The Jim Henson Exhibition: Imagination Unlimited
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Sesame Street Platinum All-Time Favorites
“Sesame Street: Platinum All-Time Favorites” (1995) Added to the National Registry: 2014 Essay by Kathryn A. Ostrofsky (guest post)* Joe Raposo Original album cover Jeff Moss “Sesame Street,” which premiered in 1969 and is still producing new episodes 50 years later, is one of the most recognizable and beloved programs in the history of television. Its meticulously- researched curriculum and its memorable puppet characters have long been acknowledged to have been important factors both in “Sesame Street’s” popularity and in its contributions to American culture, but its music has been just as critical. As a musical comedy-variety show, “Sesame Street” has broadcast thousands of songs and released over one hundred albums, along with scores of singles and book-and-audio sets. Catchy melodies attracted preschoolers’ attention, repetitious song structures served as teaching tools, and professional performances rendered the children’s program entertaining for adults who controlled the dial. Meanwhile, releasing albums extended “Sesame Street’s” lessons beyond the broadcast hour and helped fund continued production of the show. “Sesame Street” reached nearly every American preschooler for decades, cutting across lines of ethnicity, region, and social class. Thus, although “Sesame Street” is rarely mentioned in lists of popular music, it is probable that more Americans can sing “C is for Cookie” than know most of the chart-topping hits of bygone years. The “Platinum All-Time Favorites” album is a compilation of recordings from “Sesame Street’s” first 25 years, released in 1995 by Sony Wonder on cassette and CD. It represents “Sesame Street’s” prolific output of broadcasts and recordings, which served as a common cultural experience for generations of American audiences. -
Lamb Chop Award
Second Annu for Excellence in i n's I g Honoring the founders of Children's Television Workshop (now Sesame Workshop) and the creators of Sesame Street Joan Ganz Cooney, Lloyd Morrisett and Jim Henson KIDSNET Celebrates the life and legacy of Shari Lewis ]dcome to the 2nd Annual Lamb Chop Award Last year we inaugurated the KIDSNET Lamb Chop percentages of minority children 79-85% of classes are Award. It also marked our 15th year of providing linked to the Internet. Of course, this statistic illustrates programming information on children's media to parents another fact that Lloyd has identified (he actually coined and professionals in the U.S. and abroad. This award, the phrase "digital divide") that there is still more work to named for founding KIDSNET Board member Shari be done to bring technological equity to our nation's Lewis, who died in 1998, reflects her genius, creativity, schools. and intellect that embodied everything we could hope to Shortly after the Kennedy Center seminar in '84 we inspire and celebrate in children's electronic media. received our first grant from the Markle Foundation to Shari was in the vanguard of new technology. She seed the KIDSNET information service. Markle funds started with a sock puppet named Lamb Chop and over were also matched by the Ford Foundation, the the course of a 40 year career created material for Corporation for Public Broadcasting, and the Carnegie children in virtually all media, from books, audio, and Corporation. These were the same funders that in the videotapes to broadcast television, CD-ROM and the mid-1960's (with the U.S. -
View 202001.Pdf
ON THE SCREEN Premieres Wednesday, January 8 10.10 PM juga adik lelakinya. Di lain sisi, Dex Parios juga berjuang dari rasa traumatis yang ia dapat setelah bertugas sebagai marinir di Afghanistan. Saat itu Premieres, Tuesday ketika ia sedang bertugas sebagai intelijen militer, Dex Parios mengalami ledakan yang membuatnya January 21, 8 PM terluka, dan harus kehilangan orang yang ia cintai. Sementara ia meninggalkan pekerjaannya, ia Sebuah serial televisi Amerika yang pun memutuskan untuk bekerja serabutan demi bertemakan drama kriminal. Dibintangi menghidupi dirinya dan juga adiknya. Hingga oleh Cobie Smulders, Jake Johnson dan pada saatnya, Dex Parios bekerja sebagai Michael Ealy. penyelidik swasta dimana ia bertugas untuk menyelidiki masalah yang tidak bisa dicampuri Teks: Klement Galuh A oleh kepolisian. Dalam perjuangannya tersebut, ia pun mendapat dukungan dari seorang detektif ada serial ini bercerita tentang Dex Parios, bernama Miles Hoffman dan juga Gray McConnel seorang veteran militer cerdas, yang hidup yang mempekerjakan saudara lelaki Dex Parios di P dan berjuang untuk menghidupi dirinya dan bar miliknya. (LMN/MHG/LMN/FIO) 4 Acara “Sacred Sites”, kita diajak untuk mengunjungi tempat-tempat bersejarah yang masih menjadi rahasia dan misteri bagi umat manusia. Kita akan diajak untuk menemukan jawaban-jawaban tersebut melalui acara ini. Teks: Klement Galuh A pakah benar legenda raja Arthur nyata adanya? Pertanyaan tersebut akan dikupas menggunakan A terobosan ilmiah dan penelitian arkeologis untuk membawa kita kepada perspektif baru ke beberapa lokasi religi yang luar biasa, namun juga misterius. Dalam setiap episodenya, acara ini akan berfokus pada satu situs dan mengeksplorasi situs tersebut. Dimulai dari orang-orang yang membangunnya, hingga menjawab pertanyaan mendasar dari orang-orang yang melihat bangunan tersebut. -
Leveled Reading- -Resources- -Activities
BIO Sphere -Leveled Reading- ATI RE VE C -Resources- K R A A A A L L L L C C C -Activities- C D L R W O Editable Presentation hosted on Google Slides. Click to Download. Early Life Early Life Jim ● James Maury Henson was born on ● As a teenager, Henson wanted to work in Henson September 24, 1936, in Greenville, Mississippi. television. He was inspired by TV puppeteer Burr Tillstrom. While in high school, he began Visionary Entertainer ● When he was young, he was interested in working for WTOP-TV. the arts. ● He made puppets for a Saturday morning ● His grandmother was a painter and quilter. children’s show. She supported his creativity. As a child, Henson began putting on puppet shows. ● He was the first person to have the puppet performer working where they couldn’t be Photo of young seen by the camera. Photo of young Jim Henson Jim Henson Personality & Characteristics Life Story Life Story ● Henson was a creative person who loved ● Henson went to the University of Maryland. ● In 1963, Henson and his wife moved to many different art forms. New York City where they set up Muppets, ● While he was at school he worked on the Inc. ● As well as being a great puppeteer, he show Sam and Friends. The show became also loved drawing and writing about a big hit. ● His wife stopped working with him to raise fantasy worlds. their children. ● After college, he went to Europe to study ● Henson knew how to think outside of the puppetry for a few months. -
Consummate Coach Tim Murphy’S Formidable Game S:7”
Daniel Aaron • Max Beckmann’s Modernity • Sexual Assault November-December 2015 • $4.95 Consummate Coach Tim Murphy’s formidable game S:7” Invest In What Lasts How do you pass down what you’ve spent your life building up? A Morgan Stanley Financial Advisor can help you create a legacy plan based on the values you live by. So future generations can benefit from not just your money, but also your example. Let’s have that conversation. morganstanley.com/legacy S:9.25” © 2015 Morgan Stanley Smith Barney LLC. Member SIPC. CRC 1134840 04/15 151112_MorganStanley_Ivy.indd 1 9/21/15 1:59 PM NOVEMBER-DECEMBER 2015 VOLUME 118, NUMBER 2 FEATURES 35 Murphy Time | by Dick Friedman The recruiter, tactician, and educator who has become one of the best coaches in football 44 Making Modernity | by Joseph Koerner On the meanings and history of Max Beckmann’s iconic self-portrait p. 33 48 Vita: Joseph T. Walker | by Thomas W. Walker Brief life of a scientific sleuth: 1908-1952 50 Chronicler of Two Americas | by Christoph Irmscher An appreciation of Daniel Aaron, with excerpts from his new Commonplace Book JOHN HARVard’s JournAL 41.37. 41.37. R 17 Smith Campus Center under wraps, disturbing sexual-assault ULL IMAGE F findings, a law professor plumbs social problems, the campaign OR F NIVERSITY crosses $6 billion, cutting class for Christmas, lesser gains U and new directions for the endowment, fall themes and a SSOCIATION FUND, B A ARVARD H brain-drain of economists, Allston science complex, the Under- USEUM, RARY, RARY, B M graduate on newfangled reading, early-season football, and I L a three-point shooter recovers her stroke after surgery DETAIL, PLEASE 44 SEE PAGE EISINGER R OUGHTON H p. -
Bao TGVN So 28 2015
Töø 9/7 ñeán 15/7/2015 Q Phaùt haønh Thöù Naêm Q Soá 28 (1110) Q Giaù: 4.800ñ www.tgvn.com.vn TRONG SOÁ NAØY Hai keû thuø cuõ vaø söï khôûi ñaàu môùi Daáu moác 20 naêm bình thöôøng hoùa quan heä Vieät Nam - Hoa Kyø (1995-2015) chính laø dòp ñeå nhìn VIEÄT NAM - HOA KYØ laïi vaø nhôù ñeán nhöõng kieán truùc sö chính cuûa chaëng ñöôøng bình thöôøng hoùa quan heä giöõa hai nöôùc. Vaø toâi nhôù tôùi Phoù Thuû töôùng, Boä tröôûng Ngoaïi giao Nguyeãn Cô Thaïch vaø laõnh ñaïo cuõ cuûa toâi, Ñaïi söù William Sullivan. Trang 13 Veõ chaân dung tìm söï thaät Nöôùc Myõ seõ khoâng bao giôø hieåu veà moái quan heä giöõa hai nöôùc neáu khoâng hieåu roõ veà Hoà Chí Minh. Trang 20 30 ngaøy ñöùc haïnh vaø hoøa giaûi Muøa heø 2015 "noùng boûng" khoâng ngaên caûn khoaûng 1,6 tyû tín ñoà Hoài giaùo khaép theá giôùi böôùc vaøo thaùng leã Ramadan (töø 18/6-17/7) vôùi ñöùc tin tuyeät ñoái, coøn caùc nhaø laõnh ñaïo quoác teá thì tranh thuû göûi thoâng ñieäp hoøa giaûi chính trò. Trang 9 Nhöõng ñaïi söù hoaït hình 40 NAÊM SAU CHIEÁN TRANH VIEÄT NAM VAØ 20 NAÊM SAU KHI THIEÁT LAÄP QUAN HEÄ NGOAÏI GIAO, QUAN HEÄ VIEÄT NAM VAØ HOA KYØ VÖÕNG BÖÔÙC TIEÁN VAØO GIAI ÑOAÏN PHAÙT TRIEÅN MÔÙI. MOÄT TRONG NHÖÕNG SÖÏ KIEÄN LÒCH SÖÛ LAØ CHUYEÁN THAÊM Treû em Afghanistan khi lôùn leân seõ coù kyù öùc ñeïp CHÍNH THÖÙC HOA KYØ CUÛA NGÖÔØI ÑÖÙNG ÑAÀU ÑAÛNG COÄNG SAÛN VIEÄT NAM, vaø mang theo nhöõng baøi hoïc trong loaït phim hoaït TOÅNG BÍ THÖ NGUYEÃN PHUÙ TROÏNG TÖØ NGAØY 6-110/7. -
Mrts 4450/5660.001: It's Not Tv, It's Hbo!
MRTS 4450/5660.001: IT’S NOT TV, IT’S HBO! University of North Texas Fall 2020 Professor: Jennifer Porst Email: [email protected] Class: T 2:30-5:20P Office Hours: By appointment Course Description: Since its debut in the early 1970s, HBO has been a powerhouse in American television and film. They regularly dominate the nominations for Emmy and Golden Globe awards, and their success has profoundly affected the television and film industries and the content they produce. Through an examination of the birth and development of HBO, we will see what a closer analysis of the channel can tell us about television, Hollywood, and American culture over the last four decades. We will also look to the future to see what HBO might become in the increasingly global and digital television landscape. Student Learning Goals: This course will provide students with an opportunity to: • Understand the industrial conditions that led to the birth and success of HBO • Gain insight into the contemporary challenges and opportunities faced by the media industries • Develop critical thinking skills through focused analysis of readings and HBO content • Communicate clearly and confidently in class discussion and presentations Required Texts: 1. Edgerton, Gary R. and Jeffrey P. Jones, Eds. The Essential HBO Reader. Lexington, KY: The University Press of Kentucky, 2008. Available as an e-book via the UNT Library website. 2. Subscription to HBO Go/Now 3. Additional required readings and screenings will be available for free through the class website. 4. Students will need to register for use of the Packback Questions site, which should cost between $10- 15 for the semester. -
Sesame Street"
International Central Institute for Youth- and Educational Televizion, IZI Special english Issue No. 16/2003/1: "Childrens's Fantasies and Television" Jan-Uwe Rogge Fantasy, emotion and cognition in Germany's "Sesame Street" Notes on the framework stories Children have a magical-fantastical interpretation of reality. They like simple, clear stories featuring fairy-tale elements that they can occupy with their imagination. A reception study on Sesamstrasse in Germany discovered this particularly in the case of the Muppet stories and the character Pepe. In several film inserts the kids felt they had not been taken seriously, however. 1. Max meets Ernie and Bert Max, four and a half, comes to the counselling session with his mother. She seems rather annoyed. Max is excellent at causing his parents chaos at home. Mother (annoyed): "The worst thing is that he says it is not him who makes a mess but Ernie and Bert, who have come to visit him." She looks at me: "Just imagine, Ernie and Bert! He's crazy!" Max: "Not Ernie and Bert, only Ernie, Mum, only Ernie!" Mother: "Stop it!" I intervene and ask Max: "What happens then?" Max (smiling): "They come, pull everything out of the boxes and then disappear without tidying up!" Mother: "Max, please! Stop this nonsense!" Max: "But you say that the one who makes a mess has to tidy up! Only Ernie doesn't bother! He just clears off!" Mother in a shrill voice: "Max! Stop telling stories!" I turn to Max and ask him: "Does that make you angry?" Max nods. "Does that annoy you?" I dig deeper: "Why don't you say anything?" He looks at me, confused. -
Muppet War of the Worlds
Parody Only DISNEY'S THE MUPPET'S JEFF WAYNE'S WAR OF THE WORLDS Written by Ceinwen Langley With words straight up lifted from Jeff Wayne DISCLAIMER: The writer does not own any of the licensed characters featured in this script, and would very much like not to be sued. EXT. SPACE - NIGHT Stars glint at us from a magnificent expanse of space. A large RED STAR pulses, beautiful and ominous. GONZO (V.O.) ParodyNo one would have b eliOnlyeved in the last years of the nineteenth century that human affairs were being watched by intelligences that inhabited the timeless worlds of space. We pan across the universe to another STAR. It twinkles merrily, tinged a hopeful blue. GONZO (V.O.) No one could have dreamed we were being scrutinized as someone with a microscope studies creatures that swarm and multiply in a drop of water. Few men even considered the possibility of life on other planets. And yet, across the gulf of space, minds immeasurably superior to ours regarded this Earth with envious eyes. And slowly, and surely, they drew their plans against us. Music: The Eve of the War begins with a bang, iconic strings hitting us like a punch to the gut. The stars glitter in time with the beat. TITLE CARD: DISNEY’S THE MUPPETS’ JEFF WAYNE’S WAR OF THE WORLDS We race across the gulf of space towards the BLUE STAR as the opening credits roll. The BLUE STAR loses its glow, revealing itself to be the most precious jewel in the galaxy: EARTH. -
Puppetry Beyond Entertainment, How Puppets Are Used Politically to Aid Society
PUPPETRY BEYOND ENTERTAINMENT, HOW PUPPETS ARE USED POLITICALLY TO AID SOCIETY By Emily Soord This research project is submitted to the Royal Welsh College of Music & Drama, Cardiff, in partial fulfilment of the requirements for the Degree of Bachelor of Arts in Theatre Design April 2008 i Declaration I declare that this Research Project is the result of my own efforts. The various sources to which I am indebted are clearly indicated in the references in the text or in the bibliography. I further declare that this work has never been accepted in the substance of any degree, and is not being concurrently submitted in candidature for any other degree. Name: (Candidate) Name: (Supervisor) ii Acknowledgements Many people have helped and inspired me in writing this dissertation and I would like to acknowledge them. My thanks‟ to Tina Reeves, who suggested „puppetry‟ as a subject to research. Writing this dissertation has opened my eyes to an extraordinary medium and through researching the subject I have met some extraordinary people. I am grateful to everyone who has taken the time to fill out a survey or questionnaire, your feedback has been invaluable. My thanks‟ to Jill Salen, for her continual support, inspiration, reassurance and words of advice. My gratitude to friends and family for reading and re-reading my work, for keeping me company seeing numerous shows, for sharing their experiences of puppetry and for such interesting discussions on the subject. Also a big thank you to my dad and my brother, they are both technological experts! iii Abstract Puppets are extraordinary. -
Translating Expertise Across Work Contexts: U.S. Puppeteers Move
ASRXXX10.1177/0003122420987199American Sociological ReviewAnteby and Holm 987199research-article2021 American Sociological Review 2021, Vol. 86(2) 310 –340 Translating Expertise across © American Sociological Association 2021 https://doi.org/10.1177/0003122420987199DOI: 10.1177/0003122420987199 Work Contexts: U.S. Puppeteers journals.sagepub.com/home/asr Move from Stage to Screen Michel Antebya and Audrey L. Holma Abstract Expertise is a key currency in today’s knowledge economy. Yet as experts increasingly move across work contexts, how expertise translates across contexts is less well understood. Here, we examine how a shift in context—which reorders the relative attention experts pay to distinct types of audiences—redefines what it means to be an expert. Our study’s setting is an established expertise in the creative industry: puppet manipulation. Through an examination of U.S. puppeteers’ move from stage to screen (i.e., film and television), we show that, although the two settings call on mostly similar techniques, puppeteers on stage ground their claims to expertise in a dialogue with spectators and view expertise as achieving believability; by contrast, puppeteers on screen invoke the need to deliver on cue when dealing with producers, directors, and co-workers and view expertise as achieving task mastery. When moving between stage and screen, puppeteers therefore prioritize the needs of certain audiences over others’ and gradually reshape their own views of expertise. Our findings embed the nature of expertise in experts’ ordering of types of audiences to attend to and provide insights for explaining how expertise can shift and become co-opted by workplaces. Keywords expertise, audiences, puppetry, film and television Expertise has become a fundamental currency of cases (Abbott 1988:8).