Jack Leonard Ralston Papers, (K0424)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Missouri Historical Revi Ew
MISSOURI HISTORICAL REVI EW, CONTENTS The Missourian Walter B. Stevens A Century of Missouri M lisle Ernst C. Krohn How Clay County Celebrated Her Centennial Mrs. Ethel Massie Withers The Five Oldest Family Newspapers in Missouri Grace L. Gilmore Shelby's Expedition to Mexico John N. Edwards Pioneer Life in Southwest Missouri Wiley Britton. Historical Notes and Comments Historical Articles in Missouri Newspapers STATE HISTORICAL SOCIETY ^MISSOURI JANUARY, 1923 THE MISSOURI HISTORICAL REVIEW Vol. XVII January, 1923 No. 2 CONTENTS The Missourian 117 WALTER B. STEVENS A Century of Missouri Music 130 ERNST C. KROHN How Clay County Celebrated Her Centennial 159 MRS. ETHEL MASSIE WITHERS The Five Oldest Family Newspapers in Missouri 16? GRACE L. GILMORE Shelby's Expedition to Mexico 187 JOHN N. EDWARDS Pioneer Life in Southwest Missouri 198 WILEY BRITTON Historical Notes and Comments 212 Historical Articles in Missouri Newspapers 239 r^§^> FLOYD C. SHOEMAKER, Editor The Missouri Historical Review is published quarterly. The sub scription price is $1.00 a year. A complete set of the REVIEW is still obtainable—Vols. 1-16, bound, $65.00; unbound. $32.00. Prices of separate volumes given on request. All communications should be addressed to Floyd C. Shoemaker, Secretary, The State Historical So ciety of Missouri, Columbia, Missouri. ** Entered as second-class matter at the postoffice at Columbia, Mis souri, under act of Congress, Oct. 3, 1917, Sec. H2-" CONTRIBUTORS WALTER B. STEVENS, author and journalist, is the most popular historical writer in Missouri. Mr. Stevens has over a score of books to his credit and in 1921 published a Centennial History of Missouri. -
Exploring the Complex Political Ideology Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Texas A&M University RECOVERING CARL SANDBURG: POLITICS, PROSE, AND POETRY AFTER 1920 A Dissertation by EVERT VILLARREAL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2006 Major Subject: English RECOVERING CARL SANDBURG: POLITICS, PROSE, AND POETRY AFTER 1920 A Dissertation by EVERT VILLARREAL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, William Bedford Clark Committee Members, Clinton J. Machann Marco A. Portales David Vaught Head of Department, Paul A. Parrish August 2006 Major Subject: English iii ABSTRACT Recovering Carl Sandburg: Politics, Prose, and Poetry After 1920. (August 2006) Evert Villarreal, B.A., The University of Texas-Pan American; M.A., The University of Texas-Pan American Chair of Advisory Committee: Dr. William Bedford Clark Chapter I of this study is an attempt to articulate and understand the factors that have contributed to Carl Sandburg’s declining trajectory, which has led to a reputation that has diminished significantly in the twentieth century. I note that from the outset of his long career of publication – running from 1904 to 1963 – Sandburg was a literary outsider despite (and sometimes because of) his great public popularity though he enjoyed a national reputation from the early 1920s onward. Chapter II clarifies how Carl Sandburg, in various ways, was attempting to re- invent or re-construct American literature. -
Bibliographie Der Filmmusik: Ergänzungen II (2014–2020)
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Bibliographie der Filmmusik: Ergänzungen II (2014– 2020) 2020 https://doi.org/10.25969/mediarep/14981 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Bibliographie der Filmmusik: Ergänzungen II (2014–2020). Westerkappeln: DerWulff.de 2020 (Medienwissenschaft: Berichte und Papiere 197). DOI: https://doi.org/10.25969/mediarep/14981. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0197_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 197, 2020: Filmmusik: Ergänzungen II (2014–2020). Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0197_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 19.10.2020. Bibliographie der Filmmusik: Ergänzungen II (2014–2020) Zusammengestell !on "ans #$ %ul& und 'udger (aczmarek Mit der folgenden Bibliographie stellen wir unseren Leser_innen die zweite Fortschrei- bung der „Bibliographie der Filmmusik“ vor die wir !""# in Medienwissenschaft: Berichte und Papiere $#% !""#& 'rgänzung )* +,% !"+-. begr/ndet haben. 1owohl dieser s2noptische 3berblick wie auch diverse Bibliographien und Filmographien zu 1pezialproblemen der Filmmusikforschung zeigen, wie zentral das Feld inzwischen als 4eildisziplin der Musik- wissenscha5 am 6ande der Medienwissenschaft mit 3bergängen in ein eigenes Feld der Sound Studies geworden ist. -
Reshaping American Music: the Quotation of Shape-Note Hymns by Twentieth-Century Composers
RESHAPING AMERICAN MUSIC: THE QUOTATION OF SHAPE-NOTE HYMNS BY TWENTIETH-CENTURY COMPOSERS by Joanna Ruth Smolko B.A. Music, Covenant College, 2000 M.M. Music Theory & Composition, University of Georgia, 2002 Submitted to the Graduate Faculty of The Faculty of Arts and Science in partial fulfillment of the requirements for the degree of Ph.D. in Historical Musicology University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Joanna Ruth Smolko It was defended on March 27, 2009 and approved by James P. Cassaro, Adjunct Assistant Professor, Department of Music Mary S. Lewis, Professor, Department of Music Alan Shockley, Assistant Professor, Cole Conservatory of Music Philip E. Smith, Associate Professor, Department of English Dissertation Advisor: Deane L. Root, Professor, Department of Music ii Copyright © by Joanna Ruth Smolko 2009 iii RESHAPING AMERICAN MUSIC: THE QUOTATION OF SHAPE-NOTE HYMNS BY TWENTIETH-CENTURY COMPOSERS Joanna Ruth Smolko, PhD University of Pittsburgh, 2009 Throughout the twentieth century, American composers have quoted nineteenth-century shape- note hymns in their concert works, including instrumental and vocal works and film scores. When referenced in other works the hymns become lenses into the shifting web of American musical and national identity. This study reveals these complex interactions using cultural and musical analyses of six compositions from the 1930s to the present as case studies. The works presented are Virgil Thomson’s film score to The River (1937), Aaron Copland’s arrangement of “Zion’s Walls” (1952), Samuel Jones’s symphonic poem Let Us Now Praise Famous Men (1974), Alice Parker’s opera Singers Glen (1978), William Duckworth’s choral work Southern Harmony and Musical Companion (1980-81), and the score compiled by T Bone Burnett for the film Cold Mountain (2003). -
The Legends at Village West Offers Visitors a Walk Through Kansas History
The Legends at Village West The Legends at Village West Offers Visitors a Walk through Kansas History The Legends at Village West, offers a new component to the one-of-a-kind experience found at the center: education. Along with shopping, dining and entertainment, visitors of all ages can enjoy an audio walking tour of the more than 80 Kansas legends represented visually on medallions, post- ers, murals and in sculpture throughout the center. The Legends honors legends of Kansas in athletics, music, exploration, science, technology, poli- tics, art and much more, recognizing the things that truly make the state unique. The legends theme is interwoven through the landscape, hardscape, amenities and architectural motif, offering a glimpse into Kansas’ history, heritage and environment. Each corridor and courtyard of the center is dedicated to a particular category of famous Kansans or aspect of the state and its history. A free self-guided audio walking tour leads visitors through each corridor, providing information about the legends and the artistic representations in which they are depicted. The Legends is proud to provide such a uniquely fun and educational option for visitors looking to enhance a traditional shopping excursion. The tour was created for listeners of all ages and is ideal for class projects, field trips and family outings. The self-guided audio tour allows visitors to move at their own pace, spending as much time as desired at each of the 28 stops along the way and anywhere in between. The easy-to-use audio player is perfect for all ages, providing listeners the opportunity to pause, move forward or move backward at any time for a completely customized experience. -
Annual Report 2006
The Francis Family Foundation Brighter futures for all generations... 2006 Introduction. Since 1913, when Parker Browne Francis II first launched the Oxygen Gas Company in Kansas City, Missouri, the Francis family has continued to be an inspirational and influential force in the Kansas City metropolitan area. In 1951, as the company grew and developed into a major national manufacturer and supplier of industrial and medical gases, Parker B. Francis II established a foundation bearing his name to help promote education and research in the fields of anesthesiology and related pulmonary sciences. Parker B. Francis III also established a foundation to fund his interests in education, and arts and culture. Since the two foundations merged in 1989 to become the Francis Family Foundation, the pattern of grantmaking made today still reflects the interests of the founding donors. For more information about the history of the Francis Family Foundation, please visit www.francisfoundation.org. Today, thanks to the vision of Parker B. Francis and his son John B. Francis, the Francis Family Foundation celebrates 56 years of philanthropy, including the funding of the Parker B. Francis Pulmonary Fellowship Program and support of educational and arts programs geographically located within the greater Kansas City metropolitan area. It is in the context of this history that our 2006 Annual Report honors the accomplishments of more than 180 grants representing a social investment of more than $6.4 million. While John B. Francis and his wife Mary Harris Francis are both deceased, stewardship of the Foundation was passed to their children – Ann F. Barhoum, David V. -
Minutes of Sacred Harp Singings, Conducts Camp Fasola, Hosts the Fasola.Org Web Site, and Administers Other Projects to Promote Sacred Harp Singing
Sacred Harp Singings 2020 & 2021 How to Submit Minutes 4 E-Mail Instructions / Deadlines 5 2021 Directory Annual Singings 7 Fifth Sunday Singings 28 Local Singings 29 Directions to Churches 43 2020 Minutes Key to Singing Book Abbreviations 46 Minutes 47 Historical Memorial Project 137 Deaths 139 ONLINE EDITION Editorial: Judy Caudle, David Ivey, Samuel Sommers Production: Chris Thorman, Carolyn Deacy Sacred Harp Singings 2020 Minutes and 2021 Directory Volume 76 ISBN: 978-0-578-83354-5 Printed in the United States Copyright © 2021 Sacred Harp Musical Heritage Association fasola.org Editor’s Note In all the years of my life that I have been singing, Sacred Harp singings have been a place of refuge. I have attended many singings, and always found a few moments of peace. I have truly missed gathering with the people I love, singing these tunes that I love, and for a short time leaving the cares and troubles of the world outside. I look forward to a time when I can return to that beloved activity. The process for publishing and distributing the minutes book came about in the mid-1990s through the developments made by Jeff and Shelbie Sheppard and others. This process has continued until the present day because it worked well. As in all things, the minutes book must continue to move forward. It is now time to take advantage of new technology. The minutes book committee has decided to continue the publication and distribution of books, however, there are several changes. The Directory of Singings looks much as it has for many years, but it is all provisional. -
BUSCH-DISSERTATION-2012.Pdf
DISCLAIMER: This document does not meet current format guidelines Graduate School at the The University of Texas at Austin. of the It has been published for informational use only. Copyright by Eric Terje Busch 2012 The Dissertation Committee for Eric Terje Busch Certifies that this is the approved version of the following dissertation: City of Mountains: Denver and the Mountain West Committee: H.W. Brands, Supervisor Erika M. Bsumek Steven D. Hoelscher Michael B. Stoff Emilio Zamora City of Mountains: Denver and the Mountain West by Eric Terje Busch, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2012 For Erica and Grant Acknowledgments The path to the eventual completion of this dissertation was more circuitous than I had expected, and I’ve accumulated many debts along the way. To my advisor, Bill Brands: your advice and input over the years have sharpened my writing and my thinking, and my dissertation is far better for your influence. More than that, you saw someone in need, and you helped. I cannot repay what you have done for me. But now I know how to pass it on. To the members of my committee, Erika Bsumek, Steven Hoelscher, Michael Stoff and Emilio Zamora, thank you for your wisdom and insight, and for your valuable advice on this manuscript. To David Oshinsky, thank you as well for your advice, your help, and your friendship during my years at UT. -
Sacred Harp Singers, Professor Stephen A
―IF I CAN REACH THE CHARMING SOUND, I‘LL TUNE MY HARP AGAIN‖: THE FASOLA TUNEBOOK PUBLICATION RENAISSANCE By A. MITCHELL V. STECKER A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC UNIVERSITY OF FLORIDA 2019 © 2019 A. Mitchell V. Stecker ACKNOWLEDGMENTS There are many individuals and groups whose support has facilitated the undertaking and completion of this document. First, I sincerely thank Dr. Laura Ellis and Dr. Jennifer Thomas for their time and energy spent not only on my thesis committee, but for all they both have invested in me over the better part of the past decade. I also wish to express my gratitude to the individuals and groups who gave of their time in answering questionnaires, giving interviews, and having informal conversations about this fascinating musical phenomenon, including the St. Louis Sacred Harp Singers, Professor Stephen A. Marini, and Micah Walter. I thank my parents for their unflagging support of my educational endeavors for the entirety of my life, and Sarah, whose love, encouragement, and strength are continual sources of inspiration. And finally, I would like to thank my singing friends everywhere, without the friendship and hospitality of whom I likely never would have discovered and been taken by this incredible music. How sweet the hours have passed away/Since we have met to sing and pray; How loath we are to leave the place/Where Jesus shows His smiling face. Oh could I stay with friends so kind,/How would it cheer my drooping mind! But duty makes me understand/That we must take the parting hand. -
Jazz Jazz Is a Uniquely American Music Genre That Began in New Orleans Around 1900, and Is Characterized by Improvisation, Stron
Jazz Jazz is a uniquely American music genre that began in New Orleans around 1900, and is characterized by improvisation, strong rhythms including syncopation and other rhythmic invention, and enriched chords and tonal colors. Early jazz was followed by Dixieland, swing, bebop, fusion, and free jazz. Piano, brass instruments especially trumpets and trombones, and woodwinds, especially saxophones and clarinets, are often featured soloists. Jazz in Missouri Both St. Louis and Kansas City have played important roles in the history of jazz in America. Musicians came north to St. Louis from New Orleans where jazz began, and soon the city was a hotbed of jazz. Musicians who played on the Mississippi riverboats were not really playing jazz, as the music on the boats was written out and not improvised, but when the boats docked the musicians went to the city’s many clubs and played well into the night. Some of the artists to come out of St. Louis include trumpeters Clark Terry, Miles Davis and Lester Bowie, saxophonist Oliver Nelson, and, more recently, pianist Peter Martin. Because of the many jazz trumpeters to develop in St. Louis, it has been called by some “City of Gabriels,” which is also the title of a book on jazz in St. Louis by jazz historian and former radio DJ, Dennis Owsley. Jazz in Kansas City, like jazz in St. Louis, grew out of ragtime, blues and band music, and its jazz clubs thrived even during the Depression because of the Pendergast political machine that made it a 24-hour town. Because of its location, Kansas City was connected to the “territory bands” that played the upper Midwest and the Southwest, and Kansas City bands adopted a feel of four even beats and tended to have long solos. -
Bibliography of Sources Included in SWASMIS
Bibliography of sources included in Southern and Western American Sacred Music and Influential Sources (1700-1870) © by Nikos Pappas, May 2013 1 1. Printed tunebooks, tune collections, musical supplements, and metrical psalters [The Twelve Tunes for the Church of Scotland, composed in Four Parts]. (Aberdeen): (John Forbes), 1666. [The CL. Psalmes of David in Prose and Meter. For the Use of the Kirk of Scotland]. Middleburg: Richard Schilders, 1599. 225 Melodien deutscher Kirchengesänge meist aus dem 16. und 17. Jahrhundert in ihen ursprünglichen Rhuthmen und Tonen, nach Dr. Fr. Layriz. Rev. ed. St. Louis: M. C. Barthel, 1865. Adams, Abraham. The Psalmist's New Companion. ed. 6. London: Thompson & Son, c. 1760. Adams, Benoni. The Evening Star. In three parts: I. The rules of vocal music, in a short and concise manner, which scholars ought to commit to memory before they begin to sing. II. A few tunes in the different moods, suitable for young scholars. III. A supplement, which a teacher may explain or a scholar study, as need requires. Ed. 2. Utica: William Williams, for Benoni Adams and L. & B. Todd, 1820. Addington, Stephen. A Valuable Selection of Psalm and Hymn Tunes: from the most esteemed English authors. Adapted to public worship, and which are now used by the congregation at the Independent Tabernacle, in Philadelphia. Philadelphia: M. Carey, 1808. Adgate, Andrew and Ishmael Spicer. Philadelphia Harmony, or, A Collection of Psalm Tunes, Hymns, and Anthems, selected by A. Adgate: together with the rudiments of music on a new and improved plan. Ed. 3. Philadelphia: Westcott & Adgate, 1789. -
Macdowell Colony Collection Finding
University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Historical Sketch …………………………………………………………………… 2 Scope And Content …………………………………………………………………… 3 Container List …………………………………………………………………………… 4 Series I: Manuscript Music By Composer/Arranger …………………………… 4 Series II: Manuscript Music By P. Hans Flath …………………………… 9 Series III: Manuscript Music By Carl G. Kelly …………………………… 10 A. Compositions …………………………………………………… 10 B. Arrangements …………………………………………………… 11 C. Miscellaneous …………………………………………………… 13 Series IV: Miscellaneous …………………………………………………… 13 Appendix: Composer Profiles …………………………………………………… 15 MS09-MacDowell Colony Collection 1 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION HISTORICAL SKETCH In 1896, the composer Edward MacDowell and Marian, his wife, bought a farm in Peterborough, New Hampshire, where they spent summers working in peaceful surroundings. There, MacDowell said, he produced more and better music. MacDowell, a founder of the American Academy in Rome, knew that artists from different disciplines enriched each other's artistic lives, and he and Marian dreamed of making a community on their property where artists could work in an ideal place in the stimulating company of peers. In 1906, prominent citizens of his time, among them Grover Cleveland, Andrew Carnegie, and J. Pierpont Morgan, created a fund in his honor. The fund enabled Edward and Marian to carry out their plan. Although MacDowell lived to see the first Colonists arrive, he died in 1908. It was under Marian's leadership that most of the 32 studios were built. Until her death in 1956, she traveled across the country giving lecture- recitals to raise funds and gain support for the Colony.