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Centre for Contemporary Photography 2019 Annual Report

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Centre for 2019 Contemporary Annual Photography Report Centre for Contemporary Photography 2019 Annual Report Publisher Centre for Contemporary Photography 404 George Street, Fitzroy VIC 3065, Australia +61 3 9417 1549 | [email protected] | www.ccp.org.au © Centre for Contemporary Photography and the authors, 2019 Staff Adam Harding Director Eric Nash/ Irina Asriian General Manager Madé Spencer-Castle Curator, Exhibitions Linsey Gosper Curator, Engagement Adelina Onicas Communications Manager Sarah McKechnie Gallery Manager Hugh Hirst-Johnson Assistant Gallery Manager Fore Edge Business Services Bookkeeper Board of Management Jane Hodder Chair Jane Grover Deputy Chair Geraldine Ilott Treasurer Peter Lovell Secretary Genevieve Brannigan Patrick Pound Judy Williams Michael McCormack Hoda Afshar Centre for Contemporary Photography 404 George Street, Fitzroy VIC 3065, Australia +61 3 9417 1549 | [email protected] | www.ccp.org.au TW @ccp_australia IG @ccp_australia FB /centreforcontemporaryphotography Cover: CCP Photo Fair 2019 Contents 04 Mission and Profile 06 Chair’s Introduction 08 Director’s Report 12 Statistical Snapshot 14 Performance Review 16 Board 20 Staff, Volunteers and Interns 23 Exhibition Advisory Committee 24 Exhibition Program 26 Exhibitions in Focus 40 Touring and Offsite Exhibitions 42 Education and Public Programs 52 Membership 53 Marketing and Promotion 55 In Response 57 Financial Statements 78 Sponsors 79 Patrons and Donors Centre for Contemporary Photograhy 2019 Annual Report Mission and Profile GOVERNMENT PARTNERS MAJOR SPONSORS PRESENTATION PARTNERS Centre for Contemporary Photography CCP occupies a unique place within (CCP) is the leading contemporary arts Australian contemporary arts organisations; space in Australia dedicated to photography, a place where emerging photo-based video and related fields. Exhibiting and artists can gain a formative experience in promoting work by local, national and the development and staging of exhibitions; international artists, CCP is a not-for-profit where practicing photographers can find membership based organisation that was new audiences; and established artists established in 1986 by the photographic can experiment with new directions. Core community. Entry to CCP galleries is free, activities of the Centre for Contemporary encouraging visits from all sections of the Photography include the exhibition, community. Positioned as a key generator commissioning, education, and appraisal of of contemporary visual thinking and located contemporary practice as well as advocacy, in the inner Melbourne suburb of Fitzroy— publishing and artwork sales. surrounded by creative producers, artists and artisan cafes —CCP is a progressive, dynamic organisation responding creatively to changes in technology, visual communication and world events. 4 Centre for Contemporary Photograhy 2019 Annual Report Opening celebrations of Polar Convergance 5 Centre for Contemporary Photograhy 2019 Annual Report Chair’s Introduction In 2019 CCP embraced the philosophy of society is impacted by the geographical, the 12 photographers and teachers who technological and the architectural influences came together to establish a resource of our time. At our iconic home in Fitzroy for education and discussion about we staged a series of multi generational photography, provide technical support for exhibitions that celebrated new voices practitioners and to present exhibitions. To placing them within the context of their achieve their vision they brought together mentors and peers. Our deep curatorial those photographers engaging in fine art, practice was led by the mid career survey of community, journalistic and commercial Simon Terrill. Crowd Theory brought together practices. It is this coming together of all 14 years of his practice and for the first the modes of photography that is driving time all ten of Terrill’s large-scale community our work to develop a sustainable future for portraits. CCP. 2019 saw CCP begin a new partnership Our national leadership in this field saw with SONY, our largest partnership to date CCP’s 2018 mid-career survey of Victorian supporting both our exhibition and workshop artists Sonia Leber and David Chesworth, program with SONY joining industry leaders Architecture Makes Us, tour to audiences ILFORD. This partnership is an exciting in Sydney at UNSW Galleries 5 January - opportunity to honour our founders to design 23 February 2019 and Brisbane’s Griffith and present a series of practical workshops University Art Museum 7 March – 27 April and events to our community. In this spirit we 2019. In this landmark survey, Leber and launched the inaugural CCP PHOTO FAIR. Chesworth offer a rich exploration of the way The fair saw CCP celebrate the work of nine Opening event for the inaugural CCP Photo Fair 6 Centre for Contemporary Photograhy 2019 Annual Report leading commercial photographers from While incurring a deficit in 2019, fundraising Melbourne’s internationally awarded George over the past two years has been an ongoing Apostolidis to amazing photographers focus, without the communities active straddling the divides of fashion, architectural financial support CCP will face ongoing and reportage through an artist’s eye; Kate budget challenges. This is the second Ballis, Anita Beaney, Tom Blachford, Jo Duck, consecutive year that CCP has made a James Geer, Tom Ross, Isamu Sawa and loss. Of noting organisational changes have Saskia Wilson. Welcoming 3000 people occurred to address the sustainability of the over 4 days and building a commercial organisation and CCP’s Board is confident marketplace for these artists the inergeraul that through continued refinement of our Fair connected CCP to the commercial organisation and development of these industries that use the power of photography partnerships, CCP is well placed for success every day. This engagement brought new in the future. partnerships with Broadsheet, Melbourne I would like to pay tribute to my fellow Gin Company, Fever Tree and Mount Langi Board Members for actively contributing to Ghiran becoming part of the CCP family the organisation, particularly in governance, led by CCP Board Member Genevieve finance, fund raising, relationship building Brannigan. and artistic programming, throughout a It will be our ability to build on these period of reflection and experimentation. I new partnerships and the expansion of our acknowledge the vision and generosity of communities that will drive the continuing CCP’s sponsors and partners who continue success of CCP. Experimentation in program to offer pivotal support. In addition to our delivery in 2019 has seen CCP form a new government funders, we were thankful for partnership with Fitzroy’s Sacred Heart the uplifting support of SONY, ILFORD and Primary School and the Besen Family Milieu Property across a series of projects in Foundation to pilot the impact of digital 2019. storytelling and screen based learning CCP is of course only as strong as those outcomes through placing a CCP educator that step up and support it. I recognise and artist within the school community. As the committed team of regular volunteers our local community expands as has our who work at CCP, extending the capacity number of supporters. I would like to thank of the organisation greatly. I would also and congratulate those who have joined like to acknowledge the commitment of our me as part of the CCP Circle in 2019. Our Director, Adam Harding along with the CCP direct financial support has seen the power team and thank them all for their focus and of photography emanate from our home effective work throughout 2019. in Fitzroy, enriching our local community, regional Victoria and the nations. I would like to acknowledge our major Jane Hodder funders for enabling us to achieve such Chair great successes, particularly the Victorian Centre for Contemporary Photography Government’s valuable support through Creative Victoria; and the Australian Government through the Australia Council for the Arts’ VACS program, and project funding for Simon Terrill: Crowd Theory. 7 Centre for Contemporary Photograhy 2019 Annual Report Photo book awards 2019, photo by Penny Ryan 8 Centre for Contemporary Photograhy 2019 Annual Report Director’s Report 2019 was a year of great experimentation me tangere: a duet by Edward Colless and where we engaged across all aspects of Chantal Faust and a celebratory closing Australia’s photographic community. Through performance by Polito. The exhibition was new initiatives and an expanded exhibition accompanied by the publication Simon Terrill: program we were inspired by CCP’s Crowd Theory 2004-18 Perspectives, founders and brought together photographic Notes and Comments featuring contributions practitioners from the community, journalistic, from Chantal Faust, Chris Fite-Wassilik, Anna commercial and art communities. 2019 also Minton, Marianne Mulvey and Daniel Palmer saw us expand how we celebrate and share and was supported by the Australia Council, the work and ideas embedded within our NETS Victoria, Creative Victoria, The Centre artistic program through the commissioning for the Study of the Networked Image London and presentation of a series of performative South Bank University and Sutton Gallery responses; we danced, we listened intently Melbourne. and even performed ourselves directed by Our community took centre Melbourne’s Snuff Puppets. CCP exhibitions stage as we presented the travelled to Sydney. Brisbane, regional multigenerational exhibition Image Reader:
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