Flesh After Fifty
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Uartes Ediciones
1 UArtes Ediciones FUERA DE CAMPO REVISTA DE CINE Volumen 2, Número 3 Septiembre, 2018 ISSN 2477-9202 FUERA DE CAMPO REVISTA DE CINE Volumen 2, Número 3 Septiembre, 2018 ISSN 2477-9202 UNIVERSIDAD DE LAS ARTES Rector, Ramiro Noriega Consejero de Investigación y Relaciones Internacionales, Raúl Vallejo Vicerrectora Académica, María Paulina Soto D.R. © Universidad de las Artes UARTES EDICIONES Director, Mario Fernando Montenegro Concepción Gráfica, Maria Mercedes Salgado Diagramación, José Ignacio Quintana Jiménez Corrección de texto, Marelis Loreto Amoretti UArtes Ediciones FUERA DE CAMPO. REVISTA DE CINE Universidad de las Artes Volumen 2, Número 3. Septiembre, 2018 ISSN 2477-9202 CONSEJO EDITORIAL Arturo Serrano (Director) Universidad Nacional de Educación (Ecuador) Juan Martín Cueva (Editor Asociado) Universidad de las Artes (Ecuador) Jorge Flores Velasco Universidad de las Artes (Ecuador) Pablo Gamba Universidad Central de Venezuela (Venezuela) Oliver Gaycken University of Maryland (EEUU) Yarí Pérez Marín University of Durham (Reino Unido) CONSEJO ASESOR Margot Benacerraf Directora de cine (Venezuela) Colin MacCabe University of Pittsburgh (EEUU) Gerry McCulloch Goldsmiths. University of London (Reino Unido) Joseph Moure Universidad Paris 1 Panthéon-Sorbonne (Francia) Marc Nicholas (†) École Nationale Supérieure des métiers de l’image et du son (La Fémis) (Francia) Paul Schroeder Amherst College (EEUU) Alquimia Peña Fundación del Nuevo Cine Latinoamericano (Cuba) Marta Díaz Universidad de las Artes (Ecuador) Fuera de Campo es una revista cuatrimestral arbitrada de cine editada por la Universidad de las Artes a orillas del manso Río Guayas en la ciudad de Guayaquil, Ecuador. Todos los textos incluidos en la sección Artículos han sido sometidos al arbitraje ciego de dos expertos ajenos a la Universidad de las Artes. -
Exhibiton Checklist
FACE TO FACE An exhibition of portrait and figurative photography from the Albury Regional Art Gallery Collection 29 January – 6 March 2005 Face to Face brings together a selection of works from the extensive Albury Regional Art Gallery Collection of Australian photography that focuses on the human figure including formal and informal portraits and a variety of ideas expressed through narrative, composition and the many avenues available through photographic means. Since its beginnings in 1982, the collection has evolved into one of the finest photographic collections in the country. Seventy-five portrait and figurative works have been specially selected for exhibition at S.H. Ervin Gallery in Sydney. Following the establishment of the Gallery, a collection policy was adopted in 1982 and cited one of the major areas of focus to be Works on Paper, with an emphasis on Photography. To support this mission, the National Photographic Purchase Award was founded in 1983. Since 1999 the Albury Wodonga Regional Art Foundation has sponsored the Award, recognising the value of the collection and the enhanced reputation of the Art Gallery and its standing as a leading supporter of photographic practice in Australia. The National Photographic Purchase Award continues to be a major biennial event attracting artists from a national field and adding new works to the collection. Early purchases and gifts included important suites of work by Max Dupain, Harold Cazneaux, and the popular Siblings series by Robert Rosen. The collection now includes the work of David Moore, J.J. Voss, Brenda Croft, Destiny Deacon, Leah King Smith, Tracey Moffatt, Fiona Hall, Philip Quirk and many other important Australian photographers who have key works included in the exhibition. -
2013 Olive Cotton Award List of Finalists
Olive Cotton Award 2013 – list of exhibition finalists 1. Michele Aboud Sydney NSW Cate Blanchett digital print 2. Belinda Allen Bundeena NSW Dear departed - my sister Kate pigment inkjet print on cotton rag paper 3. Melissa Anderson Cleveland QLD Golden anniversary archival pigment print on fine art photography paper 4. Daniel Arnaldi Sydney NSW Tawf the butcher digital print 5. Narelle Autio Adelaide SA Dash and the spectrum pigment print on cotton rag paper from film 6. Lyn Balzer and Anthony Perkins Sydney NSW Jenny Kee at the Altar Lambda print 7. Janie Barrett Sydney NSW Labelled digital print 8. Katalin Bayer Sydney NSW Six pigment print on cotton rag paper 9. Simon Bernhardt Sydney NSW Jessica TBA 10. Brett Boardman Sydney NSW Mick Deni, Ute Muster 2011 Lambda print 11. Bonney Bombach Hideaway Bay QLD Homeward journey (Wayan) digital print 12. Sally Bongers Sydney NSW Australia archival inkjet print from 6x7" film on cotton rag 13. Chris Budgeon Melbourne VIC Chet Faker archival pigment print 14. Elaine Bull Newcastle NSW Double dare print from medium format Ektachrome film 15. Trish Callaghan Murwillumbah NSW Now, you are cats digital print 16. Michael Cook Brisbane QLD Stickman #10 inkjet print on archival Hahnemuhle cotton paper 17. Michael Corridore Sydney NSW Elisabeth archival pigment print 18. Ross Coulter Melbourne Vic Self portrait as Aussie Jesus (after Durer) type C print 19. Bryson Coverdale Banora Point NSW Cousins - 20 years on giclee print 20. Athene Currie Mt Glorious QLD 8 TBA 21. Helga Dalla Buddina QLD My boys fine art archival cotton rag 22. -
Disobedience
Presents DISOBEDIENCE A film by Sebastián Lelio 114 mins, UK, 2017 Language: English, Hebrew and Yiddish Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Twitter: @starpr2 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia DIRECTED BY Sebastián Lelio STARRING Rachel Weisz, Rachel McAdams, Alessandro Nivola PRODUCED BY Frida Torresblanco, Ed Guiney and Rachel Weisz EXECUTIVE PRODUCED BY Rose Garnett, Daniel Battsek, Ben Browning, Glen Basner, Andrew Lowe, Eric Laufer, Giovanna Randall, SCREENPLAY BY Sebastián Lelio and Rebecca Lenkiewicz BASED ON THE NOVEL BY Naomi Alderman DIRECTOR OF PHOTOGRAPHY Danny Cohen BSC LINE PRODUCER Rachel Dargavel EDITOR Nathan Nugent MUSIC BY Matthew Herbert PRODUCTION DESIGNER Sarah Finlay COSTUME DESIGNER Odile Dicks-Mireaux CASTING DIRECTOR Nina Gold HAIR & MAKE UP DESIGNER Marese Langan 2 SHORT SYNOPSIS A woman returns to her Orthodox Jewish community after the death of her rabbi father and stirs up controversy when she shows an interest in an old childhood friend. LONG SYNOPSIS In a Jewish Orthodox Synagogue in Hendon, the frail RAV KRUSHKA (Anton Lesser) collapses whilst giving a sermon. As funeral rites commence in London, the Rabbi’s exiled daughter RONIT KHRUSKA (Rachel Weisz) is living her life as a photographer in Manhattan. During a photo shoot she is told by the Brooklyn Synagogue of her father’s death; wounded by the news and in a vulnerable state, she gets drunk in a local bar and sleeps with an undetermined man. -
SCMS 2019 Conference Program
CELEBRATING SIXTY YEARS SCMS 1959-2019 SCMSCONFERENCE 2019PROGRAM Sheraton Grand Seattle MARCH 13–17 Letter from the President Dear 2019 Conference Attendees, This year marks the 60th anniversary of the Society for Cinema and Media Studies. Formed in 1959, the first national meeting of what was then called the Society of Cinematologists was held at the New York University Faculty Club in April 1960. The two-day national meeting consisted of a business meeting where they discussed their hope to have a journal; a panel on sources, with a discussion of “off-beat films” and the problem of renters returning mutilated copies of Battleship Potemkin; and a luncheon, including Erwin Panofsky, Parker Tyler, Dwight MacDonald and Siegfried Kracauer among the 29 people present. What a start! The Society has grown tremendously since that first meeting. We changed our name to the Society for Cinema Studies in 1969, and then added Media to become SCMS in 2002. From 29 people at the first meeting, we now have approximately 3000 members in 38 nations. The conference has 423 panels, roundtables and workshops and 23 seminars across five-days. In 1960, total expenses for the society were listed as $71.32. Now, they are over $800,000 annually. And our journal, first established in 1961, then renamed Cinema Journal in 1966, was renamed again in October 2018 to become JCMS: The Journal of Cinema and Media Studies. This conference shows the range and breadth of what is now considered “cinematology,” with panels and awards on diverse topics that encompass game studies, podcasts, animation, reality TV, sports media, contemporary film, and early cinema; and approaches that include affect studies, eco-criticism, archival research, critical race studies, and queer theory, among others. -
Berlin International Film Festival
Press Release Berlinale 2019: International Jury Once again a multitalented International Jury will decide who will take home the Golden and the Silver Bears at the Berlinale 2019. 17 films are competing for the awards in this year’s Competition. The winners will be announced at the Berlinale Palast on February 16. Actress Juliette Binoche will head the jury (see press release from 11.12.2018). The other members of the jury are film critic and author Justin Chang (USA), actress Sandra Hüller (Germany), director Sebastián 69. Internationale Lelio (Chile), curator Rajendra Roy (USA), and the producer, director, Filmfestspiele and actress Trudie Styler (United Kingdom). Berlin 07. – 17.02.2019 Juliette Binoche (France) – Jury President Press Office Juliette Binoche has captivated audiences and critics alike in over 70 films, and has garnered numerous awards and nominations, including Potsdamer Platz 11 honours at the festivals in Berlin, Venice and Cannes. She was discovered 10785 Berlin as an upcoming talent in Jean-Luc Godard’s Je vous salue, Marie (Hail Mary, 1984) before playing her first leading role in André Téchiné’s Phone +49 · 30 · 259 20 · 707 Fax +49 · 30 · 259 20 · 799 Rendez-vous (1985). Her international breakthrough was in Philip Kaufman’s The Unbearable Lightness of Being (1988), the film adaptation [email protected] of the eponymous novel. Since then she has worked internationally, both www.berlinale.de in the USA and in European productions. Her collaboration with Leos Carax, Les amants du Pont-Neuf (The Lovers on the Bridge, 1991), screened in Forum at the 1992 Berlinale. Juliette Binoche received the Coppa Volpi in Venice in 1993 for her role in Trois Couleurs: Bleu (Three Colors: Blue) by Krzysztof Kieślowski, as well as a César Award in 1994. -
FILMS WORTH TALKING ABOUT 56 Days That Will Rock Your Cinema World!
10 JAN 20 5 MAR 20 1 | 10 JAN 20 - 5 MAR 20 88 LOTHIAN ROAD | FILMHOUSECINEMA.COM FILMS WORTH TALKING ABOUT 56 days that will rock your cinema world! Well, here we are again… it’s Awards season! I was reminded of such by a communication that came my way from AMPAS (the Oscar® people) listing nine categories’ shortlists of potential nominees. Now, they’ve been doing that shortlist thing with Foreign Language films for quite some time – there’s a lot of films out there in the world, it would be rather too much for the Academy members to have to watch them all! – but, to my knowledge, they’ve not before done it with any other category. It may be it’s for the same reason of sheer volume as above, but I guess what it also does is allows a greater number of films a reason to mention their Academy Award status in their advertising. I can see it now, “Academy Award Nomination shortlisted…” written on the poster. Where will it all end I wonder, “Academy Award Nomination eligible…”? As luck would have [nothing to do with] it, one of the films on the Foreign Language short list – which at this point in time seems the overwhelming favourite – is Bong Joon Ho’s utterly brilliant Parasite, which takes its place alongside a programme of films that is simplythe best line-up of new cinema I’ve seen in a long time. There’s not just the aforementioned South Korean masterpiece, there’s Sam Mendes’ extraordinary ‘one-take’ wonder 1917 (google ‘1917 behind the scenes featurette’ and prepare to simply have to see this film); Taika (‘Wilderpeople’) Waititi’s WWII, Nazi Germany-set, Jojo Rabbit; Armando Iannucci’s breathless Dickens, The Personal History of David Copperfield; Robert Egger’s uniquely bonkers, fog-bound The Lighthouse; Kidman, Robbie and Theron taking on the Fox News patriarchy in Bombshell; and to cap it all off, and possibly the best of the lot, Céline Sciamma’sexquisite Portrait of a Lady on Fire. -
IN PERSON & PREVIEWS Talent Q&As and Rare Appearances, Plus A
IN PERSON & PREVIEWS Talent Q&As and rare appearances, plus a chance for you to catch the latest film and TV before anyone else Preview: Dirty God + Q&A with director Sacha Polak and actor Vicky Knight UK-Netherlands-Belgium-Ireland 2019. Dir Sacha Polak. With Vicky Knight, Eliza Brady-Girard, Rebecca Stone. 104min. Digital. Cert tbc. Courtesy of Modern Films Set in a small East London council estate, the film follows young mother Jade (Knight) as she tries hard to recover from an acid attack that left her severely disfigured. Dutch director Sacha Polak draws an outstanding performance of raw emotion and sexual frankness from first-time actor Vicky Knight, defying character expectations. SAT 1 JUN 17:30 NFT1 The Night of the Iguana + intro by actors Clive Owen, Lia Williams and Anna Gunn USA 1964. Dir John Huston. With Richard Burton, Ava Gardner, Deborah Kerr, Sue Lyon. 118min. Format tbc. 12A ‘One man... Three women... One night...’ John Huston’s production of Tennessee Williams’ play depicts a disgraced priest who, in a moment of desperation, forces a bus load of passengers to detour to a small Mexican coastal village. He unravels further in the company of its newly widowed owner (Gardner) and one of her guests (Kerr). In association with the new production of The Night of the Iguana at the Noël Coward Theatre, which runs from 6 July, starring Clive Owen (Closer), Lia Williams (The Crown) and Anna Gunn (Breaking Bad) iguanawestend.com TUE 4 JUN 20:10 NFT1 TV Preview: Poldark + Q&A with actors Aidan Turner, Jack Farthing and Luke Norris, and writer Debbie Horsfield BBC One-Mammoth Screen 2019. -
National Portrait Gallery of Australia Annual Report 13/14
National Portrait Gallery of Australia Annual Report 13/14 National Portrait Gallery of Australia Annual Report 13/14 © National Portrait Gallery of Australia 2014 issn 2204-0811 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical (including photocopying, recording or any information storage and retrieval system), without permission from the publisher. This report is also accessible on the National Portrait Gallery’s website portrait.gov.au National Portrait Gallery King Edward Terrace Canberra, Australia Telephone (02) 6102 7000 portrait.gov.au 24 September 2014 Senator the Hon George Brandis qc Attorney-General Minister for the Arts Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the National Portrait Gallery of Australia Board, I am pleased to submit the Gallery’s first independent annual report for presentation to each House of Parliament. The report covers the period 1 July 2013 to 30 June 2014. This report is submitted in accordance with the National Portrait Gallery of Australia Act, 2012 and the Commonwealth Authorities and Companies Act, 1997. The Performance Report has been prepared according to the Commonwealth Authorities (Annual Reporting) Orders 2011. The financial statements were prepared in line with the Finance Minister’s Orders made under the Commonwealth Authorities and Companies Act, 1997. Yours sincerely Dr Helen Nugent ao Chairman national portrait gallery of australia annual report 2013/14 i Contents Chairman’s letter 3 Director’s report 7 Agency overview 13 Accountability and management 17 Performance summary 23 Report against corporate plan 27 Financial statements 49 Appendices 1. -
Political in the Visual Arts Catriona Moore and Catherine Speck
CHAPTER 5 How the personal became (and remains) political in the visual arts Catriona Moore and Catherine Speck Second-wave feminism ushered in major changes in the visual arts around the idea that the personal is political. It introduced radically new content, materials and forms of art practice that are now characterised as central to postmodern and contemporary art. Moreover, longstanding feminist exercises in ‘personal-political’ consciousness-raising spearheaded the current use of art as a testing ground for various social interventions and participatory collaborations known as ‘social practice’ both in and outside of the art gallery.1 Times change, however, and contemporary feminism understands the ‘personal’ and the ‘political’ a little differently today. The fragmentation of women’s liberation, debates around essentialism within feminist art and academic circles, and institutional changes within the art world have prompted different processes and expressions of personal-political consciousness-raising than those that were so central to the early elaboration of feminist aesthetics. Moreover, the exploration and analysis of women’s shared personal experiences now also identify differences among women—cultural, racial, ethnic and class differences—in order to 1 On-Curating.org journal editor Michael Birchall cites examples such as EVA International (2012), the 7th Berlin Biennial and Documenta 13 that reflect overt and covert political ideas. Birchall outlined this feminist connection at the Curating Feminism symposium, A Contemporary Art and Feminism event co-hosted by Sydney College of the Arts, School of Letters, Arts and Media, and The Power Institute, University of Sydney, 23–26 October 2014. 85 EVERYDAY REVOLUTIONS serve more inclusive, intersectional cultural and political alliances. -
Home Truths Exhibition Guide
Loran, 14 & Kiakaha, 14 28 November 2000, Ruth Maddison, silver gelatin photoprint, PXE 906/1 I want to stay in Eden & get married & have babies, but I feel I shouldn’t say that. Loran The Picture Gallery presents highlights from the State Library’s collections. The State Library acknowledges the generous support of the Nelson Meers Foundation and the assistance of the volunteer guides in the Picture Gallery. A free exhibition from 18 August to 7 December 2008 Exhibition opening hours: 9 am to 8 pm Monday to Thursday 9 am to 5 pm Friday, 10 am to 5 pm weekends State Library of New South Wales Macquarie Street Sydney NSW 2000 Telephone (02) 9273 1414 Facsimile (02) 9273 1255 TTY (02) 9273 1541 Email [email protected] www.sl.nsw.gov.au Curator: Alan Davies Project manager: Jo de Monchaux Editor: Helen Cumming Graphic designer: Marianne Hawke Exhibition designer: Elin Thomas Photography by Imaging Services – principal photographer Phong Nguyen Printer: Macdonald and Masterson Paper: KW Doggetts’ HannoArt Silk, cover: 200gsm, text:170gsm Print run: 3000 P&D-2750-08/2008 ISSN 1448–2622 ISBN 0 7313 7188 7 © Ruth Maddison, Pippa Wischer and Hayley Hillis, 2008. All photographs are copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act 1968, no photographs may be reproduced by any processes without permission. Inquiries should be directed to the publisher. © State Library of New South Wales, August 2008 FOREWORD The State Library of New South Wales has Australia’s most important photographic collection, with over a million images recording changes in our society and environment, from 1845 to the present. -
Women's Studies Librarian on Women, Gender, And
WOMEN’S STUDIES LIBRARIAN NEW BOOKS ON WOMEN, GENDER, AND FEMINISM Numbers 58–59 Spring–Fall 2011 University of Wisconsin System NEW BOOKS ON WOMEN, GENDER, & FEMINISM Nos. 58–59, Spring–Fall 2011 CONTENTS Scope Statement .................. 1 Reference/ Bibliography . 58 Anthropology...................... 1 Religion/ Spirituality . 59 Art/ Architecture/ Photography . 2 Science/ Mathematics/ Technology . 63 Biography ........................ 5 Sexuality ........................ 65 Economics/ Business/ Work . 12 Sociology/ Social Issues . 65 Education ....................... 15 Sports & Recreation . 73 Film/ Theater..................... 16 Women’s Movement/ General Women's Studies . 74 Health/ Medicine/ Biology . 18 Periodicals ...................... 76 History.......................... 22 Indexes Humor.......................... 28 Authors, Editors, & Translators . 77 Language/ Linguistics . 28 Subjects....................... 94 Law ............................ 29 Citation Abbreviations . 121 Lesbian Studies .................. 31 Lesbian, Gay, Bisexual, Transgender, Intersex, & Queer Studies . 31 New Books on Women, Gender, & Feminism is published by Phyllis Holman Weisbard, Women's Studies Librarian for the University of Wisconsin System, 430 Memorial Library, 728 Literature State Street, Madison, WI 53706. Phone: (608) 263-5754. Drama ........................ 34 Email: wiswsl @library.wisc.edu. Editor: Linda Fain. Compilers: Elzbieta Beck, Madelyn R. Homuth, Beth Huang, JoAnne Leh- Fiction ........................ 35 man, Michelle Preston,