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HARMONY KORINE: Shooters
G A G O S I A N G A L L E R Y July 24, 2014 EXTENDED! UPDATED PRESS RELEASE GAGOSIAN GALLERY 821 PARK AVENUE T. 212.796.1228 NEW YORK NY 10021 E. [email protected] HOURS: Tue–Sat 10:00am–6:00pm SUMMER HOURS (Through August 29): Mon–Fri 10:00am–6:00pm HARMONY KORINE: Shooters Through Tuesday, July 29, 2014 Gagosian New York is pleased to present “Shooters,” an exhibition of recent paintings by Harmony Korine. From Kids (1995), a meditation on New York City youth, to Spring Breakers (2012), a contemporary film noir in which four college freshwomen are drawn into a murderous labyrinth of events, Korine’s films of the past twenty years merge reality with fiction and shaky “footage” with precise editing, holding viewers’ attention to the split second and thereby suspending disbelief. His heady mix of the unplanned, the seductive, and the outlandish crystallizes in his lesser-known paintings. Bypassing brush and art paint in favor of squeegees, leftover household paint, and masking tape, he creates loosely sequential images that echo the sonic and visual leitmotifs of his films. In Starburst paintings, he sticks overlapping segments of masking tape to the center of an unprimed canvas, then uses a broom to spread primary red, yellow, and blue dyes over the surface. The tape is removed to reveal bright, irregular stars shining through colorful mists; the final compositions are characterized by a spontaneous, explosive radiance. Loop Paintings are the result of a process somewhat related to filmmaking: Korine cast young men and women, made them up as elderly people, and photographed them in alleyways. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Atas Do IV Encontro Anual Da AIM Atas Do IV Encontro Anual Da
Atas do IV Encontro Anual da AIM Editores: Daniel Ribas e Manuela Penafria ASSOCIAÇÃO DE INVESTIGADORES DA IMAGEM EM MOVIMENTO Ficha técnica Título: Atas do IV Encontro Anual da AIM, ed. Daniel Ribas e Manuela Penafria Editor: AIM – Associação de Investigadores da Imagem em Movimento Ano: 2015 Capa: www.blocod.pt Revisão: Paulo Cunha e Filipa Rosário ISBN: 978-989-98215-2-1 www.aim.org.pt 2 Índice Introdução Daniel Ribas e Manuela Penafria Cultura Visual, Imagem em Movimento e Tecnologia Além do puro entretenimento: jogos digitais como produções expressivas Bruno Henrique de Paula e Hermes Renato Hildebrand 10 Estudos para inclusão de efeitos visuais interativos em shows musicais Fernanda Carolina Armando Duarte 23 As máquinas do medo: cultura do vídeo e tecnologias amadoras no cinema de horror contemporâneo Klaus’Berg Nippes Bragança 37 “Links flare”, imagens em foco Herlander Elias 49 O consumo de imagens estrangeiras na era da globalização Cristiane Pimentel Neder 59 As potencialidades de inovação para o audiovisual nos dispositivos móveis: considerações a partir de uma análise dos conteúdos jornalísticos exclusivos para tablets Juliana Fernandes Teixeira 69 Vídeo e fotografia: a imprevisibilidade do previsível Matheus Mazini Ramos 83 O edipianismo de vertigo: da crise da imagem-movimento à crise originária da cultura José Manuel Martins 100 Comunidades do cinema Sérgio Dias Branco 112 Do campo ao extracampo, contribuições metodológicas para a pesquisa do fotojornalismo Nadja Carvalho e Lorena Travassos 120 A edição da imagem em movimento no contexto da produção jornalística nas redações centrais das estações generalistas televisivas portuguesas: RTP, SIC e TVI Carlos Canelas, Jorge Ferraz de Abreu e Jacinto Godinho 130 A tecnologia como valor-notícia. -
Ben Keith, Neil Young's Ste
Ben Keith, Neil Young's steel guitarist: 1937-2010 | Pop & Hiss | Los Angeles Times July 27, 2010 | 1:25 pm Ben Keith, the veteran steel guitarist who played on Patsy Cline’s 1961 hit “I Fall to Pieces” before befriending Neil Young and going on to play on more than a dozen of the Canadian rocker's albums, has died. He was 73. He died of a heart attack, director Jonathan Demme said Tuesday. Demme, who directed Young’s concert films “Neil Young Trunk Show” from earlier this year and 2006’s “Heart of Gold,” said Keith had been staying at Young’s ranch in Northern California, working on new projects with his longtime collaborator. Keith was featured prominently in both. In “Neil Young Trunk Show,” shot in Pennsylvania at a stop on Young’s 2007-2008 concert tour, Young said a key reason he chose to tour with Keith, bassist Rick Rosas and Crazy Horse drummer Ralph Molina, rather than convening the full, hard-rocking Crazy Horse trio, was that “I can do more variety this way, because Ben plays so many instruments.” Demme called Keith “an elegant, beautiful dude, and obviously a genius. He could play every instrument. He was literally the bandleader on any of that stuff… Neil has all the confidence in the world, but with Ben on board, there were no limits. Neil has a fair measure of the greatness of his music, but he knew he was even better when Ben was there.” Most recently, Keith had been touring with Young’s wife, Pegi, in support of her second solo album, “Foul Deeds,” for a handful of West Coast performances in June. -
FORTISSIMO FILMS Toronto 2009 LINE-UP
CLICK HERE TO DOWNLOAD AND PRINT OUR LINE-UP Special Presentation THE WARRIOR AND THE WOLF by Tian Zhuangzhuang China, 2009, 104', Mandarin, Epic/Action/Romance Cast: Maggie Q, Joe Odagiri, Tou Chung-hua Synopsis: More than two thousand years ago the Han Emperor sent his army to the far western border of China, way beyond the Gobi Desert in order to subdue rebellious tribes. It was a treacherous and inhospitable zone, where when winter comes, the land belongs to the wolves. After much war and bloodshed, Commander Lu and his men have given up the battle and begun their retreat. Trapped by a blizzard, they take refuge in a village of the ‘cursed' Harran tribe where Lu commandeers a shack and where, initially to his distaste, he finds a beautiful but mysterious Harran widow hiding in a pit beneath it. Passion quickly overcomes their mutual distrust and suspicion, and they become lovers... but Lu does not comprehend the great price that he will end up paying for their illicit passion... Screenings 13 Sep (Sun) 6:30 PM VARSITY 8 Public 1 14 Sep (Mon) 2:45 PM CUMBERLAND 1 Press & Industry 1 15 Sep (Tue) 1:00 PM SCOTIABANK THEATRE 3 Public 2 16 Sep (Wed) 2:00 PM VARSITY 4 Press & Industry 2 18 Sep (Fri) 9:00 AM SCOTIABANK THEATRE 1 Public 3 ROAD, MOVIE by Dev Benegal India & USA, 2009, 95', Hindi, Romantic Drama Cast: Abhay Deol, Satish Kaushik, Tannishtha Chatterjee, Mohammed Faizal Synopsis: Vishnu, a restless young man, rejects his father's faltering hair oil business and hits the road with a traveling cinema. -
Arts: Food: Feature
FEATURE: VOLUME 28 | ISSUE 15 | APRIL 11-17, 2019 | FREE 2019 | ISSUE 15 APRIL 11-17, 28 VOLUME SEEKING ASYLUM FINDING MERCY PAGES 8 AND 9 PHOTO BY ERIC WILLIAMS BY PHOTO THE INESCAPABLE STORY VEGAN SOUP BoBM WINNER OF ONE IN TWO FOR THE SOUL M.O. MUSIC ARTS: PAGE 19 FOOD: PAGE 21 MUSIC: PAGE 27 STIRRING THE MELTING POT SINCE 1992 SINCE 1992 POT THE MELTING STIRRING [ 2] WEEKLY ALIBI APRIL 11-17, 2019 APRIL 11-17, 2019 WEEKLY ALIBI [3] alibi VOLUME 28 | ISSUE 15 | APRIL 11-17, 2019 EDITORIAL MANAGING EDITOR/ FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] MUSIC EDITOR/NEWS EDITOR: August March (ext. 245) [email protected] FOOD EDITOR: Email letters, including author’s name, mailing address and daytime phone number to [email protected]. Dan Pennington (Ext. 255) [email protected] Letters can also be mailed to P.O. Box 81, Albuquerque, N.M., 87103. Letters—including comments posted ARTS AND LIT.EDITOR: Clarke Condé [email protected] on alibi.com—may be published in any medium and edited for length and clarity; owing to the volume of COPY EDITOR: correspondence, we regrettably can’t respond to every letter. Samantha Carrillo (ext. 223) [email protected] CALENDARS EDITOR: Ashli Kesali [email protected] STAFF WRITER: Joshua Lee (ext. 243) [email protected] Methane Goes Bust the gas pump. Why should citizens have to SOCIAL MEDIA COORDINATOR: Samantha Carrillo (ext. 223) [email protected] have lung-destroying toxics forming in New CONTRIBUTING WRITERS: Dear Editor, Mexico’s air? Those are fugitive emissions Robin Babb, Rob Brezsny, Carolyn Carlson, Samantha On “Methane Goes Boom!” [Alibi v28 i14]: Carrillo, Desmond Fox, Maggie Grimason, Steven Luthy, going on for decades. -
Some People Get It. Others Are Assholes
1 GÖTEBORGS UNIVERSITET Institutionen för kulturvetenskaper Some people get it. Others are assholes. Kontradiskurs, subversiv potential, hegemonisk makt och performativ marginalitet utifrån tre nivåer av skräpkultur. David C Sjöberg C-uppsats Höstterminen 2010 Handledare: Ingrid Lindell 2 Innehållsförteckning 1. Inledning 1.1 Introduktion.................................................................................................s. 3 1.2 Syfte & Frågeställning................................................................................s. 4 1.3 Metod, Material & Avgränsning.................................................................s. 4-6 2. Utgångspunkter 2.1 Tidigare forskning......................................................................................s. 7-8 2.2 Historia & Bakgrund...................................................................................s. 8-10 2.3 Teori............................................................................................................s. 10-11 3. Beskrivning och analys 3.1 Begreppsapparaten......................................................................................s. 12 3.1.1 Kontradiskurs...........................................................................................s. 12 3.1.2 Subversiv potential..................................................................................s. 12-13 3.1.3 Hegemonisk makt....................................................................................s. 13-14 3.1.4 Performativ marginalitet..........................................................................s. -
Nov-Dec 2016
NOV-DEC 2016 Technicolor – farverige visioner Sergej Eisenstein for fuld musik Indie-horror siden 1968 CPH PIX: Terence Davies og Neil Young Fra alle os til alle jer: Disney og Lilleper Max Rée – stjernedesigner og Oscar-vinder Festival: East by Southeast 10.-24. november INDHOLD Crosswind s. 31 SERIER OG 4 TECHNICOLOR FESTIVALER Farverige visioner fra Hollywoods guldalder 8 SERGEJ EISENSTEIN En panser krydser sit spor 11 HIMLEN OVER BERLIN Hvordan ser verden ud for engle? 12 TRAPPEFILM Fra himmelske rulletrapper til sociale (fejl)trin 15 FILMMUSEET 75 ÅR Udstilling, foredrag og artikler 16 INDIE-HORROR SIDEN 1968 Banebrydende gys på små budgetter 19 CPH PIX 27. oktober – 9. november 20 TERENCE DAVIES En legende besøger Cinemateket 24 DISNEY-KAVALKADE Fra alle os til alle jer 28 EAST BY SOUTHEAST Nye film fra Central- og Østeuropa 32 MÅNEDENS DOKUMENTAR ’Ukrainian Sheriffs’ – hjertevarm ordensmagt 33 DANISH ADVENTURE FILM FESTIVAL 22.-27. november 34 BERNARD SHAKEY Neil Young bag kameraet 38 KIRK DOUGLAS Slaven, der ikke vil dø 41 MÅNEDENS FILM ‘Fanny og Alexander’ 42 MAX RÉE Genopdaget stjernedesigner 44 KINA PÅ FARTEN Sensory Ethnography Lab besøger Cinemateket 47 DANISH ON A SUNDAY Danish hits – English subtitles 54 WALK-IN-BIO Se danske film ganske gratis ARRANGEMENTER 7 FILM, TAPAS & COCKTAILS ‘En lang forlovelse’ + ‘Love Actually’ 11 SKIDE GODT, EGON! Pladereception + ‘Olsen-banden på sporet’ 32 FILMUNIVERSITETET ‘Blå’ 37 KRIG OG FRED Syv timers Tolstoj 48 ITALIENSK FILMSALON ‘Mine aftener i paradis’ med italiensk buffet 48 GREASE-AFTEN -
An Investigation of Priming, Self-Consciousness, and Allegiance in the Diegetic Camera Horror Film
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Oxford Brookes University: RADAR An investigation of priming, self-consciousness, and allegiance in the diegetic camera horror film by Peter Turner A thesis submitted in partial fulfilment of the requirements of the award of Doctor of Philosophy by Oxford Brookes University Submitted June 2017 Statement of originality Some of the discussion of The Blair Witch Project throughout this thesis has formed the basis for a book, Devil’s Advocates: The Blair Witch Project (Auteur, 2014). Some of the discussion of priming in chapter four was also used in a conference paper, Behind the Camera: Priming the Spectator of Found Footage Horror, delivered at The Society for Cognitive Studies of the Moving Image in 2015. Sections on personal imagining also formed the basis of a conference paper, Personal Imagining and the Point-of-View Shot in Diegetic Camera Horror Films, delivered at The Society for Cognitive Studies of the Moving Image in 2017. Finally, significant amounts of Chapter 3 and Chapter 5 will be featured in two chapters of an upcoming edited collection on found footage horror films with the working title [Rec] Terror: Essays on Found Footage Horror Films. i Abstract The main research question underpinning this study asks why and how the diegetic camera technique has become so popular to both contemporary horror filmmakers and audiences. In order to answer this question, this thesis adopts a mainly cognitive theoretical framework in order to address the mental schemata and processes that are elicited and triggered by these films. -
Film Calendar February 8 - April 4, 2019
FILM CALENDAR FEBRUARY 8 - APRIL 4, 2019 TRANSIT A Christian Petzold Film Opens March 15 Chicago’s Year-Round Film Festival 3733 N. Southport Avenue, Chicago www.musicboxtheatre.com 773.871.6607 CATVIDEOFEST RUBEN BRANDT, THE FILMS OF CHRISTIAN PETZOLD IDA LUPINO’S FEBRUARY COLLECTOR HARMONY KORINE MATINEE SERIES THE HITCH-HIKER 16, 17 & 19 OPENS MARCH 1 MARCH 15-21 WEEKENDS AT 11:30AM MARCH 4 AT 7PM Welcome TO THE MUSIC BOX THEATRE! FEATURE FILMS 4 COLD WAR NOW PLAYING 4 OSCAR-NOMINATED DOC SHORTS OPENS FEBRUARY 8 6 AMONG WOLVES FEBRUARY 8-14 6 NEVER LOOK AWAY OPENS FEBRUARY 15 8 AUDITION FEBRUARY 15 & 16 9 LORDS OF CHAOS OPENS FEBRUARY 22 9 RUBEN BRANDT, COLLECTOR OPENS MARCH 1 11 BIRDS OF PASSAGE OPENS MARCH 8 FILM SCHOOL DEDICATED 12 TRANSIT OPENS MARCH 15 The World’s Only 17 WOMAN AT WAR OPENS MARCH 22 TO COMEDY 18 COMMENTARY SERIES Comedy Theory. Storytelling. Filmmaking. Industry Leader Masterclasses. 24 CLASSIC MATINEES Come make history with us. RamisFilmSchool.com 26 CHICAGO FILM SOCIETY 28 SILENT CINEMA 30 MIDNIGHTS SPECIAL EVENTS 7 VALENTINE’S DAY: CASABLANCA FEBRUARY 10 VALENTINE’S DAY: THE PRINCESS BRIDE FEBRUARY 13 & 14 8 CAT VIDEO FEST FEBRUARY 16, 17 & 19 10 JEWISH FILM FESTIVAL MARCH 1-17 10 THE HITCH-HIKER MARCH 4 11 PARTS OF SPEECH: HARI KUNZRU MARCH 12 14 HARMONY KORINE FILM SERIES MARCH 15-21 17 DECONSTRUCTING THE BEATLES MARCH 30 & APRIL 3 Brian Andreotti, Director of Programming VOLUME 37 ISSUE 154 Ryan Oestreich, General Manager Copyright 2019 Southport Music Box Corp. -
Generational Filming a VIDEO DIARY AS EXPERIMENTAL and PARTICIPATORY RESEARCH
PEKKA KANTONEN Generational Filming A VIDEO DIARY AS EXPERIMENTAL AND PARTICIPATORY RESEARCH Generational Filming PEKKA KANTONEN Generational Filming A Video Diary as Experimental and Participatory Research © Pekka Kantonen 2017 Publisher: The Academy of Fine Arts at the University of the Arts Helsinki Graphic Design: Mika Aalto-Setälä English translation: Hannah Ouramo (Ch. 1, 2, 3, 8, 9, 11) and Perttu Järvenpää (Ch. 4, 5, 6, 10) Proof reading: Annette Arlander Image editing: Sakari Viika Cover picture: Pekka Kantonen Printing: Tallinna Raamatutrükikoja, Viro, 2017 ISBN 978-952-7131-31-2 (printed) ISBN 978-952-7131-30-5 (pdf) PEKKA KANTONEN Generational Filming A VIDEO DIARY AS EXPERIMENTAL AND PARTICIPATORY RESEARCH Acknowledgement The video diary, that my research is based on, was begun in 1990, while my family, together with the help of professional builders, friends and the security of a loan, was building a house in the village of Hermanonkimaa in Mäntsälä. Also, I was able to complete this research with the help of professionals, friends, a loan, and luckily some research grants. The main setting for the video material is mostly the aforementioned house. I am in gratitude to architect Timo Jeskanen for designing our home, Rauhala. The most important people during the first few years of shooting the diary were the three families who were simultaneously building houses in Her- manonkimaa. I am especially thankful to the neighbours’ children who are now all adults. The Haarlas, Ahos, Lukinmaas, and later, in the 2000s the Kutvonens and Heikkinens formed a community, which helped me under- stand that there are two types of friends: those who like to be filmed and those who find it awkward. -
NY Unofficial Archive V5.2 22062018 TW.Pdf
........................................................................................................................................................................................... THE UNOFFICIAL ARCHIVE: NEIL YOUNG’S “UNRELEASED” SONGS ©Robert Broadfoot 2018 • [email protected] Version 5.2 -YT: 22 June 2018 Page 1 of 98 CONTENTS CONTENTS ............................................................................................................................. 2 FOREWORD .......................................................................................................................... 3 A NOTE ON SOURCES ......................................................................................................... 5 KEY .......................................................................................................................................... 6 I. NEIL YOUNG SONGS NOT RELEASED ON OFFICIAL MEDIA PART ONE THE CANADIAN YEARS .............................................................................. 7 PART TWO THE AMERICAN YEARS ........................................................................... 16 PART THREE EARLY COVERS AND INFLUENCES ........................................................ 51 II. NEIL YOUNG PERFORMING ON THE RELEASED MEDIA AND AT CONCERT APPEARANCES, OF OTHER ARTISTS ..................................................... 63 III. UNRELEASED NEIL YOUNG ALBUM PROJECTS PART ONE DOCUMENTED ALBUM PROJECTS ....................................................... 83 PART TWO SPECULATION