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Close to Home: Music of American Composers Michael Rowlett, clarinet Stacy Rodgers, piano www.albanyrecords.com Leonard Bernstein | sonata | Jeanne Singer | nocturne | Eric Mandat | rrowzer! TROY1385 albany records u.s. 915 broadway, albany, ny 12207 Valerie Coleman | sonatine | Aaron Copland | sonata | Steve Reich | new york counterpoint tel: 518.436.8814 fax: 518.436.0643 albany records u.k. box 137, kendal, cumbria la8 0xd tel: 01539 824008 © 2012 albany records made in the usa ddd waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. Close to Home began when I met two composers whose works, while quite different from each other, engaged and intrigued me. I encountered Valerie Coleman, flutist in the Imani Woodwind Quintet, at the premiere of her trio for flute, clarinet and piano. When I discovered that she had written an equally dynamic, powerful solo piece for clarinetist Mariam Adam, I leapt at the chance to learn it. Soon after, I heard Eric Mandat perform a program of his own compositions, which were witty, exciting and thoroughly delightful. When I spoke to him after the concert, his friendly enthusiasm convinced me to attempt to learn one of my favorite numbers from the program. One of the great pleasures of this project was the opportunity to work with these fine composers and performers. As I gathered works by other American composers for this collection, I began to find similarities among the diverse pieces, like a familiar accent in different voices. One common theme is the development of simple, repeated melodic cells. This process is perhaps most noticeable in Steve Reich’s New York Counterpoint, scored for eleven clarinets and bass clarinets, but it can also be found in Rrowzer!, which allows the solo clarinetist to decide how many times to repeat individual measures. -
Woodwind Faculty Concert
FACULTY RECITAL Woodwind Faculty Concert Leshowitz Recital Hall Wednesday, February 17th, 2021 7:00 pm Program Piano Etude No. 4 Marc-Andres Hamelin arr. Matt Evans Stacy Wilson, saxophone Trio Sonata in C Minor Johann Joachim Quantz III. Larghetto (1697-1773) Wendy Stern, flute; Mary Watt, oboe; Isaac Schultz, bassoon; Joyce Lindorff, harpsichord Forms of Floating for Solo Flute Robert Carl (b. 1954) Janet Arms, flute Robert Carl writes: Forms of Floating is one of my very earliest pieces, written in 1981 in Chicago, originally for my friend Marilyn Bliss, who has remained a great composer for the instrument and a leading performer of new works for it. Though juvenilia often is embarrassing, I admit I still find the intense yearn, long line, and breathless rush towards the end invigorating. I think it still lives up to its title. Sonatine Valerie Coleman (b. 1970) Ben Baron, clarinet; Sojung Park, piano Trio for 3 Flutes in E Minor, Op. 86 No. 1 Frederich Kuhlau II. Scherzo (1786-1832) III. Larghetto Oboes: Ryan Walsh, Cat Cantrell, Jason Smoller Träumerei from Scenes from Childhood, Op. 68 R. Schumann (1810-1856) Harry Searing, bassoon, Sandy Searing, piano Sonata for Bassoon and Piano Crystal Godfrey LaPoint (b. 1958) Sasha Enegren, bassoon; Sojung Park, piano "Homeland" for solo flute Allison Loggins Hull Allison Loggins Hull, flute and composer Ready to Rumble! for 2 contrabassoons Gernot Wolfgang (b. 1957) Harry Searing and Chad Smith, contrabassoons Speedy Rag Jean Matitiza Chad Smith, saxophone Composed by Jean Matitia for saxophonist Chad Smith. Speedy Rag, a contemporary tour-de-force piece in the style of "Tin Pan Alley" was composed for me in 2014 by French composer, Christian Lauba. -
The Commissioned Flute Choir Pieces Presented By
THE COMMISSIONED FLUTE CHOIR PIECES PRESENTED BY UNIVERSITY/COLLEGE FLUTE CHOIRS AND NFA SPONSORED FLUTE CHOIRS AT NATIONAL FLUTE ASSOCIATION ANNUAL CONVENTIONS WITH A BRIEF HISTORY OF THE FLUTE CHOIR AND ITS REPERTOIRE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Yoon Hee Kim Graduate Program in Music The Ohio State University 2013 D.M.A. Document Committee: Katherine Borst Jones, Advisor Dr. Russel C. Mikkelson Dr. Charles M. Atkinson Karen Pierson Copyright by Yoon Hee Kim 2013 Abstract The National Flute Association (NFA) sponsors a range of non-performance and performance competitions for performers of all ages. Non-performance competitions are: a Flute Choir Composition Competition, Graduate Research, and Newly Published Music. Performance competitions are: Young Artist Competition, High School Soloist Competition, Convention Performers Competition, Flute Choirs Competitions, Professional, Collegiate, High School, and Jazz Flute Big Band, and a Masterclass Competition. These competitions provide opportunities for flutists ranging from amateurs to professionals. University/college flute choirs perform original manuscripts, arrangements and transcriptions, as well as the commissioned pieces, frequently at conventions, thus expanding substantially the repertoire for flute choir. The purpose of my work is to document commissioned repertoire for flute choir, music for five or more flutes, presented by university/college flute choirs and NFA sponsored flute choirs at NFA annual conventions. Composer, title, premiere and publication information, conductor, performer and instrumentation will be included in an annotated bibliography format. A brief history of the flute choir and its repertoire, as well as a history of NFA-sponsored flute choir (1973–2012) will be included in this document. -
Valerie Coleman Has Been Making Her Mark As a Fine Flutist in Contemporary Music, the Flute Is Not Her Only, Or Even Her Primary, Medium of Expression
December 2008 VALERI E COLEMAN: REVITALIZING THE WOODWIND QUINTET by Peter Westbrook Reprinted with permission from the spring 2008 issue of The Flutist Quarterly. lute performance, composing, Imani Winds, and the desire to bring great music to margin- Falized communities are among the passions that drive this determined musician. As her ensemble enters its second decade, the self-described “average flutist” is sowing rewards for her steady, hard work. Although Valerie Coleman has been making her mark as a fine flutist in contemporary music, the flute is not her only, or even her primary, medium of expression. For the past 10 years, Coleman’s hand has been at the helm of the award-winning woodwind quintet Imani Winds, which provides an outlet for her not only as flutist but also as composer, arranger, and visionary. In Concert The success of the group as it embarks on its second decade—thus far it has Imani Winds received a Grammy nomination, in 2006, Valerie Coleman, flute; Toyin Spellman-Diaz, oboe; and two ASCAP/Chamber Music America Mariam Adam, clarinet; Jeff Scott, French horn; Monica Ellis, bassoon awards—is a testament to that vision. For as long as Coleman can remember, Sunday, December 14, 2008, 5:30 pm flute performance and composition have Yamaha Piano Salon, 689 Fifth Avenue vied equally for her attention. When I (entrance on 54th Street between Fifth and Madison Avenues) asked her if she thought of herself as a flutist/composer or composer/flutist she Afro Blue Mongo Santamaria (1917-2003) could not make a choice; both are very arr. -
About Imani Winds
Presents Imani Winds Rhythm and Song The Influence of the African Diaspora on Classical Music Wednesday, April 30, 2008 10am in Bowker Auditorium Study Guides for Teachers are also available on our website at www.fineartscenter.com - select For School Audiences under Education, then select Resource Room. Please fill out our online surveys at http://www.umass.edu/fac/centerwide/school/index.html for the Registration Process and each Event. Thank you! The Arts and Education Program of the Fine Arts Center is sponsored by ABOUT IMANI WINDS Formed in 1997, IMANI WINDS is a woodwind quintet of young, hip, and adventurous classically‐trained musicians of color. Demonstrating that classical music is much more diverse that usually thought of, Imani Winds performs compositions that push the boundaries of a traditional wind‐quintet repertoire. They play jazz, contemporary music, spirituals, works by African and Latin‐American composers and European compositions with a worldly influence. They strive to illuminate the connection between culture from the African Diaspora and classical music. Imani Winds has carved out a distinct presence in the classical music world for their dynamic playing, culturally poignant programming and inspirational outreach programs, which they have brought to many communities throughout the country. THE MUSICIANS Valerie Coleman, flute A native of Kentucky, flutist and composer Valerie began her music studies in third grade. By the age of fourteen, she had written three symphonies and had won several local and state competitions. Valerie is the founder of Imani Winds and an active composer and educator. Toyin Spellman‐Diaz, oboe Toyin started her musical career as a flute player in her middle school band in Washington, DC, but when she noticed there were dozens of flute players and only two oboe players, she decided to switch to the oboe—and hoped she would be given more solos as a result! Toyin grew to love the oboe, excelled at playing, and had the opportunity to perform internationally at a young age. -
2018 Available in Carbon Fibre
NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished -
Season 2019-2020
23 Season 2019-2020 Thursday, September 19, at 7:30 The Philadelphia Orchestra Friday, September 20, at 2:00 Saturday, September 21, Yannick Nézet-Séguin Conductor at 8:00 Sunday, September 22, Hélène Grimaud Piano at 2:00 Coleman Umoja, Anthem for Unity, for orchestra World premiere—Philadelphia Orchestra commission Bartók Piano Concerto No. 3 I. Allegretto II. Adagio religioso—Poco più mosso—Tempo I— III. Allegro vivace—Presto—Tempo I Intermission Dvořák Symphony No. 9 in E minor, Op. 95 (“From the New World”) I. Adagio—Allegro molto II. Largo III. Scherzo: Molto vivace IV. Allegro con fuoco—Meno mosso e maestoso— Un poco meno mosso—Allegro con fuoco This program runs approximately 1 hour, 45 minutes. LiveNote® 2.0, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. These concerts are sponsored by Leslie A. Miller and Richard B. Worley. These concerts are part of The Philadelphia Orchestra’s WomenNOW celebration. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 ® Getting Started with LiveNote 2.0 » Please silence your phone ringer. » Make sure you are connected to the internet via a Wi-Fi or cellular connection. » Download the Philadelphia Orchestra app from the Apple App Store or Google Play Store. » Once downloaded open the Philadelphia Orchestra app. » Tap “OPEN” on the Philadelphia Orchestra concert you are attending. » Tap the “LIVE” red circle. -
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours. -
The Newness of It All
the Newness of it all... SEPTEMBER 16–18, 2016 Michelle Djokic, Artistic Director Friday,Concert September 16, 1 2016 7:00 pm The Barn at Glen Oaks Farm, Solebury, PA “Oh Gesualdo, Divine Tormentor” Bruce Adolphe SEPTEMBER for string quartet (b. 1955) 16–18, 2016 chamberfest IN THE HEART OF BUCKS COUNTY Deh, come in an sospiro Belta, poi che t'assenti Resta di darmi noia nco Gia piansi nel dolore Moro, lasso Adolphe - More or Less Momenti Clarinet Quintet in A major, K. 581 Wolfgang A. Mozart for clarinet and string quartet (1756 – 1791) THE ARTISTS Allegro Larghetto Piano - Anna Polonsky Menuetto Clarinet - Romie de Guise-Langlois Alllegretto con variazione-Adagio-Allegro Violin - Philippe Djokic, Emily Daggett-Smith Viola - Molly Carr, Juan-Miguel Hernandez Cello - Michelle Djokic k INTERMISSION k C String Quintet in C major, Opus 29 Ludwig van Beethoven for two violins, two violas and cello (1770 – 1827) Allegro moderato Adagio molto espressivo Scherzo -Allegro Presto k 1 OpenSaturday, SeptemberRehearsal 17, 2016 Sunday,Concert September 18,2 2016 10:30 am-1:00 pm & 2:00-5:00 pm 3:00 pm The Barn at Glen Oaks Farm, Solebury, PA The Barn at Glen Oaks Farm, Solebury, PA Art of the Fugue, BWV 1080 Contrapunctus I-IV Johann S. Bach Open rehearsal will feature works from for string quartet (1685 – 1750) Sunday’s program of Bach, Copland and Schumann Contrapunctus I - Allegro Contrapunctus II- Allegro moderato k Contrapunctus III - Allegro non tanto Contrapunctus IV - Allegro con brio Sextet Aaron Copland for clarinet, piano and string quartet (1900 – 1990) Allegro vivace Lento Finale k INTERMISSION k Piano Quartet in Eb Major, Opus 47 Robert Schumann for piano, violin, viola and cello (1810 – 1856) Sostenuto assai - Allegro ma non troppo Scherzo, Molto vivace Andante cantabile Finale, Vivace k For today's performance we are using a Steinway piano selected from Jacobs Music Company 2 3 PROGRAM NOTES Momenti, which consists of some of the strangest moments in Gesualdo’s music orga- nized into a mini tone-poem for string quartet. -
Symphonic Band Program Notes
Program Notes Highlights from South Pacific Richard Rodgers/Oscar Hammerstein South Pacific is a hallmark of American art. Written in 1949 by Rodgers and Hammerstein (composer and lyricist respectively), it was universally lauded for its take on war, danger, and romance. The year it premiered on broadway, Symphonic Band the show won 10 Tonys and a Pulitzer prize. In 1958, the musical was made David Scott, conductor into a film which remained the highest grossing film based on a Rodgers and Wednesday, November 15, 2017- 8 p.m. Hammerstein musical until the Sound of Music was released (1967). The Memorial Chapel soundtrack for the movie also reached critical success in the U.S., the album stayed at #1 on the Billboard charts top 200 albums for seven full months, Highlights from South Pacific Richard Rodgers & Oscar Hammerstein making it the fourth longest run in the top spot in history. In the United (1902-1979) & (1895-1960) Kingdom, the album topped charts for 115 weeks (total), 70 of which were Arr. Philip Lang consecutive (the album was the top selling album for the entirety of 1959). The story of the musical is based on the series of short stories by John A. Roma Valerie Coleman Michener entitled Tales of the South Pacific. The stories tell the story of the U.S.’s involvement in the Pacific War portion of World War II. The book itself (b. 1970) is told from a first person point of view (an unnamed Commander) and is based upon Michener’s own experiences on the battlefront of WWII. -
Festival Artists
Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts. -
Artist Series: David Shifrin Program Notes on the Program
ARTIST SERIES: DAVID SHIFRIN PROGRAM WOLFGANG AMADEUS MOZART (1756-1791) Quintet in A major for Clarinet, Two Violins, Viola, and Cello, K. 581 (1789) Allegro Larghetto Menuetto Allegretto con variazioni David Shifrin, clarinet • Danbi Um, violin • Bella Hristova, violin • Mark Holloway, viola • Dmitri Atapine, cello LUIGI BASSI (1833-1871) Concert Fantasia on Themes from Verdi’s Rigoletto for Clarinet and Piano David Shifrin, clarinet • Gloria Chien, piano DUKE ELLINGTON (1899-1974) Clarinet Lament for Clarinet and Piano (1936) (arr. David Schiff) David Shifrin, clarinet • Gloria Chien, piano NOTES ON THE PROGRAM Quintet in A major for Clarinet, Two Violins, Viola, and Cello, K. 581 (1789) Wolfgang Amadeus Mozart (Salzburg, 1756 – Vienna, 1791) Mozart wrote this quintet for Vienna’s Society of Musicians (Tonkünstler-Societät) in 1789. The society raised money to provide pensions to widows and orphans of Viennese musicians. Its concerts were regular occurrences on the Viennese social calendar and Mozart composed and performed for them, even though he was not a member, something he would regret right before his death at the age of 35. This quintet premiered at a society concert on December 22, 1789, in between two halves of a cantata by Vincenzo Righini. The clarinetist was Anton Stadler, one of the first virtuosos on the instrument and Mozart’s close personal friend. Mozart wrote all of his major clarinet works— this one, the Kegelstatt Trio, and the Clarinet Concerto—with Stadler’s playing in mind. Chamber Music Society of Lincoln Center The clarinet was a relatively new instrument in Mozart’s day yet he expertly tapped into the instrument’s unique singing quality.