Rig Veda 10.129 Hymn of Creation Part 1
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Nasadiya Sukta
j¢¢v¢Q®p¢v¢≠}“o¢¿ &With kr'SHNA yajurvEda swarams' www.geocities.com/udakashanti Last updated on: Friday, November 14, 2003 j¢¢v¢Q®p¢v¢≠≠}“o¢¿¿ &j¢¢v¢Q¢v¢®p¢v¢≠}“o¢¿' j¢¢Õv¢Q¢Ãv¢®ç¢¢æ v¢ÕQ¢v¢®ÃÉ¢Q¢Œj¢®o¢¿y j¢¢Ãv¢®Q≈Ãc¢¢æ j¢¢æ Õsp¢¢æo¢¢ Ãk¢S¢æ p¢g¢¿y •K“o¢¢Õs¢S®Ãs¢° K™“ÃU—K“Ãvp¢ t¢o¢»Õ碿y ? †Ãn¢° •K“Õo¢¢Ãv¢®ÖÕU—j¢† _¢Ãn¢®So¢¿y j¢Ão¢∞gp¢™ÃSo¢∞Ãg¢† g¢S¿Ã•Uj¢y S¢Õ•Ç¢Ãp¢¢ ? Õî— ? ¢v¢®gk¢ƒÃKæ“g¢°y ? ¢Õj¢®QÃs¢¢g¢__¢¿ Ãvs¢i¢Ãp¢¢ g¢QæK“Œo¢¿y g¢Œvo¢¢Ãà ¢jp¢† j¢ Ãk¢S° •K“† Ãa¢ j¢¢Õv¢y g¢Õo¢ ? ¢Ãv¢®É¢Õo¢v¢¢ Ã_¢≠P—o¢Œ_¢ƒæ k¢ƒÃKæ“g¢o¢¿y Ãv¢Ã¶q¢q¢_¢¿† v¢Õs¢»o¢¢ ÃAQo¢¿y Ãg¢™aLæ—Ãj¢¢ns¢Õ•k¢•U—Ãg¢† p¢Q¢Œv¢®g¢¿y g¢Õo¢Ãv¢vg¢Õjo¢Ã•U—j¢¢ Õc¢¢Ãp¢g¢øK“Œo¢¿y K“¢Ão¢vg¢QÃ_¢ƒæ v¢Õo¢s¢Ãg¢»g¢¢Õ¶i¢y o¢Õj¢Ãv¢¢æ SæÕg¢° k¢ƒÃh¢o¢† p¢Q¢Œv¢®g¢¿y Ãv¢g¢¢æ m¢†Ãi¢™o¢Õv¢Ã•g¢ •j¢ÕS•s¢†Q碿y ÃU±—•Q Ãk¢ƒg¢®Õup¢¢ ÃK“s¢Õp¢¢æ o¢Ãj¢®u¢¢y Õg¢ÃSꢮÃj¢¢æ •s¢Õg¢g¢¢æ ÃSßto¢ÕSæu¢¢o¢¿y Ã? i¢Õßvs¢ÃQ¢v¢® 1 ÃQ´k¢Õ§Sßvs¢Q¢v¢® 1 g¢¿y ÃSæÃg¢¢æi¢¢ Õ? ¢v¢jo¢Ã•U—o¢¢Õj¢ ? ¢v¢ç¢¿y Ãvs¢i¢¢ Ã? s¢Ãvg¢¢gk¢ƒÕp¢•g¢° Ãk¢SŒvg¢¢g¢¿y K“¢æ Ã? à ¢ Õs¢æÃQ K“ ÃAU— k¢ƒÕs¢¢æa¢g¢¿y K™“Ãg¢ ? ¢Õc¢¢Ãg¢¢ K™“Õg¢ ÃAp¢† •s¢Õv¢∞•ë°y Ã? s¢¢»Ã_Qæs¢¢ Ã? vp¢ Õs¢v¢Õc¢»j¢¢p¢y ? Ãh¢¢ K“¢æ Õs¢æÃQ p¢Õg¢ ? ¢Ãm¢n¢≠Õs¢y ÃAp¢† •s¢Õv¢∞Õëp¢»Õg¢ ? ¢Ãm¢n¢≠Õs¢y p¢Õ•Q s¢¢ ÃQi¢æ p¢Õ•Q Ãs¢¢ j¢y p¢¢æ Ã? vp¢¢Õip¢Xu¢° k¢ÃSo¢æ sÕp¢¢æo¢ç¢¿y v¢¢æ Ã? †_¢ Õs¢æÃQ p¢Õ•Q Ãs¢¢ j¢ s¢æÕQyy nAsadeeya sUktam translation R’g vEda 10.129 (also a part of the yajurvEda and the udakashAnti) At first was neither Being nor Nonbeing. -
OLD FLORIDA BOOK SHOP, INC. Rare Books, Antique Maps and Vintage Magazines Since 1978
William Chrisant & Sons' OLD FLORIDA BOOK SHOP, INC. Rare books, antique maps and vintage magazines since 1978. FABA, ABAA & ILAB Facebook | Twitter | Instagram oldfloridabookshop.com Catalogue of Sanskrit & related studies, primarily from the estate of Columbia & U. Pennsylvania Professor Royal W. Weiler. Please direct inquiries to [email protected] We accept major credit cards, checks and wire transfers*. Institutions billed upon request. We ship and insure all items through USPS Priority Mail. Postage varies by weight with a $10 threshold. William Chrisant & Sons' Old Florida Book Shop, Inc. Bank of America domestic wire routing number: 026 009 593 to account: 8981 0117 0656 International (SWIFT): BofAUS3N to account 8981 0117 0656 1. Travels from India to England Comprehending a Visit to the Burman Empire and Journey through Persia, Asia Minor, European Turkey, &c. James Edward Alexander. London: Parbury, Allen, and Co., 1827. 1st Edition. xv, [2], 301 pp. Wide margins; 2 maps; 14 lithographic plates 5 of which are hand-colored. Late nineteenth century rebacking in matching mauve morocco with wide cloth to gutters & gouge to front cover. Marbled edges and endpapers. A handsome copy in a sturdy binding. Bound without half title & errata. 4to (8.75 x 10.8 inches). 3168. $1,650.00 2. L'Inde. Maurice Percheron et M.-R. Percheron Teston. Paris: Fernand Nathan, 1947. 160 pp. Half red morocco over grey marbled paper. Gilt particulars to spine; gilt decorations and pronounced raised bands to spine. Decorative endpapers. Two stamps to rear pastedown, otherwise, a nice clean copy without further markings. 8vo. 3717. $60.00 3. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Masterpieces Transcript
Masterpieces Audio Descriptions The Buddha triumphing over Mara, 900-1000 The Hindu deity Shiva, approx. 1300-1500 Cup with calligraphic inscriptions, 1440-1460 The Hindu deity Vishnu, 940-965 Crowned and bejeweled buddha image and throne, approx. 1860-1880 The Buddhist deity Simhavaktra, a dakini, 1736-1795 Ritual vessel in the shape of a rhinoceros, approx. 1100-1050 Buddha dated 338 The Bodhisattva Avalokiteshvara (Guanyin), 1100-1200 Lidded jar with design of a lotus pond, 1368-1644 Ewer with lotus-shaped lid, 1050-1150 Moon jar, 1650-1750 Standing Brahma (Bonten) and standing Indra (Taishakuten), 730-750 The Buddha triumphing over Mara, 900-1000 NARRATOR: The Buddha triumphing over Mara, created about 900 to 1000. Our audio begins with an overview, followed by an audio description. NARRATOR: This 10th Century stone sculpture features an image of the Buddha rendered in exquisite detail. The array of heart-shaped leaves and branches at the top of the object represent the Bodhi Tree, under which the Buddha-to-be sits in meditation on the threshold of enlightenment. The sculptor imbued this Buddha-image with both humanity—using details like the softly rounded belly—and spirituality. There are many signs pointing to the Buddha-to-be’s special qualities. Curator Forrest McGill. FORREST MCGILL: He has a lump on the top of his head and that symbolizes his extra insight. And then on the palms of his hands and the soles of his feet, he has special symbols and both are marks of a special kind of a being who’s more advanced, more powerful, than a regular human being. -
Srimad Bhagavad-Gita, the Hidden Treasure Of
A 02 Invocation 7/6/06 3:37 AM Page 1 < a6 h·[evtgh < É ne6eTu Moybmo3ye ƒ 5jrye feteugkf >uƒ Ruesfk jøo6yeƒ npteghoffep h£uk hxe5etyk , aÒXyeh'yrÅqg˘ 5jrylh=ed\e£ueoufl- hHb Yrehfsp ƒd3eoh 5jrÍlyk 5rÒkoqglh <!< fhmESypy k Ruesor\e[bp∂k _π“etorFdeuynÁfkÁ , ukf Yrue 5etyyX[ng; TA MIreo[ym ©efhuA MdlnA <@< Mn´neotieyeu ymÁrkÁXwneguk , ©efhp¬eu w"Qgeu jlyeh'ydpxk fhA <#< sre‰nofqdm jerm dmJ3e jmne[fFdfA , ne6e ‰ rÑsA sp3l5e‰∑e dpJ3ƒ jlyeh'yƒ hxy <$< rspdkrspyƒ dkrƒ wÏsveg;t-hdTfh , dkrwlnthefFdƒ w"Qgƒ rFdk ij͇/h <%< 5lQh¬mgy1e iu¬6i[e jeF3etfl[mYn[e \{ujøexryl w"nkg rxfl wg‰f r[ewk π[e , aÆÑ6ehorwgT-7mthwte dpue‰3ferÅyfl sm¥lgeT 2ù neG`rX tgfdl w≈ryTwA wK\rA <^< nete\uTrvA stmihh[ƒ jlye6TjF3mÑw1ƒ fefe™uefwwKstƒ xotw6esƒbm3febmo3yh , [mwK sˆfq1nd˜ XtxtxA nknluhef ƒ hpde 5;ueÔetyn•iƒ wo[h[M£rƒos fA «ekus k <&< uƒ bø≤e r/gkF¬/¬h/ySypFroFy odRuXA SyrX- r‰§dXA se·nd±hmnofqdXjeTuoFy uƒ sehjeA , £ueferoS6yyÍyfk hfse n|uoFy uƒ umojfm uSueFyƒ f ordAp sptesptjge dreuk ySh X fhA <*< feteugƒ fhSw"Ñu ftƒ vXr ftm¥hh , dkr˘ st>y˘ Ruesƒ yym iuhpdltuyk <(< [1] A 02 Invocation 7/6/06 3:37 AM Page 2 Ma&galåchara@am o^ pårthåya pratibodhitå^ bhagavatå nåråya@ena svaya^ vyåsena grathitå^ purå@a-muninå madhye mahå-bhårate advaitåm~ta-var!i@(^ bhagavat(m a!$ådaßådhyåyi@(m amba tvåm anusandadhåmi bhagavad-g(te bhavad-ve!i@(m [1] namo ’stu te vyåsa-vißåla-buddhe phullåravindåyata-patra-netra yena tvayå bhårata-taila-p)r@a% prajvålito jåna-maya% prad(pa% [2] prapanna-pårijåtåya, totra-vetraika-på@aye jåna-mudråya k~!@åya, g(tåm~ta-duhe nama% [3] sarvopani!ado gåvo, -
A Surplus of Meaning: the Intent of Irregularity in Vedic Poetry
A surplus of meaning : the intent of irregularity in Vedic poetry Knobl, W.F. Citation Knobl, W. F. (2009, September 30). A surplus of meaning : the intent of irregularity in Vedic poetry. Retrieved from https://hdl.handle.net/1887/14036 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/14036 Note: To cite this publication please use the final published version (if applicable). 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 :HUQHU.QREO 0,1'5($',1*7+(32(7 &$6(62),17(1'(' 0(75,&$/,55(*8/$5,7< ,19(',&32(75<* L’espace entre les arbres est l’arbre le plus beau Between the scholar and the poet, there is something like a pre-established harmony. As the former has a predilection for laws and rules, so the latter appears to dislike what is unruly and lawless. Having undergone a similarly severe training in discipline, the two of them seem to be made for each other. The scholar, used to formulating order, may sometimes try to find it where it cannot be found. He may be tempted to cry eureka even when he is all at sea. The poet, too, is used to formulating, but to formulating a different kind of truth. He too is all at sea, but he knows it. And knowingly he tries to establish an instant of order in the middle of that incorrigibly creative chaos which is the source of his inspiration. -
The Parinirvana Cycle and the Theory of Multivalence: a Study Of
THE PARINIRVĀṆA CYCLE AND THE THEORY OF MULTIVALENCE: A STUDY OF GANDHĀRAN BUDDHIST NARRATIVE RELIEFS A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI’I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2017 By Emily Hebert Thesis Committee: Paul Lavy, Chairperson Kate Lingley Jesse Knutson TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... ii INTRODUCTION ......................................................................................................................... 1 CHAPTER 1. BUDDHISM IN GREATER GANDHĀRA ........................................................... 9 Geography of Buddhism in Greater Gandhāra ....................................................................... 10 Buddhist Textual Traditions in Greater Gandhāra .................................................................. 12 Historical Periods of Buddhism in Greater Gandhāra ........................................................... 19 CHAPTER 2. GANDHĀRAN STŪPAS AND NARRATIVE ART ............................................. 28 Gandhāran Stūpas and Narrative Art: Architectural Context ................................................. 35 CHAPTER 3. THE PARINIRVĀṆA CYLCE OF NARRATIVE RELIEFS ................................ 39 CHAPTER 4 .THE THEORY OF MULTIVALENCE AND THE PARINIRVĀṆA CYCLE ...... 44 CHAPTER 5. NARRATIVE RELIEF PANELS FROM THE PARINIRVĀṆA CYCLE ............ 58 Episode -
Durga Kills the Buffalo Demon the God Brahma Granted a Boon To
Marsha K. Russell Introduction to Indian Art St. Andrew’s Episcopal School, Austin, TX Durga Kills the Buffalo Demon The god Brahma granted a boon to Mahishasura, the buffalo demon, that no male could kill him. Thinking he was invincible, Mahisha led his demon army in a great battle with the gods and defeated them. Indra and the other gods ran to Brahma, Shiva, and Vishnu and told them about the tumultuous battle and their defeat by the demons. From the anger of the gods a great energy emerged and took shape as the beautiful Goddess, Durga. All the gods gave her their weapons; the mountain god gave her a lion for her vehicle. Durga is therefore more powerful than all the gods together. The gods reminded her that they are male and cannot defeat the terrible Mahisha, and asked her to conquer the buffalo demon. She agreed, and the gods shout and cheer in anticipation of victory. Mahisha heard the clamoring of the gods and sent his troops to investigate. They returned to tell the king of the demons about the magnificently beautiful and alluring Goddess they saw riding a lion. Enticed by their description, Mahisha asked Durga to marry him, but she refused him. The angry Mahisha then sent his troops to battle Durga’s army. The Goddess’s army defeated the demon troops, so Mahisha and Durga were left alone on the battlefield. Mahisha ran to kill the Goddess’s lion. Enraged, Durga threw her noose over the demon, but Mahisha had the ability to change his shape at will. -
RV 1.43 Rudra
1 RV 1.43 ṛṣi: kaṇva ghaura; devatā: rudra, 3 rudra, mitrāvaruṇā, 7-9 soma; chanda: gāyatrī, 9 anuṣṭup kd! é/Ôay/ àce?tse mI/¦!÷ò?may/ tVy?se , vae/cem/ z<t?m< ù/de . 1 -043 -01 ywa? nae/ Aid?it>/ kr/t! pñe/ n&_yae/ ywa/ gve? , ywa? tae/kay? é/iÔy?m! . 1 -043 -02 ywa? nae im/Çae vé?[ae/ ywa? é/Ôz! icke?tit , ywa/ ivñe? s/jae;?s> . 1 -043 -03 ga/wp?itm! me/xp?it< é/Ô< jla?;-e;jm! , tc! D</yae> su/çm! $?mhe . 1 -043 -04 y> zu/³ #?v/ sUyaˆR/ ihr?{ym! #v/ raec?te , ïeóae? de/vana</ vsu>? . 1 -043 -05 z< n>? kr/Ty! AvR?te su/gm! me/;ay? me/:ye , n&_yae/ nair?_yae/ gve? . 1 -043 -06 A/Sme sae?m/ iïy/m! Aix/ in xe?ih z/tSy? n&/[am! , mih/ ïv?s! tuivn&/M[m! . 1 -043 -07 ma n>? saempir/baxae/ mara?tyae ju÷rNt , Aa n? #Ndae/ vaje? -j . 1 -043 -08 yas! te? à/ja A/m&t?Sy/ pr?iSm/n! xam?Ú! \/tSy? , mU/xaR na-a? saem ven Aa/-U;?NtI> saem ved> . 1 -043 -09 2 Analysis of the RV 1.43 kd! é/Ôay/ àce?tse mI/¦!÷ò?may/ tVy?se , vae/cem/ z<t?m< ù/de . 1 -043 -01 kád rudrāya prácetase mīḷhúṣṭamāya távyase vocéma śáṃtamaṃ hṛdé 1.043.01 1 WHAT shall we sing to Rudra, strong, most bounteous, excellently wise, That shall be dearest to his heart? Interpretation: “What shall we speak to Rudra, kad vocema, whose consciousness is turned forward, pracetase, who is the most bountiful, mīḻhuṣṭamāya, most powerful, tavyase ? What will be the most wholesome for his heart, śaṃtamaṃ hṛde ?” What shall we speak (express in ourselves) for Rudra(’s sake and his manifestation here), for the Heart to have the deepest Peace in us! His consciousness is always moving forward, he is the Lord of all the Heavenly Waters, mīḻhuṣṭama, the Strongest among all, tavīyaḥ! Since Rudra is the power ascending to the highest Domains of Consciousness, what Word one must find to express Him here? It must be expressed in such a way that it bring the deepest satisfaction in the Heart. -
ORIGIN of the UNIVERSE – on Nasadiya Suktam
ORIGIN OF THE UNIVERSE - Rayalu Vishwanadha In the tenth book (Mandalam) of Rig Veda, 129th Hymn (Suktam) deals with the origin of the universe and creation. Original text and my translation are given below: Nasadiya Suktam नास॑दासी॒न्नो सदा॑सीत्त॒दानी॒म नासी॒द्रजो्॒ नो व्यो॑मा ऩ॒रो यत।् किमाव॑रीव॒ िुह॒ िस्य॒ शम॒न्नम भं ॒ किमा॑सी॒द्गह॑नं गभी॒रम॥् १॥ nāsa̍dāsī̱nno sadā̍sītta̱dānī̱m nāsī̱drajo̱ no vyo̍ mā pa̱ro yat | kimāva̍rīvaḥ̱ kuha̱ kasya̱ śarma̱nnaṁbha̱ḥ kimā̍sī̱dgahana̍ ṁ gabhī̱ram ||1|| न म॒त्यृ रु ा॑सीद॒मतृ ॒ ं न तकह॒ ि न रात्र्या॒ अह्न॑ आसीत्प्रिे॒तः। आनी॑दवा॒तं स्व॒धया॒ तदिे ं॒ तस्मा॑द्धा॒न्यन्न ऩ॒रः किञ्च॒नास॑॥२॥ na mṛtyuṟ ā̍sīda̱mṛta̱ṁ na tarhi̱ na rātryā̱ ahna̍ āasītpraketa̱ ḥ | ānī̍davā̱taṁ sva̱dhayā̱ tadekaṁ̱ tasmā̍ddhā̱nyanna pa̱ raḥ kiñca̱nāsa̍ ||2|| तम॑ आसी॒त्तम॑सा ग॒ळ्हू मग्रऽे॑ प्रिे॒त ं स॑कऱ॒ऱं सवम॑ ा इद॒ ।ं त॒च्छ्यु ने ा॒भ्वकऩ॑कहत॒ ं यदासी॒त्तऩ॑स॒स्तन्म॑कह॒ना जा॑य॒तिै ं॑॥ ३॥ tama̍ āasī̱ttama̍sā gū̱ḻhamagre̍'praketa̱ ṁ sa̍li̱laṁ sarva̍mā i̱daṁ | tu̱cchyenā̱bhvapi̍hitaṁ̱ yadāsī̱ttapa̍sa̱stanma̍hi̱nā jā̍ya̱taikaṁ̍ || 3 || िाम॒स्तदग्र॒ े सम॑वत॒तम ाकध॒ मन॑सो॒ रते ॑ प्रथ॒म ं यदासीत॑ ।् स॒तो बन्ध॒मु स॑कत॒ कनर॑कवन्दन ् ॒कद प्र॒तीष्या॑ ि॒वयो॑ मनी॒षा॥४॥ kāma̱stadagre̱ sama̍vartaṯ ādhi̱ mana̍so̱ reta̍ḥ prathama̱ ṁ yadāsī̍t | sa̱to bandhu̱ masa̍ti̱ nira̍vindan hṛ̱di pra̱ tīṣyā̍ ka̱vayo ̍ manī̱ṣā ||4|| कत॒रश्च॒ ीनो ॒ कवत॑तो रक॒ ममरषे॑ ाम॒धः कस्व॑दा॒सी ३ 饁ऩ॒ कर॑ कस्वदासी ३ त।् रते॒ ो॒धा आ॑सन्मकह॒मान ॑ आसन्त्स्व॒धा आ॒वस्ता॒त्प्रय॑कतः ऩ॒रस्ता॑त॥् ५॥ ti̱raś̱ cīno̱ vitat̍ o ra̱ śmire̍ṣāma̱dhaḥ svi̍dā̱sī 3 du̱pari̍ svidāsī 3 t | re̱todẖ -
Mythologies of the Indian Goddess in Sex
Vol-6 Issue-5 2020 IJARIIE-ISSN(O)-2395-4396 Matrix—Copulating and Childless: Mythologies of the Indian Goddess in Sex Suwanee Goswami* and Dr. Eric Soreng** *Research Scholar Department of Psychology University of Delhi Delhi **Assistant Professor Department of Psychology University of Delhi Delhi ABSTRACT The paper on Matrix is a Jungian oriented mythological research on the Indian Goddess. ‘Goddess in sex’ means that She is fertile and in copulation but Her womb—Matrix—never bears fruits. Her copulation does not consummate in conception because the gods prevent it. She is married and as wife copulates to conceive, but only becomes Kumari-Mata, the Virgin Mother, in Her various manifestations and beget offspring parthenogenetically. She embodies not only maternal love but also encompass intense sexual passion as well as profound spiritual devotion; Her fertility fructifying into ascetical and spiritual wisdom. Such is the mythological series of Goddess Parvati. Her mythologies are recollected and rearranged to form a structural whole for reflection and interpretation wherever possible. The paper consummates with the mythic images of the primacy of the Sacred Feminine in India. Key Words: Matrix, Goddess Parvati, Goddess Kali Carl Jung (1981) defines the Matrix as “the form into which all experience is poured”. He conceptualized the Collective Unconscious as the mother, the source of psychic life and all the manifestations of the psyche. In the lifespan development overcoming the impediments in the world outside that obstructs man’s ascent liberates him from the mother and that leaves in him an eternal thirst which makes him return back to drink renewal from the source of psychic energy and life. -
In Search of Our Origins
Cosmology In search of our Origins - Universe 380.000 yrs after Big Bang Cosmic Origins - 13.8 Gyrs ago (13.798±0.037 Gyrs) - Temperature T = 2.72548±0.00057 K - temperature/density fluctuations (DT/T<10-5) Planck Baby Photo of our Universe Age of Precision Cosmology Over the past century - in particular the last 2 decades - we have established an amazingly accurate view of the Universe in which we live: • It was formed in the Hot Big Bang: T0 = 13.798±0.037 Gigayears ago • Space (!!!) is expanding ever since: H0 = 67.74±0.46 km/s/Mpc expansion acceleraring since: 6.7 ± 0.4 Gigayears ago -29 3 • It has an average energy density of: r0 = 0.862 ä 10 g/cm • The outer edge/Horizon of the visible Universe: dH ~ 41 Giga lightyears within Horizon: # galaxies ~ 100ä109 # stars ~ 200ä1018 • On every atom (proton/neutron): h~1.9 ä 109 photons • Space is almost perfectly flat: Wk ~ 0.000 ± 0.005 • Cosmic composition: Baryons (protons/neutrons) ~ 4.9% Dark Matter ~ 26.8% Dark Energy ~ 68.3% Cosmology, Science of the Universe Cosmology: Science of the Universe • Van Dale (astronomical) science or theory of the universe as an ordered unity; study of the structure and evolution of the universe. • Broadest Sense: human enterprise joining science, philosophy, theology and the arts to seek to gain understanding of what unifies and is fundamental to our world. • Scientific: Study of large and small structures of the Universe Essential & Existential Questions Occupying Humanity since Dawn of Civilization •Where does the World come from ? • What is the World