationalism Workshop R19 Nostalgia, Trauma, R21 New (Media) Approaches to Surveillance, and Shame Early Cinema Pedagogy

: : Chair: Anu Koivunen Z Stockholm University Chair: Jennifer Peterson Z University of Colorado, Christopher Cwynar z University of Boulder Wisconsin‑Madison z “In a Town This Size: The Vinyl Café, the CBC, and the Nostalgic Mythos of Workshop Participants Small‑Town Canada” Ted Hovet z Western Kentucky University Liz Clarke z Wilfrid Laurier University Vanessa Plumly z University of Cincinnati z “Lights, Camera, Surveillance!: Surveying Deviance and Tami Williams z University of Wisconsin‑Milwaukee Surveilling the Body in the Hamburg Tatort: Auf der Jennifer Bean z University of Washington Sonnenseite” Jennifer Peterson z University of Colorado, Boulder Anu Koivunen z Stockholm University z “Traumatic Truths, Enacted Emotions in Auf Wiedersehen Finnland (Suutari 2010)” R22 [Re]presentations : Chair: Carol Siegel Z Washington State University, R20 Rethinking Technologies Vancouver of Audiovision Liam Young z University of Western Ontario z : “Reforming Representation: Cultural Techniques and Chair: Luke Stadel Z Northwestern University Documentation in The Wire” z z Jonathan Crylen z University of Iowa z “The Whale Jasmine Cobb Northwestern University “Screens Who Wanted to Sing at the Ciné: Humpback Whale of Subjection: US Slavery in New Millennial Cinema” Recordings and Film Sound” Carol Siegel z Washington State University, Vancouver z Hannah Frank z University of Chicago z “Beyond “The Future, No Future; or, Sometimes a Cat Is Just Mickey‑Mousing: American Animated Cartoons Learn a Cat” to Talk, 1926–1933” Luke Stadel z Northwestern University z “Two‑Way TV”

Respondent: Steve Wurtzler z Colby College

Sponsor: Sound Studies Scholarly Interest Group March 10, 2013 sunday

159 Session Z R 9:00 – 10:45 am

Workshop ! Meeting R23 Researching Moving Images and the Museum 9:00 – 10:45 am Concepts, Policy, and Material Room: The Club International, Lobby Level

: Radio Studies Chair: Mal Ahern Z Yale University Scholarly Interest Group Co‑Chair: Kristen Alfaro Z Concordia University

Workshop Participants Erika Balsom z Carleton University Ed Halter z Bard College Jeff Martin z Independent Media Arts Preservation Alison Trope z University of Southern California Haidee Wasson z Concordia University

Sponsor: CinemArts: Film & Art History Scholarly Interest Group

R24 Cinematic City : Chair: Jehanne‑Marie Gavarini Z University of Massachusetts, Lowell Steph Fuller z University of East Anglia z “‘The Most Notorious Sucker‑Trap in the Western Hemisphere!’: Deconstructing the Legend of Tijuana in The Tijuana Story (1957)” Alexandra Parker z University of the Witwatersrand z “In/visible Space: Examining the Everyday (Real) and Represented (in Film) Spaces of Johannesburg” Jehanne‑Marie Gavarini z University of Massachusetts, Lowell z “Refuge or Prison?: Representation of the Cité in Adellatif Kechiche’s L’Esquive” sunday March 10, 2013 160 sunday March 10, 2013 161 , z

“The Capilano z

z S University ashington State W University of National

z Z Northwestern University

University of Singapore National University of California, Los Angeles

and Anthea Mallinson z “‘True’ Grit?: The Practice of Costume “‘True’ z

z z

Singapore Film Industry Studies Jasmine Trice ancouver Well‑Drawn Tale: Modernist Graphic Design in Modernist Tale: Well‑Drawn Mid‑Century Live‑Action/Animation Hybrid Films” University V Aging and the Production of Realism in Two Aging and the Production of Realism in Two Industries” “Exhibition and National Cinema Formation in the “Exhibition and National Cinema Formation in Philippines” “Theorizing Institutional Screens in Indigenous “Theorizing Institutional Screens in Indigenous Documentary: A Case Study of Cry Rock (2010)” Jasmine Trice S3 : Chair: Clare Wilkinson‑Weber Karrmen Crey Daniel Bashara Session Session pm “When z

“Facets of “The z z

University of California,

Z March 10, 2013 March 10, University of Pittsburgh University of California, Z – 12:45

Ryerson University

z z z “Becoming Afghan: US Journalists and

am University Michigan State z

Cruz Santa Ethnographic Idioms Across Media Neda Atanasoski

the Soviet‑Afghan War”

All Boys Become Men: Russian Pop Music and the All Boys Become Men: Russian Pop Music and Global Ethnographic Idiom” Cruz Santa Dazzling Ethnographic Gaze: Sensing Images and the Dazzling Ethnographic Gaze: Sensing Images Suzhou Rive” (2000)” Suspicious Optic of Lou Ye’s

Performativity in Chick Strand’s Anselmo Trilogy” Performativity in Chick Strand’s Eunah Lee Neda Atanasoski Zoë Heyn‑Jones : Chair: S1

11:00 Sunday Theodora Trimble Session Z S 11:00 am – 12:45 pm S4 Histories of Media and the Young S6 Theoretical Perspectives : on/in Experimental Film Chair: Mark Lynn Anderson Z University of : Pittsburgh Chair: Christine Sprengler Z University of Western Meredith Bak z Brown University z “Movable Toy Ontario Books and the Cultivation of Children’s Vision at the James Hansen z Ohio State University z “Everywhere Dawn of Cinema” You Look: Michael Robinson’s Dis‑positioned Kristen Hatch z University of California, Irvine z “Freak Temporalities” Babies: Child Prodigies in 1930s Hollywood” Elizabeth Kessler z Stanford University z “The Benjamin Aspray z Northwestern University z “Child Failure of Photographic Memory: The Films of Robert Bicyclist, Adult Motorist: Modes of Mobility and Frank” ‘Sacralization’ of Children in Postwar America” Rebekah Rutkoff z City University of New York z “The Mark Lynn Anderson z University of Pittsburgh z Unbroken Line: An Alternate Vision of Magic and “Roads to Ruin; or, the Woman’s Voice in Late Silent Avant‑Garde Film” Cinema” Christine Sprengler z University of Western Ontario z “The ‘Lumière Drive’ in the Films of Mark Lewis”

Sponsor: Experimental Film & Media Scholarly Interest Group Media Migrations S5 Race, Class, and Gender in Global Fantasy and Science Fiction

: Technology and Film History Chair: Dale Hudson Z New York University, Abu Dhabi S7 : Jia Tan z University of Southern California z Chair: Heather Heckman Z University of “Time‑travel to Ancient Dynasties: Gender and Wisconsin‑Madison Transmedia Fandom in Chinese Mediascape” Hilde D’haeyere z University College Ghent z Douglas Ishii z University of Maryland z “Sennett‑Color: ‘Nature’s Reflection’ in Mack Sennett “Techno‑Orientalism and the Racial Inhuman in the Comedies 1930–1931” Whedonverse” Sanja Obradovic z York University z “History of 3D Hossein Khosrowjah z California College of Cinema in the Soviet Union (1941–1991)” Arts z “Machines Running Amok, on Their Own: Jocelyn Szczepaniak‑Gillece z Northwestern Disappearance of Social Class in the 80s and 90s University z “A Frame Is Not a Window: Demasking Post‑apocalyptic and Dystopic Science Fiction Films” the American Movie Screen” Dale Hudson z New York University, Abu Dhabi z Heather Heckman z University of Wisconsin‑Madison z “Experiencing a Globalized World Differently: Digital “Did You Want to Reshoot That?: Color and Migrations and Surveillance” Production Practice at Warner Bros., 1947–1957” sunday March 10, 2013 162 Session Z S 11:00 am – 12:45 pm

Reality TV Becoming Brazil S8 S10 Cultural Memory and Reinvention : Chair: Lawrence Nichols Z Simon Fraser University : Melissa Zimdars z University of Iowa z “Fat Chair: Gustavo Furtado Z Duke University Acceptance TV?: Neoliberal Contradictions and Diego Costa z University of Southern California z Carnivalesque Spaces” “Brazil’s New Crisis, New Media, New Symptoms: Catherine Harrington z Northwestern University z What Exactly Emerges When The Un‑Emergeable “Prison Life as Entertainment: Lockup and the Use of Emerges?” Prison ‘Reality’” Molly McCourt z University of Wisconsin‑Milwaukee z Lindsay Giggey z University of California, Los Angeles z “Tupi or not Tupi?: Finding Cannibalism in Karim “I Want to Be on Top: The Labor of Branded Celebrity Ainouz’s Madame Sata” on America’s Next Top Model: All Stars” Gustavo Furtado z Duke University z “From the Debris Lawrence Nichols z Simon Fraser University z “‘Sold, of History: The Reinvention of Experience in Eduardo to a Large Audience’: Reading Storage Wars and TV’s Coutinho’s Man Marked to Die (1964–1984)” Object‑centered Genre”

Manmohan Desai Digital Concerns S11 Referentiality, Authorship, and S9 From Technology to Education Stardom in Hindi Popular Cinema

: : Chair: Mark Cooper Z University of South Carolina Chair: Swarnavel Eswaran Pillai Z Michigan State University Alice Maurice z University of Toronto z “RED, White, Co‑Chair: Sushmita Banerji Z University of Iowa and Blue: Digital Cinema, Race, and Avatar” Swarnavel Eswaran Pillai z Michigan State Peter Flynn z Emerson College z “Behind the Screen: University z “Manmohan Desai and Amitabh Film Projection in the Digital Age” Bachchan: Star, Superstar, and the Multi‑starrer” William Kistler z American University z “Im/Material: Sushmita Banerji z University of Iowa z “Band‑Baaja A Phenomenology of the Photon and the Digital in the Background: Manmohan Desai’s Music” Concern” Dennis Hanlon z The University of St Andrews z Mark Cooper z University of South Carolina z and “Referentiality in Manmohan Desai’s Narratives: From John Marx z University of Californa, Davis z “The Intertextuality to Hypertextuality” Old/New Politics of Digital Humanities” Respondent: Meheli Sen z Rutgers University March 10, 2013 sunday

163 Session Z S 11:00 am – 12:45 pm

Resistance in the Digital Age National Horrors S12 Drones, Kill Switches, and S14 : Technologies of Protest Chair: Adam Lowenstein Z University of Pittsburgh : Sabine Henlin‑Strømme z Independent Scholar z Chair: Greg Siegel Z University of California, “‘Out in Nature, Never Smart’: The Debunking of Santa Barbara Romantic Nature in Two Contemporary Norwegian Daniel Greene z University of Maryland, College Park z Horror Films” “Drone Ethics, Protest Campaigns, and the Limits of Jessica Balanzategui z University of Melbourne z the Human in Human Rights” “Out of Joint and In‑Between: The Uncanny Child in Rhon Teruelle z University of Toronto z “Reignition: American, Japanese, and Spanish Horror Film” Young Activists’ Political Use of Social Media” Kerry Hegarty z Miami University Ohio z “Mexican Alice Royer z University of California, Los Angeles z Horror Director Carlos Enrique Taboada: A Critical “‘We Are All Scott Olsen’: Occupy Oakland, YouTube, Filmography” and Possibilities for Political Action in Activist Adam Lowenstein z University of Pittsburgh z Documentary” “Horror and Ethnographic Surrealism: Jerzy Greg Siegel z University of California, Santa Barbara z Skolimowski’s The Shout (1978)” “Preparing for National Cyber Emergency”

S15 Film/Digital Ontologies S13 New Masculinities and Materialities : : Chair: Richard Letteri Z Furman University Chair: Matthew Stoddard Z University of Minnesota John Alberti z Northern Kentucky University z Tamas Nagypal z York University z “From “Realism Redefined: Improvising Masculinity in Interpassive to Interactive Cinema: A Genealogy of Cyrus” the Moving Image of Cynicism” Bradford Gyori z Tribeca Flashpoint z “Breaking Dad: Matthew Noble‑Olson z Brown University z “The AMC’s Breaking Bad Reclaims Patriarchal Authority Late Work of Cinematic Excess” with a Vengeance” Kristopher Cannon z Georgia State University z Richard Letteri z Furman University z “Michelangelo “Rethinking Digital Ontology through Aesthetics of Antonioni, Zhang Yimou, and the Persistence of Failure” Patriarchy” Matthew Stoddard z University of Minnesota z “Film as Matter: On the New Materialism of Cinema” sunday March 10, 2013 164 Session Z S 11:00 am – 12:45 pm

workshop Personal History/ S16 Researching Transnational S18 National History

Cinemas : : Chair: Mary Wiles Z University of Canterbury Chair: Austin Fisher Z University of Bedfordshire Dina Khdair z DePaul University z “Negotiating Global Storytelling in Popular Hindi Cinema: Melodrama, Workshop Participants Historical Realism, and Cultural Politics in My Name Laurence Raw z Baskent University is Khan” Mark Betz z King’s College London z z z Kwang Woo Noh Korea University “South Korean Rayna Denison University of East Anglia Women’s Experience of Rapid Transformation in Two Daniel Martin z Korea Advanced Institute of Science Films, The Classic and My Mother, The Mermaid” & Technology April Pelt z University of Delaware z “Rethinking the Steven Rawle z York St John University Biopic” Sponsor: Transnational Cinemas Scholarly Interest Group Mary Wiles z University of Canterbury z “The Film Portrait of a New Zealand Storyteller: Gaylene Preston’s Home by Christmas”

Representations of Ghosts in S17 Media and Popular Culture 2 Cinematic Hauntings S19 Race and Religion in : Early Cinema Z Carleton University Chair: Murray Leeder : Brian Hauser z Clarkson University z “High Hopes Chair: Thomas Slater Z Indiana University of and the Chronotope of the Traumatized Space” Pennsylvania Jennie Carlsten z Queen’s University, Belfast z Phillip Maciak z University of Pennsylvania z “Encountering Loss: Ghosts and Cadavers in the “Forgetting the Present: Secularization and the Recent Irish Cinema” Temporality of the Passion Play Film, 1898–1912” Kerry McArthur z University of Calgary z “Séance Vassiliki Tsitsopoulou z Indiana University, and Cinema: The Films of Guy Maddin” Bloomington z “Silent Cinema and Levantinization” Linda McCarthy z Palomar College z “The Revisionist Eden Osucha z Bates College z “Precarious Japanese Horror Film: Toward an Understanding of Whiteness: Privacy Law and the Silent‑era White the Post‑Recessionary Japanese Identity” Slavery Film” Thomas Slater z Indiana University of Pennsylvania z “Feminist Orientalism: The Attack on Western Patriarchy in The Red Lantern (1918)” March 10, 2013 sunday

165 Session Z S 11:00 am – 12:45 pm

Historical Meta‑criticism Moving Screens S20 S22 Public Art in the World Frame : Chair: Ryan Friedman Z Ohio State University : Dave Sagehorn z Northwestern University z Chair: Isabel Arredondo Z State University of New “Inclusive Amateurism and Popular Photography in York, Plattsburgh the 1950s” Stephanie DeBoer z Indiana University z “Framing Felipe Pruneda Senties z University of Pittsburgh z ‘Shanghai eArts’: Toward an Adequately Located and “Partners in Incest: The Ekphrastic Impulse in Networked Sense of New Media Place” Mexican Film Criticism after the Golden Age” Helmut Klassen z York University z “Land|Slide: An Zachary Ingle z University of Kansas z “The Exhibition of Possible Futures” Underground Meets Hollywood: The Early Film Brettany Shannon z University of Southern California z Criticism of Jonas Mekas” “Out the Window in LA: Discoveries from the Ryan Friedman z Ohio State University z “The Empire First‑ever Video Art Interventions on Los Angeles of the Screen: Utopianism, Gnosticism, and American Metro Buses” Silent Cinema Writing” Isabel Arredondo z State University of New York, Plattsburgh z “Multiple Screens, Moving Screens: Technology and Politics in the Second Phase of the New Latin American Cinema” S21 Social Media and Social Issues : Chair: Nicholas Sammond Z University of Toronto z z Workshop Martina Baldwin University of Illinois “iBully: S23 Writing with Video iCarly’s Hate Discourse” Beyond the Illustrated Text Sarah Lozier z University of California, Riverside z “Race and Social Media: Now They’re Out in : Cyberspace and Everyone Can See” Chair: Virginia Kuhn Z University of Southern California Nicholas Sammond z University of Toronto z “Touched by Le Roy: Teens, Tourettes, and YouTube in Workshop Participants the Twilight of Neoliberalism” Vicki Callahan z University of Southern California Catherine Grant z University of Sussex Michael Lachney z Rensselaer Polytechnic Institute Virginia Kuhn z University of Southern California Cheryl Ball z Illinois State University

Sponsor: Media Literacy & Pedagogical Outreach Scholarly Interest Group sunday March 10, 2013 166 Session Z S 11:00 am – 12:45 pm S24 New Approaches to Narrative : Chair: Racquel Gonzales z University of California, Irvine Sara Shadkami z York University z “Storytelling for a Digital World” Racquel Gonzales z University of California, Irvine z “Between Film Noir and a Digital Space: Exploring Narrative Architecture in L.A. Noire” Shakti Jaising z Drew University z “Camera‑mediated Flaneurie: Mumbai Diaries and the Woman in the City” Scott Ruston z Arizona State University z “This Is Your Brain on Narrative”

! Meeting 11:00 am – 12:45 pm Room: The Club International, Lobby Level Women’s Caucus March 10, 2013 sunday

167 Index

Index

A Abel, Marco E3 Alawadhi, Hend B12 Alvarez, Gabriela M19 Ardizzoni, Michela E8, G8 Abel, Richard J17 Alberti, John S13 Amad, Paula A10 Arewa, Olufunmilayo P17 Abramson, Leslie M13 Aldred, Jessica D24 Ament‑Gjenvick, Vanessa L4 Arico, Juliette Q24 Acevedo‑Munoz D3 Alfaro, Kristen K6, R23 Amit, Rea M24 Armstrong, Deann O7 Acland, Charles I16, L3 Alilunas, Peter H19, I16 Anable, Aubrey P14 Arnold, Regina H4 Addison, Heather M13 Alisa Perren M1 Andary, Nezar C18 Arredondo, Isabel S22 Adelman, Rebecca A11 Alkassim, Samirah C18 Andén‑Papadopoulos, Kari M11 Arroyo, Brandon E17 Affuso, Elizabeth R9 Allbritton, Dean M19 Andersen, Robin N6 Arsenjuk, Luka K22 Ahern, Mal J6, R23 Allen, Richard J22 Anderson, Mark Lynn S4 Arslan, Savas J4 Ahn, Ji‑Hyun B11 Allison, Tanine F5 Anderson, Tim C9 Ascheid, Antje K24 Ahn, Jiwon M8 Almada, Natalia D16 Andrew, Dudley G17 Askari, Kaveh J17 Ahn, Patty D18 Almendarez, Roger A12 Andrews, David C16 Aslinger, Benjamin J19, R1 Akass, Kim B21, R13 Alpert, Erin M7 Ankerson, Megan M9 Aspray, Benjamin S4 Akser, Murat Q4 Alsop, Elizabeth C4 Ansa‑Goicoechea, Elixabete O8 Atanasoski, Neda S1 Akser, Murat O23 Alter, Nora M. e19, L10 Anselmo‑Sequeira, Diana P13 Avalos, Adan F14 Akudinobi, Jude L9 Alvaray, Luisela D16, I16 Arcy, Jacquelyn A11 Ayers, Drew J9 B Babish, Stephen E1 Banet‑Weiser, Sarah H12 Bashara, Daniel S3 Belton, John G17 Backstein, Karen E6 Banks, Miranda M21 Basu, Anustup P22 Bem, Caroline B15 Badley, Linda D4 Banning, Kass I24 Battin, Justin H9 Benamou, Catherine K1 Baer, Nicholas A18, M22 Bao, Weihong O9 Baumbach, Nico K22 Bender, Joseph N15 Bailey, Matt F23 Barber, Sian B1 Bayrakdar, Deniz O23 Benson, Nicholas D6 Bailey, Steven D15 Bardan, Alice Q7 Beadling, Laura R13 Benson‑Allott, Caetlin C21, Q21 Bak, Meredith S4 Barker, Deborah K12 Bean, Jennifer D13, R21 Berger, Kenneth A16 Baker, Aaron H5, M17 Barkin, Sarah P6 Beatriz, Oria J10 Bergstrom, Kian B15 Baker, Michael L4 Barnes, Heather C5 Beauchamp, Cari P3 Bering‑Porter, David R3 Balanzategui, Jessica S14 Barnett, Kyle N4 Beck, Chad Q15 Bernstein, Sara C13 Balcerzak, Scott N6 Baron, Cynthia N16 Beck, Jay Q18 Bertellini, Giorgio O24 Baldwin, Martina S21 Baron, Jaimie O5 Becker, Ron O16 Bessette, Eliot G15 Balfour, Ian H6 Barra, Luca E8 Becker, Snowden K21 Betz, Mark B20, S16 Balides, Constance C19 Barros, Cesar B20 Belisle, Brooke I9 Beugnet, Martine P20 Ball, Cheryl S23 Barrow, Sarah B5 Bell, Jonathan K15 Beus, Yifen A22 Balsom, Erika E19, R23 Bartlett, Mark K23 Bell‑Metereau, Rebecca O7 Bickford, Tyler H13 Banerji, Sushmita S11 Baschiera, Stefano R3 Belmonte Avila, Juan F. B9 Bird, Katie A1 168 Index

Bird, Robert B4 Bose, Nandana R4 Brassard, Jeffrey D4 Buerkle, Robert I13 Birdwise, Scott I24 Bottomley, Andrew N4 Bratslavsky, Lauren R5 Bukatman, Scott C22, G21 Bissonnette, Sylvie C22 Bouman, Margot I4 Breger, Claudia P10 Bull, Synne R6 Blackmore, Heather C12 Bourdage, Monique E15 Brennan, Nate M20 Bullock, Chelsea I8 Blake, Nathan F5 Bowles, Ryan C5 Brereton, Pat H14 Bulut, Ergin Q1 Blanco‑Cano, Rosana E20 Boyce, Travis G12 Brewer Ball, Katherine A22 Burditt, Rebecca I14 Blankenship, Janelle F8 Boyd, Katrina G. I11 Brinkema, Eugenie I15 Burges, Joel I12 Blasini, Gilberto H10 Boyd, Maria F20 Brody, Evan E6 Burgess, Diane A24 Blaylock, Jennifer E4 Boyda, James R15 Bronstein, Phoebe I8 Burgoyne, Robert J13 Blessing, Benita G10 Bozak, Nadia D8 Brown, William F9 Burnett, Colin P18 Bloom, Peter E4 Bradfield, Shelley Q15 Brownell, Kathryn N12 Burnetts, Charles Q20 Blue, Morgan N3 Bradshaw, Lara K9 Bruckner, Rene H6 Burwell, Catherine N3 Blumenthal‑Barby, Martin G15 Braester, Yomi R11 Brunetti, Ivan G21 Busse, Kristina P17 Bogost, Ian C21, I1 Brannon Donoghue, Bruns, John F24 Butters, Gerald G12 Boman, Stephan B10 Courtney M1 Bucaria, Chiara E8 Byrd, Vance A4 Borden, Amy J17 Brasell, R. Bruce N22 Buchan, Suzanne K23 C Caddoo, Cara K20, P21 Cason, Franklin R15 Cho, Michelle F4 Coats, Curtis H4 Cahill, James H6 Castonguay, James H20 Choi, JungBong L3 Cobb, Jasmine R22 Cain, Jacquelyn Q20 Caughie, John G17 Chris, Cynthia Q16 Cobb, Shelley J8 Caldwell, John P17 Cesalkova, Lucie G3 Christensen, Alice L15 Cohan, Steven I17 Callahan, Vicki P3, S23 Chae, Young Eun D3 Christian, Aymar H12 Cohen, Alain R18 Cameron, Allan H17, M8 Chamberlain, Daniel A20 Chu, Kiu‑wai H14 Cohen, Debra Rae K14 Cameron, Bryan M10 Chan, Michael D19 Chun, Wendy N1 Cohn, Jonathan G20 Campbell, Zachary M18 Chan, Nadine E4 Chung, Hye Jean P24 Coleman, Tara R7 Canavan, Gerry F5 Chan, Shu Ching B22 Chung, Hye Seung B11 Colleran, Daniel F21 Cannon, Kristopher S15 Chandler, Meghan R9 Church Gibson, Pamela H3 Colley, Tom N21 Capino, Jose J4 Chang, Alenda M3 Ciammaroni, Stefano O13 Collins, Sue G9 Capper, Beth R6 Chang, Edmond M3 Ciecko, Anne D5, F16 Collopy, Peter R6 Carbotti, Rossella K7 Chang, Kai‑man F24 Citizen, Robyn D14 Colman, Felicity J20 Carlsten, Jennie S17 Chang, Vanessa I9 Citron, Michelle N18 Colvin, Brandon E13 Carman, Emily P1 Chapman, Sara N21 Clark, Jennifer L20 Combs, Rhea G23 Carr, Steven J24 Chatman, Dayna E12 Clark, Maggie H16 Conley, Tom A10 Carruthers, Lee Q14 Chayt, Eliot I14 Clarke, Liz K20, R21 Connor, J.D. A1 Carson, Diane B23 Chefranova, Oksana C10 Clarke, M.J. H22 Consolati, Claudia A13 Carstocea, George B14 Chen, Shih‑Shan E13 Clément, Frédéric O5 Conway, Kelley O21 Carter, Chris N14 Cheung, Tit Leung K4 Clepper, Catherine N5 Conway, Kyle N24 Cartier, Nina Q10 Chia, Aleena C1 Click, Melissa I3 Cooley, Heidi Rae B9 Casetti, Francesco G16 Chien, Irene Q3 Clift, Robert Q23 Coonrod, Joshua R3 Cashbaugh, Sean E14 Cho, Alexander D18 Coates, Norma A19 Cooper, Mark S9 169 Index

Corbin, Amy P24 Costa, Diego S10 Craig, David B24 Crumbaugh, Justin I20 Corkin, Stanley H24, N15 Costanzo, William B23 Cramer, Lauren P12 Crylen, Jonathan R20 Corne, Jonah R12 Coulthard, Lisa K5 Cramer, Michael I10 Cunningham, Doug P21 Cornellier, Bruno I24 Couret, Nilo P11 Crawford, Chelsey E9 Curry, Ramona G18 Corrigan, Maria C10 Courtney, Susan K21 Creekmur, Corey Q24 Curtis, Scott C19 Corrigan, Timothy F3 Cowan, Michael G3 Crey, Karrmen S3 Cutrara, Daniel N22 Corzo‑Duchardt, Beth I6 Cox, Anna M10 Croombs, Matthew I24 Cwynar, Christopher R19 Costa de Beauregard, Cox‑Stanton, Tracy B15 Croteau, Melissa A21 Czach, Liz A24 Raphaelle R18 D Dahlquist, Marina G18 Deger, A.C. P15 Dillard, Sarah O4 Duarte, German H9 Daily, Lisa C8 Dejmanee, Tisha H13 Dinsman, Melissa K14 Dube, Reena N15 Dalle‑Vacche, Angela O9 Dell’Aria, Annie G13 Dixon, Elizabeth A13 Dubowsky, Jack Curtis A19 Damelio, Elena A4 Denison, Rayna F13, S16 Dixon, Wheeler Winston N20 Duchemin, Michael Q9 Davidson, John L10 Denson, Shane H1 D’Lugo, Marvin E3 Duchet, Chantal G3 Davis, Andrew A5 Deshpande, Shekhar L13 Doane, Mary Ann H18, J18 Duck, Leigh K12 Davis, Blair G21, R8 Desjardins, Mary O23 Doherty, Thomas J7, P23 Dumas, Chris P8 Davis, Glyn D23 D’haeyere, Hilde S7 Doles, Steven K19 Durden, Mary E. R13 Davis, Nick L13 Deutsch, James C12 Dollman, Melissa K13 Durham, Scott L22 Dawson, Max N1 Di Fede, Corella Q22 Dorey, Thomas B20, D20 Durovicova, Natasa D21 DeAngelis, Michael C23, J24 Dickinson, Kay D23, I22 Dove‑Viebahn, Aviva D22 Dwyer, Michael M6 DeBoer, Stephanie S22 Dickson, Lesley‑Ann Q4 Dovey, Lindiwe Q4 Dyer, Kester A22 DeCarvalho, Lauren K9 Dienstfrey, Eric B19 Drake, Philip P1 Dyrda, Shelley H10 DeClue, Jennifer J12 Dietrich, Craig A20 Draper, Jimmy L23 Dzialo, Chris F16, I14 Deery, June P19 Dillard, Clayton C14 Driscoll, Kevin H23 E Eagle, Jonna Q13 Ekdale, Brian P17 Elsaesser, Thomas F17 Esch, Kevin H4 Echchaibi, Nabil C3 Ellcessor, Elizabeth E16, 014 Elsheimer, Skip I21, K13 Esch, Madeleine G14 Eder, Jens N23 Ellis, Patrick A10 Elworth, Steve F24 Eswaran Pillai, Swarnavel S11 Edmond, Maura H22 Elman, Julie O14 Elza, Cary E24 Evans, Christine C15 Egan, Kate B1 Elnabli, Stefan I21 Enriquez, Mirasol E1 Evrard, Audrey A23 Eisenstein, Ken L6 Elouardaoui, Ouidyane B24 Epstein, Grace B23 Ewen, Neil J8 F Faber, Carolyn N21 Fallica, Kristen P7 Faucette, Michael D1 Feiner, Sean G1 Faden, Eric J23 Fallon, Kristopher I1 Fauteux, Brian B19, M23 Felleman, Susan Q8 Fagan, Kara R4 Fan, Victor N8 Fawaz, Ramzi Q24 Felt, Lindsey I9 Fahlstedt, Kim G18 Fang, Karen I4 Fay, Jennifer H15 Feng, Peter C11 Faldalen, Jon Inge L19 Fano, Laimir K10 Fee, Annie M20 Fernandez Labayen, Miguel F18 Falicov, Tamara B5, D16 Farr, Brittany A15 Feil, Ken J24 Ferrari, Chiara E8 170 Index

Fetveit, Arild H17, M11 Fleeger, Jennifer E24 Frank, Hannah R20 Froula, Anna E23 Feuer, Jane O18 Fleming, Amanda N13 Frank, Kathryn L1 Frykholm, Joel K20 Field, Allyson O6, P21 Fletcher, Brady C8 Frank, Kathryn Q24 Fuhrmann, Arnika L21 Filser, Barbara R6 Flinn, Caryl I22 Fratini, Dawn M21 Fujiki, Hideaki F14 Fischer, Emily A15 Flinn, Margaret A23 Freedman, Eric Q3 Fuller, Karla B4 Fischer, Lucy K24, N18 Flores‑Villalobos, Joan I4 Freedman, Jonathan O19 Fuller, Steph R24 Fisher, Austin J4, S16 Flynn, Peter S9 Fresko, David Q6 Fuller‑Seeley, Kathryn J21, N4 Fisher, Jaimey L10 Ford, Sam H23 Frick, Caroline A20 Fuqua, Joy P14 Fisk, Catherine K3 Forget, Thomas K15 Friedman, Diane F8 Furstenau, Marc Q14 Fitzpatrick, Veronica N5 Foster, Gwendolyn Audrey N20 Friedman, Ryan S20 Furtado, Gustavo S10 Fiumara, James O8 Fowler, Jessica E5 Friedman, Seth I17 Furuhata, Yuriko H18 Flaig, Paul F12 Francis, Terri M16 Friedman, Ted B8 Fusco, Katherine O15 Flaxman, Gregory J20, K22 Frank, Gillian Q16 Frohlich, Margaret I20 G Gabbard, Krin I22 Geoghegan, Bernard R17 Goldman, Ilene B16 Greenwood, Forrest Q11 Gaboury, Jacob F11 Gerhardt, Christina E3 Goldman, Ruth P7 Gregory, Brian B7 Gadassik, Alla N17 Gerstner, David G23 Goldstein, Jennie C6 Grenzer, Elke B3 Gaines, Jane L18 Gholz, Carleton C13 Goldstein, Leigh G14 Grieveson, Lee O17 Galili, Doron N1 Giancola, Lisa G4 Gomery, Douglas P18 Griffin, F. Hollis P16, Q5 Gallagher, Mark H5, J1 Giggey, Lindsay S8 Gonzales, Racquel S24 Griffin, Sean L14 Galvin, Kristen P13 Gilbert, Nora R17 Good, Katie Day C19 Griffin, Sean N24 Ganguly, Lauhona D4 Gillespie, Michael O6 Goodwin, Hannah J23, Q12 Griffis, Noelle G6 Garcia, Desiree I17 Gilmore, James A8 Gopalan, Lalitha H11 Grindon, Leger G11 Garcia‑Crespo, Naida G18 Ginsberg, Terri H8 Gordon, Rebecca G24, I23 Grisham, Therese H1 Gardner, Colin J20 Giotta, Gina E16 Gorfinkel, Elena J18 Groening, Stephen I9 Garibotto, Veronica I20 Girgus, Sam B. O7 Gortcheva, Nora E22 Grønstad, Asbjørn O3 Garin, Manuel E9 Gish, Harrison D24 Gottlieb, Akiva M5 Groskopf, Jeremy N11 Gary, Brett P18 Gittings, Christopher B22 Gough‑Gordon, Elizabeth C23 Grossman, Julie G19 Gates, Racquel G23 Giuliani Caponetto, Graham, Amanda E7 Gruber, Klemens M22 Gauch, Suzanne C18 Rosetta Q10 Graham, Joshua I8 Grundmann, Roy L22, P23 Gauthier, Philippe G17 Gleeson‑White, Sarah K12 Grajeda, Tony H20 Grusin, Richard O19 Gavarini, Jehanne‑Marie R24 Gleich, Joshua F1, P21 Grant, Catherine S23 Guha, Malini G6 Gaycken, Oliver F12, K13 Glenn, Colleen D3 Gray, David K7 Guilford, Josh Q6 Geiger, Jeffrey P20 Glick, Josh H24, L18 Gray, Jonathan H21, P21 Guins, Raiford L24 Geil, Abraham K22 Gobel‑Stolz, Barbel D1 Great, Artel B14 Gully, Nora K13 Geller, Theresa L. g24, I23 Goeringer, Lyn R1 Green, Frederik N8 Gunning, Tom K23, N17 Gemunden, Gerd E3 Goetz, Christopher I1 Greene, Daniel S12 Gurata, Ahmet D21 Gendelman, Norman P8 Goldberg, Ruth K10 Greene, Shelleen Q10 Gurevitch, Leon P20 Genova, James R14 Goldfarb, Brian Q23 Greenspan, Brian D24 Gurney, David D9 171 Index

Gustafsson, Henrik B10 Gutierrez, Laura E5 Gyori, Bradford S13 Gutierrez, Carlos D16 Gyenge, Andrea C7 H Haastrup, Helle Kannik O4 Haralovich, Mary Beth K18 Heinsohn, Bastian G4 Holmlund, Christine N16 Hable, Michael D20 Hardy, Kathryn H11 Hendershot, Heather N24, Q16 Holt, Jennifer L16, P9 Hadas, Leora B14 Hargraves, Hunter P19 Henlin‑Strømme, Sabine S14 Horak, Laura N10 Haddad, Candice D18 Hark, Ina D1 Hennefeld, Margaret D13 Horeck, Tanya K5 Hadjioannou, Markos B6 Harper, Kate H13 Henry, Claire K5 Hornby, Louise H15 Haenni, Sabine L5 Harper, Kristin J13 Henthorn, Jamie E17 Hornick, Karen J5 Haggins, Bambi G20, I23 Harrington, Catherine S8 Herbert, Daniel M15 Horton, Justin D15 Hagin, Boaz B8 Harris, Ben A6 Herhuth, Eric E24 Horwatt, Eli E19 Hagood, Mack D12 Harris, Keith O6 Herwig, Jana M22 Houser, Heather H14 Haidu, Rachel I12 Harrison, Michael Q24 Herzog, Todd P10 Houston, Akil O6 Hain, Mark E20 Hart, Adam N5 Hessler, Jennifer O4 Hovet, Ted O23, R21 Hakimi, Jedd Q3 Hartnett, Gerald B9 Heuman, Josh A6 Hoyt, Eric A20, K3 Halegoua, Germaine M9 Harvey, David D7 Heyn‑Jones, Zoë S1 Hrynyk, Alyson Q8 Hall, Sara O12, P10 Hassapopoulou, Marina O24 Hezekiah, Gabrielle B6 Huacuja Alonso, Isabel Q9 Hall‑Araujo, Lori L12 Hassoun, Dan D6 Higashi, Sumiko P3 Huang, Erin J1 Hallett, Hilary M16 Hastie, Amelie G24 Higbee, William O21 Huber, William B17 Halliday, Sophie F20 Hatch, Kristen S4 Higgin, Tanner Q3 Hudson, Dale S5 Hallman, Philip M15 Hatley, Joshua L12 Hilderbrand, Lucas I16 Hueser, Rembert L15 Halter, Ed R23 Hauser, Brian S17 Hills, Matt H21, J5 Hughes, Kit I6 Haltof, J. Marek R12 Hauske, Matt H7 Hilmes, Michele O23 Hui, Calvin C13 Hamad, Hannah G20 Havens, Tim L23, M1 Hilsabeck, Burke C7 Humphrey, Dan B4 Hamamoto, Darrell N19 Hawley, A.C. M12 Hilu, Reem D24 Humphreys, Laura‑Zoe K10 Hamblin, Sarah Q13 Hay, James P19 Himberg, Julia P16 Huntemann, Nina R1 Hamid, Rahul O20 Haynes, Jonathan P8 Hinojos, Sara L12 Hunting, Kyra B8 Hamm, John I5 Hayward, Eva C20 Hinsman, Abigail M9 Hutcheson, Linda G6 Hampton, Darlene P15 Hearne, Joanna C24 Hirschy, Norm B21 Han, Benjamin N19 Heath, Erin E10 Ho, Wing Shan G11 Han, Namhee E11 Hebert, Daniel I16 Hobbs, Renee M4 Hanich, Julian N23 Heckman, Heather S7 Hodge, James E21 Hanlon, Dennis S11 Hediger, Vinzenz G16 Hoffman, Judy G7, H24 Hansen, James S6 Hedling, Erik R16 Hoffman‑Han, Alison K6 Hansen, Lindsay F23 Hefner, Brooks D11 Hogan, Lindsay N24 Hanson, Christopher B21, I13 Hegarty, Kerry S14 Hogan, Mél P14 Hanson, Helen Q18 Heiduschke, Sebastian G10 Holl, Ute L15 Hanstein, Ulrike D7 Heins, Laura R7 Holland, Timothy A14

172 Index

I Icreverzi, Kim E11 Indurain, Carmen J10 Ishii, Douglas S5 Imre, Aniko G8 Ingle, Zachary S20 Iurascu, Ilinca O8 Indacoechea, Izas J10 Ingram, Susan B3 Ivins‑Hulley, Laura P6, Q23 J Jackson, Chuck I11 Jaising, Shakti S24 Jerslev, Anne O3 Jones, Jennifer Lynn Q23 Jackson, John H12 Jakob, Joey A11 Jimenez, Carlos A12 Jones, Steven C21 Jackson, Josh P15 Jankovic, Colleen H8 Johnson, Catherine J3 Jordan, Randolph L4 Jackson, Robert K12 Jaramillo, Deborah M21 Johnson, Derek J3 Joseph, Sharon J12 Jacobs, Lea H16 Jeffers McDonald, Tamar N16 Johnson, E. Patrick G23 Joyrich, Lynne P16 Jacobs, Steven Q8 Jeffries, Dru L1 Johnson, Laurie F7 Juhasz, Alexandra Q23 Jacoby, Alexander M24 Jekanowski, Rachel Webb C6 Johnson, Martin N11, P21 Jungen, Christian A24 Jagoda, Patrick N1 Jenkins, Bruce L6 Johnson‑Lewis, Erika E23 Jurca, Catherine R12 Jahn‑Sudmann, Andreas K11 Jenkins, Henry H23 Johnston, Andrew N17 Jaikumar, Priya A21, E4 Jeong, Areum K8 Johnston, Nessa J14 K Kackman, Michael B24 Keilty, Patrick M19 Kinney, Katherine O15 Koob, Nathan E14 Kaffen, Phil L7 Keller, Alexandra K24 Kirkpatrick, Bill O14 Koppes, Clayton N12 Kaimana, Lokeilani O6 Keller, Sarah F19 Kirshtner, Kelly O15 Kornhaber, Donna C22 Kakoudaki, Despina M14 Kelley, Michelle B7 Kistler, William S9 Kozberg, Alison D8 Kalinak, Kathryn I22 Kemper, Tom C6 Kitching, Joshua H19 Kozma, Alicia R10 Kaminska, Aleksandra E7 Kendall, Tina I15 Kitsnik, Lauri M24 Krackenberg, Jasmin F7 Kane‑Meddock, Derek E12 Kent, Holly E10 Kjosen, Atle Q17 Krapp, Peter C21, L23 Kang, Kyoung‑lae B11 Kessler, Elizabeth S6 Klassen, Helmut S22 Kraszewski, Jon N20 Kapczynski, Jennifer O12 Kessler, Kelly B18, C23 Kleiman, Vivian G23 Krayenbuhl, Pamela B10 Kaplan, E. Anne N13 Kessler, Sarah Q22 Klein, Amanda C1, E23 Kredell, Brendan H24, P24 Kapur, Jyotsna P22 Khdair, Dina S18 Klein, Christina D21 Krenzle, Christina B3 Kapurch, Katie N3 Khosrowjah, Hossein S5 Kleinhans, Chuck K19 Kronengold, Charles E9 Kara, Selmin O19 Kick, Verena D6 Klinger, Barbara O17 Kuehn, Kathleen Q1 Karahalios, Harry D10 Kidman, Shawna K3 Kmet, Michael E1 Kuhn, Virginia S23 Kase, J. Carlos K6 Kim, Christine G1 Knuttila, Lee C9 Kumar, Ramesh B12 Kearley, Victoria L12 Kim, Han Sang Q9 Koepnick, Lutz L10 Kumar, Sangeet O1 Kearney, Mary N3 Kim, Jihoon G16 Kohen Raz, Odeya P4 Kunigami, André J15 Keating, Patrick F1 Kim, Joon Yang K23 Kohn, Katie B L7 Kupfer, Alex B7 Keeler, Amanda Q23 Kimber, Shaun B1 Kohnen, Melanie C1 Kurian, Alka P22 Keenan, Andrew B17 Kinder, Marsha F16 Koivunen, Anu R19 Keeton, Patricia B13 King, Homay M17, Q22 Kompare, Derek Q17 Keil, Charlie K18 King, Rob P5 Kondo, Masaki A16

173 Index

L Lachney, Michael S23 Ledesma, Eduardo M10 Li, Jinying F14 Lord, Susan K10 Lagerwey, Jorie L20 Lefebvre, Martin G17 Liberman, Rachael C3 Lotz, Amanda L23 Lagesse, Cecile M7 Lee, Eunah S1 Lieberman, Evan J15 Lotze, Kathleen M20 Laird, Colleen Q11 Lee, Fiona L21 Lim, Bliss Cua L21 Loviglio, Jason M23 Lamarre, Thomas K23 Lee, Laura L7 Limbrick, Peter R14 Lowenstein, Adam S14 Lamberti, Edward D15 Leeder, Murray S17 Lin, Chunfeng G11 Lowood, Henry L24 Landay, Lori J19 Leimbach, Joselyn E20 Lin, Zhichun A19 Loxham, Abigail G8 Lane, Christina P3 Leimbacher, Irina M5 Lindqvist, Ursula N10 Lozier, Sarah S21 Langston, Richard L10 Leonard, Suzanne L20 Linscott, Charles P12 Lucas, Christopher R9 Lant, Antonia M22 Lenos, Melissa C16 Lison, Andrew A1 Lucia, Cynthia O7, P23 LaPlaca, Laura D8 Leopard, Dan E16 Littau, Karin P20 Luciano, Alessandra H9 Larochelle, Audrey B17 Leppert, Alice L20 Lizardi, Ryan A14 Luckett, Moya I4, O18 Larrain, Carolina E21 Lerner, David M15 Llamas Rodriguez, Juan D14 Lugowski, David N22, P23 Lastra, James P18 Lesage, Julia N18 Lloyd, Richard H24 Lunde, Arne N10 Latsis, Dimitrios L19 Letteri, Richard S13 Lo, Dennis G6 Lundy, Tiel J15 Lawrence, Michael G22 Levavy, Sara R7 Locks, Adam Q12 Lury, Karen M4 Lawrence, Novotny G12 Levin, Erica Q6 Lodhie, Lindsey J6 Lykidis, Alex P23 Lawson, Angelica C24 Lewis, Diane L7 Loew, Katharina F19 Lyons, James Q18 Layne, Priscilla E12 Lewis, Jon H24, L5 Loist, Skadi A24 Le, Lan M9 Leyda, Julia G24, H1 Long, Derek R8 M Ma, Jean J18 Manion, Annie I14 Marzola, Luci J11 McDonald, Paul P1 Ma, Ran K4 Mann, Denise H22 Mask, Mia K24 McEwan, Paul D8 MacDowell, James J14 Manon, Hugh Q21 Masko, Jeffrey I23, Q13 McFadden, Cybelle H. R13 Macek, Steve K19 Manzoni, Carla F23, 010 Massood, Paula J. K24, P23 McFadden, Naja R3 Macgillivray, James K15 Margulies, Ivone G22 Mathers, Jeremy J11 McGettigan, Joan F3 Maciak, Phillip S19 Marks, Laura H17 Maulucci, Thomas G10 McGrath, Caitlin H7 Maeder, Dominik K11 Marsh, Leslie B5 Mattern, Shannon F11 McHugh, Kathleen M14 Mai, Joseph I10 Marsh, Steven M10 Maurice, Alice S9 McKim, Kristi B20 Mairata, James N14 Marshall, Kelli C23 Maurice, Alice F16, S9 McLean, Adrienne L. I6 Maitra, Aniruddha F4 Martin, Andrew H20 Mayer, Vicki H21 McLeod, Katherine K14 Majumdar, Neepa A21, L16 Martin, Catherine J21 Mazaj, Meta L13 McNeil, Erin B6 Maland, Chuck J7 Martin, Daniel B11, S16 McArthur, Kerry I11, S17 McNutt, Myles C9 Malitsky, Joshua A7 Martin, Florence O21 McBride, Dwight G23 McQueen, Amanda L14 Malkowski, Jennifer M3 Martin, Jeff I21, R23 McCarthy, Linda S17 McQuiston, Kate P11 Mallinson, Anthea S3 Martin, Nina M13 McCourt, Molly S10 Means Coleman, Robin B16 Malsky, Matthew C12 Martinez, Dolores J1 McCulloch, Richard J14 Medeiros, Margarida R17 Maltz‑Leca, Leora I12 Marx, John S9 McDonald, Kevin A6 Meers, Philippe A3 174 Index

Meeuf, Russell E18 Mihailova, Mihaela J6 Montgomery, Colleen F13 Mukherjee, Roopali H12 Mehta, Monika B23 Miklitsch, Robert G19 Monticone, Paul J11 Mulvin, Dylan L8 Mehta, Rijuta E7 Miller, Andrew E16 Moore, Cornelius G23 Mund, Verena L15 Mehta, Ritesh O22 Miller, April M14 Moore, David M4 Murphy, Caryn B14 Meiri, Sandra P4 Miller, Jade M1 Moore, Paul N11 Murphy, David A11 Melnick, Ross P1 Miller, Quinn A7 Morag, Raya P4 Murphy, Ian B16 Melzer, Zach E17 Mills, Mara L8 Morari, Codruta L22 Murphy, Sheila I13 Menegaldo, Gilles R18 Minarich, Megan A8 Morgan, Daniel Q14 Murray, Dara D22 Mercer, John N16 Mittell, Jason H21, J23 Morreale, Joanne J21 Murray, Kathleen C16 Merck, Mandy D23 Mizejewski, Linda C17 Morris, David Z. O1 Murray, Sarah I3 Merijian, Ara I12 Mjolsness, Lora O5 Morris, Jeremy M23, Q1 Murray, Susan L8 Mersereau, Peters G9 Modleski, Tania O16 Morrow, Katherine R14 Murugan, Meenasarani N19 Mesbah, Targol C18 Mok, Luci C6 Morton, Drew B18, G21 Muscio, Giuliana P3 Metzger, Michael B15 Mokdad, Linda H8 Moulton, Carter G13 Musegades, Paula P11 Meyers, Cynthia N4 Molloy, Claire H3 Mowat, Hannah C7 Musser, Charles K20, L18 Meyers, Rebecca J22 Monk‑Payton, Brandeise M12 Mowlabocus, Sharif E17 Myers, Andrew N9 Middents, Jeffrey O13 Monserrat, Delphine I10 Mueller, Gabriele Q4 Myers, David L24 Middleton, Jason I7 Monteiro, Stephen N9 Mukherjee, Rahul F15 N Naaman, Dorit E7 Navarro, Vinicius D7 Newbold, Kate R5 Nochimson, Martha C17 Nagib, Lucia L9 Navitski, Rielle D13 Newman, Kathleen D21 Noh, Kwang Woo S18 Nagypal, Tamas S15 Needham, Gary D23 Ng, Jenna F9 Nooney, Laine F11 Naiboglu, Gozde C14 Neer, Richard Q14 Ngu, Kitior B18 Nordström, Johan L11 Nair, Kartik A21 Negra, Diane L20, O20 Nguyen, Hoang L21 Norton, Diana A12 Nakahara, Tamao K1 Nelson, Elissa Q17 Nichols, Lawrence S8 Nusser, Tanja P10 Nakama, Julie R10 Nelson, John N6 Nieland, Justus F18 Nygaard, Taylor J3 Nasr, Assem Q15 Nelson, Joshua B C24 Niessen, Niels I10 Nygren, Scott I18 Natale, Simone B8, r17 Ness, Richard M6 Niita, Chie L11 Nath, Anjali F15 Neupert, Richard O21 Noble‑Olson, Matthew S15 O Obradovic, Sanja S7 Oliete, Elena J10 Orgeron, Devin F12, K13 Ouellette, Laurie N24, P19 Och, Dana D1, E23 Oliva, Costantino J19 Orgeron, Marsha Overpeck, Deron L1 Ochonicky, Adam R. A16 Olney, Ian D10 Gordon N13, P21 Owczarski, Kimberly E1 Ogawa, Sawako D19 Oman, Patricia E10 Oria, Beatriz J10 Owens, Andrew H19 Ogawa, Shota G9 Omori, Kyoko Q11 Osteen, Mark G19 Ogg, Kerin C22 O’Neil‑Ortiz, Javier F8 Osterweil, Ara D23, K6 Ogonoski, Matthew I6 Ongiri, Amy K1 Ostherr, Kirsten F15 Ohmer, Susan E24, R8 Oppenheim, Phil J14 Osucha, Eden S19 Okada, Jun Q12 Oren, Tasha F16 O’Sullivan, Sean J5 175 Index

P Paasche, James F7 Pellerin, Aaron E15 Petty, Sheila A22 Ponce‑Cordero, Roberto O10 Page, Allison E6 Pelt, April S18 Peucker, Brigitte A14 Pope, Daniel D7 Palacios, Jose Miguel R14 Peng, Yun K8 Phillips, Mike Q19 Porst, Jennifer B21, M21 Palmer, Landon A19 Pepper, Shayne P7 Phillips, Whitney H23 Portwood‑Stacer, Laura C3 Palmer, Lindsay A7 Pereira, Katherine O10 Phillips, Wyatt J13 Posner, Miriam J23 Palmer, Lorrie E18 Perez, Gilberto F10 Phruksachart, Melissa N19 Poster, Jamie E16 Palmer, R. Barton d21, O23 Perez, Jorge I20 Pierson, Eric G12 Powell, Jeremy G15 Park, Hyun Seon J1 Perkins, Claire D20 Pierson, Michele O5 Powell, Ryan C15 Parker, Alexandra R24 Perkins, Victor F10, J18 Pierson, Ryan C7 Powers, John M5 Parker, Felan G1 Perlman, Allison Q16 Pike, Alan I17 Prager, Brad O12 Parks, Lisa C20 Perren, Alisa M1 Pike, Kirsten G14 Pramaggiore, Maria I7 Paszkiewicz, Katarzyna J13 Pesch, Katrin B22 Pimenta, Joana J6 Prettyman‑Beverly, Patterson, Eleanor M23 Peters, Ian R1 Pinney, Nikki M5 Michele P12 Patti, Lisa B23 Petersen, Anne Helen P1 Pinon, Juan Q15 Prince, Stephen Q21 Pavlounis, Dimitrios P5 Petersen, Christina N7 Pisters, Patricia M11 Projansky, Sarah D22 Pavsek, Christopher I19 Peterson, Elizabeth F23 Plantinga, Carl N23 Projansky, Sarah I23 Payne, Matthew F5 Peterson, Jennifer D13, R21 Plumly, Vanessa R19 Provencher, Ken O13 Pearson, Wendy N10 Petro, Patrice H20, M16 Podlesney, Teresa M8 Pruneda Senties, Felipe S20 Peaslee, Robert H4 Petruska, Karen E23, F13 Polan, Dana L16 Puetz, Michelle G7 Peck, Janice A1 Pett, Emma B1 Pollmann, Inga O9 Pummer, Claudia K8 Peeren, Esther R17 Pettersen, David A23 Polonyi, Eszter F19 Purse, Lisa F9 Peeters, Heidi A17 Petty, Miriam M12 Pomerance, Murray D20, G5 Pustay, Steven R15 Q Quanz, Katherine Q18 R Rabin, Lisa N7 Rawlins, Justin I8 Restivo, Angelo G15 Rittmayer, Allison D9 Raengo, Alessandra M18 Razlogova, Elena M23 Reynolds, Kate B9 Rivero, Yeidy H10 Ragona, Melissa L6 Reagan, Patrick F7 Rezaie, Munib R11 Robe, Chris K19 Rai, Swapnil B22 Redvall, Eva O22 Rhodes, Geoffrey Alan J9 Roberts, Jason Kelly Q20 Raine, Michael L11 Regester, Charlene J12 Rhodes, John David B21, G22 Roberts, Martin M8 Ramey, Kathryn J22 Reich, Elizabeth N14 Rhody, Jason J23 Robinson, Janet D3 Ramirez, Javier M20 Reinhard, CarrieLynn G13 Rhym, John M18 Robinson, Michelle O13 Rankin, Cortland C8 Reinsch, Paul M15 Rhyne, Ragan 04 Rocha, Carolina F6 Rapf, Joanna E10 Remes, Justin K8 Ribak, Rivka C3 Rodje, Kjetil O3 Rastegar, Roya A24 Rennett, Michael O16 Richardson, Michael O12 Rodriguez y Gibson, Eliza K1 Ravetto‑Biagioli, Kriss P20 Renov, Michael L18 Richmond, Scott I15, M17 Rodriguez, Norma A4 Raw, Laurence S16 Rentschler, Kyle I1 Riffel, Casey R8 Rogers, Ariel H7 Rawle, Steven S16 Resmini, Mauro A5 Riis, Johannes R16 Rogers, Kenneth R15 176 Index

Rogers, Maureen E14 Ross, Sharon C23 Roy, Carole C5 Russworm, TreaAndrea M3 Roig‑Mora, Arnau C15 Ross, Steven J7 Royer, Alice S12 Rust, Amy P8 Rojnic, Marko R4 Røssaak, Eivind L19 Rubinkowski, Leo G13 Ruston, Scott S24 Romero, Eva E20 Rossiaky, David G12 Rudraiah, Ganga C4 Rutkoff, Rebekah S6 Rosenheck, Mabel R5 Rossie, Amanda H13 Ruiz, Mario A18 Ryabchikova, Natalie A18 Rosenthal, Michele C3 Rossman, Margaret A3 Russell, Catherine E19 Ryan, Maureen I3 Ross, David F17 Roth, Elaine M13 Russell, Chris J19 Ryan, Susan B13 Ross, Ivan M14 Rothman, William D20, J22 Russo, Alexander F22, M23 Rybin, Steven G5 Ross, Sara A8 Rowin, Michael A14 Russo, Julie I23 S Saab, Joan B21 Schoonover, Karl I15, J18 Shary, Timothy P13 Smaill, Belinda E13 Saenz, Noelia D10 Schreiber, Michele K24, M6 Shaviro, Steven H1, O19 Smets, Kevin A3 Sæther, Susanne Østby M11 Schroeder Rodríguez, Paul F6 Shearer, Martha L5 Smith, Caylin H9 Sagehorn, Dave S20 Schulte, Stephanie O1 Sheehan, Rebecca O8 Smith, Christina B13 Salazkina, Masha L16 Schulz, Suzanne L. H11 Sheppard, Samantha M12 Smith, Frances L14 Saljoughi, Sara D5 Schwaab, Herbert K11 Shepperd, Josh P18 Smith, Francesca O14 Salvato, Nicholas Q5 Schwartz, Margaret J8 Shetley, Vernon O20 Smith, Greg G21 Samardzija, Zoran C14 Sconce, Jeffrey D20, R17 Shiel, Mark H24, L5 Smith, Iain D21, J4 Samer, Roxanne F20 Scullion, Rosemarie C14 Shimura, Miyoko D19 Smith, Jacob F22 Sammond, Nicholas S21 Sebok, Bryan B18 Shin, Chi‑Yun J1 Smith, Jeff H16 Samuelson, Mary G9 Segal, Shira P6 Shu, Yongzhen I5 Smith‑Casanueva, Brent A15 San Filippo, Maria i23, O20 Seibel, Alexandra M22 Siddiqui, Gohar C11 Smoodin, Eric n7, O21 Sang, Tze‑Lan D5 Seiter, Ellen K3 Sidenova, Raisa M7 Smyth, Jennifer E13 Sanogo, Aboubakar L9 Selisker, Scott R E15 Siegel, Carol R22 Sobchack, Vivian N23 Sanson, Kevin L23, O22 Seminet, Georgia F6 Siegel, Greg S12 Soderman, Braxton D9 Santo, Avi J3 Sen, Meheli C11 Siegel, Marc F18 Solomon, Matthew C4 Sark, Katrina B3 Sengul, Ali Q19 Silberman, Robert D14 Solomon, Roy F11 Sarlin, Paige F4 Sepulchre, Sarah A17 Sim, Gerald F16 Song, Hojin R10 Sasagawa, Keiko L11 Sergeant, Alexander A5 Simonyi, Sonja R4 Southey, Nicholas C23 Saverino, Anastasia J9 Serna, Laura Isabel N7 Sinervo, Kalervo L1 Spaulding, Hannah I16 Sayad, Cecilia O24 Service, Brett B12 Sinha, Suvadip C13 Sperb, Jason C1 Schaefer, Eric H19, J17 Seymour, Nicole H15 Sinnerbrink, Robert F3 Sprengler, Christine S6 Schaefer, Peter O1 Shadkami, Sara S24 Sinwell, Sarah H3 Spring, Katherine H16 Schaffer, Mary F23 Shafer, Leah E16 Siomopoulos, Anna J7 Springer, Claudia C8 Schatz, Thomas H5, K18 Shahaf, Sharon D4 Sjöberg, Patrik Q7 Springer, Sean P5 Scheckner, Peter B13 Shahani, Nishant B19 Skrodzka, Aga Q12 Stadel, Luke R20 Scheibel, Will G5 Shand, Ryan M4 Skvirsky, Salome B5 Stadler, Jane E15 Schenk, Ralf G10 Shannon, Brettany S22 Slater, Avery F4 Stamm, Laura N18 Schleier, Merrill D3 Sharma, Sudeep N9 Slater, Thomas S19 Stamp, Shelley L16, M16 Schonig, Jordan J13 Sharrett, Christopher N20 Slowik, Michael H16 Stanfill, Mel Q1 177 Index

Starosielski, Nicole C20 Stern, Lesley J18 Stork, Matthias E18 Suarez, Paulina L14 Stasia, Cristina B16 Sterne, Jonathan C21, L8 Strang, Brent E21 Sullivan, Annie P14 Steffen, James A20 Stevens, Kyle N6 Strassfeld, Benjamin F8 Sullivan, Gordon M18 Steimatsky, Noa G22 Stevenson, Diane F10 Strataki, Vasiliki Q13 Sullivan, Sara J11 Stein, Erica P24 Stewart, Jacqueline K21, N21 Strayer, Kirsten E23 Sung, Wendy D18 Steinbach, Katherine E5 Stine, Kyle D12 Streible, Dan I21, K21 Swain, Lisa K9 Steinberg, Marc H18, L3 Stoddard, Matthew S15 Sturtevant, Victoria C17 Symes, Katerina A3 Steinhart, Daniel F1 Stokes, Melvyn R18 Suarez, Juan F18, Q6 Szczepaniak‑Gillece, Steirer, Greg P9 Stork, Ben K7 Suarez, Juana B12 Jocelyn S7 Szczepanik, Petr O22 T Tabarraee, Babak P11 Tepperman, Charles G7 Tompkins, Cynthia F6 Tsika, Noah G24 Tait, R Colin H5 Teruelle, Rhon S12 Tompkins, Joe F13 Tsitsopoulou, Vassiliki S19 Takahashi, Tess H18 Thain, Alanna Q7 Torre, Michele B24 Turim, Maureen I18 Talmacs, Nicole I5 Thanhouser, Ned K20 Trafton, John G9 Turim‑Nygren, Mika R12 Talmon, Miri P4 Thibault, Rachel D6 Trahair, Lisa J20 Turner, Graeme Q17 Tan, Jia S5 Thimons, Alexander Q5 Traore, Karim L9 Turnock, Julie Q21 Tang, Funing G11 Thomas, David B17 Trent, Mary P13 Tussey, Ethan P9 Taniguchi, Norie D19 Thomas, Lindsay F15 Trevitte, Chad B4 Tussey, Ethan H23 Tanja Nusser P10 Thomas, Rhys F20 Trice, Jasmine S3 Tyagi, Ila I11 Tarancon, Juan D14 Thompson, Kirsten Moana J9 Trifonova, Temenuga N15 Tziallas, Evangelos E6 Tasker, Yvonne K5 Thorsby, Mark K15 Trimble, Theodora S1 Tzioumakis, Yannis H3U Taylor, Aaron R16 Tibbitts, Amy D11 Trono, Mario I19 Uhlin, Graig Alan E14 Taylor, Giles C12 Tinic, Serra H22, L23 Trope, Alison R23 Uhrich, Andy G7 Taylor, Greg Q20 Tinkcom, Matthew N22 Tryon, Chuck I16, M1 Ulfsdotter, Boel K4 Tedjasukmana, Chris C15 Tobin, Samuel D9 Tse, Yukei R11 V Vaage, Margrethe R16 VanCour, Shawn F22 Verma, Neil F22 Vitols, Maruta M17 Vaccaro, Justin K7 Vanderhoef, John G1 Vernallis, Carol H17 Vogan, Travis G14 Valdivia, Angharad D22 Vaughan, Hunter H14 Verrone, William P6 Volcic, Zala G8 Vallejo, Aida C5, M7 Vaughn, Stephen N12 Vesey, Alyxandra I3 von Moltke, Johannes L22 Van de Vijver, Lies E22 Velasco, Eleana O10 Vicancos, Ricardo H17 Vonderau, Patrick O22, P9 Van Gorp, Jasmijn J23 Velez‑Serna, Maria A E22 Villarejo, Amy P16, Q5 Van Parys, Thomas A17 Venegas, Cristina D16, H10 Virdi, Jyotika C11 VanArendonk, Kathryn J5 Verhoeff, Nanna G16 Vitaglione, Sylvie B10 W Wager, Jans M6 Waldman, Diane E5 Wall‑Romana, Christophe F19 Wang, Jennifer J21 Wagner, Jamie A16 Walker, Janet C20 Walsh, Michael I18 Wang, Yiman O15 Walden, Elizabeth C8 Waller, Gregory O17 Walton, Jean I7 Wani, Aarti P22 178 Index

Wanzo, Rebecca C17 Wentz, Daniela K11 Whittington, Ian K14 Williams, Tami H7, R21 Wolmart, Gregory F3 Warren, Charles J22 Wessels, Chelsea Q19 Wicks, James I19 Williams, Timeka E12 Wolfson, Todd K19 Warren, Shilyh I7 Westrup, Laurel N9 Wiedenfeld, Grant O9 Williamson, Charles J12 Wood, Andrea N5 Warren‑Crow, Wexman, Virginia K18 Wiggins, Benjamin C12 Williamson, Colin C19 Wood, Aylish F9 Heather B19 Whissel, Kristen L3 Wild, Jennifer L19 Willis, Sharon F21 Wood, Susan C16 Wasserman, Tina B6 White, Courtney B7 Wiles, Mary S18 Wilson, George F10 Woodward, Steven P5 Wasson, Haidee O17, White, Kenneth F17 Wilkins, Heidi A13 Wilson, Julie G20 Woodworth, Amy O16 R23 White, Khadijah H12 Wilkins, Kim C4 Wilson, Pam C24 Wright, Benjamin L4 Watkins, Raymond Q8 White, Mimi O18 Wilkinson‑Weber, Winokur, Mark I14 Wu, Xianwei Q9 Watrous, Nancy N21 White, Patricia L13, Q22 Clare S3 Wittern‑Keller, Wuensch, Michaela A17 Watson, Mary Ann F22 White, Susan G5 Willett, Rebekah N24 Laura N12 Wuest, Bryan M19 Watter, Seth G15 Whitehead, Jessica N11 Williams, Bruce A4 Wlodarz, Joseph P16 Wurtzler, Steve R20 Webb, Lawrence F1 White‑Stanley, Williams, Deane D11 Wojcik, Pamela F24 Weber, Brenda O18 Debra F21 Williams, Mark A20, R5 Wolf, Mark J.P. I13 Weinman, Jenna J24 Whitney, Allison P7 Williams, Owen B1 Wolfe, Charles H15, O23 Y Yamamoto, Naoki E11 Yasar, Zeynep D5 Yockey, Matthew L1 Young, Andrew A7, B21 Yue, Genevieve H6 Yang, Fan A6 Yates, Michelle I19 Yoon, Soyoung F17 Young, Liam R22 Yumibe, Joshua F12 Yang, Li I5 Yip, Man Fung J15 York, Ashley Young, Paul A8 Yang, Wei N8 Yochim, Emily Elaine k9, M17 Younger, James G4 Chivers G20 Yoshida, Junji Q11 Z Zagoren, Sindhu D12 Zarzosa, Agustin D15 Zhang, Gaoheng D11 Ziegler, Fabian M22 Zimmermann, Zaher, Lisa L6 Zavala, Diego F7 Zhang, Zhen M7 Zielinski, Ger C5 Yvonne G3 Zale, Jennifer C10 Zavala, Veronica A12 Zheng, Xiqing R11 Zimdars, Melissa S8 Zinman, Gregory N17 Zarza, Zaira K10 Zeglen, David J8 Zhu, Yanhong N8 Zimmer, Catherine E18 Zryd, Michael I18, K6

179 honors Outgoing Board Members Patrice Petro Bambi Haggins Lindsay Hogan Yeidy Rivero Heather Hendershot (CJ Editor) Thank you so much for your service – you will be greatly missed! U SCMS Undergraduate Conference April 12 & 13, 2013 • South Bend, Indiana Hosted by the University of Notre Dame

The Society for Cinema and Media Studies is proud to announce its support for a new venture, the Society for Cinema and Media Studies Undergraduate Conference. Previously conducted under the title of the Midwest Undergraduate Film and Television Conference and held only at the University of Notre Dame, this new incarnation will rotate across multiple universities on an annual basis, so as to enable wider access to students across North America. It will carry the SCMS imprimatur to reflect the organization’s strong support for undergraduate education in cinema and media studies.

The SCMS Undergraduate Conference offers undergraduate students a forum to present papers representing their best work in the field. Each year, a panel comprised of faculty from the host institution selects the best papers from the proposals received. In 2013, the panel will be from the Department of Film, Television, and Theatre at the University of Notre Dame. The resulting conference allows undergraduate students the rare opportunity to share their cinema and media history, criticism, and theory work with peers from across the country.

We ask that you tell your undergraduate students about the conference. As mentioned, this year it will be held at the University of Notre Dame on April 12 & 13, 2013. The 2014 Conference will be hosted by the University of Oklahoma in Norman. More information about next year’s conference will be available on the SCMS website in the fall.

Questions about the 2013 conference should be directed to Christine Becker at [email protected].

U N ivE rsiT y PrE ss of MississiPPi

Time in Television Hollywood Enigma Clint Eastwood Curt flood in Narrative Dana Andrews Interviews, Revised the Media Exploring Temporality By Carl Rollyson and Updated Baseball, Race, and in Twenty-First- $35 hardback; Edited by Robert E. Kapsis the Demise of the Century Programming Ebook also available and Kathie Coblentz Activist-Athlete From the Hollywood Legends Series Edited by Melissa Ames $65 printed casebinding; By Abraham Iqbal Khan $60 printed casebinding; $25 paperback; $55 hardback; Ebook also available Ebook also available Ebook also available From the Conversations with From the Race, Rhetoric, Filmmakers Series and Media Series

Lew Ayres Hollywood’s Chronicle of a Conscientious Objector By Lesley L. Coffin Camera samuel fuller The Arriflex 35 in Foreword by Marya E. Gates Crockett Johnson $35 hardback; Interviews North America, and ruth Krauss Ebook also available 1945–1972 Edited by Gerald Peary How an Unlikely Couple From the Hollywood Legends Series $40 printed casebinding; Found Love, Dodged the By Norris Pope Ebook also available $55 printed casebinding; From the Conversations with FBI, and Transformed Ebook also available Filmmakers Series Children’s Literature By Philip Nel $70 printed casebinding; Look for these books and $40 paperback; Ebook also available others at our SCMS exhibit table. From the Children’s Literature Association Series

www.upress.state.ms.us • 800-737-7788

EXAMiNATioN CoPiEs: visit http://www.upress.state.ms.us/about/ordering/educator.

SCMS2013 UPM.indd 1 12/7/12 1:30 PM visit oscars.org/filmscholars For information, application Years, 1935-1965 Twentieth Century-Fox: The Zanuck-Skouras and World-Making inAnimation Shadow of aMouse: Performance, Belief, the recent of publication theirbooks: We congratulate theseFilm Scholarson film-related projects. to scholarspursuingawiderangeof has provided $650,000 ingrantsupport The Academy Film Scholarsprogram role. a supporting We are proudtoplay PETER LEV, DON CRAFTON @theacademy facebook.com/theacademy oscars.org Towson University , University of Notre Dame

TheOF MOTION PICTURE Academy ARTS AND SCIENCES

THE TournéEs FEsTival Apply for a grant !

Any department, film club, student organization or cultural institution affiliated with a university may apply.

The Tournées Festival offers a wide variety of the most recent films from France and French- speaking countries: comedies, dramas, thrillers, documentaries, etc.

Application deadlines: June 30th and October 1st, 2013.

The Tournées Festival is sponsored by the Cultural Services of the French Embassy in the U.S., the Centre National de la Cinématographie et de l’Image Animée, the Florence Gould Foundation, CampusFrance and highbrow Entertainment.

facecouncil.org/tournees [email protected]

FAREWELL, MY QUEEN LES ADIEUX A LA REINE Benoît Jacquot

© Cohen Media Group College of Media,Let tCinema,ers and Scien cande Digital Studies Film Studies Program Building on its traditions of innovative graduate study film in cinema and critical theory, UW‑Milwaukee’s English television Department offers a unique, interdisciplinary graduate curriculum in Media, Cinema, and Digital Studies. The media theory Master’s and Doctoral program combines studies of film, media, and popular culture with studies of developing digital cultural studies technologies and textualities. Students are encouraged to critical theory pursue their own areas of concentration from courses in multimedia writing alternative textual In Honor of – and – Congratulations to production Connie Balides technology UWM graduate (1993), recipient of the 2013 SCMS Pedagogy Award digital studies Eric Herhuth gaming PhD candidate in Media, Cinema, and Digital Studies, cultural studies recipient of the 2013 SCMS Student Writing Award Tasha Oren technology theory

Associate Professor of Media, Cinema, and Digital Studies, and more co‑recipient of the 2013 SCMS Best Edited Collection Award Patrice Petro

Professor and Vice Provost for International Education, distinguished service to SCMS (two terms as SCMS President, 11 consecutive years

on the SCMS Board as Treasurer, President‑Elect, President, http://www4.uwm.edu/letsci/english/ and Past President, 2002‑2013) e UNIVERSITY of OKLAHOMA

Film and Media Studies is an interdisciplinary program at the University FILM & of Oklahoma designed to give students a broad understanding of film MEDIA and media history, theory, and criticism. OU Film and Media Studies, in STUDIES the College of Arts and Sciences, is proud to be the institutional home of the SCMS Office and staff.

The University of Oklahoma is truly an extraordinary institution, known for its academic excellence and strong sense of community. Attracting top students from across the nation and more than 100 countries around the world, OU provides a major university experience in a private college atmosphere.

http://cas.ou.edu/fms/ UNIVERSITY OF PITTSBURGH NEW PhD DEGREE IN FILM STUDIES Earn an interdisciplinary PhD in Film Studies in conjunction with work in one of five associated departments (English, French, Hispanic, History of Art and Architecture, and Slavic). Students will graduate having dual expertise in film/media studies as well as in a related field without any anticipated increase in the usual time to complete a degree. Our graduate program is situated at a major research university and is located in a vital city with a rich film and arts culture. The program offers varied courses, close mentoring, a graduate student organization/Web site/conference, and a stimulating lecture and screening series. GRADUATE FACULTY/ASSOCIATED DEPARTMENTS: Mark Lynn Anderson, Associate Professor, English John Beverley, Distinguished Professor, Hispanic Nancy Condee, Professor, Slavic Joshua Ellenbogen, Assistant Professor, History of Art and Architecture Jane Feuer, Professor, English Lucy Fischer, Film Studies; Distinguished Professor, English Marcia Landy, Distinguished Professor, English Adam Lowenstein, Associate Professor, English Joshua Lund, Associate Professor, Hispanic Colin MacCabe, Distinguished Professor, English Neepa Majumdar, Associate Professor, English Daniel Morgan, Assistant Professor, English Vladimir Padunov, Film Studies; Associate Professor, Slavic David Pettersen, Assistant Professor, French and Italian Terry Smith, Andrew W. Mellon Professor of Contemporary Art History and Theory, History of Art and Architecture ADDITIONAL FACULTY Charles Exley, Assistant Professor, East Asian Randall Halle, Klaus W. Jonas Professor of German Film and Cultural Studies, German Brenton Malin, Associate Professor, Communication Kun Qian, Assistant Professor, East Asian

FOR MORE INFORMATION: University of Pittsburgh Kenneth P. Dietrich School of Arts and Sciences Film Studies Program 624 Cathedral of Learning 4200 Fifth Avenue Pittsburgh, PA 15260 Telephone: 412-624-6564 Fax: 412-383-6999 E-mail: [email protected] www.filmstudies.pitt.edu In Memoriam

Alexander Doty Andrew Sarris Amos Vogel Paul Willemen SEATTLE 2014 Call for Paper, Panel, and Workshop Proposals The Society for Cinema and Media Studies announces its call for proposals for the 2014 conference. Please join us Wednesday, March 19 – Sunday, March 23, 2014 at the Sheraton Seattle Hotel.

While the Emerald City is known for its independent and vibrant music, film, and art scenes, it’s also home to the Space Needle, historic Pike Place Market, the original Starbucks, the infamous Microsoft, grunge, the birthplace of the U.S. Mayors’ Climate Protection Agreement, and the Fremont Troll (check it out: http://fremont.com/about/fremonttroll‑html/).

The 2014 SCMS Conference Program Committee welcomes quality paper, panel, and workshop proposals on any topic related to cinema and media studies. Proposal submission forms will be available through the SCMS website on June 1, 2013. The deadline for proposals is Friday, August 30, 2013 (5:00 pm Central Time).