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Art Almanac April 2018 $6
Art Almanac April 2018 $6 Julie Dowling Waqt al-tagheer: Time of change Steve Carr Art Almanac April 2018 Subscribe We acknowledge and pay our respect to the many Aboriginal nations across this land, traditional custodians, Elders past and present; in particular the Established in 1974, we are Australia’s longest running monthly art guide and the single print Guringai people of the Eora Nation where Art Almanac destination for artists, galleries and audiences. has been produced. Art Almanac publishes 11 issues each year. Visit our website to sign-up for our free weekly eNewsletter. This issue spotlights the individual encounters and communal experience that To subscribe go to artalmanac.com.au contribute to Australia’s cultural identity. or mymagazines.com.au Julie Dowling paints the histories of her Badimaya ancestors to convey the personal impact of injustice, while a group show by art FROOHFWLYHHOHYHQíOWHUVWKHFRPSOH[LWLHVRI the Muslim Australian experience through diverse practices and perspectives. Links Deadline for May 2018 issue: between suburbia and nationhood are Tuesday 3 April, 2018. presented at Cement Fondu, and artist Celeste Chandler constructs self-portraits merging past and present lives, ultimately revealing the connectedness of human existence. Contact Editor – Chloe Mandryk [email protected] Assistant Editor – Elli Walsh [email protected] Deputy Editor – Kirsty Mulholland [email protected] Cover Art Director – Paul Saint National Advertising – Laraine Deer Julie Dowling, Black Madonna: Omega, -
National Anthem a New Order 8.3–7.7.19
NATIONAL ANTHEM A NEW ORDER 8.3–7.7.19 EDUCATION RESOURCE Authored by Brooke Babington 3 About this resource and curriculum links 3 Planning your visit 4 Introduction — About the exhibition — About the artist — About Buxton Contemporary 8 National Anthem — Exploring and Responding — Focus artworks — Activity — Questions to consider — Research activities 13 A New Order — Exploring and Responding — Focus artworks — Activity — Questions to consider — Research activities 19 Curating a Collection — Exploring and Responding 2 — Focus artworks 23 Glossary of terms 26 Artist Biographies 36 Image references Education Resource About this resource and curriculum links Target Audience: Secondary school level students This learning guide is intended for educational purposes to aid teachers, tutors and other educational staff to support student learning in visual art subjects. It is designed to provide a starting point to generate discussion and activities before, during and after a visit to National Anthem and A New Order, to be used in conjunction with the exhibition catalogue, didactic labels and artworks. The resource is intended for use in the design of projects related to subject strands and curriculum outcomes. It is broadly aimed at students from years 7 to 10 and VCE Units 1–4, however, it provides generalised information that can be tailored to suit younger students. While the focus of the resource is on the artistic practices of artists included in National Anthem and A New Order, it can be adapted to explore modes of artistic practice more broadly, and to extend avenues for further discussion and research. Similarly, the scope of this resource may be modified to suit cross-curricular activities in various subject strands and to enable a range of pedagogical outcomes. -
Qualifications Advanced Leadership Certificate Through NEELI / Australian Institute of Business
Legal name: Stephanie Jane Donald Name before marriage (17.05.1961 - 29.04.1996): Stephanie Jane Hemelryk Professional /publishing name only (Stephanie Hemelryk Donald) ORCiD: 0000-0001-9435-7905 BA (Oxf.), DipTh (London.), MA (Soton.), DPhil (Suss.), FASSA FRSA Qualifications Advanced Leadership certificate through NEELI / Australian Institute of Business. (online certification 04.2017) DPhil (PhD), Media Studies, University of Sussex (Chinese film specialisation) (Commenced 10.1993. Awarded 30.01.1997) One-year in-service teacher training as Graduate Teaching Assistant, University of Sussex. (Completed 1995. Letter of confirmation provided to Australian High Commission 5.03.1997) Master of Arts. Culture and Society in Contemporary Europe, University of Southampton (Awarded 29.06.1993) Acting Diploma, Drama Studio, London (Awarded 06.1986) BA (Hons), Oriental Studies: Chinese, Brasenose College, Oxford University (Completed 06.1983) (Awarded 03.03.94) Academic Appointments (excluding Visiting and Honorary positions) University of Lincoln (09.04.2018 - 31.12.2020) (Resignation accepted 29.09.2020 following acceptance of position at Monash Malaysia) Distinguished Professor: Film, College of Arts. University of New South Wales (15.05.2012 – 06.04.2018. Including period of approved overseas Leave 31.08.2014 – 30.06.2016) ARC Professorial Future Fellow and Professor of Film and Cultural Studies (full-time, externally funded research-only position with executive pay rate 3) Kingston University (02-06. 2016, consultancy so no fixed hours) Consultant: Cultural and Creative Industries Development at Faculty of Art, Design, Architecture. University of Liverpool (01.09.2014- 07.12.2015) Head of the School of the Arts RMIT, Melbourne (01.2010 – 14.05.2012) Foundation Dean of School: Media and Communication University of Sydney (12.2008–12.2009) Professor of Chinese Media Studies st Résumé for HR Monash Malaysia October 1 2020. -
Refracted Reality Pica 2020 Salon Vernissage Catalogue of Works for Sale
REFRACTED REALITY PICA 2020 CATALOGUE OF SALON VERNISSAGE WORKS FOR SALE Image: Valerie Sparks, Waratah, from the series Sanctuary, 2019. Courtesy the artist. Details correct as of 9th October 2020 - subject to change PICA HODA AFSHAR (VIC) BIOGRAPHY Hoda Afshar (born 1983, Tehran, Iran) lives and works in Melbourne. She completed a Bachelor degree in Fine Art – Photography in Tehran, and recently submitted her PhD thesis in Creative Arts at Curtin University. Afshar began her career as a documentary photographer in Iran in 2005, and since 2007 she has been living in Australia where she practices as a visual artist and also lectures in photography and fine art. Afshar’s work has been widely exhibited locally and internationally and published online and in print. Recent exhibitions includes Lahore Biennale (LB02) in Pakistan (2020); Remain, UQ Museum of Art in Brisbane (2019); Beyond Place, Museum of Photographic Arts, San Diego CA, USA (2019); Primavera 2018, Museum of Contemporary Art, Sydney and Waqt al tagheer: Time of Change, ACE Open, Adelaide (2018). In 2015, she received the National Photographic Portrait Prize, National Portrait Gallery and in 2018 won Bowness Photography Prize, Monash Gallery of Art, Australia. Her work is also part of numerous private and public collections including the National Gallery of Victoria, Melbourne; UQ Art Museum, Brisbane; Murdoch University Art Collection, Perth; and Monash Gallery of Art, Melbourne. PICA Hoda Afshar (VIC) Portrait of Aref, from the series Remain, 2018 Archival inkjet print 100 -
Centre for Contemporary Photography 2019 Annual Report
Centre for 2019 Contemporary Annual Photography Report Centre for Contemporary Photography 2019 Annual Report Publisher Centre for Contemporary Photography 404 George Street, Fitzroy VIC 3065, Australia +61 3 9417 1549 | [email protected] | www.ccp.org.au © Centre for Contemporary Photography and the authors, 2019 Staff Adam Harding Director Eric Nash/ Irina Asriian General Manager Madé Spencer-Castle Curator, Exhibitions Linsey Gosper Curator, Engagement Adelina Onicas Communications Manager Sarah McKechnie Gallery Manager Hugh Hirst-Johnson Assistant Gallery Manager Fore Edge Business Services Bookkeeper Board of Management Jane Hodder Chair Jane Grover Deputy Chair Geraldine Ilott Treasurer Peter Lovell Secretary Genevieve Brannigan Patrick Pound Judy Williams Michael McCormack Hoda Afshar Centre for Contemporary Photography 404 George Street, Fitzroy VIC 3065, Australia +61 3 9417 1549 | [email protected] | www.ccp.org.au TW @ccp_australia IG @ccp_australia FB /centreforcontemporaryphotography Cover: CCP Photo Fair 2019 Contents 04 Mission and Profile 06 Chair’s Introduction 08 Director’s Report 12 Statistical Snapshot 14 Performance Review 16 Board 20 Staff, Volunteers and Interns 23 Exhibition Advisory Committee 24 Exhibition Program 26 Exhibitions in Focus 40 Touring and Offsite Exhibitions 42 Education and Public Programs 52 Membership 53 Marketing and Promotion 55 In Response 57 Financial Statements 78 Sponsors 79 Patrons and Donors Centre for Contemporary Photograhy 2019 Annual Report Mission and Profile GOVERNMENT PARTNERS MAJOR SPONSORS PRESENTATION PARTNERS Centre for Contemporary Photography CCP occupies a unique place within (CCP) is the leading contemporary arts Australian contemporary arts organisations; space in Australia dedicated to photography, a place where emerging photo-based video and related fields. -
C Co Col Coll Colle Collec Collect Collecti Collectin Collecting the Art Of
C CO COL COLL COLLE COLLEC COLLECT COLLECTI COLLECTIN THE ART OF COLLECTING 2 018 Centre for Contemporary Photography Fundraiser Friday 18 May until Sunday 27 May Opening: Thursday 17 May, 6–8pm Katrin Koenning Untitled 5 from Seven Views of MacKenzie Falls 2015, courtesy the artist and East Wing, Dubai. CCP is the leading contemporary art space in Andrew Hazewinkel, Untitled (Antikythera 1) 2017, Australia dedicated to photography and video. c-type print, courtesy the artist Exhibiting, commissioning and promoting work by local, national and international artists; CCP provides a context for the enjoyment, education, understanding and appraisal of contemporary practice. Photography is the central medium of the information age—reaching across all platforms—from Facebook to the nightly news, from contemporary art to the family snap, from advertising to the selfie, from NASA exploration through to city surveillance. CCP is responsive to artists and the ever-changing nature and uses of this magical medium. From emerging through to established artists; from vintage prints, analogue, digital and alternative technologies; from $400 to $12,000; there is something here for you to desire and to purchase. THE ART OF COLLECTING CCP supporters and keen observers of contemporary photography, I commend to you the 2018 CCP Fundraiser exhibition, The Art of Collecting. Cast your eyes across the magnificent work offered in this catalogue and consult your heart: what will be your choice in purchasing some of the best in contemporary Australian photography as well as supporting the august Centre for Contemporary Photography. You are invited to peruse this catalogue and make your astute choice prior to 6 pm Thursday 17 May, when internationally renowned star of the art world, the eminently collectable Tracey Moffatt opens The Art of Collecting.